James Francis Cagney Jr. was an American actor and dancer. On stage and in film, he was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances.
Warner Bros. Entertainment Inc. is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. Discovery (WBD). Founded in 1923 by four brothers, Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games, and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA).
Footlight Parade is a 1933 American musical film directed by Lloyd Bacon, with songs written by Harry Warren (music), Al Dubin (lyrics), Sammy Fain (music) and Irving Kahal (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred James Cagney, Joan Blondell, Ruby Keeler and Dick Powell, with featured appearances by Frank McHugh, Guy Kibbee, Hugh Herbert, and Ruth Donnelly.
The Public Enemy is a 1931 American pre-Code gangster film produced and distributed by Warner Bros. The film was directed by William A. Wellman, and starring James Cagney, Jean Harlow, Edward Woods, Donald Cook and Joan Blondell. The film relates the story of a young man's rise in the criminal underworld in Prohibition-era urban America. The supporting players include Beryl Mercer, Murray Kinnell, and Mae Clarke. The screenplay is based on an unpublished novel—Beer and Blood by two former newspapermen, John Bright and Kubec Glasmon—who had witnessed some of Al Capone's murderous gang rivalries in Chicago.
Richard Ewing Powell was an American actor, singer, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.
Rose Joan Blondell was an American actress who performed in film and television for 50 years.
William Joseph Patrick O'Brien was an American film actor with more than 100 screen credits. Of Irish descent, he often played Irish and Irish-American characters and was referred to as "Hollywood's Irishman in Residence" in the press. One of the best-known screen actors of the 1930s and 1940s, he played priests, cops, military figures, pilots, and reporters. He is especially well-remembered for his roles in Knute Rockne, All American (1940), Angels with Dirty Faces (1938), and Some Like It Hot (1959). He was frequently paired onscreen with Hollywood star James Cagney. O'Brien also appeared on stage and television.
Smart Money is a 1931 American pre-Code drama film produced and distributed by Warner Bros., directed by Alfred E. Green, and starring Edward G. Robinson and James Cagney. It is the only occasion Robinson and Cagney appeared in a film together, despite being the two leading actors, mainly portraying gangsters, at Warner Bros. studios throughout the 1930s. Smart Money was shot after Robinson's signature film Little Caesar had been released and during the filming of Cagney's breakthrough performance in The Public Enemy, which is how Cagney came to play a supporting role.
Convention City is a 1933 American pre-Code sex comedy film directed by Archie Mayo, and starring Joan Blondell, Guy Kibbee, Dick Powell, Mary Astor and Adolphe Menjou. The film was produced by Henry Blanke and First National Pictures and distributed by Warner Bros.
Granville Gustavus Withers, known professionally as Grant Withers, was an American film actor. He began working in motion pictures during the last years of the silent era. Withers moved into sound films, establishing himself with a list of headlined features as a young and handsome male lead. Historian Terry Rowan writes, "As his career progressed ... his importance diminished, but he did manage a 10-year contract with Republic."
Blonde Crazy is a 1931 American pre-Code romantic comedy-drama film directed by Roy Del Ruth and starring James Cagney, Joan Blondell, Noel Francis, Louis Calhern, Ray Milland, and Guy Kibbee. The film is notable for one of Cagney's lines, a phrase often repeated by celebrity impersonators: "That dirty, double-crossin' rat!"
Darby's Rangers is a 1958 American war film starring James Garner as William Orlando Darby, who organizes and leads the first units of United States Army Rangers during World War II. Directed by William Wellman, the picture was shot by Warner Brothers Studios in black and white, to match wartime stock footage included in the production. It was inspired by the 1945 book Darby's Rangers: An Illustrated Portrayal of the Original Rangers, by Major James J. Altieri, himself a veteran of Darby's force.
Night Nurse is a 1931 American pre-Code crime drama mystery film produced and distributed by Warner Bros. directed by William A. Wellman, and starring Barbara Stanwyck, Ben Lyon, Joan Blondell and Clark Gable. The film is based on the 1930 novel of the same name by Dora Macy, the pen name of Grace Perkins. The film was considered risqué at the time of its release, particularly the scenes where Stanwyck and Blondell are shown in their lingerie. Clark Gable portrays a viciously violent chauffeur who is gradually starving two little girls to death after having already purposely run over their slightly older sister with a limousine, killing her.
Seton Ingersoll Miller was an American screenwriter and producer. During his career, he worked with film directors such as Howard Hawks and Michael Curtiz. Miller received two Oscar nominations and won once for Best Screenplay for the 1941 fantasy romantic comedy film, Here Comes Mr. Jordan, along with Sidney Buchman.
The Millionaire is a 1931 all-talking pre-Code comedy film produced and distributed by Warner Bros. and starring George Arliss in the title role. The film is a remake of the 1922 film titled The Ruling Passion, which also starred Arliss. The film was based on the short story "Idle Hands" by Earl Derr Biggers. In one of his early film roles, James Cagney had a brief but key appearance as a life insurance salesman. The supporting cast features Florence Arliss, David Manners, Evalyn Knapp, Noah Beery Sr., Cagney, J. Farrell MacDonald, Charley Grapewin and Tully Marshall.
Union Depot is a 1932 American pre-Code melodrama film directed by Alfred E. Green for Warner Bros., starring Douglas Fairbanks Jr. and Joan Blondell, and based on an unpublished play by Joe Laurie Jr., Gene Fowler, and Douglas Durkin. The film, an ensemble piece for the studio's contract players, also features performances by Guy Kibbee, Alan Hale, Frank McHugh, David Landau, and George Rosener. In the United Kingdom it was released under the title Gentleman for a Day.
The Crowd Roars is a 1932 American pre-Code drama film directed by Howard Hawks starring James Cagney and featuring Joan Blondell, Ann Dvorak, Eric Linden, Guy Kibbee, and Frank McHugh. A film of the same name was made in 1938 with a different story, starring Robert Taylor.
Lafayette Escadrille, also known as C'est la Guerre, Hell Bent for Glory (UK) and With You in My Arms, is a 1958 American war film produced by Warner Bros. It stars Tab Hunter and Etchika Choureau and features David Janssen and Will Hutchins, as well as Clint Eastwood, in an early supporting role. It was the final film in the career of director William A. Wellman and is based on his original story.
Sinners' Holiday is a 1930 American pre-Code all-talking crime drama film starring Grant Withers and Evalyn Knapp, and featuring James Cagney, Lucille La Verne, and Joan Blondell. It is based on the 1930 play Penny Arcade by Marie Baumer. Both Cagney and Blondell reprised the roles they played in the original Broadway production.
The era of American film production from the early sound era to the enforcement of the Hays Code in 1934 is denoted as Pre-Code Hollywood. The era contained violence and crime in pictures which would not be seen again until decades later. Although the Hays office had specifically recommended removing profanity, the drug trade, and prostitution from pictures, it had never officially recommended against depictions of violence in any form in the 1920s. State censor boards, however, created their own guidelines, and New York in particular developed a list of violent material which had to be removed for a picture to be shown in the state. Two main types of crime films were released during the period: the gangster picture and the prison film.
