Political views of Rabindranath Tagore

Last updated

Bengali author and statesman Rabindranath Tagore was a poet, philosopher, and cultural reformer. He lived during the long period of Indian independence and was acquainted with several political leaders in Asia.

Contents

Politics

Tagore (at right, on the dais) hosts Mahatma Gandhi and wife Kasturba at Santiniketan in 1940. Gandhi Shantiniketan 1940.jpg
Tagore (at right, on the dais) hosts Mahatma Gandhi and wife Kasturba at Santiniketan in 1940.

Tagore's politics exhibited a marked ambivalence—on the one hand, he denounced European imperialism, [1] [2] occasionally voicing full support for Indian nationalists; [3] on the other hand, he also shunned the Swadeshi movement, denouncing it in his acrid September 1925 essay The Cult of the Charkha (an allusion to elements of Gandhism and the Non-Cooperation Movement). [4] For example, in reaction to a July 22, 1904 suggestion by the British that Bengal should be partitioned, an upset Tagore took to delivering a lecture—entitled "Swadeshi Samaj" ("The Union of Our Homeland")—that instead proposed an alternative solution: a self-help based comprehensive reorganization of rural Bengal. [5] In addition, he viewed British control of India as a "political symptom of our social disease", urging Indians to accept that "there can be no question of blind revolution, but of steady and purposeful education". [6]

In line with this, Tagore denounced nationalism, deeming it among humanity's greatest problems. "A nation," he wrote, "... is that aspect which a whole population assumes when organized for a mechanical purpose", a purpose often associated with a "selfishness" that "can be a grandly magnified form" of personal selfishness. During his extensive travels, he formed a vision of East-West unity. Subsequently, he was shocked by the rising nationalism found in Germany and other nations prior to the World War II. Tagore thus delivered a series of lectures on nationalism; although well-received throughout much of Europe, they were mostly ignored or criticized in Japan and the United States.

Yet Tagore wrote songs lionizing the Indian independence movement. On 30 May 1919, he renounced the knighthood that had been conferred upon him by Lord Hardinge in 1915 in protest against the Amritsar massacre (Jallianwallah Bagh), when British soldiers killed at least 379 unarmed civilians. [7] He was also instrumental in resolving a dispute between Gandhi and Bhimrao Ramji Ambedkar; it involved Ambedkar's insistence on separate electorates for untouchables and Gandhi's announcement—in protest against the concession—of a fast "unto death" beginning on 20 September 1932. [8] [9]

Nonetheless, Tagore wasn't averse to displaying his perception of social status, as evidenced in the course of a meeting that took place in 1920 with Danish critic Georg Brandes and the latter's secretary. [10]

Tagore also lashed out against the orthodox rote-oriented educational system introduced in India under the Raj. [λ] He lampooned it in his short story "The Parrot's Training", where a bird—which ultimately dies—is caged by tutors and force-fed pages torn from books. [11] [12] These views crystallised in his experimental school at Santiniketan, (শান্তিনিকেতন, "Abode of Peace"), founded in 1901 on the site of a West Bengal estate inherited from his father. Established in the traditional gurukul structure—whereby students live under a guru in a self-sustaining community—became a magnet for talented scholars, artists, linguists, and musicians from diverse backgrounds. Tagore spent prodigious amounts of energy fundraising for Santiniketan, even contributing all his Nobel Prize money. [13] Today, Tagore's school is a Central University under the Government of India.

See also

Notes

     λ.    ^ Indeed, Tagore stated that “I suppose it was fortunate for me that I never in my life had what is called an education, that is to say, the kind of school and college training which is considered proper for a boy from a respectable family". [14]

Citations

  1. ( Dutta & Robinson 1997 , p. 127).
  2. ( Dutta & Robinson 1997 , p. 210).
  3. ( Dutta & Robinson 1995 , p. 304).
  4. ( Dutta & Robinson 1995 , p. 261).
  5. ( Chakravarty 1961 , p. 181).
  6. ( Dutta & Robinson 1997 , pp. 239–240).
  7. ( Dutta & Robinson 1995 , pp. 215–216).
  8. ( Dutta & Robinson 1995 , pp. 306–307).
  9. ( Dutta & Robinson 1995 , p. 339).
  10. Rung, Gerda, p. 111
  11. ( Dutta & Robinson 1997 , p. 267).
  12. ( Tagore & Pal 1918 ).
  13. ( Roy 1977 , p. 175).
  14. ( Chakravarty 1961 , p. 83).

Related Research Articles

<span class="mw-page-title-main">Santiniketan</span> Neighbourhood in Bolpur, Birbhum, West Bengal, India

Santiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati.

<span class="mw-page-title-main">Bipin Chandra Pal</span> Indian academic and politician (1859–1932)

Bipin Chandra Pal was an Indian nationalist, writer, orator, social reformer and Indian independence movement freedom fighter. He was one third of the “Lal Bal Pal” trio. Pal was one of the main architects of the Swadeshi movement along with Sri Aurobindo. He also opposed the partition of Bengal by the British colonial government.

<span class="mw-page-title-main">Rabindra Sangeet</span> Songs composed by Rabindranath Tagore

Rabindra Sangeet, also known as Tagore Songs, are songs from the Indian subcontinent written and composed by the Bengali polymath Rabindranath Tagore, winner of the 1913 Nobel Prize in Literature, the first Indian and also the first non-European to receive such recognition. Tagore was a prolific composer with approximately 2,232 songs to his credit. The songs have distinctive characteristics in the music of Bengal, popular in India and Bangladesh.

<span class="mw-page-title-main">Swadeshi movement</span> 1905–1947 Indian movement for domestic cloth production

The Swadeshi movement was a self-sufficiency movement that was part of the Indian independence movement and contributed to the development of Indian nationalism. Before the BML Government's decision for the partition of Bengal was made public in December 1903, there was a lot of growing discontentment among the Indians. In response the Swadeshi movement was formally started from Town Hall Calcutta on 7 August 1905 to curb foreign goods by relying on domestic production. Mahatma Gandhi described it as the soul of swaraj (self-rule). The movement took its vast size and shape after rich Indians donated money and land dedicated to Khadi and Gramodyog societies which started cloth production in every household. It also included other village industries so as to make village self-sufficient and self-reliant. The Indian National Congress used this movement as arsenal for its freedom struggle and ultimately on 15 August 1947, a hand-spun Khadi 'tricolor ashok chakra' Indian flag was unfurled at 'Princess Park' near India Gate, New Delhi by Pandit Nehru.

Bengali Brahmos are those who adhere to Brahmoism, the philosophy of Brahmo Samaj which was founded by Raja Rammohan Roy. A recent publication describes the disproportionate influence of Brahmos on India's development post-19th Century as unparalleled in recent times.

<span class="mw-page-title-main">Bengal School of Art</span> Art movement and a style of Indian painting in the early 20th century

The Bengal School of Art, commonly referred as Bengal School, was an art movement and a style of Indian painting that originated in Bengal, primarily Kolkata and Shantiniketan, and flourished throughout the Indian subcontinent, during the British Raj in the early 20th century. Also known as 'Indian style of painting' in its early days, it was associated with Indian nationalism (swadeshi) and led by Abanindranath Tagore (1871–1951), but was also being promoted and supported by British arts administrators like E. B. Havell, the principal of the Government College of Art and Craft, Kolkata from 1896; eventually it led to the development of the modern Indian painting.

<i>The Home and the World</i> 1916 novel by Rabindranath Tagore

The Home and the World is a 1916 novel by Rabindranath Tagore. The book illustrates the battle Tagore had with himself, between the ideas of Western culture and revolution against the Western culture. These two ideas are portrayed in two of the main characters, Nikhilesh, who is rational and opposes violence, and Sandip, who will let nothing stand in his way from reaching his goals. These two opposing ideals are very important in understanding the history of the Bengal region and its contemporary problems.

<span class="mw-page-title-main">Early life of Rabindranath Tagore</span>

The first four decades in the life of Rabindranath Tagore (1861–1941) were formative of both his artistic and much of his political thinking. He was a Bengali poet, Brahmo philosopher, and scholar. His father Debendranath Tagore fought against the British soldiers.

<span class="mw-page-title-main">Works of Rabindranath Tagore</span> Notable Works of Rabindranath Tagore

The works of Rabindranath Tagore consist of poems, novels, short stories, dramas, paintings, drawings, and music that Bengali poet and Brahmo philosopher Rabindranath Tagore created over his lifetime.

<span class="mw-page-title-main">Nandalal Bose</span> Indian artist and a pioneer of modern Indian art (1882-1966)

Nandalal Bose was one of the pioneers of modern Indian art and a key figure of Contextual Modernism.

The middle years of Rabindranath Tagore were spent primarily in Santiniketan, although they included extensive travels throughout Asia, Europe, and Japan.

<span class="mw-page-title-main">Rabindranath Tagore</span> Bengali poet, philosopher and polymath (1861–1941)

Rabindranath Tagore was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudev, Kobiguru, Biswakobi.

Amlan Datta was an economist and educationist from West Bengal, India.

<span class="mw-page-title-main">Amar Kutir</span>

Amar Kutir, once a place of refuge for independence movement activists has been turned into a cooperative society for the promotion of arts and crafts. It is located on the banks of the Kopai River, about 15 kilometres (9.3 mi) from Santiniketan in Birbhum district in the Indian state of West Bengal.

<span class="mw-page-title-main">Krishna Kumar Mitra</span>

Krishna Kumar Mitra (1852–1936) was an Indian freedom fighter, journalist and leader of the Brahmo Samaj. He is remembered for his contributions to the Swadeshi movement through his journal Sanjibani.

<span class="mw-page-title-main">Taraknath Palit</span>

Sir Taraknath Palit (1831–1914) was an Indian lawyer from West Bengal and a philanthropist. He was associated with the Swadeshi Movement during the Partition of Bengal and was one of the key figures behind the establishment of Ballygunge Science College of the Calcutta University and Jadavpur University.

Krishna Kripalani was an Indian freedom fighter, author and parliamentarian. He wrote a number of books on Rabindranath Tagore, Mahatma Gandhi and on Indian literature.

The following is a list of notable people associated withVisva- Bharati University and/or Santiniketan, a neighbourhood in Bolpur city in West Bengal, India:

<span class="mw-page-title-main">Jamuna Sen</span> Indian artist from Santiniketan

Jamuna Sen was an Indian artist, known for her design work in a variety of mediums including Batik and Alpona as well as developing, in an Indian context, a variety of traditional crafts from across the world. She was a pioneer in establishing the practice of Batik in India in modern times. Daughter of Nandalal Bose, a central figure in modern Indian art, she was brought up in the artistic and intellectual milieu of Santiniketan and made significant contributions in the field of design.

References