The essence of Rising Appalachia's uniqueness lies in their nonconformity to the mainstream music industry. From the outset, the project was a labor of love for the Smith sisters, who independently managed and financed their music. Their musical journey began with an intimate gesture—a gift of music for their close circle. The unexpectedly positive reception spurred them to establish Rising Appalachia as a musical force. Their artistic trajectory mirrors their sonic explorations: a fusion of Appalachian heritage, music of the Celtic Isles with the vibrant pulse of urban genres, all adorned with a rich tapestry of world music collected during their global travels and musical studies.
The collective's identity has evolved through various phases, including a stint as R.I.S.E., during which they released the live album Evolutions in Sound. Their commitment to uniting art with activism and community engagement led to the inception of the Rise Collective—a diverse assembly of performers, educators, activists, and artists. This collaborative effort encompasses an array of artistic expressions, from acro-yoga to fire spinning and sound workshops. The Smith sisters' dedication to leveraging their art for positive change and cultural development remains at the core of their creative ethos.
Rising Appalachia's journey has seen them traverse continents, gracing stages at musical festivals across the globe—from the United States to countries like Colombia, Costa Rica, Canada, India, Italy,[2] Bulgaria, Hungary, the Czech Republic, Sweden, Ireland and Scotland.[3][4] Albums like the crowd-fundedFilthy Dirty South[5] as well as Leylines reflect the group's evolution both musically and ideologically. These records mark pivotal moments in their artistic maturation. Rising Appalachia's commitment to their craft and their steadfast autonomy continue to define their unique presence in the music scene.
History
Early days
In 2005, sisters Leah and Chloe Smith, decided one afternoon to record their first album, Leah and Chloe,[6] in the basement studio of a friend in downtown Atlanta, Georgia. The album was meant as a gift for family and friends but they received so much support and recognition for it that they decided to officially start a band called Rising Appalachia.[7] The sisters moved to New Orleans[8] in 2006, about a year after hurricane Katrina.[9]
In the early days, the sisters busked, in the French Quarter of New Orleans and elsewhere.[7] They began to find their own natural interpretation of Appalachian music which brought together folk, soul, hip-hop, classical, southern gospel and other styles[3] based on their upbringing on traditional Appalachian string band music, as well as on their exposure to urban music like hip-hop and jazz and the influence of roots music, and world music of all kinds which they experienced during their worldwide travels.[10] They released their second album, Scale Down in 2007.[11]
On June 29, 2008 the group played their last show under the name Rising Appalachia during Concrete Pandemonium III at the Eyedrum Art Gallery in Atlanta[12] before it was changed to R.I.S.E.
As R.I.S.E. they released their first live album Evolutions in Sound: Live in 2008,[13] the only album which would be released under this name. In February 2010 the band announced they would reclaim the original name of the band, Rising Appalachia, but would incorporate RISE in the name of a supporting project, the Rise Collective.[13]
Together with the music of Rising Appalachia, the collective is used to support many of the Smith sisters' community-based projects uniting the arts and justice. Having themselves been community activists during their travels, Leah and Chloe Smith want their art to also be a source of activism, as well as of cultural development.[10]
Rising Appalachia at The Ogden, New Orleans on November 11, 2011
2010 brought a return to the band's original name and the release of their third studio album, The Sails of Self. The band expanded, with percussionist Biko Casini and bassist David Brown officially joining the band for this album and tour.[13]
Kickstarter-funded Filthy Dirty South (2012)
In 2011, the band raised a total of $11,180.00 within one month for their next album, Filthy Dirty South,[15] on the crowd funding web site Kickstarter.[5] They released Filthy Dirty South, their fourth studio album, in 2012.[16]
Thandiwe Ogbonna, writing for No Depression, said "Filthy Dirty South is an overall outstanding work of clever musicianship. A tour of world sounds that could be scattered and disjointed is very skilfully executed with a pleasant flow."[17] Dan Levenson reviewed the album, along with the band's two previous studio albums, in the January 2015 issue of Banjo Newsletter, taking great interest in Leah Song's distinctive "clawhammer" banjo style.[18]
In 2013, in collaboration with The Human Experience, they produced their first remix album, Soul Visions.[19]
Slow Music Movement and the Wider Circles Rail Tour (2015)
On July 17, 2015, Rising Appalachia released their fifth studio album, Wider Circles.[20] Leah Song coined the term "Slow Music Movement" while preparing for a TedX talk.[21] During their Wider Circles[22] Rail Tour, the band travelled by Amtrak train. Song connected this with the "Slow Music Movement", which she described as exploring the question as to how music can be a public service,[23] saying:
We want to have relationships with the farmers and the food of each region and also to have a relationship with different educational initiatives and non-profits. We have a policy that at each show at least two non-profits are welcome, invited — non-profits or educational initiatives, arts justice projects — to the show to set up tables and let the audiences know, as well as ourselves, what's going on locally.[24]
John Malkin, writing for Spirituality & Health Magazine noted that "The inviting songs of Wider Circles focus on community, gratitude, and healing."[25] Desdemona Dallas, reviewing for Lost in Sound, noted that "Songs 'Medicine' and 'Oh Death' light upon the Smith sisters’ wordsmithing ways as slam poets."[26] Thandiwe Ogbonna, writing for No Depression, said
The talents of Biko Casini (world percussion) and David Brown (stand-up bass/baritone guitar) pair with Leah and Chloe's signature vocal harmonies and banjo/fiddle duets to explore elements of folk, jazz, and soul and topics ranging from mountaintop removal to herbal medicine.[24]
Permaculture Action Network and the Fertile Grounds Tour (2016)
The band chose the name "Fertile Grounds" for their 2016 tour to celebrate their new partnership with the Permaculture Action Network. In an interview, Chloe Smith stated that the band would be "hosting a series of Permaculture Action Days in association with a number of our performance dates with the goal of helping to connect our audiences with tangible on-the-ground action and education."[27]
Alive (2017)
Rising Appalachia's first live album, Alive, was released on September 29, 2017. The release was covered by Kath Galasso of OnStage Magazine, who wrote that "Alive moves from traditional to contemporary to spiritual smoothly, never forgetting the global narrative."[28]
The album was featured by The Spill Magazine, along with an interview with Leah Song.[29] It was also reviewed by Erick Mertz for the UK magazine Bearded, who wrote "In total, the performance is complete. Banter between songs keeps the fire burning. Rising Appalachia allows the performance to take on its own energy, up and down, like the life cycle of joys and sorrows that it aims to replicate,"[30] although he was disappointed at the lack of variety and had hoped for more of a "political edge."[30]
The single "Resilient" was released on May 1, 2018.[32] The video, which features dancers Quentin Robinson, Justin Conte, Lukas van der Fecht, and Amy Secada, was reviewed by Bob Boilen for NPR Music's All Songs TV,[33] and by Steph Castor for the June 2018 issue of Girl Guitar Magazine.[34]
During this tour, Rolling Stone described the band's work as "Protest music for the modern age, bolstered by delicate, skillful musicianship and otherworldly vocal harmonies."[35]
The theme of Leylines is interconnectedness. In an interview, Chloe Smith said that the word 'leylines' "alludes to magnetic points of spirit, energy, history, and power in various parts of the world. Unique connections that are more subtle than linear, if you will. We always sense connections between far removed places, and our album is a reflection of that with the layering of Appalachia, Ireland, and West Africa. We wanted to weave lines of connections aurally with both traditional music from those places as well as contemporary lyrics..."[37]
Leylines was ranked on the BillboardTop Heatseekers chart, peaking at No. 22 for the week ending May 18, 2019.[38] The album was reviewed by George Graham in The Graham Album Review.[39] The song "Harmonize" was released early as a music video which was featured by Rolling Stone.[40][41] The song "Cuckoo" was featured in Paste,[40][42] the song "Sunny Days" was featured in Relix,[40][43] and the song "Speak Out" was featured in Brooklyn Vegan.[40][44] The final track, "Resilient", is a full band version of the single first released in 2018 as a duo performance and music video.[40]
Releases and online show (2020)
2020 brought the coronavirus which curtailed the production of live shows. Regarding this turn of events, Chloe wrote, "Now, in the time of corona, we are seeing the necessary roles of music and healing practices in our abilities to see through this pandemic and stay steady on our course of compassion and strength."[45]
Rising Appalachia released a new music video, "Stand Like an Oak," on Earth Day, April 22.[46] Regarding her reasons for writing this song, Chloe wrote, "I wrote this song for a loved one going through the wave and arc of depression and anxiety, someone whom I wanted to sing a reminder to, to find her roots and footing when the wind blows strong. Mental health is a gripping mountain for so many people to climb, and this song honors that journey as well as the people who pull us up out of it."[45] Leah wrote that "[it] is a song to remind us of our innate sturdiness and deep roots in this vital dark soil of Earth; the innate presence and stability of the Oaktree as our model and muse of calmness in the great storms."[45]
In collaboration with David Brown's Castanea, a "Resilient Remix" music video was released on May 15,[47] which was featured on Folk Roots Radio "Episode 515: We're All About The Music!"[48] In June, in collaboration with Dirtwire, the single "Pulse" was released.[49]
The band launched a Patreon presence on August 1.[50] Later in August the band announced the release of a music video of "Pulse."[51]
The full band playing a livestream concert on December 15.[52] This concert was released as a live album, Live from New Orleans at Preservation Hall, in November 2022.[citation needed]
The band dropped a surprise album, The Lost Mystique of Being in the Know, on May 21, 2021.[54] It is their seventh studio album, and was reviewed by Jim Shahen in The Journal of Roots Music, who wrote that "it's a testament to their exuberance and spontaneous creativity."[55] It was also reviewed by Madeline Crone for American Songwriter, who wrote that "this project is a lot more abstract than their previous discography,"[56] and by Mike Davies for the UK's folk radio, who reviewed each song in detail and concluded "undoubtedly one of the most intoxicating musical experiences you'll have this year."[57] Doug Deloach reviewed it for Songlines, giving it five stars and writing, "Across nine tracks culled from a one-day recording session after ten months of COVID-induced isolation, Rising Appalachia have delivered one of 2021's sweetest world music albums."[58]
Rising Appalachia (2021a). Rising Appalachia LIVE (video). Soul Land Music Series: Songs & Stories Inspired by Ram Dass. Baba Ram Dass. Retrieved December 10, 2022.
Rising Appalachia (2022a). The Lime Tree (video). By Trevor Hall. Rising Appalachia. Retrieved December 10, 2022.
Rising Appalachia (2022b). LIVE from Preservation Hall (video). Rising Appalachia. Retrieved December 10, 2022.
The Irish Rovers is a group of Irish musicians that formed in Toronto, Canada in 1963 and named after the traditional song "The Irish Rover". They are best known for their international television series, contributing to the popularization of Irish Music in North America, and for the songs "The Unicorn", "Drunken Sailor", "Wasn't That a Party", "The Orange and the Green", "Whiskey on a Sunday", "Lily the Pink", "Finnegan's Wake" and "The Black Velvet Band".
Leylines is the sixth studio album by American Appalachian band Rising Appalachia. The album was produced by Joe Henry, recorded over ten days in Marin County studio Panoramic House, and released on May 3, 2019. Leylines was ranked on the Billboard Top Heatseekers chart, peaking at No. 22 for the week ending May 18, 2019. Singer-songwriters Ani DiFranco and Trevor Hall, as well as jazz trumpeter Maurice Turner, are featured on the album.
"Nobody's Fault but My Own" is a song by American musician Beck. The song was released in 1998 on his album Mutations, and was released as a single in Japan only on April 21, 1999. The CD single came backed with the exclusive tracks "One of These Days" and "Diamond in the Sleaze" as B-sides. The insert features the lyrics in both English and Japanese.
The Infamous Stringdusters are a progressive acoustic/bluegrass band. The band first emerged in 2006 with the limited release of a five-song extended play CD The Infamous Stringdusters, followed in 2007 by their first album Fork in the Road. Both of these were on Sugar Hill Records. The band consists of Andy Hall (Dobro), Andy Falco (guitar), Chris Pandolfi (banjo), Jeremy Garrett (fiddle), and Travis Book. The band has become known for a complex, distinctive, and groove-friendly sound along with a bluegrass theme.
Mark August Stoermer is an American musician. He is best known as the bassist for the rock band the Killers, with whom he has recorded six studio albums.
Leah Song is an American singer-songwriter, multi-instrumental musician, storyteller, poet, artist, and activist known for her role as one of the two frontsisters of Rising Appalachia — with younger sister Chloe Smith — incorporating sultry vocals, rhythm, banjo, guitar, ballads, dance, spoken-word and storytelling into her work. Her music is based in the traditions of Southern soul and international roots music.
Hatful of Rain, an acoustic music group from Brighton and Shoreham-by-Sea, Sussex, England, perform original material that combines English folk sounds with harmony singing and American bluegrass music. Critically acclaimed, the band came to the attention of broadcaster Mike Harding, who played their music on his BBC Radio 2 show. The band also performed live on BBC Radio 2's Bob Harris Sunday programme on 24 March 2013.
Chloe Smith is an American singer, multi-instrumental musician, and activist, known for her role as one of the two lead vocalists of Rising Appalachia alongside her older sister Leah Song. Her music, which incorporates sultry vocals, rhythm, banjo, guitar, and fiddle, is based in the traditions of Southern soul and international roots music.
King Gizzard & the Lizard Wizard (KGLW) are an Australian rock band formed in 2010 in Melbourne, Victoria. The band's current lineup consists of Stu Mackenzie, Ambrose Kenny-Smith, Cook Craig, Joey Walker, Lucas Harwood, and Michael Cavanagh. They are known for exploring multiple genres, staging energetic live shows, and building a prolific discography.
George Kusunoki Miller, known professionally as Joji and formerly as Filthy Frank and Pink Guy, is a Japanese-Australian singer-songwriter, rapper, and record producer. Miller's music has been described as a mix between R&B, lo-fi, and trip hop.
Rasputina is an American rock band based in New York City, known for an unconventional music style, as well as a fascination with historical allegories and fashion, especially those pertaining to the Victorian era.
The Leylines are a folk rock band formed in Weston-super-Mare, Somerset in 2013. The band's violin and guitar driven sound has seen them headline multiple tours across the UK, as well as performing at world renowned festivals, such as Glastonbury Festival, Farmer Phil's Festival, Boomtown Fair and Bearded Theory. To date, The Leylines have released two full studio albums and one EP. In 2019 the band achieved a career highlight of playing to thousands of fans on the Big Top stage at Beautiful Days.
The Lost Mystique of Being in the Know is the seventh studio album by American Appalachian band Rising Appalachia. The album was engineered at Echo Mountain Recording in Asheville, North Carolina and was released on May 21, 2021. The tracks were recorded during a one-day session following over a year of isolation due to COVID-19 restrictions.
"Soon I Will Be Done (With the Troubles of the World)" is a traditional African-American spiritual.
Alive is a 2017 live album by American Appalachian band Rising Appalachia. Alive was named an "Album of the Year 2017" by The Arts Desk. The album was compiled from recordings made at live shows over the previous two years.
"Bright Morning Star" is a traditional Appalachian spiritual, the earliest recording of which dates back to 1937. It has been sung by numerous folk artists, but was popularized in the folk revivals of the 1960s and 70s, particularly by The Young Tradition.
Wider Circles is the fifth studio album by American Appalachian band Rising Appalachia. It was recorded at Echo Mountain Recording in Asheville, North Carolina, and was released on July 17, 2015.
The Bisserov Sisters are a Bulgarian musical trio that performs folk songs mainly from the Pirin folklore area. They were born in the village of Pirin, Sandanski Municipality, Blagoevgrad Province.
Filthy Dirty South is the fourth studio album by American Appalachian band Rising Appalachia. It was recorded at Echo Mountain Recording in Asheville, North Carolina, and released on December 9, 2012.
Starling Arrow is an American a cappella spirit-folk ensemble formed in 2020 by Leah Song and Chloe Smith, Tina Malia, Ayla Nereo, and Marya Stark.
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