Pickin' Up the Pieces | ||||
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Studio album by | ||||
Released | August 24, 2010 | |||
Studio | Culver City Music Factory, Dillon Street Studios, Los Angeles [1] | |||
Genre | ||||
Length | 36:13 | |||
Label | Dangerbird | |||
Producer | Chris Seefried, Michael Fitzpatrick | |||
Fitz and the Tantrums chronology | ||||
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Singles from Pickin' Up the Pieces | ||||
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Pickin' Up the Pieces is the debut studio album by American band Fitz and the Tantrums, released on August 24, 2010, by Dangerbird Records. After the success of their home-recorded debut EP, Songs for a Breakup, Vol. 1 and touring, Dangerbird signed the group, who immediately began work on Pieces.
The band drew inspiration from various musical tastes, including Motown records and soul music, and recorded the album in vocalist Michael Fitzpatrick's living room, which he dubbed Dillon Street Studios. It was produced by Fitzpatrick and Chris Seefried.
Upon its release, Pickin' Up the Pieces charted at number one on Billboard 's Top Heatseekers and received generally positive reviews from music critics.
Michael Fitzpatrick, vocalist, founded the group shortly after a break-up. [3] Having a hard time after the breakup, Fitzpatrick came to the conclusion that he needed to release the energy through creativity and get a focus and direction, for the sole purpose of distracting him from the discomfort. [4] In late 2008, he received a call from the same ex-girlfriend, who demanded a rigid "no-talking" policy, to tell him about a neighbor who needed to unload a church organ for $50. [3] [4] Thanks to some "shady Russian piano movers," Fitzpatrick had the organ installed in his apartment that night. [3] By morning, he had already written "Breakin' the Chains of Love". "I immediately knew it was the best song I'd written," said Fitzpatrick in 2011. "I could astral plane out and hear myself, like, 'wow!' Not bad!" [3] Fitzpatrick knew he wanted a horn section, and he called college friend and saxophonist James King, and the two immediately began working on early versions of the songs. [5] Fitzpatrick envisioned a full band, in suits, with a female vocalist. [3] King recommended vocalist Noelle Scaggs. [6] Five phone calls later, the Tantrums were assembled, out of college contacts of Fitzpatrick and King. [3] [4] They played their first rehearsal a week later, and instantly clicked. [5] "We could have played a show that same night," recalled Fitzpatrick. [3]
They performed their first show at Hollywood's Hotel Café in December 2008, which Fitzpatrick booked one week after their first rehearsal. [6] The group recorded their debut EP, Songs for a Breakup, Vol. 1 , at Fitzpatrick's home in Los Angeles, which he dubbed Dillon Street Studios. [3] Fitzpatrick used his technical skills he honed to engineer the EP himself. [4] Formerly a studio engineer, Fitzpatrick spent the bulk of his professional career behind the scenes, working with producer Mickey Petralia, who produced Beck, Ladytron, Flight of the Conchords, and The Dandy Warhols. [6] The band began to constant airplay on Los Angeles public radio station KCRW. [5] The group had many notable early promoters. "Adam Levine from Maroon 5 was in New York to get a tattoo and his favorite tattoo artist had downloaded the record after hearing us on KCRW," explained Fitzpatrick. "He told Adam, 'you gotta hear this band.'" A week and a half later, Fitz & The Tantrums were opening for Maroon 5 on their college tour. [3] Daryl Hall, of Hall & Oates fame, invited the band to perform on his popular web-series Live from Daryl's House. "I walked back into the kitchen of his big old house in upstate New York and his mother was there," recalled Fitzpatrick. "She said, 'Fitz, come over here. You sound just like my son!'" [3]
The entire foundation of the band from the start was a do it yourself approach. "Nobody was really giving us the time of day in any shape or form," recalled Fitzpatrick. "We just honed our own road, started playing before we even had songs to play, and developed our own fan base organically." [7] The ethic was running out of steam by the time they became one of the major buzz bands at 2010's SXSW, where they ran out of money and resources amid congratulations from fans. However, their last SXSW gig was a show for Dangerbird Records. The following morning, the label's president called a meeting. [7] In April 2010, Dangerbird signed the group, who immediately announced the album title, Pickin' Up the Pieces, and a promise that it would deliver "a burst of effervescent swingers." [8] "The label is literally around the block from my house," Fitzpatrick said. [9]
The band recorded the entire debut in Fitzpatrick's living room, as they couldn't afford to go into a studio. The band did not soundproof the room, instead desiring to "just go with it," which produced a sense of familiarity. "It let us have this more family, laid-back approach, and to be able to really take the time to do what we wanted in the way that we wanted," said Fitzpatrick. [10]
Focusing on strong songwriting as his influences did, Fitzpatrick desired to achieve a collective energy with the new group, and set a goal to capture "even just a little bit" of the magic of Motown and Stax recordings. [5] He also credits the organ's esoteric properties for the band's sound. [9] Fitzpatrick has described Motown as "the greatest period of songwriting in music ever," but used it as a jumping off point. [5] The band's eclectic musical tastes are reflected in the music of the album. Fitzpatrick, also a fan of Radiohead and Jeff Buckley, desired not to make a "carbon copy" of the soul sound, but instead give it their own spin. [10] "We wanted to see if we could capture the way those records sounded and at the same time push it forward," said Fitzpatrick. Many of the arrangements and instrument choices are "possibly out of the norm," and the group wanted to give some tracks hip hop feel. [10] Also weaved into the music are 1980s influences, from The Jam to Talking Heads to The Style Council. [6] Fitzpatrick wanted to create a juxtaposition between the fun sound of the music and angry, biting lyrics. [4]
Pickin' Up the Pieces features soul and pop styles. [2] Its sound mostly comprises vintage organ, crisp drums, handclaps, [11] saxophone, which the band used as a substitute for guitar, [10] and aggressive vocals, [12] including passionate exhortations by Fitzpatrick. [13] Mark Deming of Allmusic views that the album's music gravitates toward the "refined sounds of classic-era Motown, and the East Coast and Chicago styles that informed Northern soul," writing that, "while these songs show a strong and obvious influence of classic '60s soul, there's more than a dash of contemporary pop in the way the hooks make themselves felt, the stylish layers of backing vocals, and the occasional use of drum loops." [14] BBC Music's Paul Lester finds both the song titles and "the lyrics (with their allusions to holdin’ on and walking on by)" to be "steeped in the lexicon of classic R&B." [13] Jay Trachtenberg of The Austin Chronicle characterizes Fitzpatrick as a "blue-eyed soul" singer and adds that Noelle Scaggs "provides vocal fortification up front." [15]
Review scores | |
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Source | Rating |
AllMusic | [14] |
Alternative Press | [16] |
The A.V. Club | C [17] |
Boston Phoenix | [18] |
The Guardian | [19] |
Q | [2] |
Spin | 7/10 [11] |
Under the Radar | 7/10 [20] |
Pickin' Up the Pieces received generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 74, based on 10 reviews. [21] AllMusic's Mark Deming called it a "solid album" and commended the band for "cut[ting] an impressive groove without cluttering up the arrangements or depending too strongly on their influences to convincingly conjure the sound of the classic era of soul." [14] Q observed "enough retro fizz to get any party started." [2] Jonathan Donaldson of the Boston Phoenix commented that "Fitz[patrick] and dynamic co-vocalist Noelle Scaggs inject life and fun into the Tantrums' retro temptations". [18] Ann Powers of the Los Angeles Times felt that Fitzpatrick's "punky attitude ... makes the sound fresh" and stated, "There's a certain sameness to the songs' tempos and arrangements here, but in general the hooks catch and the energy feels genuine." [12] Alternative Press praised the "recording expertise" and "deceptively analog sound", writing that, "Sonically and lyrically, this is a pristine, soulful pop resurgence, without a moment of filler." [16]
In a mixed review, Michael Hann of The Guardian felt that the album's "expert pastiche of classic soul" lacks a "sense of passionate involvement ... the very thing that lifts retro soul beyond pastiche." [19] Chris Martins of The A.V. Club found its songs formulaic and criticized the band as "bathetic and actorly". [17] Barry Walters of Spin also found it "less finessed" lyrically, but praised Fitzpatrick and Scaggs' singing and stated, "what sets Michael Fitzpatrick and his L.A. crew apart is their mastery of Motown-esque melodies." [11]
All tracks are written by Michael Fitzpatrick and Chris Seefried, unless noted
No. | Title | Writer(s) | Length |
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1. | "Breakin' the Chains of Love" | Michael Fitzpatrick | 2:51 |
2. | "Dear Mr. President" | 2:59 | |
3. | "Pickin' Up the Pieces" | Michael Fitzpatrick, Noelle Scaggs | 2:45 |
4. | "MoneyGrabber" | 3:09 | |
5. | "L.O.V." | 3:40 | |
6. | "News 4 U" | Michael Fitzpatrick, Chris Seefried, Jeremy Ruzumna | 3:57 |
7. | "Don't Gotta Work It Out" | 4:09 | |
8. | "Rich Girls" | 3:14 | |
9. | "Winds of Change" | 4:09 | |
10. | "Tighter" | Michael Fitzpatrick, Chris Seefried, Jeremy Ruzumna, James King, John Wicks, Ethan Philips | 4:56 |
Total length: | 36:16 |
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Chart (2010) | Peak position |
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US Billboard Top Heatseekers [22] | 1 |
Region | Date | Label | Format |
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United States | August 24, 2010 | Dangerbird | CD, LP [1] |
January 5, 2011 | digital download [23] | ||
United Kingdom | August 22, 2011 | CD [24] |
Michael H. McDonald is an American singer, keyboardist and songwriter known for his distinctive, soulful voice and as a member of Steely Dan (1973–1974), and the Doobie Brothers. McDonald wrote and sang several hit singles with the Doobie Brothers, including "What a Fool Believes", "Minute by Minute", and "Takin' It to the Streets." McDonald has also performed as a prominent backing vocalist on numerous recordings by artists including Steely Dan, Toto, Christopher Cross, and Kenny Loggins.
Picking Up the Pieces or Pickin' Up the Pieces may refer to:
John Wicks is an American pop/avant-garde/experimental musician, songwriter, film composer and adjunct college professor based in Missoula, Montana.
Chris Seefried is an American singer, musician, songwriter, and record producer. He is best known as the lead vocalist and frontman of the bands Gods Child, Joe 90, and Low Stars, and as producer and co-writer for the neo-soul band Fitz and the Tantrums.
Noelle Scaggs is an American musician and singer-songwriter from Los Angeles, known as the co-lead singer of the pop group Fitz and the Tantrums. Scaggs has also had numerous collaborations with the Black Eyed Peas, Dilated Peoples, Quantic, Mayer Hawthorne, and Damian Marley.
Maya Azucena is an American singer-songwriter, recording artist and humanitarian from Brooklyn, New York City. She is a cultural ambassador, focusing on women's and youth empowerment as well as domestic and sexual violence.
Fitz and the Tantrums are an American indie pop and neo soul band from Los Angeles, California, that formed in 2008. The band consists of Michael Fitzpatrick, Noelle Scaggs, James King, Joseph Karnes, and Jeremy Ruzumna (keyboards). Their debut studio album, Pickin' Up the Pieces, was released in August 2010 on indie label Dangerbird Records and received critical acclaim; it also reached no. 1 on the Billboard Heatseekers chart. In early 2013 the band signed to their current label, Elektra Records, which released their second LP, More Than Just a Dream, the same year. Their self-titled third album was released in 2016, which contains their most notable song, "HandClap". Their fourth studio album, All the Feels, was released in 2019, and their fifth, Let Yourself Free, in 2022.
Songs for a Breakup: Vol. 1 is the debut studio EP by the American indie rock band Fitz and the Tantrums, released on August 11, 2009 through Canyon Productions. It was re-released in 2010 when the band signed to Dangerbird Records.
Santa Stole My Lady is the second studio EP by the American indie rock band Fitz and the Tantrums, released on November 26, 2010 through Dangerbird Records. It was released both digitally and as a special 7" vinyl single.
Michael Sean "Fitz" Fitzpatrick, known professionally as FITZ, is a French-American musician, singer and songwriter, who is the lead vocalist of the indie pop/neo-soul band Fitz and the Tantrums.
"MoneyGrabber" is a song by American band Fitz and the Tantrums from their debut 2010 studio album, Pickin' Up the Pieces. The song was released as an official single by Dangerbird Records on August 15, 2011. The song was used in the 2013 commercial for New Amsterdam Vodka and also appeared in Season 6, episode 5 of the television show Criminal Minds.
"Don't Gotta Work It Out" is a song by American band Fitz and the Tantrums from their debut studio album Pickin' Up the Pieces, released on September 23, 2011.
More Than Just a Dream is the second and major-label debut studio album by American band Fitz and the Tantrums, released on May 7, 2013, by Elektra Records. The album was produced by Tony Hoffer at The Sound Factory in Los Angeles. The title comes from a line of the chorus from the group's lead single "Out of My League". Their song "Spark" also featured in the soundtrack to EA Sports game, FIFA 13.
"The Walker" is a song by the American neo soul band Fitz and the Tantrums. It is the second single from the band's second album More Than Just a Dream. The song was used in two scenes of the film Identity Thief, the trailers for the films The Boxtrolls and Storks, in the trailer for video game The Sims 4, in television commercials for the 86th Academy Awards that were hosted by Ellen DeGeneres, in the 2014 Major League Baseball postseason and in commercials for Sprite, Supercuts, Reebok ZQuick and Walmart. From 2014 until the end of the 2017 season, the song was used as the opening theme to the MLB Network show High Heat, hosted by Christopher "Mad Dog" Russo. The song is also featured in the pilot episode of the FOX television sitcom Grandfathered as well as the Netflix original series The Umbrella Academy. It has also been used in the soundtrack of the video game NBA 2K18. The song introduces S3E9 of Suits.
James King is an American multi-instrumentalist who is a co-founder for soul band Fitz and the Tantrums. In 2008, he was approached by college friend Michael Fitzpatrick to play saxophone on a few songs that he had written which turned out to be the beginnings of Fitz and the Tantrums. King recommended Noelle Scaggs and other musicians. They performed for the first time a week later at Hollywood's Hotel Café. They released their debut EP Songs for a Breakup, Vol. 1 in August 2009, and the tracks soon received airplay on public radio station KCRW in Los Angeles.
Fitz and the Tantrums is the third studio album by American indie pop and neo soul group Fitz and the Tantrums. It was released on June 10, 2016 by Elektra Records.
The following is the discography of Fitz and the Tantrums, a Los Angeles–based indie pop band formed in 2008 by Michael Fitzpatrick.
All the Feels is the fourth studio album by the American neo-soul/pop band Fitz and the Tantrums, their first release since their self-titled album in 2016. It was released on September 20, 2019, through Elektra Records. The digital release of the album has 17 songs, and is the band's longest album to date following Fitz and the Tantrums (2016).
"I Just Wanna Shine" is a song by American indie pop band Fitz and the Tantrums. It was released on July 14, 2019, as the fourth single from the band's fourth studio album All the Feels. Band's members Michael Fitzpatrick, Noelle Scaggs, Joe Karnes, James King, Jeremy Ruzumna and John Wicks wrote the song with Nick Long, and it was produced by Jake Sinclair.
Let Yourself Free is the fifth studio album by American band Fitz and the Tantrums. It was released on November 11, 2022, by Elektra Records. A deluxe edition of the album with six extra songs was released on June 23, 2023.. It is their first album in three years since 2019's All the Feels (2019).
Their debut...has all the right soul/pop/early Motown moves, plus enough retro fizz to get any party started.