Onionskin

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Typewritten page of canary onionskin, 1912. Note the translucency in the upper right corner, where the red library stamp on the obverse is visible. Onionskin paper.jpg
Typewritten page of canary onionskin, 1912. Note the translucency in the upper right corner, where the red library stamp on the obverse is visible.

Onionskin or onion skin is a thin, lightweight, strong, often translucent paper, [1] named for its resemblance to the thin skins of onions. [2] It was usually used with carbon paper for typing duplicates in a typewriter, for permanent records where low bulk was important, or for airmail correspondence. [3] It is typically 25–39  g/m2 (9-pound basis weight in US units), and may be white or canary-colored.

In the typewriter era, onion skin often had a deeply textured cockle finish [ citation needed ] which allowed for easier erasure of typing mistakes, but other glazed and unglazed finishes were also available then and may be more common today.

Onionskin paper is relatively durable and lightweight due to its high content of cotton fibers. Because of these attributes and its crispness when folding, onionskin paper is one of the best papers to use for toy kites and advanced paper airplanes. Paper airplanes made from onionskin paper tend to fly very well due to their low weight and high integrity once folded.

Onionskin paper has also been regularly used in traditional cel animation. Due to its translucency, it is used as a guide in drawing the frames between key-frames. This is a process that animators refer to as "in-betweening". The process of "onionskinning" is also used in digital animation where frames are represented by digital layers in a production.

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Inbetweening, also known as tweening, is a process in animation that involves creating intermediate frames, called inbetweens, between two keyframes. The intended result is to create the illusion of movement by smoothly transitioning one image into another.

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<span class="mw-page-title-main">Onion skinning</span> 2D animation technique

In 2D computer graphics, onion skinning is a technique used in creating animated cartoons and editing movies to see several frames at once. This way, the animator or editor can make decisions on how to create or change an image based on the previous image in the sequence.

<i>Ochroma</i> Genus of trees

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<span class="mw-page-title-main">Traditional animation</span> Animation technique in which frames are hand-drawn

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<span class="mw-page-title-main">Skeletal animation</span> Computer animation technique

Skeletal animation or rigging is a technique in computer animation in which a character is represented in two parts: a surface representation used to draw the character and a hierarchical set of interconnected parts, a virtual armature used to animate the mesh. While this technique is often used to animate humans and other organic figures, it only serves to make the animation process more intuitive, and the same technique can be used to control the deformation of any object—such as a door, a spoon, a building, or a galaxy. When the animated object is more general than, for example, a humanoid character, the set of "bones" may not be hierarchical or interconnected, but simply represent a higher-level description of the motion of the part of mesh it is influencing.

<span class="mw-page-title-main">Paper plane</span> Toy aircraft made of folded paper

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<span class="mw-page-title-main">Tissue paper</span> Lightweight paper or, light crêpe paper

Tissue paper or simply tissue is a lightweight paper or, light crêpe paper. Tissue can be made from recycled paper pulp on a paper machine.

<span class="mw-page-title-main">Microform</span> Forms with microreproductions of documents

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<span class="mw-page-title-main">Tracing paper</span> Paper made to have low opacity, allowing light to pass through

Tracing paper is paper made to have low opacity, allowing light to pass through. Its origins date back to at least the 1300s where it was used by artists of the Italian Renaissance. In the 1880s, tracing paper was produced en masse, used by architects, design engineers, and artists. Tracing paper was key in creating drawings that could be copied precisely using the diazo copy process. It then found many other uses. The original use for drawing and tracing was largely superseded by technologies that do not require diazo copying or manual copying of drawings.

<span class="mw-page-title-main">Sandwich-structured composite</span> Material composed of two thin, stiff skins around a lightweight core

In materials science, a sandwich-structured composite is a special class of composite materials that is fabricated by attaching two thin-but-stiff skins to a lightweight-but-thick core. The core material is normally of low strength, but its greater thickness provides the sandwich composite with high bending stiffness with overall low density.

Onion skin may refer to:

<span class="mw-page-title-main">Music stand</span> Stand to hold songbooks or sheet music

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<span class="mw-page-title-main">Conservation and restoration of parchment</span> Preservation of heritage collections

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<span class="mw-page-title-main">Vehicle frame</span> Main supporting structure of a motor vehicle

A vehicle frame, also historically known as its chassis, is the main supporting structure of a motor vehicle to which all other components are attached, comparable to the skeleton of an organism.

Studcast concrete, also called "pre-framed concrete", combines relatively thin concrete layers with cold formed steel framing to create hybrid panels; the result is a panelized system usable for cladding, curtain walls, shaft walls, and load-bearing exterior and interior walls. Studcast panels install in the same manner as prefabricated steel stud panels. The technology is applicable for both factory prefabrication and site-cast (tilt-up) wall construction on almost all types of buildings, including multifamily housing, schools, industrial, commercial and institutional structures.

Woodfree uncoated paper (WFU), uncoated woodfree paper (UWF) or uncoated fine papers are manufactured using wood that has been processed into a chemical pulp that removes the lignin from the wood fibers and may also contain 5–25% fillers. Both softwood and hardwood chemical pulps are used and a minor part of mechanical pulp might be added. These paper grades are calendered.

<span class="mw-page-title-main">Conservation and restoration of paintings</span> Preservation of heritage collections

The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.

<span class="mw-page-title-main">Conservation and restoration of woodblock prints</span> Preservation of heritage collections

The conservation and restoration of woodblock prints, is the process of caring for and repairing images made from a specific printing process involving using wooden reliefs to stamp or imprint an image onto paper. The process of creating woodblock prints as Asian examples are known, or woodcuts as Western examples are called, has been known for many centuries, and many older prints have experienced aging and deterioration of the paper and colorants used.

References

  1. "Paper". Preservation Self-Assessment Program. University of Illinois at Urbana-Champaign. Retrieved 20 May 2022.
  2. Garibi, Ilan; Vishne, Gadi. "Paper Review #9: Onion Skin Paper". OrigamiUSA. Retrieved 20 May 2022.
  3. "Bookbinding and the Conservation of Books: A Dictionary of Descriptive Terminology". CoOL: Conservation OnLine. Etherington & Roberts. 2011-11-19. Archived from the original on 2015-09-23. Retrieved 2014-10-16.