"Relax" is the debut single by English synth-pop band Frankie Goes to Hollywood, released in the United Kingdom by ZTT Records in 1983.
"No Limit" is a song recorded by Belgian/Dutch Eurodance group 2 Unlimited, released in January 1993 by Byte, ZYX and PWL. It was their fifth single in total and the first to be released from their second album, No Limits! (1993). Co-written by the group's Ray Slijngaard and Anita Dels, the song became one of their most commercially successful singles, especially in Europe, reaching the number-one spot in 35 countries and the top 10 in several others. Like previous releases, the UK version of the single removed all of the raps from Slijngaard, leaving just Dels' vocals. One word from the rap was kept, the word 'Techno' which was looped and repeated during the middle of the song, turning the line into "Techno! Techno! Techno! Techno!" and giving the song an extra vocal hook. Its accompanying music video was directed by Nick Burgess-Jones and received heavy rotation on MTV Europe.
"Right in the Night (Fall in Love with Music)" is a song by German electronic music duo Jam & Spoon, released by JAM! and Dance Pool as the second single from the duo's second album, Tripomatic Fairytales 2001 (1993). It is a Eurodance song with elements from progressive and vocal trance. It is based on "Leyenda" by the classical composer Isaac Albéniz and features vocals by American vocalist Plavka, with lyrics by Nosie Katzmann. The flamenco-styled riff in the song is played by duo member Jam El Mar, who was trained as a classical guitarist.
"Heaven" is a song by the Canadian singer and songwriter Bryan Adams recorded in 1983, written by Adams and Jim Vallance. It first appeared on the A Night in Heaven soundtrack album the same year and was later included on Adams' album Reckless in 1984. It was released as the third single from Reckless and reached number one on the U.S. Billboard Hot 100 in June 1985, over a year and a half after the song first appeared on record. The single was certified Gold in Canada in 1985.
"House of Love" is a song by American drag queen, singer and songwriter RuPaul, released in 1993 by Tommy Boy Records as the singer's third major-label single, and fifth single overall from his debut album, Supermodel of the World (1993). The song did not chart in the US as it was previously released as a Double A-Side to the 1992 single "Supermodel ". It did however reach the Top 40 in the UK.
Elegant Slumming is the second album by the British dance band M People. It was released on 4 October 1993 charting and peaking at number 2 on the UK Album Chart and spent 87 weeks in the Top 75. It re-entered the chart three times in October 1996 and March and September 1997. Its overall sales stand at 759,000 as of September 2020.
"No More Tears (Enough Is Enough)" is a 1979 song recorded by American singers Barbra Streisand and Donna Summer. It was written by Paul Jabara and Bruce Roberts, and produced by Giorgio Moroder and Gary Klein. The song was recorded for Streisand's Wet album and also as a new track for Summer's compilation double album On the Radio: Greatest Hits Volumes I & II. The full-length version was found on Streisand's album, while a longer 11-minute edit (the 12" version) was featured on Summer's album. The longer 12" version features additional production by frequent collaborator Harold Faltermeyer, and incorporates a harder rock edge.
"Mr. Vain" is a song by German musical group Culture Beat, released in April 1993 by Dance Pool as the lead single from the group's second studio album, Serenity (1993). The song was written by Steven Levis, Nosie Katzmann and Jay Supreme, and produced by Torsten Fenslau. Tania Evans is the lead vocalist and Supreme is the rapper. The female part of the lyrics describes the narcissist title character Mr. Vain, while the rap embodies his selfish desires.
"Moving On Up" is the seventh overall single from British band M People, and the second single from their second album, Elegant Slumming (1993). Written by band members Mike Pickering and Paul Heard, and produced by M People, it was released on 13 September 1993 by Deconstruction. The song peaked at number two on the UK Singles Chart and number one on the UK Dance Singles Chart and was the biggest selling M People single. It also became a top-40 hit on the US Billboard Hot 100 and peaked at number one on the Billboard Dance Club Songs chart. The accompanying music video for the song sees the band performing in a club.
"Yesterday, When I Was Mad" is a song by English synth-pop duo Pet Shop Boys, released as the fifth and final single from their fifth studio album, Very (1993), on 29 August 1994 by Parlophone. The single, both written and produced by Neil Tennant and Chris Lowe, peaked at number 13 on the UK Singles Chart and number four on the US Billboard Hot Dance Club Play chart. The song was remixed by Jam & Spoon for its single release, among other things removing a compression effect applied to Tennant's voice during the verses. Its music video was directed by Howard Greenhalgh. One of the B-sides is a cover of the Noël Coward song "If Love Were All".
"Break 4 Love" is a song written, produced and recorded by Vaughan Mason, the principal member of American house music group Raze, the song's original credited performer. The song, the group's only significant US hit, featured vocals by Keith Thompson and Vaughan Mason, as well as sexual sound samples by Erique Dial. The single peaked at number 28 on the UK Singles Chart and topped the US Billboard Hot Dance Club Play chart in 1988. It is still considered a classic of the early house music genre.
"Anything" is a song recorded by German Eurodance group Culture Beat, released in December 1993 by Dance Pool as the third single from the group's second album, Serenity (1993). Written by Nosie Katzmann with Jay Supreme, Torsten Fenslau and Peter Zweie, the song was very successful on the charts in Europe. It reached the top five in at least nine countries, including Belgium, France, Germany, Spain and the United Kingdom. The song's music video was directed by Matt Broadley and filmed in London.
"The Rhythm of the Night" is a song by Italian Eurodance group Corona. It was released as their debut single in 1993 in Italy, then elsewhere the following year. The song is the title track of the group's debut studio album, The Rhythm of the Night (1995), and was written by Francesco Bontempi, Annerley Emma Gordon, Giorgio Spagna, Pete Glenister and Mike Gaffey. It was produced by Bontempi, and the vocals were performed by Italian singer Giovanna Bersola, who is not credited on the single and does not appear in the music video. The woman who appears in the video is the group's frontwoman Olga Souza. The video was A-listed on Music TV-channels, such as Germany's VIVA. The song was a worldwide hit in 1994, peaking at number-one in Italy, and within the top five in most of Europe, while in the US, it fell short of the top ten, reaching number eleven on both the Billboard Hot 100 and the Cash Box Top 100.
"Don't Look Any Further" is a song by American singer Dennis Edwards featuring American singer-songwriter Siedah Garrett, released in April 1984 from the singer's debut album by the same name (1984). The song is written by Franne Golde, Dennis Lambert and Duane Hitchings. It peaked at No. 2 on the Billboard Black Singles chart and No. 72 on the Billboard Hot 100. In the UK, the song peaked at No. 45.
"Sight for Sore Eyes" is the tenth overall single from British band M People from their third album, Bizarre Fruit (1994). Written by bandmembers Mike Pickering, Paul Heard and Heather Small, and produced by M People, it was released as the album's lead single on 7 November 1994 by Deconstruction. The song peaked at number six on the UK Singles Chart and number four on the UK Dance Singles Chart, becoming the band's sixth consecutive single to enter the UK top 10. Its music video was directed by Terence Donovan and filmed in London.
"Renaissance" is a song by British electronic group M People, released on 28 February 1994 as the fourth and final single from their second album, Elegant Slumming (1994). In Australia, it was released as the third single from the album. It was written by Mike Pickering and Paul Heard and produced by M People. The song peaked at number five on the UK Singles Chart following the band's first win for Best British Dance Act at the 1994 BRIT Awards.
"Little Bit of Heaven" is a song by British singer-songwriter and actress Lisa Stansfield from her third album, So Natural (1993). It was released by Arista Records as the second proper single in the United Kingdom on 29 November 1993 and in other European countries in March 1994. The song was written by Stansfield and her husband, Ian Devaney, and produced by Devaney.
"Heaven Knows" is a song by American singer-songwriter Luther Vandross, released in September 1993 as the second single from his eight studio album, Never Let Me Go (1993). The song peaked in the top 30 on both Billboard's Hot R&B Singles and the Hot Dance Club Play, and also at thirty-three on the Billboard Hot Adult Contemporary Singles chart.
"Rockin' for Myself" is a song by British electronic dance music record producer Motiv8, aka Steve Rodway. Based around a vocal loop originally performed by Anne-Marie Smith on Italian dance act 49ers' 1992 single, "Move Your Feet", it was released in late 1993 and features vocals by British singer Angie Brown. This version reached number 67 on the UK Singles Chart. In the spring of 1994, it was re-mixed and re-released, peaking at number 18 in the UK. But on the UK Dance Singles Chart, it was even more successful, peaking at number-one. On the Eurochart Hot 100, it reached number 63. Outside Europe, it was successful in Australia, peaking at number nine. A music video was produced to promote the single, featuring a model and dancer lip-syncing the song on a red sofa, wearing yellow sweater and beret.
"Shine On" is a song by American house music project Degrees of Motion, featuring vocals by Biti Strauchn and Kit West. It was originally released in July 1992 as a single from their album, Degrees Of Motion (1991), peaking at number 43 on the UK Singles Chart. Following a re-release in March 1994, it charted higher, peaking at number eight on the same listing. It also reached number one on the UK Dance Singles Chart same year.
