A waistcoat or vest is a sleeveless upper-body garment. It is usually worn over a dress shirt and necktie and below a coat as a part of most men's formal wear. It is also sported as the third piece in the traditional three-piece male suit. Any given waistcoat can be simple or ornate, or for leisure or luxury. Historically, the waistcoat can be worn either in the place of, or underneath, a larger coat, dependent upon the weather, wearer, and setting.
A pocket is a bag- or envelope-like receptacle either fastened to or inserted in an article of clothing to hold small items. Pockets are also attached to luggage, backpacks, and similar items. In older usage, a pocket was a separate small bag or pouch.
An overcoat is a type of long coat intended to be worn as the outermost garment, which usually extends below the knee. Overcoats are most commonly used in winter when warmth is more important.
A handbag, commonly known as a purse in North American English, is a handled medium-to-large bag used to carry personal items. It has also been called a pocketbook in parts of the U.S.
A waist bag, fanny pack, belt bag, moon bag, belly bag, or bumbag geebag is a small fabric pouch worn like a belt around the waist by use of a strap above the hips that is secured usually with some sort of buckle. The straps sometimes have tri-glide slides, making them adjustable in order to fit properly. It can be considered as a purse worn around the waist.
A mantua is an article of women's clothing worn in the late 17th century and 18th century. Initially a loose gown, the later mantua was an overgown or robe typically worn over stays, stomacher and either a co-ordinating or contrasting petticoat.
Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous petticoats. The outline is especially flattering to apple shapes wishing to disguise the stomach area or emphasize the bust. The shape of the dress also helps to lengthen the body's appearance.
A riding habit is women's clothing for horseback riding.
Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English styles of fashion were very different from one another. French style was defined by elaborate court dress, colourful and rich in decoration, worn by such iconic fashion figures as Marie Antoinette.
During the 1820s in European and European-influenced countries, fashionable women's clothing styles transitioned away from the classically influenced "Empire"/"Regency" styles of c. 1795–1820 and re-adopted elements that had been characteristic of most of the 18th century, such as full skirts and clearly visible corseting of the natural waist.
A pelisse was originally a short fur-trimmed jacket which hussar light-cavalry soldiers from the 17th century onwards usually wore hanging loose over the left shoulder, ostensibly to prevent sword cuts. The name also came to refer to a fashionable style of woman's coat-like garment worn in the early-19th century.
Fashion in the period 1795–1820 in European and European-influenced countries saw the final triumph of undress or informal styles over the brocades, lace, periwigs and powder of the earlier 18th century. In the aftermath of the French Revolution, no one wanted to appear to be a member of the French aristocracy, and people began using clothing more as a form of individual expression of the true self than as a pure indication of social status. As a result, the shifts that occurred in fashion at the turn of the 19th century granted the opportunity to present new public identities that also provided insights into their private selves. Katherine Aaslestad indicates how "fashion, embodying new social values, emerged as a key site of confrontation between tradition and change."
The nineteenth century marks the period beginning January 1, 1801 and ends December 31, 1900.
The Incroyables and their female counterparts, the Merveilleuses, were members of a fashionable aristocratic subculture in Paris during the French Directory (1795–1799). Whether as catharsis or in a need to reconnect with other survivors of the Reign of Terror, they greeted the new regime with an outbreak of luxury, decadence, and even silliness. They held hundreds of balls and started fashion trends in clothing and mannerisms that today seem exaggerated, affected, or even effete. They were also mockingly called "incoyable" or "meveilleuse", without the letter R, reflecting their upper class accent in which that letter was lightly pronounced, almost inaudibly. When this period ended, society took a more sober and modest turn.
The sack-back gown or robe à la française was a women's fashion of 18th century Europe. At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality. This style of gown had fabric at the back arranged in box pleats which fell loose from the shoulder to the floor with a slight train. In front, the gown was open, showing off a decorative stomacher and petticoat. It would have been worn with a wide square hoop or panniers under the petticoat. Scalloped ruffles often trimmed elbow-length sleeves, which were worn with separate frills called engageantes.
The Museum of Bags and Purses, was a museum devoted to the history of bags, purses, and their related accessories. Located in Amsterdam's historic central canal belt, the museum's collection included over 5,000 items dating back to the sixteenth-century.
Fashion in the twenty years between 1775 and 1795 in Western culture became simpler and less elaborate. These changes were a result of emerging modern ideals of selfhood, the declining fashionability of highly elaborate Rococo styles, and the widespread embrace of the rationalistic or "classical" ideals of Enlightenment philosophes.
A bag is a common tool in the form of a non-rigid container, typically made of cloth, leather, bamboo, paper, or plastic. The use of bags predates recorded history, with the earliest bags being lengths of animal skin, cotton, or woven plant fibers, folded up at the edges and secured in that shape with strings of the same material. Bags can be used to carry items such as personal belongings, groceries, and other objects. They comes in various shapes and sizes, often equipped with handles or straps for easier carrying.
A draped turban or turban hat is a millinery design in which fabric is draped to create headwear closely moulded to the head. Sometimes it may be stiffened or padded, although simpler versions may just comprise wound fabric that is knotted or stitched. It may include a peak, feather or other details to add height. It generally covers most or all of the hair.
Kinchaku is a traditional Japanese drawstring bag, used like a handbag for carrying around personal possessions; smaller ones are usually used to carry loose coinage, cosmetics, lucky charms, hand warmers and other small items. Larger versions can be used to carry bento and utensils, as well as other larger possessions. The bags traditionally carried by maiko and geisha are a variant on kinchaku, and are called kago (篭) after their woven basket base.
French, late 18th century
European, c. 1810
French, early 19th century
Early 19th century
European, c. 1830
English, 19th century
American, c. 1860
