Real to Reel | ||||
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Live album by | ||||
Released | 5 November 1984 [1] | |||
Recorded | 5 March 1984 at De Montfort Hall (Leicester, England) and 19–20 June 1984 at the Spectrum (Montreal, Canada) | |||
Genre | Neo-prog | |||
Length | 46:48(LP) 52:05(CD) | |||
Label | EMI | |||
Producer |
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Marillion chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Real to Reel is the first live album by the British neo-prog band Marillion, released in November 1984. It was co-produced by Simon Hanhart who had mixed the first two studio albums and co-produced the studio version of "Cinderella Search".
Real to Reel was recorded on 5 March 1984 at De Montfort Hall in Leicester, England and 19–20 June 1984 at the Spectrum in Montreal, Canada. [3]
In addition to two songs each from the first two albums, Script for a Jester's Tear (1983) and Fugazi (1984), the original LP version [nb 1] contained two tracks previously not available on any albums, the A-side of the band's 1982 debut single "Market Square Heroes" and "Cinderella Search", the B-side of "Assassing". Recorded at the Spectrum, "Emerald Lies" from Fugazi was originally a bonus track on the CD [nb 2] and cassette versions.
Writing for AllMusic, Eduardo Rivadavia praised Real to Reel in a three-out-of-five star retrospective review. He called the album "an excellent live document of Marillion" and "a strong case for the many fans who actually prefer the band's more refined live versions over their rather flat studio counterparts". Rivadavia also claimed 10-minute antiwar "Forgotten Sons" to be the pinnacle of the album. [2]
No singles from the album were released, but nevertheless Real to Reel managed to reach number 8 in the UK Albums Chart and linger there for 22 weeks. [4] It was certified Gold by the BPI on 9 July 1985 for sales in excess of 100,000 copies. [5]
Real to Reel was initially released on LP [nb 1] , 12" picture disc, cassette, [3] and CD [nb 2] . [6]
In 1997, the album was re-released as a two-disc set bundled with Brief Encounter , an extended-play originally made by EMI's American label Capitol Records to promote the band's 1986 US tour. This edition was not part of the remastered series of Marillion's first eight studio albums that EMI released in 1997–1998. It was digitally remastered at Abbey Road Studios by Brian Fifield.
In 2005, a Japanese mini-LP replica CD edition [nb 3] came out. This version included two additional bonus tracks, "Margaret" and "Charting the Single", both originally from the 1983 "Garden Party" single. [3]
All tracks are written by Marillion
No. | Title | Length |
---|---|---|
1. | "Assassing" | 7:29 |
2. | "Incubus" | 8:43 |
3. | "Cinderella Search" | 5:45 |
4. | "Emerald Lies" | 5:28 |
5. | "Forgotten Sons" | 10:36 |
6. | "Garden Party" | 6:32 |
7. | "Market Square Heroes" | 7:32 |
Total length: | 52:05 |
No. | Title | Length |
---|---|---|
8. | "Charting the Single" | 6:37 |
9. | "Margaret" | 12:22 |
Total length: | 71:03 |
No. | Title | Length |
---|---|---|
1. | "Assassing" | 7:18 |
2. | "Incubus" | 8:31 |
3. | "Cinderella Search" | 5:24 |
No. | Title | Length |
---|---|---|
4. | "Forgotten Sons" | 10:11 |
5. | "Garden Party" | 6:30 |
6. | "Market Square Heroes" | 6:49 |
Total length: | 46:48 |
|
|
Chart (1984) | Peak position |
---|---|
German Albums (Offizielle Top 100) [7] | 38 |
Swedish Albums (Sverigetopplistan) [8] | 49 |
UK Albums (OCC) [9] | 8 |
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [10] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Marillion are a British neo prog band, formed in Aylesbury, Buckinghamshire, in 1979. They emerged from the post-punk music scene in Britain and existed as a bridge between the styles of punk rock and classic progressive rock, becoming the most commercially successful neo-prog band of the 1980s.
Fugazi is the second studio album by the British neo-prog band Marillion, released in 1984. Produced by Nick Tauber, it was recorded between November 1983 and February 1984 at various studios and was the first to feature drummer Ian Mosley, following the dismissal of the band's original drummer Mick Pointer.
Clutching at Straws is the fourth studio album by the British neo-prog band Marillion, released on June 22, 1987. It was the last album with lead singer Fish, who left the band in 1988, and is a concept album.
Misplaced Childhood is the third studio album by the British neo-prog band Marillion, released in 1985. It is a concept album loosely based on the childhood of Marillion's lead singer, Fish, who was inspired by a brief incident that occurred while he was under the influence of LSD.
Brave is the seventh studio album by Marillion, released in 1994. It charted at number 10 on the UK Albums Chart, being the last of the band's albums to reach the Top 10 in the United Kingdom until F E A R reached number 4 in 2016.
Pallas are a Scottish progressive rock band from Aberdeen. They were one of the bands at the vanguard of what was termed neo-prog during progressive rock's second-wave revival in the early 1980s. Other major UK acts included Marillion, IQ, Twelfth Night, Pendragon and Solstice.
Script for a Jester's Tear is the debut studio album by British neo-prog band Marillion, released in the United Kingdom on 14 March 1983 by EMI Records. The album reached number seven and spent 31 weeks in the UK Albums Chart, eventually achieving a platinum certificate, and produced the top 40 single "He Knows You Know" and the top 20 single "Garden Party".
"Market Square Heroes" is the debut single by the British neo-prog band Marillion, released in October 1982 with "Three Boats Down from the Candy" as the B-side. The 12-inch single included an additional track, the 17:15-minute-long "Grendel".
Mark Wilkinson is an English illustrator. He is best known for the detailed surrealistic cover art he created for a number of British bands.
Seasons End is the fifth studio album by British neo-prog band Marillion, released in 1989. The album was the first to feature current lead vocalist Steve Hogarth, following the departure of former vocalist Fish in late 1988. It reached number 7 on the UK Albums Chart.
Holidays in Eden is the sixth studio album by the British neo-prog band Marillion, released in 1991. Recorded at Hook End Manor in Oxfordshire and Westside Studios in London, it was the band's second album with vocalist Steve Hogarth and the first completely written without previous lead singer Fish.
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B'Sides Themselves is a compilation of single B-sides by the British neo-prog band Marillion, which was released on CD only in January 1988. This was the first time that those B-sides were made available in the then still relatively new Compact Disc format. However, vinyl LP and cassette versions were issued in June 1988.
"Assassing" is a song by the British neo-prog band Marillion. It was the second single from their second studio album, Fugazi (1984). The single reached no. 22 on the UK singles charts in May 1984. The 7" single's title track is a heavily edited version of the first track on Fugazi, with a length of 03:39 as opposed to the album version with 07:01. The B-side is the non-album track "Cinderella Search".
The Thieving Magpie (La Gazza Ladra) is a double live album by the British neo-prog band Marillion. It was named after the introductory piece of classical music the band used before coming on stage during the Clutching at Straws tour 1987–1988, the overture to Rossini's opera La gazza ladra, which translates as "The Thieving Magpie". The album was released shortly after singer Fish's departure from the band (and before Steve Hogarth's arrival) and was intended to document the "Fish years". It complements the band's first live album Real to Reel insofar as there are no overlaps. The Thieving Magpie is not a continuous live recording, but a compilation of tracks recorded at different times and places, with audible gaps between them and different moods on the individual tracks. However, the double vinyl version does include the first side of the UK number one concept album Misplaced Childhood (1985). The CD and cassette version includes the full album, as well as the track "Freaks" – originally the b-side to "Lavender", it was used as the lead single for The Thieving Magpie peaking at no. 18 in the UK.
"Punch and Judy" is a song by the British neo-prog band Marillion. It was the first single from their second studio album Fugazi. The lyrics of the song are about a marriage gone bad.
Brief Encounter is a compilation EP by the British neo-prog band Marillion. It contains two studio and three live tracks that EMI's American label Capitol Records released there in 1986, coinciding with the band's tour of the U.S. and Canada that year.
Out of the Shadows is a 1962 rock album by British group The Shadows. It was their second album.
Live from Loreley is a live album by the British neo-prog band Marillion, recorded at a concert at the Freilichtbühne Loreley Loreley, St. Goarshausen, Germany on 18 July 1987. The recording, made during the first leg of the 1987 Clutching at Straws tour, documents the band at the peak of their commercial success in the 1980s when they had original frontman Fish on vocals. The show was attended by an audience of 20,000; support acts were Magnum, The Cult (cancelled), and It Bites. It comprises songs from the four studio albums they released up to that point, i.e. Script for a Jester's Tear (1983), Fugazi (1984), Misplaced Childhood (1985), and Clutching at Straws (1987). The non-album debut single "Market Square Heroes" is also included.
"Welcome to the ‚Garden Party‘" is a 1986 single by British neo-prog band Marillion released exclusively in West Germany to accompany a series of concerts the band played at festivals in that country as second bill to Queen, following their commercial breakthrough with the album Misplaced Childhood and the hit singles "Kayleigh" and "Lavender" the year before. The single was released on 7" and 12" vinyl; neither version contained any new or previously unreleased material. The 7" and 12" versions contained completely different recordings from each other. The A-side, "Garden Party", originally the second single from the band's debut album, Script for a Jester's Tear, had reached #16 on the UK Singles Chart in 1983, but—like all Marillion singles before "Kayleigh"—had failed to chart in Germany. However, the single received little airplay and failed to enter the German top 100.