The Missal of Silos is the oldest known document on paper (as opposed to parchment) created in Europe; it dates to before 1080 AD. [1] The manuscript was written on quarto; it comprises 157 folios, of which folios 1 to 37 are on paper and the rest are on parchment. [2] Strictly speaking, it is not a missal: It has been described as a breviary-missal. [3] It can also be described as a Liber Mysticus or Breviarum gothicum .
The missal is "Codex 6" held in the library of the Monastery of Santo Domingo de Silos near Burgos, Spain. While the codex is named after its long-term home in Silos, it was not made at the Silos monastery's scriptorium; it was made at the monastery of Santa María la Real of Nájera. The paper for the missal is believed to have been manufactured in Muslim-ruled territory (Al-Andalus), [3] even though Nájera was in Christian territory at the time the document was created.
The manuscript relates to the Mozarabic rite. This was suppressed in 1080 by Pope Gregory VII (something which helps date the manuscript). [1] However, the monastic library continued to hold a collection of liturgical manuscripts of the rite until the 19th century when some were sold.
The library is accessible to researchers. In 2013, the manuscript was inspected by Umberto Eco, who had referred to Silos in his 1980 novel The Name of the Rose . [3] Eco's visit was widely reported in the Spanish press.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
Nájera is a small town, former bishopric and now Latin Catholic titular see, former capital of the Kingdom of Najera-Pamplona, located in the "Rioja Alta" region of La Rioja, northern Spain, on the river Najerilla. Nájera is a stopping point on the French Way the most popular path on the Way of St James.
The Mozarabic Rite, officially called the Hispanic Rite, and in the past also called the Visigothic Rite, is a liturgical rite of the Latin Church once used generally in the Iberian Peninsula (Hispania), in what is now Spain and Portugal. While the liturgy is often called 'Mozarabic' after the Christian communities that lived under Muslim rulers in Al-Andalus that preserved its use, the rite itself developed before and during the Visigothic period. After experiencing a period of decline during the Reconquista, when it was superseded by the Roman Rite in the Christian states of Iberia as part of a wider programme of liturgical standardization within the Catholic Church, efforts were taken in the 16th century to revive the rite and ensure its continued presence in the city of Toledo, where it is still celebrated today. It is also celebrated on a more widespread basis throughout Spain and, by special dispensation, in other countries, though only on special occasions.
Santo Domingo de Silos Abbey is a Benedictine monastery in the village of Santo Domingo de Silos in the southern part of Burgos Province in northern Spain. The monastery is named after the eleventh-century saint Dominic of Silos.
Santa María la Real is a monastery in the small town of Nájera in the La Rioja community, Spain. Originally a royal foundation, it was ceded by Alfonso VI to the Cluniac order. It was an important pilgrimage stop on the Camino de Santiago. It is particularly well known for the woodwork in the choir of the church.
Mozarabic chant is the liturgical plainchant repertory of the Visigothic/Mozarabic rite of the Catholic Church, related to the Gregorian chant. It is primarily associated with Hispania under Visigothic rule and later with the Mozarabs and was replaced by the chant of the Roman rite following the Christian Reconquest of the Iberian Peninsula. Although its original medieval form is largely lost, a few chants have survived with readable musical notation, and the chanted rite was later revived in altered form and continues to be used in a few isolated locations in Spain, primarily in Toledo.
The Glosas Emilianenses are glosses written in the 10th or 11th century to a 9th-century Latin codex called the Aemilianensis 60; the name Glosas Emilianenses is also sometimes applies to the entire codex. These marginalia are important as early attestations of both an Iberian Romance variety and of medieval Basque. The codex is now in Madrid, but came from the monastic library at San Millán de la Cogolla. The anonymous author of the glosses is presumed to be a monk at San Millán de Suso, one of two monastic sites in the village.
The Escorial Beatus is a 10th-century illuminated manuscript of the Commentary on the Apocalypse by Beatus of Liébana. The manuscript was probably created at the monastery at San Millán de la Cogolla. There are 151 extant folios which measure 395mm by 225mm. The manuscript is illustrated with 52 surviving miniatures. Of the original illustrations within the commentary, twenty-seven of the original illustrations are left. Compared to other illuminated manuscripts, including other illuminated manuscripts at the time, the Escorial Beatus is slightly smaller in comparison. The Escorial Beatus is one of the most well-known illuminated manuscripts that make use of the Mozarabic style of art. This would later lead to influence other well known artistic styles, including styles like Romanesque and Carolingian.
Mozarabic art is an early medieval artistic style that is part of the pre-Romanesque style and is linked to the kingdom of León. It was developed by the Hispanic Christians who lived in Arab-Muslim territory and in the expansion territories of the León crown, in the period from the Arab-Islamic Conquest of the Iberian Peninsula (711) to the end of the 11th century. During this period, disciplines such as painting, goldsmithing and architecture with marked Caliphate influences were cultivated in a context of medieval coexistence - Christian, Hebrew and Muslim - in which the territories were constantly changing in size and status. Other names for this artistic style are Leonese art or repopulation art.
The Commentary on the Apocalypse is a Latin commentary on the biblical Book of Revelation written around 776 by the Spanish monk and theologian Beatus of Liébana. The surviving texts differ somewhat, and the work is mainly famous for the spectacular illustrations in a group of illustrated manuscripts, mostly produced on the Iberian Peninsula over the following five centuries. There are 29 surviving illustrated manuscripts dating from the 9th to the 13th centuries, as well as other unillustrated and later manuscripts. Significant copies include the Morgan, Saint-Sever, Gerona, Osma, Madrid, and Tábara Beatus codices.
The Kiev Missal is a seven-folio Glagolitic Old Church Slavonic canon manuscript containing parts of the Roman-rite liturgy. It is usually held to be the oldest and the most archaic Old Church Slavonic manuscript, and is dated at no later than the latter half of the 10th century. Seven parchment folios have been preserved in small format of easily portable book to be of use to missionaries on the move.
San Martín de Albelda was a Riojan monastery, whose ruins now lie within the municipal boundaries of Albelda de Iregua. It was an important and advanced cultural centre in Spain and western Europe during the tenth century.
Minuscule 480, δ 462, is a Greek minuscule manuscript of the New Testament, on parchment. It is dated by a colophon to the year 1366. The manuscript is lacunose. The manuscript was adapted for liturgical use. It has marginalia. It contains liturgical books with hagiographies: Synaxarion and Menologion.
The Castle of San Servando is a medieval castle in Toledo, Spain, near the Tagus River. It was begun as a monastery, occupied first by monks and later by the Knights Templar.
M. Moleiro Editor is a publishing house specialising in high-quality facsimile reproductions of codices, maps and illuminated manuscripts. Founded in Barcelona in 1991, the firm has reproduced many masterpieces from the history of illumination.
Monasteries in Spain have a rich artistic and cultural tradition, and serve as testament to Spain's religious history and political-military history, from the Visigothic Period to the Middle Ages. The monasteries played an important role in the recruitment conducted by Christian aristocracy during and after the progress of the Reconquista, with the consequent decline in the Muslim south of the peninsula.
Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.
The Arrabal of Saint Martin was a medieval arrabal (neighborhood) that sat outside the Christian Walls of Madrid. It was located around the location of the current Plaza of San Martín, and occupied the space between Calle del Arenal, the Plaza de las Descalzas, Plaza del Callao, and Calle de las Navas de Tolosa. It grew as a population center around the Monastery of Saint Martin, neighboring San Martín was the Arrabal of San Ginés, and both were absorbed by the growth of the city in the 17th century.
The Spanish illumination of the Early Middle Ages is the art of decorating books that developed in Spain from the 8th to the 11th. The country was marked by the Muslim occupation from 711, which tended to isolate it from the rest of Europe. In the regions that remained Christian, first in the Kingdom of Asturias and then in León, an original art was invented in monasteries, mixing Visigothic, Carolingian, and also Moorish influences.
see the line-item "Offices and Masses; f)" – source of material, size, and ff number.
You can help expand this article with text translated from the corresponding article in Spanish. (June 2020)Click [show] for important translation instructions.
|