Shantiniketan is a neighbourhood of Bolpur town in the Bolpur subdivision of Birbhum district in West Bengal, India, approximately 152 km north of Kolkata. It was established by Maharshi Devendranath Tagore, and later expanded by his son, Rabindranath Tagore whose vision became what is now a university town with the creation of Visva-Bharati.
Abanindranath Tagore was the principal artist and creator of the "Indian Society of Oriental Art". He was also the first major exponent of Swadeshi values in Indian art. He founded the influential Bengal school of art, which led to the development of modern Indian painting. He was also a noted writer, particularly for children. Popularly known as 'Aban Thakur', his books Rajkahini, Buro Angla, Nalak, and Khirer Putul were landmarks in Bengali language children's literature and art.
Visva-Bharati is a public central university and an Institution of National Importance located in Shantiniketan, West Bengal, India. It was founded by Rabindranath Tagore who called it Visva-Bharati, which means the communion of the world with India. Until independence it was a college. Soon after independence, the institution was given the status of a central university in 1951 by an act of the Parliament.
Kanika Banerjee was an Bengali Rabindra Sangeet singer.
The works of Rabindranath Tagore consist of poems, novels, short stories, dramas, paintings, drawings, and music that Bengali poet and Brahmo philosopher Rabindranath Tagore created over his lifetime.
Bengali author and statesman Rabindranath Tagore was a poet, philosopher, educationist and cultural reformer. He lived during the long period of Indian independence and was acquainted with several political leaders in Asia.
Rabindranath Tagore is a 1961 Indian documentary film written and directed by Satyajit Ray about the life and works of noted Bengali author Rabindranath Tagore. Ray started working on the documentary in early 1958. Shot in black-and-white, the finished film was released during the birth centenary year of Rabindranath Tagore, who was born on 7 May 1861. Ray avoided the controversial aspects of Tagore's life in order to make it as an official portrait of the poet. Though Tagore was known as a poet, Ray did not use any of Tagore's poetry as he was not happy with the English translation and believed that "it would not make the right impression if recited" and people would not consider Tagore "a very great poet," based on those translations. Satyajit Ray has been reported to have said about the documentary Rabindranath Tagore in his biography Satyajit Ray: The Inner Eye by W. Andrew Robinson that, "Ten or twelve minutes of it are among the most moving and powerful things that I have produced."
Gurudev Rabindranath Tagore was a Bengali polymath who worked as a poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of the "profoundly sensitive, fresh and beautiful" poetry of Gitanjali, he became in 1913 the first non-European and the first lyricist to win the Nobel Prize in Literature. Tagore's poetic songs were viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal. He was a fellow of the Royal Asiatic Society. Referred to as "the Bard of Bengal", Tagore was known by sobriquets: Gurudeb, Kobiguru, Biswokobi.
"Where the mind is without fear" is a poem written by 1913 Nobel laureate Rabindranath Tagore before India's independence. It represents Tagore's vision of a new and awakened India. The original poem was published in 1910 and was included in the 1910 collection Gitanjali and, in Tagore's own translation, in its 1912 English edition. "Where the mind is without fear" is the 35th poem of Gitanjali, and one of Tagore's most anthologised poems.
Song Offerings is a volume of lyrics by Bengali poet Rabindranath Tagore, rendered into English by the poet himself, for which he was awarded the 1913 Nobel Prize in Literature.
Santidev Ghose was an Indian author, singer, actor, dancer and maestro of Rabindra Sangeet.
Kala Bhavana is the fine arts faculty of Visva-Bharati University, in Shantiniketan, India. It is an institution of education and research in visual arts, founded in 1919, it was established by Nobel laureate Rabindranath Tagore.
Surendranath Kar was an Indian artist and architect, known for amalgamating the Indian architectural style with western and eastern styles of architecture. Born in 1892 in British India, Kar did his primary learning of art under renowned Bengali painter, Nandalal Bose and Abanindranath Tagore, the nephew of Nobel Laureate, Rabindranath Tagore. Later, he joined Vichitra Club, founded by the Tagore family, as a teacher of art. In 1917, when Tagore set up Brahmacharyasrama, the precursor of later day Shantiniketan, he joined the institution and worked as an art teacher. Two years later, he moved to Kala Bhavana of Tagore as a faculty member.
Pratima Devi (1893–1969) was an Indian Bengali artist, widely known for her artistic abilities. She was wife of Rathindranath Tagore. The poet took special interest in developing her capabilities.
Rathindranath Thakur was an Indian educationist, agronomist and painter. He served as the first vice-chancellor of Visva-Bharati University, which was founded by his father, Rabindranath Tagore.
The following is a list of notable people associated withVisva- Bharati University and/or Santiniketan, a neighbourhood in Bolpur city in West Bengal, India:
Martin Kämpchen is an author, translator, journalist and social worker.
Alex Aronson was a German author and educator.
The 1913 Nobel Prize in Literature was awarded to the Bengali polymath Rabindranath Tagore (1861–1941) "because of his profoundly sensitive, fresh and beautiful verse, by which, with consummate skill, he has made his poetic thought, expressed in his own English words, a part of the literature of the West." He is the first and remains only the Indian recipient of the prize. The award stemmed from the idealistic and accessible nature of a small body of translated material, including the translated Gitanjali.
