Amplitude modulation (AM) is a modulation technique used in electronic communication, most commonly for transmitting messages with a radio wave. In amplitude modulation, the amplitude of the wave is varied in proportion to that of the message signal, such as an audio signal. This technique contrasts with angle modulation, in which either the frequency of the carrier wave is varied, as in frequency modulation, or its phase, as in phase modulation.
In electronics and telecommunications, modulation is the process of varying one or more properties of a periodic waveform, called the carrier signal, with a separate signal called the modulation signal that typically contains information to be transmitted. For example, the modulation signal might be an audio signal representing sound from a microphone, a video signal representing moving images from a video camera, or a digital signal representing a sequence of binary digits, a bitstream from a computer.
In radio communications, single-sideband modulation (SSB) or single-sideband suppressed-carrier modulation (SSB-SC) is a type of modulation used to transmit information, such as an audio signal, by radio waves. A refinement of amplitude modulation, it uses transmitter power and bandwidth more efficiently. Amplitude modulation produces an output signal the bandwidth of which is twice the maximum frequency of the original baseband signal. Single-sideband modulation avoids this bandwidth increase, and the power wasted on a carrier, at the cost of increased device complexity and more difficult tuning at the receiver.
In telecommunications and signal processing, baseband is the range of frequencies occupied by a signal that has not been modulated to higher frequencies. Baseband signals typically originate from transducers, converting some other variable into an electrical signal. For example, the electronic output of a microphone is a baseband signal that is analogous to the applied voice audio. In conventional analog radio broadcasting, the baseband audio signal is used to modulate an RF carrier signal of a much higher frequency.
In radio communications, a sideband is a band of frequencies higher than or lower than the carrier frequency, that are the result of the modulation process. The sidebands carry the information transmitted by the radio signal. The sidebands comprise all the spectral components of the modulated signal except the carrier. The signal components above the carrier frequency constitute the upper sideband (USB), and those below the carrier frequency constitute the lower sideband (LSB). All forms of modulation produce sidebands.
Pulse-width modulation (PWM), also known as pulse-duration modulation (PDM) or pulse-length modulation (PLM), is any method of representing a signal as a rectangular wave with a varying duty cycle.
Automatic gain control (AGC) is a closed-loop feedback regulating circuit in an amplifier or chain of amplifiers, the purpose of which is to maintain a suitable signal amplitude at its output, despite variation of the signal amplitude at the input. The average or peak output signal level is used to dynamically adjust the gain of the amplifiers, enabling the circuit to work satisfactorily with a greater range of input signal levels. It is used in most radio receivers to equalize the average volume (loudness) of different radio stations due to differences in received signal strength, as well as variations in a single station's radio signal due to fading. Without AGC the sound emitted from an AM radio receiver would vary to an extreme extent from a weak to a strong signal; the AGC effectively reduces the volume if the signal is strong and raises it when it is weaker. In a typical receiver the AGC feedback control signal is usually taken from the detector stage and applied to control the gain of the IF or RF amplifier stages.
In electronics, ring modulation is a signal processing function, an implementation of frequency mixing, in which two signals are combined to yield an output signal. One signal, called the carrier, is typically a sine wave or another simple waveform; the other signal is typically more complicated and is called the input or the modulator signal. A ring modulator is an electronic device for ring modulation. A ring modulator may be used in music synthesizers and as an effects unit.
Peak envelope power (PEP) is the average power over a single radio frequency cycle at the crest of the modulation. This is a Federal Communications Commission definition. PEP is normally considered the occasional or continuously repeating crest of the modulation envelope under normal operating conditions. The United States FCC uses PEP to set maximum power standards for radio transmitters.
A product detector is a type of demodulator used for AM and SSB signals. Rather than converting the envelope of the signal into the decoded waveform like an envelope detector, the product detector takes the product of the modulated signal and a local oscillator, hence the name. A product detector is a frequency mixer.
An envelope detector is an electronic circuit that takes a (relatively) high-frequency signal as input and outputs the envelope of the original signal.
A phase detector or phase comparator is a frequency mixer, analog multiplier or logic circuit that generates a signal which represents the difference in phase between two signal inputs.
Continuous phase modulation (CPM) is a method for modulation of data commonly used in wireless modems. In contrast to other coherent digital phase modulation techniques where the carrier phase abruptly resets to zero at the start of every symbol, with CPM the carrier phase is modulated in a continuous manner. For instance, with QPSK the carrier instantaneously jumps from a sine to a cosine whenever one of the two message bits of the current symbol differs from the two message bits of the previous symbol. This discontinuity requires a relatively large percentage of the power to occur outside of the intended band, leading to poor spectral efficiency. Furthermore, CPM is typically implemented as a constant-envelope waveform, i.e., the transmitted carrier power is constant. Therefore, CPM is attractive because the phase continuity yields high spectral efficiency, and the constant envelope yields excellent power efficiency. The primary drawback is the high implementation complexity required for an optimal receiver.
Phase distortion (PD) synthesis is a synthesis method introduced in 1984 by Casio in its CZ range of synthesizers. In outline, it is similar to phase modulation synthesis as championed by Yamaha Corporation, in the sense that both methods dynamically change the harmonic content of a carrier waveform by influence of another waveform (modulator) in the time domain. However, the application and results of the two methods are quite distinct.
Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20 Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing.
In radio, a detector is a device or circuit that extracts information from a modulated radio frequency current or voltage. The term dates from the first three decades of radio (1888–1918). Unlike modern radio stations which transmit sound on an uninterrupted carrier wave, early radio stations transmitted information by radiotelegraphy. The transmitter was switched on and off to produce long or short periods of radio waves, spelling out text messages in Morse code. Therefore, early radio receivers could reproduce the Morse code "dots" and "dashes" by simply distinguishing between the presence or absence of a radio signal. The device that performed this function in the receiver circuit was called a detector. A variety of different detector devices, such as the coherer, electrolytic detector, magnetic detector and the crystal detector, were used during the wireless telegraphy era until superseded by vacuum tube technology.
A white clipper is a circuit in professional video products that limits the maximum amplitude of the luminance part of the analogue video signal to 1 volt. It is essential for both analogue recording and transmission of video material.
The output power of a TV transmitter is the electric power applied to antenna system. There are two definitions: nominal and thermal. Analogue television systems put about 70% to 90% of the transmitters power into the sync pulses. The remainder of the transmitter's power goes into transmitting the video's higher frequencies and the FM audio carrier. Digital television modulation systems are about 30% more efficient than analogue modulation systems overall.
A digital signal is a signal that represents data as a sequence of discrete values; at any given time it can only take on, at most, one of a finite number of values. This contrasts with an analog signal, which represents continuous values; at any given time it represents a real number within a continuous range of values.
In electronics, power amplifier classes are letter symbols applied to different power amplifier types. The class gives a broad indication of an amplifier's characteristics and performance. The first three classes are related to the time period that the active amplifier device is passing current, expressed as a fraction of the period of a signal waveform applied to the input. This metric is known as conduction angle (θ). A class A amplifier is conducting through all the period of the signal (θ=360°); Class B only for one-half the input period (θ=180°), class C for much less than half the input period (θ<180°). Class D amplifiers operate their output device in a switching manner; the fraction of the time that the device is conducting may be adjusted so a pulse-width modulation output can be obtained from the stage.
