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Below is a list of adaptations of works of Rabindranath Tagore in film and television.
Year | Title | Director | Language | Based on |
---|---|---|---|---|
1927 | Balidan (Sacrifice) | Nanand Bhojai and Naval Gandhi | Hindi (silent) | Visarjan (1890 play) |
1929 | Giribala | Madhu Bose | Giribala (1895 short story) | |
1932 | Chirakumar Sabha | Premankur Atorthy | Chirakumar Sabha (The Bachelor's Club; 1904 novel) | |
Natir Puja | Rabindranath Tagore | Bangali | Natir Puja | |
1938 | Chokher Bali | Satu Sen | Bengali | Chokher Bali (Sand in the Eye; 1901 novella) [1] |
Gora (film) | Naresh Mitra | Gora (Fair-Faced;1909 novel) | ||
1942 | Sodh Bodh | Saumyen Mukherji | Sodh Bodh (All Square; 1926 comedy) | |
1946 | Milan | Nitin Bose | Hindi | Noukadubi (The Wreck; 1906 novel) |
1947 | Noukadubi (1947 film) (Bengali remake of Milan) | Nitin Bose | Bengali | Noukadubi (The Wreck; 1906 novel) |
1953 | Do Bigha Zamin | Bimal Roy | Hindi | "Dui Bigha Jomi" (Two Bighas of Land; poem) |
1956 | Mathar Kula Manickam | T. Prakash Rao | Tamil | Noukadubi (The Wreck; 1906 novel) |
Charana Daasi | T. Prakash Rao | Telugu | Noukadubi (The Wreck; 1906 novel) | |
1957 | Kabuliwala | Tapan Sinha | Bengali | Kabuliwala (The Fruitseller from Kabul; 1892 short story) |
1960 | Ghunghat | Ramanand Sagar | Hindi | Noukadubi (The Wreck; 1906 novel) |
Kshudhita Pashan | Tapan Sinha | Bengali | Kshudhita Pashan ( Hungry Stones ; 1895 short story) | |
Khokababur Pratyabartan | Agradoot | Bengali | Khokababur Pratyabartan (Return of Khokababu; 1891 short story) | |
1961 | Teen Kanya | Satyajit Ray | Bengali | The Postmaster, Monihara (The Lost Jewels), Samapti (The Conclusion) (1891, 1898, 1893) |
Kabuliwala | Hemen Gupta | Hindi | Kabuliwala (The Fruitseller from Kabul; 1892 short story) | |
1964 | Charulata | Satyajit Ray | Bengali | Nastanirh (The Broken Nest; 1901 novella) |
Dak Ghar | Zul Vellani | Hindi | Dak Ghar ; (The Post Office; 1912 play) | |
1965 | Dak Ghar | N/A | Bengali | Dak Ghar ; (The Post Office; 1912 play) |
Atithi | Tapan Sinha | Bengali | Atithi (The Runaway; 1895 short-story) | |
1969 | Megh o Roudra | Arundhati Devi | Bengali | Megh o Roudra (Sun and Showers) |
1970 | Ichhapuran | Mrinal Sen | Bengali | Ichchhapuran (short-story) |
1971 | Uphaar | Sudhendu Roy | Hindi | Samapti (The Conclusion; 1893 short story) |
Malyadan | Ajoy Kar | Bengali | ||
1972 | Strir Patra | Purnendu Patri | Bengali | |
1975 | Geet Gaata Chal | Hiren Nag | Hindi | Atithi (The Runaway; 1895; short story) |
1985 | Ghare Baire | Satyajit Ray | Bengali | Ghare Baire (The Home and the World; 1916 novel) |
1991 | Lekin... | Gulzar | Hindi | Kshudhit Pashaan ( Hungry Stones ; 1895 short story) |
1997 | Char Adhyay | Kumar Shahani | Hindi | Char Adhyay (Four Chapters; 1934 novel) |
Oka Chinna Maata | Muthyala Subbaiah | Telugu | Noukadubi (The Wreck; 1906 novel) | |
2003 | Chokher Bali | Rituparno Ghosh | Bengali | Chokher Bali (Sand in the Eye; 1901 novella) |
2004 | Shasti | Chashi Nazrul Islam | Bengali | Shasti (Punishment; short story) |
2006 | Shuva | Chashi Nazrul Islam | Bengali | Shuvashini (short story) |
2008 | Chaturanga | Suman Mukherjee | Bengali | Chaturanga (Quartet; 1916 novel) |
2012 | Abujh Bou | Nargis Akhtar | Bengali | |
2011 | Noukadubi | Rituparno Ghosh | Bengali | Noukadubi (The Wreck; 1906 novel) |
Charuulata 2011 | Agnidev Chatterjee | Bengali | Nastanirh (The Broken Nest; 1901 novella) | |
2012 | Elar Char Adhyay | Bappaditya Bandyopadhyay | Bengali | Char Adhyay (Four Chapters; 1934 novel) |
Tasher Desh | Qaushiq Mukherjee | Bengali | Tasher Desh (The Land of Cards; 1933 drama) | |
Chitrangada: The Crowning Wish | Rituparno Ghosh | Bengali | Chitra (1913 play) | |
Mukti | Buddhadev Dasgupta | Hindi | Tagore's poems | |
Patralekha | Buddhadeb Dasgupta | Hindi | Tagore's poems | |
2013 | An Obsolete Altar | Mrigankasekhar Ganguly and Hyash Tanmoy | Bengali | Achalayatan (The Immovable; 1912 play) |
Dekha, Na-Dekhay | Arnab Ghoshal | Bengali | Aparichita (The Unknown Woman ; short story) | |
2014 | Shesher Kabita | Suman Mukhopadhyay | Bengali | Shesher Kabita (The Last Poem or Farewell Song; 1929 novel) |
Taptapadi | Sachin Balram Nagargoje | Marathi | Dristidaan | |
2015 | Jogajog | Shekhar Das | Bengali | Jogajog (Relationships; 1929 novel) |
Gora | Shukla Mitra | Gora (Fair-Faced;1909 novel) | ||
2016 | Postmaster | Srijon Bardhan | Bengali | The Postmaster (1891 short story) |
Dristi | Prodyut Kumar Deka | Assamese | ||
2017 | Detective | Prodyut Kumar Deka | Bengali | Detective (1898 short story) |
Bioscopewala | Deb Medhekar | Hindi | Kabuliwala (1892 short story) | |
2018 | Laboratory | Soumik Chattopadhyay | Bengali | |
2020 | Detective (2020 film) | Joydip Mukherjee | Bengali | |
Darbaan | Bipin Nadkarni | Hindi | The Child's Return (1918 short story) |
Charulata is a 1964 Indian drama film written and directed by Satyajit Ray. Based upon the novel Nastanirh by Rabindranath Tagore, it stars Soumitra Chatterjee, Madhabi Mukherjee and Sailen Mukherjee. The film is considered one of the finest works of Ray and is often featured in the lists of the greatest films ever made.
Rituparno Ghosh was an Indian film director, actor, writer and lyricist. After pursuing a degree in economics, he started his career as a creative artist at an advertising agency. He received recognition for his second feature film Unishe April which won the National Film Award for Best Feature Film. Having won 19 National Awards, along with his contemporaries Aparna Sen and Goutam Ghose, Rituparno heralded contemporary Bengali cinema to greater heights. Ghosh died on 30 May 2013 in Kolkata after a heart attack. Ghosh was also one of the openly homosexual personalities in Indian cinema.
The works of Rabindranath Tagore consist of poems, novels, short stories, dramas, paintings, drawings, and music that Bengali poet and Brahmo philosopher Rabindranath Tagore created over his lifetime.
Rabindranath Tagore was an Indian poet, writer, playwright, composer, philosopher, social reformer, and painter of the Bengal Renaissance. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, in 1913 Tagore became the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; where his elegant prose and magical poetry were widely popular in the Indian subcontinent. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by the sobriquets Gurudeb, Kobiguru, and Biswokobi.
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Chokher Bali is a 2003 Indian Bengali language drama film based on the 1903 novel Chokher Bali by Rabindranath Tagore. It was directed by Rituparno Ghosh in 2003 and stars Aishwarya Rai as Binodini and Raima Sen as Ashalata. Ashalata and Binodini refer to each other as Chokher Bali. The other major characters are played by Prosenjit Chatterjee as Mahendra, Lily Chakravarty as Rajlakshmi, the mother of Mahendra, Tota Roy Chowdhury as Behari, Mahendra's best friend, and Swastika Mukherjee in a cameo role. The film was later dubbed into Hindi and was released internationally in that language.
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Chokher Bali is a Bengali language television serial which aired on the Indian general entertainment channel Zee Bangla.
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Gora is a novel by Rabindranath Tagore, set in Calcutta, in the 1880s during the British Raj. It is the fifth in order of writing and the longest of Tagore's twelve novels. It is rich in philosophical debate on politics and religion. Other themes include liberation, universalism, brotherhood, gender, feminism, caste, class, tradition versus modernity, urban elite versus rural peasants, colonial rule, nationalism and the Brahmo Samaj.
Chokher Bali is a 1903 Bengali novel by Rabindranath Tagore that revolves around the central character Binodini and her relationships with three individuals. It explores the extramarital affair between Binodini, a young widow, and Mahendra, an old suitor of hers, the complicated friendship with Asha, Mahendra's wife, and her mutually conflicting feelings with Behari, Mahendra's childhood best friend. The novel also highlights issues of female literacy, child marriage, patriarchy within the family, and the fate of widows during that era.
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