The pear of anguish, also known as choke pear or mouth pear, is a device of disputed use invented in the early modern period. The mechanism consists of a pear-shaped metal body divided into spoon-like segments that can be spread apart with a spring or by turning a key. Its proposed functionality as a torture device is to be variously inserted into the mouth, rectum, or vagina, and then expanded to gag or mutilate the victim; its historical use as a torture device is controversial.
Some scholars have disputed historical accounts of the pear as being suspiciously implausible. [1] While there exist some examples from the early modern period, some of them open with a spring, and the removable key is there not to open the mechanism, but rather to close it. At least one of the older devices is held closed with a cap at the end, suggesting it could not have been opened after inserting it into an orifice without actively holding it shut. There is no contemporary evidence of such a torture device existing in the medieval era, and ultimately the utility of any genuine pears of anguish remains unknown. It is possible that it could have been used to extract juices from fruit. [2]
There is no contemporary first-hand account of these devices or their use. However, through the design of the devices, such as metal consistency and style, a select few are thought to have been made in the early modern period (circa 1600). An early mention is in F. de Calvi's L'Inventaire général de l'histoire des larrons ("General inventory of the history of thieves"), written in 1639, which attributes the invention to a robber named Capitaine Gaucherou de Palioly in the days of Henry of Navarre. Palioly would have used a mechanical gag to subdue a wealthy Parisian while he and his accomplices robbed the victim's home. [3] [4]
Further mentions of the device appear in the 19th century. They are also mentioned in Grose's Dictionary of the Vulgar Tongue (1811) as "Choke Pears", and described as aids used in extortion, "formerly used in Holland." [5]
They were also discussed in a book by Eldridge and Watts, superintendent of police and chief inspector of the detective bureau in Boston, Massachusetts (1897). While accepting that ordinary pear-shaped gags exist, they observed that contemporary robbers used no such device as Palioly's Pear and cast doubt upon its very existence in the first place, saying that "fortunately for us this 'diabolical invention' appears to be one of the lost arts, if, indeed, it ever existed outside of de Calvi's head. There is no doubt, however, of the fashioning of a pear-shaped gag which has been largely used in former days by robbers in Europe and may still be employed to some extent. This is also known as the 'choke-pear', though it is far less marvelous and dangerous than the pear of Palioly." [6]
Another mention is found in Brewer's Dictionary of Phrase and Fable (1898), which claims that "robbers in Holland at one time made use of a piece of iron in the shape of a pear, which they forced into the mouth of their victim. On turning a key, a number of springs thrust forth points of iron in all directions, so that the instrument of torture could never be taken out except by means of the key." [7]
Chris Bishop of Australian National University argues the construction of the oldest indicates it sprang open and screwed closed (as opposed to being screwed open) and the workmanship exceeds that expected from a torture device. Furthermore, the provenance of many of the devices is unknown and the workmanship indicates they are likely of recent manufacture, and the accounts of its use are not contemporary with the Middle Ages, making the accounts suspect. Bishop postulates that the pear's rise to prominence as a medieval torture device originated with a misidentification of an ornate pear (being a mechanism of unknown use, as described) donated to the Louvre by Alexandre-Charles Sauvageot in 1856 as the device described in the 17th-century story about Palioly's gag. [2] As to the original artifacts' use, Bishop concludes:
There are very few genuine examples of a poire d'angoisse from which to build our analysis. We have no clear statement as to what these items might have been, only a connection drawn between an obscure exhibit in a 19th-century collection and a spurious Histoire from two centuries before. That connection having been made, all subsequent sources agreed, and before long a sham industry was established which simultaneously fed off and reinforced the hypothesis by fabricating and retailing new "artifacts". The maladroit reproductions that populate the more tawdry museums can tell us nothing about the origins or purpose of the originals. They are indicative only of our own dark desires and secret fears. We can say that the original devices themselves could not pre-date the 16th century and are, in all likelihood, younger even than that. Despite numerous attempts to do so, they cannot be considered "medieval". They are, in every way, very modern inventions. Certainly, they were not used for torture. They are far too elegant and made with too much care for that. One could imagine them as surgical instruments - some sort of speculum perhaps, or a device for levering open the mouth in order that a dentist might operate. But then they could just as easily be shoe-extenders, or sock-stretchers, or glove-wideners. [2]
Alexandre Dumas père utilizes a choke pear in his fictional account of the prison escape of François de Vendôme, duc de Beaufort in the novel Twenty Years After .
A footnote in the book says: “This poire d’angoisse was a famous gag, in the form of a pear, which, being thrust into the mouth, by the aid of a spring, dilated, so as to distend the jaws to their greatest width.”
Though there is little or no evidence of its use, there are a number of extant examples of variously crude, ornate, and elaborate, pear-shaped devices with three or four leaves or lobes, driven by turning a key that rotates the central screw thread, which spreads or closes the leaves. These are generally held in museums devoted to the subject of torture and are described as instruments of torture by distension or evisceration. Some, but not all, have small spikes of uncertain purpose at the bottom of each leaf. However, these devices do not seem to match the descriptions given by Calvi or the 19th-century sources.
The Inquisition was a medieval Catholic judicial procedure where the ecclesiastical judges could initiate, investigate and try cases, and later a name for various State-organized tribunals whose aim was to combat heresy, apostasy, blasphemy, witchcraft, and other dangers, using this procedure. Studies of the records have found that the overwhelming majority of sentences consisted of penances, but convictions of unrepentant heresy were handed over to the secular courts for the application of local law, which generally resulted in execution or life imprisonment. If the accused was known to be lying, a single short application of non-maiming torture was allowed, to corroborate evidence.
Pears are fruits produced and consumed around the world, growing on a tree and harvested in late summer into mid-autumn. The pear tree and shrub are a species of genus Pyrus, in the family Rosaceae, bearing the pomaceous fruit of the same name. Several species of pears are valued for their edible fruit and juices, while others are cultivated as trees.
A seal is a device for making an impression in wax, clay, paper, or some other medium, including an embossment on paper, and is also the impression thus made. The original purpose was to authenticate a document, or to prevent interference with a package or envelope by applying a seal which had to be broken to open the container.
The rebec is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings.
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses tangents—small wedges, typically made of wood or metal—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible.
The thumbscrew is a torture instrument which was first used in early modern Europe. It is a simple vise, sometimes with protruding studs on the interior surfaces. Victims' thumbs, fingers, or toes were placed in the vice and slowly crushed. The crushing bars were sometimes lined with sharp metal points to puncture the nails. While the most common design operated upon a single thumb or big toe, variants could accommodate both big toes, all five fingers of one hand, or all ten toes.
The iron maiden is a torture device, consisting of a solid iron cabinet with a hinged front and spike-covered interior, sufficiently tall to enclose a human being. While often popularly thought to have been used in the medieval period, the first stories citing the iron maiden were composed in the 19th century. The use of iron maidens is considered to be a myth, heightened by the belief that people of the Middle Ages were uncivilized; evidence of their actual use has never been found. They have become a popular image in media involving the Middle Ages and involving torture chambers.
The term boot refers to a family of instruments of torture and interrogation variously designed to cause crushing injuries to the foot and/or leg. The boot has taken many forms in various places and times. Common varieties include the Spanish boot and the Malay boot. One type was made of four pieces of narrow wooden board nailed together. The boards were measured to fit the victim's leg. Once the leg was enclosed, wedges would be hammered between the boards, creating pressure. The pressure would be increased until the victim confessed or lost consciousness.
A scold's bridle, sometimes called a witch's bridle, a gossip's bridle, a brank's bridle, or simply branks, was an instrument of punishment, as a form of public humiliation. It was an iron muzzle in an iron framework that enclosed the head. A bridle-bit, about 5 cm × 2.5 cm in size, was slid into the mouth and pressed down on top of the tongue, often with a spike on the tongue, as a compress. It functioned to silence the wearer from speaking entirely, to prevent the women from nagging. The scold's bridle was used on women. This prevented speaking and resulted in many unpleasant side effects for the wearer, including excessive salivation and fatigue in the mouth. For extra humiliation, a bell could also be attached to draw in crowds. The wearer was then led around town by a leash.
Cock and ball torture (CBT) is a sexual activity involving the application of pain or constriction to the male genitals. This may involve directly painful activities, such as genital piercing, wax play, genital spanking, squeezing, ball-busting, genital flogging, urethral play, tickle torture, erotic electrostimulation, kneeing or kicking. The recipient of such activities may receive direct physical pleasure via masochism, or emotional pleasure through erotic humiliation, or knowledge that the play is pleasing to a sadistic dominant. Many of these practices carry significant health risks.
A gag is a device used in sexual bondage and BDSM roleplay. Gags are usually associated with roleplays involving bondage, but that is not necessarily the case. The person who wears the gag is regarded as the submissive partner, while the other is regarded as the dominant one. People may wear gags for a variety of reasons. Some people derive erotic pleasure from a gag, either in a submissive or dominant role. When combined with other physical restraints, the wearing of a gag can increase the wearer's sense of helplessness and anxiety level within a BDSM scene by rendering them unable to speak during sexual activity, which some people enjoy.
Water torture encompasses a variety of techniques using water to inflict physical or psychological harm on a victim as a form of torture or execution.
In American English, a pitcher is a container with a spout used for storing and pouring liquids. In English-speaking countries outside North America, a jug is any container with a handle and a mouth and spout for liquid – American "pitchers" will be called jugs elsewhere. Generally a pitcher also has a handle, which makes pouring easier.
A pear is a tree of the genus Pyrus and the fruit of that tree, edible in some species.
The jiagun ankle crusher was a Chinese instrument of torture consisting of three wooden boards approximately a yard in length that were connected with cords, which when placed around a suspect's feet and gradually pulled, caused agonizing pain in order to force a confession. Under traditional Chinese law, a person could not be convicted of a crime unless they confessed. The jiagun was a legal and non-lethal method for torturing men to confess, and for women there was the similar and less painful zanzhi finger crusher with small sticks and cords.
Dental instruments are tools that dental professionals use to provide dental treatment. They include tools to examine, manipulate, treat, restore, and remove teeth and surrounding oral structures.
A choke pear or chocky-pear is an astringent fruit. The term is used for the fruit of any variety of pear which has an astringent taste and is difficult to swallow.
The iron bit, also referred to as a gag, was used by enslavers and overseers as a form of punishment on slaves in the Southern United States. The bit, sometimes depicted as the scold's bridle, uses similar mechanics to that of the common horse bit. The scolds bridle however, is almost always associated with its use on women in the early 17th century and there are very few accounts of the device as a method of torture against black slaves under that particular name. As opposed to the whip, the iron bit lacks the historic, social, and literary symbolic fame that would make information on the use of the iron bit as accessible. Its use throughout history has warranted some attention though, mostly from literary texts. Even earlier, slave narratives and publications of newspapers and magazines from the 18th century on give evidence of this device being used to torture and punish slaves.
Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, playback or record songs or pieces; or to analyze or edit music.