David Holzman's Diary is a 1967 American mockumentary, or work of metacinema, directed by James McBride and starring L. M. Kit Carson. A feature-length film made on a tiny budget over several days, it is a work of experimental fiction presented as an autobiographical documentary. "A self-portrait by a fictional character in a real place—New York's Upper West Side," the film comments on the title character's personality and life as well as on documentary filmmaking and the medium of cinema more generally. In 1991, David Holzman's Diary was included in the annual selection of 25 motion pictures added to the National Film Registry of the Library of Congress, being deemed "culturally, historically, or aesthetically significant" and recommended for preservation.
Dont [sic] Look Back is a 1967 American documentary film directed by D. A. Pennebaker that covers Bob Dylan's 1965 concert tour in England.
Salesman is a 1969 direct cinema documentary film, directed by brothers Albert and David Maysles and Charlotte Zwerin, about door-to-door Bible salesmen.
Cinéma vérité is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda. It combines improvisation with use of the camera to unveil truth or highlight subjects hidden behind reality. It is sometimes called observational cinema, if understood as pure direct cinema: mainly without a narrator's voice-over. There are subtle, yet important, differences between terms expressing similar concepts. Direct cinema is largely concerned with the recording of events in which the subject and audience become unaware of the camera's presence: operating within what Bill Nichols, an American historian and theoretician of documentary film, calls the "observational mode", a fly on the wall. Many therefore see a paradox in drawing attention away from the presence of the camera and simultaneously interfering in the reality it registers when attempting to discover a cinematic truth.
Medium Cool is a 1969 American drama film written and directed by Haskell Wexler and starring Robert Forster, Verna Bloom, Peter Bonerz, Marianna Hill and Harold Blankenship. It takes place in Chicago in the summer of 1968. It was notable for Wexler's use of cinéma vérité–style documentary filmmaking techniques, as well as for combining fictional and non-fictional content.
The War Room is a 1993 American documentary film about Bill Clinton's campaign for President of the United States during the 1992 United States presidential election. Directed by Chris Hegedus and D. A. Pennebaker, the film was released on December 5, 1993. It was eventually nominated for the Best Documentary Feature Academy Award.
Donn Alan Pennebaker was an American documentary filmmaker and one of the pioneers of direct cinema. Performing arts and politics were his primary subjects. In 2013, the Academy of Motion Picture Arts and Sciences recognized his body of work with an Academy Honorary Award. Pennebaker was called by The Independent as "arguably the pre-eminent chronicler of Sixties counterculture".
Direct cinema is a documentary genre that originated between 1958 and 1962 in North America—principally in the Canadian province of Quebec and in the United States—and was developed in France by Jean Rouch. It is a cinematic practice employing lightweight portable filming equipment, hand-held cameras and live, synchronous sound that became available because of new, ground-breaking technologies developed in the early 1960s. These innovations made it possible for independent filmmakers to do away with a truckload of optical sound-recording, large crews, studio sets, tripod-mounted equipment and special lights, expensive necessities that severely hog-tied these low-budget documentarians. Like the cinéma vérité genre, direct cinema was initially characterized by filmmakers' desire to capture reality directly, to represent it truthfully, and to question the relationship between reality and cinema.
Albert Maysles and his brother David Maysles were an American documentary filmmaking team known for their work in the Direct Cinema style. Their best-known films include Salesman (1969), Gimme Shelter (1970) and Grey Gardens (1975).
Steve James is an American film producer and director of several documentaries, including Hoop Dreams (1994), Stevie (2002), The Interrupters (2011), Life Itself (2014), and Abacus: Small Enough to Jail (2016).
Les Blank was an American documentary filmmaker best known for his portraits of American traditional musicians.
The Academy Film Archive is part of the Academy Foundation, established in 1944 with the purpose of organizing and overseeing the Academy of Motion Picture Arts and Sciences' educational and cultural activities, including the preservation of motion picture history. Although the existing incarnation of the Academy Film Archive began in 1991, the Academy of Motion Picture Arts and Sciences acquired its first film in 1929.
Robert Lincoln Drew was an American documentary filmmaker known as one of the pioneers—and sometimes called father—of cinéma vérité, or direct cinema, in the United States. Two of his films, Primary and Crisis: Behind a Presidential Commitment, have been named to the National Film Registry of the Library of Congress. The moving image collection of Robert Drew is housed at the Academy Film Archive. The Academy Film Archive has preserved a number of his films, including Faces of November, Herself: Indira Gandhi, and Bravo!/Kathy's Dance. His many awards include an International Documentary Association Career Achievement Award.
Lonely Boy is a 1962 Canadian cinéma vérité documentary about the former teen singer Paul Anka. The film takes its name from Anka's hit song, "Lonely Boy", which he performs to screaming fans in the film. This short documentary makes use of hand-held cameras to record intimate backstage moments. It was produced by the National Film Board of Canada and directed by Roman Kroitor and Wolf Koenig.
Charlotte Zwerin was an American documentary film director and editor known for her work concerning artists and musicians. However, she is most known for her editing contributions to the direct cinema and cinéma vérité documentaries Salesman (1969), Gimme Shelter (1970), and Running Fence (1978) in which she was given co-director credits along with the two cinéma vérité pioneers Albert and David Maysles.
The Film Foundation is a US-based non-profit organization dedicated to film preservation and the exhibition of restored and classic cinema. It was founded by director Martin Scorsese and several other leading filmmakers in 1990. The foundation raises funds and awareness for film preservation projects and creates educational programs about film. The foundation and its partners have restored more than 900 films.
Jennifer Fox is an American film producer, director, cinematographer, and writer as well as president of A Luminous Mind Film Productions. She won the Grand Jury Prize at Sundance for her first feature documentary, Beirut: The Last Home Movie. Her 2010 documentary My Reincarnation had its premiere at the International Documentary Film Festival in Amsterdam (IDFA) in 2010, where it won a Top 20 Audience Award.
Crisis: Behind a Presidential Commitment is a 1963 direct cinema documentary film directed by Robert Drew. The film centers on the University of Alabama's "Stand in the Schoolhouse Door" integration crisis of June 1963. Drew and the other filmmakers, including D. A. Pennebaker and Richard Leacock, were given expanded access to key areas, including United States President John F. Kennedy's Oval Office and the homes of United States Attorney General Robert F. Kennedy and Governor George Wallace of Alabama. The film first aired on the American Broadcasting Company (ABC) as an installment of Close-Up! four months after the incident, on October 28, 1963. It was added to the National Film Registry of the Library of Congress on December 28, 2011.
Cinéma Vérité: Defining the Moment is 1999 Canadian documentary film directed by Peter Wintonick about cinéma vérité filmmaking. The film looks at the work of such notable documentary filmmakers as Jean Rouch, Frederick Wiseman, and Barbara Kopple and Robert Drew, as well as the contributions of the National Film Board of Canada through such films as Lonely Boy. The film also looks at the influence of cinéma vérité on the pioneering found footage horror film The Blair Witch Project, and interviews video-auteur Floria Sigismondi. Cinéma Vérité: Defining the Moment was produced by the NFB.
Hope Runs High is an American film distribution company. They began preserving digitally and distributing out-of-print documentary films before expanding to narrative and first-run theatrical films. A unique element of their library is that much of it focuses on films by women, people of color, and LGBTQ+ filmmakers and subjects. The company also houses a small record label that releases movie soundtracks and film scores.
