Old gold | |
---|---|
Color coordinates | |
Hex triplet | #CFB53B |
sRGB B (r, g, b) | (207, 181, 59) |
HSV (h, s, v) | (49°, 71%, 81%) |
CIELChuv (L, C, h) | (74, 74, 72°) |
Source | /Maerz and Paul [1] |
ISCC–NBS descriptor | Strong yellow |
B: Normalized to [0–255] (byte) |
Old gold is a dark yellow, which varies from light olive or olive brown to deep or strong yellow, generally on the darker side of this range.
The first recorded use of old gold as a color name in English was in the early 19th century (exact year uncertain). [2]
Gold, also called golden, is a color tone resembling the gold chemical element.
Olive is a dark yellowish-green color, like that of unripe or green olives.
Lavender is a light shade of purple or violet. It applies particularly to the color of the flower of the same name. The web color called lavender is displayed adjacent—it matches the color of the palest part of the lavender flower; however, the more saturated color shown as floral lavender more closely matches the average color of the lavender flower as shown in the picture and is the tone of lavender historically and traditionally considered lavender by the average person as opposed to those who are website designers. The color lavender might be described as a medium purple or a light pinkish-purple. The term lavender may be used in general to apply to a wide range of pale, light, or grayish-purples, but only on the blue side; lilac is pale purple on the pink side. In paints, the color lavender is made by mixing purple and white paint.
Cerise is a deep to vivid reddish pink.
Red-violet refers to a rich color of high medium saturation about 3/4 of the way between red and magenta, closer to magenta than to red. In American English, this color term is sometimes used in color theory as one of the purple colors—a non-spectral color between red and violet that is a deep version of a color on the line of purples on the CIE chromaticity diagram.
Carmine color is the general term for some deep red colors that are very slightly purplish but are generally slightly closer to red than the color crimson is. Some rubies are colored the color shown below as rich carmine. The deep dark red color shown at right as carmine is the color of the raw unprocessed pigment, but lighter, richer, or brighter colors are produced when the raw pigment is processed, some of which are shown below.
Spring green is a color that was traditionally considered to be on the yellow side of green, but in modern computer systems based on the RGB color model is halfway between cyan and green on the color wheel.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
The color wine is a dark shade of red. It is a representation of the typical color of red wine.
Livid is a medium bluish-gray color. This color name comes from the Latin color term lividus meaning "'a dull leaden-blue color', and also used to describe the color of contused flesh, leading to the English expression 'black and blue'". The first recorded use of livid as a color name in English was in 1622.
Varieties of the color yellow may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors are shown below.
Shades of white are colors that differ only slightly from pure white. Variations of white include what are commonly termed off-white colors, which may be considered part of a neutral color scheme.
Variations of gray or grey include achromatic grayscale shades, which lie exactly between white and black, and nearby colors with low colorfulness. A selection of a number of these various colors is shown below.
The color cyan, a greenish-blue, has notable tints and shades. It is one of the subtractive primary colors along with magenta, and yellow.
There are numerous variations of the color purple, a sampling of which are shown below.
Shades of black are colors that differ only slightly from pure black. These colors have a low lightness. From a photometric point of view, a color which differs slightly from black always has low relative luminance. Variations of black include what are commonly termed off-black colors, which may be considered part of a neutral color scheme, usually in interior design as a part of a background for brighter colors. Black and dark gray colors are powerful accent colors that suggest weight, dignity, formality, and solemnity.