A safety orange warning sign for road construction sites
Safety orange (also known as blaze orange, vivid orange, OSHA orange, hunter orange, or Caltrans orange) is a hue used to set objects apart from their surroundings, particularly in complementarycontrast to the azure color of the sky. (Azure is the complementary color of orange, and thus there is a stark contrast between the two colors.) The high-visibility color is commonly used for hunting during the rifle season and is also used for upland-bird hunting. Places such as construction sites use this orange to help ensure the safety of others.
Note that this CIE color point is outside the gamut of common color spaces like sRGB or Adobe RGB.[citation needed]
Man holding safety orange paper
The closest CIE color point that is still in the sRGB gamut is x = 0.54091, y = 0.40869, Y% = 30.05, corresponding to the sRGB-255 coordinates (232,118,0).[1]
The Adobe RGB color space is larger than the sRGB color space; the closest "safety orange" CIE color point that is still in the Adobe RGB gamut is x = 0.54467, y = 0.41424, Y% = 30.05%, corresponding to the AdobeRGB-255 coordinates (206,118,0).
Safety orange is the color usually used in the United States for traffic cones (starting in 1961[2]), stanchions, barrels, and other construction zone marking devices.[3]OSHA requires that certain construction equipment must be painted safety orange. Two large trucking companies, Allied Van Lines and Schneider National, paint their trucks and trailers safety orange. In Europe, Dayglo orange (or "luminous orange"; RAL 2005) serves the same purpose.
Safety orange is the same color as blaze orange, the shade of orange (Color No. 12199) required by United States law (U.S. Code of Federal Regulations, Title 15 Commerce and Foreign Trade, Section 1150.3) to be on the tips of barrels of replica guns such as airsoft guns, and cap or toy guns. Hunter orange is also the color of hats, caps, and other safety wear required to be worn while hunting in most US states.
Elsewhere
Orange vests using colors such as safety orange as high visibility clothing may be commonly worn by workers in the US: this is not merely a legal standard but can be influenced by culture. Since such colored patterned gear is easily produced, it can be assigned any kind of meaning. In Indonesia, it is commonly worn by parking attendants. Similarly in Thailand, it is used by motorcycle taxi workers. In Hong Kong, some Government Flying Service's aircraft and helicopters are painted in safety orange. Orange construction signs can also be found in Canada.[4][5]
A set of primary colors or primary colours consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model that reflects the physics of how light interacts with physical media, and ultimately the retina. The most common color mixing models are the additive primary colors and the subtractive primary colors. Red, yellow and blue are also commonly taught as primary colours, despite some criticism due to its lack of scientific basis.
Pantone LLC is an American limited liability company headquartered in Carlstadt, New Jersey, and best known for its Pantone Matching System (PMS), a proprietary color space used in a variety of industries, notably graphic design, fashion design, product design, printing, and manufacturing and supporting the management of color from design to production, in physical and digital formats, among coated and uncoated materials, cotton, polyester, nylon and plastics.
In color theory, hue is one of the main properties of a color, defined technically in the CIECAM02 model as "the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, orange, yellow, green, blue, violet," within certain theories of color vision.
The CIELAB color space, also referred to as L*a*b*, is a color space defined by the International Commission on Illumination in 1976. It expresses color as three values: L* for perceptual lightness and a* and b* for the four unique colors of human vision: red, green, blue and yellow. CIELAB was intended as a perceptually uniform space, where a given numerical change corresponds to a similar perceived change in color. While the LAB space is not truly perceptually uniform, it nevertheless is useful in industry for detecting small differences in color.
In color reproduction and colorimetry, a gamut, or color gamut, is a convex set containing the colors that can be accurately represented, i.e. reproduced by an output device or measured by an input device. Devices with a larger gamut can represent more colors. Similarly, gamut may also refer to the colors within a defined color space, which is not linked to a specific device. A trichromatic gamut is often visualized as a color triangle. A less common usage defines gamut as the subset of colors contained within an image, scene or video.
Color theory, or more specifically traditional color theory, is the historical body of knowledge describing the behavior of colors, namely in color mixing, color contrast effects, color harmony, color schemes and color symbolism. Modern color theory is generally referred to as Color science. While there is no clear distinction in scope, traditional color theory tends to be more subjective and have artistic applications, while color science tends to be more objective and have functional applications, such as in chemistry, astronomy or color reproduction. Color theory dates back at least as far as Aristotle's treatise On Colors. A formalization of "color theory" began in the 18th century, initially within a partisan controversy over Isaac Newton's theory of color and the nature of primary colors. By the end of the 19th century, a schism had formed between traditional color theory and color science.
The Adobe RGB (1998) color space or opRGB is a color space developed by Adobe Inc. in 1998. It was designed to encompass most of the colors achievable on CMYK color printers, but by using RGB primary colors on a device such as a computer display. The Adobe RGB (1998) color space encompasses roughly 30% of the visible colors specified by the CIELAB color space – improving upon the gamut of the sRGB color space, primarily in cyan-green hues. It was subsequently standardized by the IEC as IEC 61966-2-5:1999 with a name opRGB and is used in HDMI.
A spectral color is a color that is evoked by monochromatic light, i.e. either a spectral line with a single wavelength or frequency of light in the visible spectrum, or a relatively narrow spectral band. Every wave of visible light is perceived as a spectral color; when viewed as a continuous spectrum, these colors are seen as the familiar rainbow. Non-spectral colors are evoked by a combination of spectral colors.
The color amber is a pure chroma color, located on the color wheel midway between the colors of yellow and orange. The color name is derived from the material also known as amber, which is commonly found in a range of yellow-orange-brown-red colors; likewise, as a color, amber can refer to a range of yellow-orange colors. In English, the first recorded use of the term as a color name, rather than a reference to the specific substance, was in 1500.
In color science, a color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers, typically as three or four values or color components. When this model is associated with a precise description of how the components are to be interpreted, taking account of visual perception, the resulting set of colors is called "color space."
A color solid is the three-dimensional representation of a color space or model and can be thought as an analog of, for example, the one-dimensional color wheel, which depicts the variable of hue ; or the 2D chromaticity diagram, which depicts the variables of hue and spectral purity. The added spatial dimension allows a color solid to depict the three dimensions of color: lightness, hue, and colorfulness, allowing the solid to depict all conceivable colors in an organized three-dimensional structure.
In optics, orange has a wavelength between approximately 585 and 620 nm and a hue of 30° in HSV color space. In the RGB color space it is a secondary color numerically halfway between gamma-compressed red and yellow, as can be seen in the RGB color wheel. The complementary color of orange is azure. Orange pigments are largely in the ochre or cadmium families, and absorb mostly blue light.
Varieties of the color green may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a green or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
Varieties of the color red may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a red or other hue mixed with white, a shade being mixed with black. A large selection of these various colors are shown below.
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of color – whether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names, or structured with mathematical rigor. A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised.
Varieties of the color yellow may differ in hue, chroma or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a yellow or other hue mixed with white, a shade being mixed with black. A large selection of these various colors is shown below.
In color theory, the line of purples or purple boundary is the locus on the edge of the chromaticity diagram formed between extreme spectral red and violet. Except for these endpoints of the line, colors on the line are non-spectral. Rather, every color on the line is a unique mixture in a ratio of fully saturated red and fully saturated violet, the two spectral color endpoints of visibility on the spectrum of pure hues. Colors on the line and spectral colors are the only ones that are fully saturated in the sense that, for any point on the line, no other possible color being a mixture of red and violet is more saturated than it.
Varieties of the color blue may differ in hue, chroma, or lightness, or in two or three of these qualities. Variations in value are also called tints and shades, a tint being a blue or other hue mixed with white, a shade being mixed with black. A large selection of these colors is shown below.
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Color coordinates
