Pom Pom (album)

Last updated
Pom Pom
Pom pom.jpg
Studio album by
Ariel Pink
ReleasedNovember 17, 2014 (2014-11-17) [1]
Genre
Length67:08
Label 4AD
Producer Ariel Pink
Ariel Pink chronology
Early Live Recordings
(2013)		Pom Pom
(2014)		 Dedicated to Bobby Jameson
(2017)
Singles from Pom Pom
  1. "Put Your Number in My Phone"
    Released: August 9, 2014 [5]

Pom Pom (stylized as pom pom) is the tenth studio album by American recording artist Ariel Pink, released on November 17, 2014 through 4AD. It was his first release credited solely to himself, and his last on 4AD. Several of its songs were co-written with the ailing Kim Fowley, who died the following January. Critics generally gave the album positive reviews. Only one single was issued from the album: "Put Your Number in My Phone".

Contents

Background

Among direct influences on the album, Pink cited the Mothers of Invention, the Cure, and Todd Rundgren. [6] The songs "Jell-O," "Plastic Raincoats In The Pig Parade", "Sexual Athletics", "Exile On Frog Street", and "Nude Beach A Go-Go" were co-written by Kim Fowley, from his hospital bed for Pink to perform. [7] The album also features vocal contributions from French singer-songwriter Soko; Pink returned the favor by co-writing and guesting on two tracks off Soko's second studio album, My Dreams Dictate My Reality (2015). [8] The track "Nude Beach a Go-Go" was also recorded by American rapper Azealia Banks. This version of the song, produced by Pink, appears on Banks' debut album Broke With Expensive Taste (2014). [9]

The track "Put Your Number in My Phone" was released as the first single off the album on August 9, 2014. [5] The music video for the track was released in September 2014. [10] The music videos for the tracks "Picture Me Gone" and "Dayzed Inn Daydreams", both directed by Grant Singer, were released on November 4, 2014 and January 26, 2015, respectively. [11] [12] The latter video stars the Mau-Mau's frontman Rick Wilder. [12]

Promotion

Pink recalled that he "didn’t even get to promote the record per se. I was just put on a very strange track of trying to double down or back up on things I said or supposedly said or said in response to someone. It was like going down a rabbit hole of retardation." [13] Shortly before the album's release, Pink reported to the online journal Faster Louder that "Interscope are calling me to help write Madonna's record. They need something edgy. They need songwriting. She can’t just have her Avicii, her producers or whatever, come up with a new techno jam for her to gyrate to and pretend that she’s 20 years old. They actually need songs. I’m partly responsible for that return-to-values thing." [14] The comments attracted the attention of Grimes, who called it "delusional misogyny" on her Twitter. [15] [16] Pink dismissed the subsequent controversy as "clickbait journalism. The media lies to us all the time, and we always believe the media. Then Grimes – who’s completely stupid and retarded to believe any of it – jumps in and has her two cents. I'm not a misogynist. ... I was only repeating what Interscope told me about why they needed me. They’re not my opinions." [15]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic? 7.1/10 [17]
Metacritic 75/100 [18]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [19]
The A.V. Club B+ [7]
The Guardian Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [20]
NME 8/10 [21]
The Observer Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [22]
Pitchfork 8.8/10 [23]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [24]
Rolling Stone Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [25]
Spin 8/10 [26]
Uncut 8/10 [27]

Upon its release, pom pom was met with generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 75 based on 28 reviews, indicating "generally favorable reviews". [18]

Louis Pattison of NME stated that the album is "funny, melancholy, randy, touching, disgusting and deeply, deeply strange," adding that "it has the feel of a magnum opus." [21] Paste critic Philip Cosores described the album as "probably the most accessible, easy-on-the-ear and enjoyable music of his career, without any asterisks." [28] Pitchfork critic Jeff Weiss praised the album, which received a "Best New Music" rating on the website, writing: "The campy flair, smirking irony, and deliberately "retrolicious" alliteration matches the scarecrow-genius of the album." [23] Zachary Houle of PopMatters thought that the album is "gorgeous and silly – sometimes both at the same time." [29] Colin Joyce of Spin described pom pom as "a record that's as full of unforgettably kaleidoscopic melodies as it is surreal shoutouts to Dolly Parton and Kurt Cobain--pom pom is just about as beautiful of a mess as Pink himself." [26]

AllMusic critic Heather Phares thought that "the way Pink zigs and zags on Pom Pom can be dazzling or confusing depending on listeners' patience," further adding that "in its own way it's one of the best representations of what makes his music fascinating and occasionally frustrating." [19] John Everhart of The A.V. Club stated that the album "feels at times more like a singles collection than a cohesive album, which isn’t to its detriment." [7] Consequence of Sound critic Dean Essner wrote that "it’s discernible and then, suddenly, it’s not. But the surreal, visceral experience in itself is where the fun lies." [30] Giuseppe Zevolli of Drowned in Sound wrote: "It is very easy to get lost in this record, but there is a miraculous balance that holds everything together." [31]

Alexis Petridis of The Guardian criticized the album, writing that "it sounds like pop music made by someone who feels pop music is beneath him, deliberately crowding out his obvious abilities with stupid voices and noises." [20] Kitty Empire of The Observer thought that "the unevenness of Pom Pom is a stumbling block, even allowing leeway for lysergic non-linearity." [22]

Track listing

No.TitleWriter(s)Length
1."Plastic Raincoats in the Pig Parade" Ariel Pink, Kim Fowley 3:28
2."White Freckles"Pink, Kenny Gilmore2:46
3."Four Shadows"Pink, Don Bolles 3:40
4."Lipstick"Pink3:22
5."Not Enough Violence" Alex Kazemi, Pink, Bolles, Shags Chamberlain6:06
6."Put Your Number in My Phone"Pink, Jorge Elbrecht2:53
7."One Summer Night"Pink3:55
8."Nude Beach a Go-Go"Pink, Fowley, Azealia Banks 2:20
9."Goth Bomb"Pink2:43
10."Dinosaur Carebears"Pink, Joe Kennedy, Chamberlain5:23
11."Negativ Ed"Pink3:18
12."Sexual Athletics"Pink, Bolles, Fowley4:02
13."Jell-O"Pink, Fowley2:01
14."Black Ballerina"Pink5:52
15."Picture Me Gone"Pink, Justin Raisen, Mary Raisen5:39
16."Exile on Frog Street"Pink, Kennedy, Fowley4:48
17."Dayzed Inn Daydreams"Pink4:52
Total length:67:08

Personnel

Charts

Charts (2014)Peak
position
US Billboard 200 [32] 150
US Billboard Alternative Albums [33] 20
US Billboard Heatseekers [34] 2
US Billboard Independent Albums [35] 18
US Billboard Top Rock Albums [36] 31
US Billboard Tastemaker Albums [37] 12

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References

  1. ↑ "pom pom by Ariel Pink". 4AD . Retrieved 16 November 2014.
  2. ↑ Rodriguez, Juan Edgardo (November 17, 2014). "Ariel Pink – pom pom". No Ripcord. Retrieved April 2, 2015.
  3. ↑ Parnes-Katz, Arielle (November 20, 2014). "Ariel Pink – pom pom". CMJ . Retrieved April 2, 2015.
  4. ↑ Williams, Holly (September 12, 2014). "Ariel Pink Loses Haunted Graffiti Moniker For New Solo Album 'Pom Pom'". Contactmusic.com . Retrieved April 2, 2015.
  5. 1 2 "ARIEL PINK RETURNS WITH NEW ALBUM 'POM POM', LISTEN TO FIRST TRACK". 4AD . Retrieved 16 November 2014.
  6. ↑ "Interview: Ariel Pink – "It's like no one should listen to what I say, because it's full of shit"". Songs for Whoever. November 30, 2014.
  7. 1 2 3 Everhart, John (November 18, 2014). "Ariel Pink gets help from his friends on Pom Pom". The A.V. Club . The Onion . Retrieved November 27, 2014.
  8. ↑ White, Caitlin (24 February 2015). "Stream Soko's My Dreams Dictate My Reality (Stereogum Premiere)". Stereogum . Retrieved 1 April 2015.
  9. ↑ Gordon, Jeremy (November 6, 2014). "Surprise: Azealia Banks' Long Delayed Broke With Expensive Taste Is Out Now". Pitchfork . Retrieved April 2, 2015.
  10. ↑ Minsker, Evan (September 22, 2014). "Ariel Pink Pushes a Man in a Wheelchair Around a Mall in His "Put Your Number in My Phone" Video". Pitchfork . Retrieved April 2, 2015.
  11. ↑ "Ariel Pink Shares Creepy "Picture Me Gone" Video". Pitchfork. November 4, 2014. Retrieved April 2, 2015.
  12. 1 2 Gordon, Jeremy (January 26, 2015). "Ariel Pink Shares "Dayzed Inn Daydreams" Video". Pitchfork . Retrieved April 2, 2015.
  13. ↑ Pemberton, Nathan (August 1, 2017). "Ariel Pink Opens His Big Mouth Again: The Musician Returns to Explain His Controversial Past, and Predict His Own Future". Wmagazine.
  14. ↑ Smith, Sarah (October 14, 2014). "Ariel Pink is working on Madonna's new album: "They need something edgy"". Faster Louder. Archived from the original on August 3, 2017.
  15. 1 2 Samadder, Rhik (November 15, 2014). "Ariel Pink: 'I'm not that guy everyone hates'". The Guardian.
  16. ↑ Kim, Kristen Yoonsoo (October 14, 2014). "Ariel Pink: Indie Rock's Most Hated Man Right Now". Myspace . Archived from the original on January 30, 2017. Retrieved July 10, 2017.
  17. ↑ "Pom Pom by Ariel Pink reviews". AnyDecentMusic? . Retrieved December 19, 2019.
  18. 1 2 "Reviews for Pom Pom by Ariel Pink". Metacritic. CBS Interactive . Retrieved November 27, 2014.
  19. 1 2 Phares, Heather. "Pom Pom – Ariel Pink". AllMusic . Retrieved November 27, 2014.
  20. 1 2 Petridis, Alexis (November 13, 2014). "Ariel Pink: Pom Pom review – pop music by someone who thinks it's beneath him". The Guardian . Retrieved November 16, 2014.
  21. 1 2 Pattison, Louis (November 17, 2014). "Ariel Pink – 'Pom Pom'". NME . Inspire. Archived from the original on November 18, 2014. Retrieved November 18, 2014.
  22. 1 2 Empire, Kitty (November 16, 2014). "Ariel Pink: Pom Pom review – the interplay of cute and sordid is a constant". The Observer . Guardian Media Group. Retrieved November 27, 2014.
  23. 1 2 Weiss, Jeff (November 18, 2014). "Ariel Pink: Pom Pom". Pitchfork . Retrieved November 18, 2014.
  24. ↑ "Ariel Pink: Pom Pom". Q (341): 106. December 2014.
  25. ↑ Dolan, Jon (December 30, 2014). "Pom Pom". Rolling Stone . Retrieved November 2, 2018.
  26. 1 2 Joyce, Colin (November 18, 2014). "Review: Ariel Pink Makes Another Wondrous Mess With 'pom pom'". Spin . SpinMedia . Retrieved November 27, 2014.
  27. ↑ "Ariel Pink: Pom Pom". Uncut (211): 74. December 2014.
  28. ↑ Cosores, Philip (November 18, 2014). "Ariel Pink: pom pom Review". Paste . Wolfgang's Vault . Retrieved November 27, 2014.
  29. ↑ Houle, Zachary (November 18, 2014). "Ariel Pink: pom pom". PopMatters . Retrieved November 27, 2014.
  30. ↑ Essner, Dean (November 18, 2014). "Ariel Pink – pom pom". Consequence of Sound . Retrieved November 27, 2014.
  31. ↑ Zevolli, Giuseppe (November 12, 2014). "Album Review: Ariel Pink – pom pom". Drowned in Sound . Archived from the original on November 13, 2014. Retrieved December 5, 2014.
  32. ↑ "Ariel Pink- Billboard 200 chart". Billboard. Archived from the original on September 16, 2015. Retrieved March 27, 2015.
  33. ↑ "Deafheaven – Alternative Albums chart". Billboard. Archived from the original on September 19, 2015. Retrieved March 27, 2015.
  34. ↑ "Ariel Pink – Heatseekers chart". Billboard. Archived from the original on September 17, 2015. Retrieved March 27, 2015.
  35. ↑ "Ariel Pink – Independent Albums chart". Billboard. Archived from the original on April 27, 2016. Retrieved March 27, 2015.
  36. ↑ "Ariel Pink – Top Rock Albums chart". Billboard. Archived from the original on September 19, 2015. Retrieved March 27, 2015.
  37. ↑ "Ariel Pink – Tastemaker Albums chart". Billboard. Archived from the original on September 19, 2015. Retrieved March 27, 2015.
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