The following is a list of unproduced Philip Kaufman projects in roughly chronological order. During his long career, American film director Philip Kaufman has worked on a number of projects which never progressed beyond the pre-production stage under his direction. Some of these projects fell in "development hell" or were officially cancelled, while others were taken over and completed by other filmmakers.
Kaufman had initially been attached to direct The Outlaw Josey Wales , and had adapted the novel for the screen with the aiding of Sonia Chernus and an uncredited Michael Cimino. While he had wanted to stay as close to the source novel as possible, Kaufman was less happy with its fascistic political stance and felt that element of the script needed to be severely toned down. [1] [2] The film's star and financer, Clint Eastwood disagreed with this change, "And it was his film," Kaufman said. Principal photography officially commenced on October 6, 1975, in Lake Powell and near Paria, Utah. [3] [1] Eastwood immediately disagreed with Kaufman's directing method, who insisted on filming with a meticulous attention to detail. One day, Kaufman insisted on finding a beer can as a prop to be used in a scene. While he was absent, Eastwood ordered cinematographer Bruce Surtees to quickly shoot the scene and leave, before Kaufman returned. On October 24, Kaufman was fired at Eastwood's command by producer Robert Daley. [1] From then on, the film was directed by Eastwood himself with Daley as the second-in-command.
Kaufman was initially set to direct Raiders of the Lost Ark , after conceiving the story with George Lucas in the mid-70s. [4] However, Kaufman postponed the project to work on The Outlaw Josey Wales . In 1977, Lucas invited Steven Spielberg to accompany him on vacation in Hawaii, where he then offered him the position to direct. [5] Spielberg accepted and the film was made in 1981.
In 1976, Kaufman was signed to direct Star Trek: Planet of the Titans , after several other filmmakers were approached. The plot would have seen the crew of the USS Enterprise investigating the homeworld of the mythical alien race of the Titans. In escaping through a black hole, they're hurled into the prehistoric past where they teach early man how to make fire, [6] similar to the alien influence on human ancestors seen in 2001: A Space Odyssey . [7] The film would have also explored the concept of the third eye, [8] and was later compared to the appearance of the Greek Gods in the original series episode "Who Mourns for Adonais?". [9] After Chris Bryant and Allan Scott's script draft was rejected, they both quit, and Kaufman tried to rewrite the story, with the resulting treatment heavily inspired by the Olaf Stapledon sci-fi novels Last and First Men and Star Maker . He later described this version as being "less 'cult-ish' and more of an adult movie, dealing with sexuality and wonders rather than oddness." [10] He intended this version to feature Spock facing off against a main Klingon enemy, intended by Kaufman to be played by Japanese actor Toshiro Mifune. Kaufman explained that it would have featured the two undergoing a psychedelic experience, and summed it up by saying, "I'm sure the fans would have been upset, but I felt it could really open up a new type of science fiction." [10] The project was eventually killed on May 8, 1977, some two weeks before the release of Star Wars . [8] Various reasons have been cited for the cancellation, including a regime change at Paramount, and that executives thought they had missed their window due to the imminent release of Star Wars, believing science fiction fans would not pay to see two such films. [6]
In 1983, Kaufman and producer Stephen J. Roth announced plans for a film based on the novels of Talbot Mundy, to be called Jimgrim vs. the Nine Unknown. The project was shelved after the financers, Tri-Star, pulled out allegedly on account of the lukewarm box office reception of Kaufman's The Right Stuff . [11]
In March 1991, Kaufman was hired to direct Kathy McWorter's spec script The Cheese Stands Alone for Scott Rudin at Paramount, [12] though he allegedly left the project after one week due to fundamental disagreements with McWorter. The script is a comedy set in present-day Chicago that follows a 35-year-old Hungarian Gypsy virgin who meets a strong young woman that turns his life upside down. [13]
In June 1995, Kaufman made a development pact with New Line Cinema to direct the comedy Legalese. [14] Kaufman later dropped out due to "slowdowns in casting." [15]
In August 1995, Kaufman signed on to direct, executive produce, and adapt The Alienist for Paramount Pictures, based upon the 1994 period novel by Caleb Carr. [16] Kaufman worked for two years on the film, even hiring storyboard artists and scouting for locations. [17] "It had very dark material," said Kaufman, "But when I set out on it, I said to Sherry Lansing at Paramount, 'Are you really going to do a story about a boy whore who is killed?' And she looked me in the eye and said, 'You bet we are.' We worked on the script, the locations, everything. Two years – no exaggeration. It was ready to go when the studio said, 'Well, no, perhaps we're not'." [18] An estimated amount of $1.5 million-$2 million was spent on the film. [19]
In February 1997, after his adaptation of The Alienist stalled at Paramount, Kaufman made a deal to develop the adaptation of Peter Blauner's The Intruder for Mandalay Entertainment as his next directing project. The film was slated for production in New York for late Summer or early Spring. [20]
In March 1997, after Francis Ford Coppola and Wayne Wang left the production of The Good Shepherd , screenwriter Eric Roth selected Kaufman to direct the film. [21] The two worked together on the project for a year, adapting the script into a nonlinear structure, going backwards and forwards in time. Kaufman, who believed this change would "give it a more contemporary feeling," helped give the story a more cohesive context, providing subtext for the characters' motivations. [22] However, the new studio head halted production due to his lack of interest in making a spy film that fell outside of the action genre. From that point, the project was taken to MGM where it languished in development hell for several years before eventually being directed by Robert De Niro in 2006.
In April 1997, Kaufman was in negotiations with Marvel Studios to direct a film based on their comic book character Namor, entitled Namor: Sub-Mariner. [23] Kaufman was developing the film the next month when he revealed it would tackle environmental issues by depicting Namor as having "bad feelings" towards the land residents of Earth over ecological concerns. [24]
In February 1998, it was reported that Kaufman would replace Alfonso Cuarón as director on the adaptation of John Grisham's The Runaway Jury , with the start date planned for Summer. [25] Though, he too was replaced, by Gary Fleder.
In August 1998, Robin Williams signed on to play concert pianist Liberace in an untitled biopic to have been directed by Kaufman. [26] The film was written by screenwriting duo Jason Friedberg and Aaron Seltzer, and was slated to begin production in the Fall of 2000. [27] However, in the December 2000/January 2001 issue of Venice Magazine, Kaufman stated that they were still working on getting the script right. [28]
In May 1999, Kaufman was announced to direct David and Janet Peoples' script of Johnny Stompanato, about the tumultuous relationship between gangster Johnny Stompanato and actress Lana Turner. [29] The film was budgeted at $30 million and was to be produced by Martin Elfand. Richard Gere was attached to star. [30]
In the early 2000s, Kaufman had apparently tried to direct a film from a script by Cecil Brown about 1930s jazz musician and drug dealer Mezz Mezzrow. [18] [31] [32]
Kaufman also stated around this time that he was working on an adaptation of Saul Bellow's Henderson the Rain King , and that Jack Nicholson had shown interest in playing the titular eccentric millionaire who embarks on a spiritual quest to Africa. [28] As of 2001, the project was still being developed, with no studio officially involved. [33]
In July 2001, Kaufman was reported to direct the long-in-development biopic about rogue CIA agent Aldrich Ames adapted from the book by Peter Maas. Screenwriter Henry Bromell was in talks to rewrite the film's script, with previous drafts having already been done by Stephen Rivele and Christopher Wilkinson, and John Logan. [34]
On August 22, 2001, Variety reported that Kaufman would direct a remake of Alfred Hitchcock's Suspicion for Dimension Films and RKO from a script by playwright John Guare. [35]
Variety also indicated that Kaufman had at that time signed on to direct a film titled Prison Fish, for Phoenix Pictures. [35] On August 29, 2001, it was reported that Jerry Stahl was in talks to write the script, based on a forthcoming memoir You Got Nothing Coming: Notes from a Prison Fish by Jimmy Lerner. Kaufman expected the tone of Stahl's script to be both gritty and funny; "His stuff is really amusing, in the tradition of Lenny Bruce." [33]
Also in August 2001, Kaufman was developing an adaptation of George Eliot's 1876 eight-part novel Daniel Deronda at Fox Searchlight. [33]
In November 2001, Kaufman was attached to develop and direct the psychological thriller Perfect Stranger for Revolution Studios. At this stage, Kaufman had been eying Julia Roberts to play the lead and screenwriter Frank Renzulli was in talks to rewrite Jon Bokenkamp's original premise. [36] The film was eventually made by director James Foley in 2007, starring Halle Berry and Bruce Willis.
Kaufman had also apparently worked on a drama based on the life of Louis Armstrong backed by Max Palevsky. [32]
In January 2006, Kaufman signed on to direct I Was Interrupted, a biopic about Nicholas Ray from a script by Oren Moverman. It was to have been adapted from Ray's memoir of the same name and chronicle the last decade of the late director's life. [37] [38] No start date was reported for the film.
In May 2006, Kaufman was attached to direct Challenger starring David Strathairn as world-famous scientist Richard Feynman. Written by Nicole Perlman, the project was described as an investigative drama "in the vein of The Insider " that examined the role Feynman played in the probe of the Challenger shuttle explosion. [39]
In November 2014, Kaufman said he wanted to do more work in television and that he had just finished writing something for actor Clive Owen. [40] The following month, Kaufman revealed the project to be a period drama "along the lines of Deadwood " that would have been set up as a miniseries or a limited-run series. [4]
Star Trek: Phase II was the initial working title for what officially became titled Star Trek II, an unproduced American science fiction television series created by Gene Roddenberry as a sequel to the original Star Trek, which had run from 1966 to 1969. The plans for the series were first developed after several failed attempts to create a feature film based on the property, coupled with plans for a Paramount Television Service (PTS) as a fourth broadcast television network in the United States.
Star Trek: The Motion Picture is a 1979 American science fiction film directed by Robert Wise. The Motion Picture is based on and stars the cast of the 1966–1969 television series Star Trek created by Gene Roddenberry, who serves as producer. In the film, set in the 2270s, a mysterious and powerful alien cloud known as V'Ger approaches Earth, destroying everything in its path. Admiral James T. Kirk assumes command of the recently refitted Starship Enterprise to lead it on a mission to determine V'Ger's origins and save the planet.
Nicholas Meyer is an American screenwriter, director and author known for his best-selling novel The Seven-Per-Cent Solution, and for directing the films Time After Time, two of the Star Trek feature films, the 1983 television film The Day After, and the 1999 HBO original film Vendetta.
Jeffrey Jacob Abrams is an American filmmaker and composer. He is best known for his works in the genres of action, drama, and science fiction. Abrams wrote and produced such films as Regarding Henry (1991), Forever Young (1992), Armageddon (1998), Cloverfield (2008), Star Trek (2009), Star Wars: The Force Awakens (2015), and Star Wars: The Rise of Skywalker (2019). Abrams' films have grossed over $4 billion worldwide, making him the tenth-highest-grossing film director of all time.
Charles Stuart Kaufman is an American screenwriter, film director, and novelist. Having first come to prominence for writing Being John Malkovich (1999), Adaptation (2002), and Eternal Sunshine of the Spotless Mind (2004), he went on to direct films based on his own screenplays: Synecdoche, New York (2008), Anomalisa (2015), and I'm Thinking of Ending Things (2020). In 2020, he released a novel, Antkind.
Philip Kaufman is an American film director and screenwriter who has directed fifteen films over a career spanning nearly five decades. He has received numerous accolades including a BAFTA Award along with nominations for an Academy Award, and a Primetime Emmy Award. He has been described as a "maverick" and an "iconoclast," notable for his versatility and independence, often directing eclectic and controversial films. He is considered an "auteur" whose films have always expressed his personal vision. Kaufman's works have included genres such as realism, horror, fantasy, erotica, western, and crime.
Akiva Goldsman is an American filmmaker.
The Wanderers is a 1979 American coming-of-age comedy-drama film co-written and directed by Philip Kaufman and starring Ken Wahl, John Friedrich, Karen Allen, Toni Kalem, Tony Ganios and Jim Youngs. Set in the Bronx in 1963, the film follows a gang of Italian-American teenagers known as the Wanderers and their ongoing power struggles with rival gangs such as the Baldies and the Wongs.
Shawn Adam Levy is a Canadian filmmaker and actor. He is the founder of 21 Laps Entertainment. His work has spanned numerous genres, and his films as a director have grossed a collective $3.5 billion worldwide.
Hossein Amini is an Iranian-born British screenwriter and film director who has worked as a screenwriter since the early 1990s. He was nominated for numerous awards for the 1997 film The Wings of the Dove, including an Academy Award for Best Writing – Adapted Screenplay. He also won a "Best Adapted Screenplay" award from the Austin Film Critics Association for his screenplay adaptation of Nicolas Winding Refn's Drive (2011), based on the novel by James Sallis. For his directorial debut, he both wrote and directed The Two Faces of January, an adaptation of the Patricia Highsmith novel.
Star Trek: Planet of the Titans, also known as Star Trek: Planet of Titans, is an unproduced film based on Star Trek, which reached the script and design phases of pre-production. Following the success of Star Trek in broadcast syndication during the early 1970s and the popularity of the series at science-fiction conventions, Paramount Studios made several attempts to produce a feature film based upon the series. In 1975, Star Trek: The God Thing was proposed by franchise creator Gene Roddenberry but was not picked up by the studio.
Star Trek: The God Thing is an unproduced film script written by Star Trek series creator Gene Roddenberry. Following the success of Star Trek in broadcast syndication during the early 1970s, Paramount Pictures sought to produce a feature film based on the property. The film's plot follows the Enterprise crew after the events of The Original Series: when an alien entity declares itself God and begins travel to Earth, Admiral James T. Kirk reunites the crew, who send it back to its own dimension. Roddenberry completed the story on June 30, 1976, but Paramount rejected the script for reasons Roddenberry attributed to the religious views of company executives. Story elements were used in Star Trek V: The Final Frontier.
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The following is a list of unproduced J. J. Abrams projects in roughly chronological order. During a career that has spanned over 30 years, J. J. Abrams has worked on projects which never progressed beyond the pre-production stage under his direction.
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The following is a list of unproduced David Fincher projects in roughly chronological order. During his career, American film director David Fincher has worked on a number of projects which never progressed beyond the pre-production stage under his direction. Some of these projects fell in development hell, were officially canceled, were in development limbo or would see life under a different production team.
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The following is a list of unproduced Paul Verhoeven projects in roughly chronological order. During his long career, Dutch film director Paul Verhoeven has worked on many projects that never progressed beyond the pre-production stage under his direction. Some of these projects fell into development hell, were officially cancelled, were in development limbo or would see life under a different production team.
We're working on getting the script right. Robin Williams came into our office recently, saw a picture of Liberace with Carol Channing and proceeded to do a conversation between both of them! [laughs] We all fell off our chairs, laughing. I think he'd be brilliant as Liberace. So, we'll see. The other project we're thinking about is Henderson the Rain King , from Saul Bellow's book. Jack Nicholson is interested in doing it. We're also working on Killer Spy, the Aldrich Ames story, for Fox Searchlight. It's hard. I ran into an old friend the other night and we reminisced about this long list of movies that we had written, storyboarded, got all ready to shoot and then they never happened because we couldn't get Tom Hanks or Tom Cruise to do the leads. Very frustrating...