Robert Gould Shaw Memorial | |
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Artist | Augustus Saint-Gaudens |
Year | 1884 |
Type | Bronze |
Dimensions | 3.4 m× 4.3 m(11 ft× 14 ft) |
Location | Boston, Massachusetts, U.S. |
42°21′27″N71°3′48.6″W / 42.35750°N 71.063500°W | |
Owner | National Park Service |
The Memorial to Robert Gould Shaw and the Massachusetts Fifty-Fourth Regiment is a bronze relief sculpture by Augustus Saint-Gaudens opposite 24 Beacon Street, Boston (at the edge of the Boston Common). It depicts Colonel Robert Gould Shaw leading members of the 54th Regiment Massachusetts Volunteer Infantry as it marched down Beacon Street on May 28, 1863 to depart the city to fight in the South. The sculpture was unveiled on May 31, 1897. [1] This is the first civic monument to pay homage to the heroism of African American soldiers. [2]
The monument marks Shaw's death on July 18, 1863 after he and his troops attacked Fort Wagner, one of two forts protecting the strategic Confederate port of Charleston, South Carolina. [2] Joshua Bowen Smith, a Massachusetts state legislator, led the effort to obtain authorization for the monument; others participating in its early planning included Governor John Albion Andrew, who had urged Shaw to take command of the 54th Regiment, Samuel Gridley Howe, and Senator Charles Sumner. [3] The monument was meant to show the public's gratitude to Shaw and commemorate the events that recognized the citizenship of Black men. [3]
In celebrating Shaw, Saint-Gaudens depicted Shaw on horseback, while the Massachusetts 54th is depicted in bas-relief, thus creating a "stylistically unprecedented" and "hybrid" work that modifies the traditional Western equestrian monument. [2] Saint-Gaudens would later draw upon this new model in his 1903 memorial to William T. Sherman in New York's Central Park. [2] Each of the twenty-three Black soldiers is rendered with distinct, individualistic features that were based on those of live models hired by Saint-Gaudens. [2]
Fundraising for the monument, led by the survivors of the 54th Massachusetts Volunteer Infantry and emancipated Black people from Beaufort, South Carolina, began immediately after the battle, but funds were redirected because the Beaufort site was found unsuitable and local white people expressed resentment. [2]
The monument was vandalized in 2012, 2015, and 2017. On May 31, 2020, as part of the 2020 George Floyd protests, the back of the monument was vandalized with phrases such as "Black Lives Matter", "ACAB," and "Fuck 12". As part of a renovation plan, the front had been covered with plywood, which also received graffiti. [4] [5] In July 2020, the monument became a focus of discussion during the iconoclasm that took place as part of the George Floyd protests. [6]
Restoration of the monument began on May 20, 2020, and was completed in March 2021. [7] The memorial was removed and taken to an offsite location for restoration. While the bronze sculpture was being cleaned and repaired, a new concrete foundation was built. The project cost $2.8 million and includes an augmented reality mobile app that assists visitors in experiencing the monument. [8] New signage was added detailing the history of the Civil War, the 54th Regiment, and the monument itself, with QR codes for the AR app. [9]
In November 2023, a copy of the monument in the National Gallery of Art was damaged by an activist. [10]
The work was dedicated by philosopher William James of Harvard:
There they march, warm-blooded champions of a better day for man. There on horseback among them, in his very habit as he lived, sits the blue-eyed child of fortune, upon whose happy youth every divinity had smiled.
— Oration by William James at the exercises in the Boston Music Hall, May 31, 1897, upon the unveiling of the Shaw Monument. [11]
A Latin inscription on the relief reads OMNIA RELINQVIT / SERVARE REMPVBLICAM ("He left behind everything to save the Republic"). The pedestal below carries lines from James Russell Lowell's poem "Memoriae Positum":
Right in the van of the red rampart's slippery
swell with heart that beat a charge he fell
foeward as fits a man: but the high soul burns
on to light men's feet where death for noble
ends makes dying sweet.
On the rear are words by Charles W. Eliot, president of Harvard University:
The White Officers taking life and honor in their hands cast in their lot with men of a despised race unproven in war and risked death as inciters of servile insurrection if taken prisoners besides encountering all the common perils of camp march and battle. The Black rank and file volunteered when disaster clouded the Union Cause. Served without pay for eighteen months till given that of white troops. Faced threatened enslavement if captured. Were brave in action. Patient under heavy and dangerous labors. And cheerful amid hardships and privations. Together they gave to the Nation and the World undying proof that Americans of African descent possess the pride, courage and devotion of the patriot soldier. One hundred and eighty thousand such Americans enlisted under the Union Flag in MDCCCLXIII–MDCCCLXV. [1863-1865] [12]
A plaster cast, which was exhibited at the 1901 Pan-American Exposition, is displayed at the National Gallery of Art, [13] on loan by the Saint-Gaudens National Historic Site, Cornish, New Hampshire. [14] The inscription running along the bottom of this plaster cast incorrectly states that the assault on Fort Wagner and Shaw's death in 1863 occurred "JULY TWENTY THIRD," five days later than the historic events.
William Harvey Carney was an American soldier during the American Civil War. Born enslaved, he was awarded the Medal of Honor in 1900 for his gallantry in saving the regimental colors during the Battle of Fort Wagner in 1863. The action for which he received the Medal of Honor preceded that of any other African American Medal of Honor recipient; however, his medal was actually one of the last to be awarded for Civil War service. Some African Americans received the Medal of Honor as early as April 1865.
The 54th Massachusetts Infantry Regiment was an infantry regiment that saw extensive service in the Union Army during the American Civil War. The unit was the second African-American regiment, following the 1st Kansas Colored Volunteer Infantry Regiment, organized in the Northern states during the Civil War. Authorized by the Emancipation Proclamation, the regiment consisted of African-American enlisted men commanded by white officers. The 54th Massachusetts was a major force in the pioneering of African American civil war regiments, with 150 all black regiments being raised after the raising of the 54th Massachusetts.
Fort Wagner or Battery Wagner was a beachhead fortification on Morris Island, South Carolina, that covered the southern approach to Charleston Harbor. Named for deceased Lt. Col. Thomas M. Wagner, it was the site of two American Civil War battles in the campaign known as Operations Against the Defenses of Charleston in 1863, in which United States forces took heavy casualties while trying to seize the fort.
Robert Gould Shaw was an American officer in the Union Army during the American Civil War. Born into a Boston upper class abolitionist family, he accepted command of the first all-black regiment in the Northeast. Supporting the promised equal treatment for his troops, he encouraged the men to refuse their pay until it was equal to that of white troops' wage.
Edward "Ned" Needles Hallowell was an officer in the Union Army in the duration of the American Civil War, commanding the 54th Massachusetts Volunteer Infantry following the death of Colonel Robert Gould Shaw at the Second Battle of Fort Wagner in 1863.
Glory is a 1989 American historical war drama film directed by Edward Zwick about the 54th Massachusetts Infantry Regiment, one of the Union Army's earliest African-American regiments in the American Civil War. It stars Matthew Broderick as Colonel Robert Gould Shaw, the regiment's commanding officer, and Denzel Washington, Cary Elwes, and Morgan Freeman as fictional members of the 54th. The screenplay by Kevin Jarre was based on the books Lay This Laurel (1973) by Lincoln Kirstein and One Gallant Rush (1965) by Peter Burchard and the personal letters of Shaw. The film depicts the soldiers of the 54th from the formation of their regiment to their heroic actions at the Second Battle of Fort Wagner.
Augustus Saint-Gaudens was an Irish and American sculptor of the Beaux-Arts generation who embodied the ideals of the American Renaissance. Saint-Gaudens was born in Dublin to an Irish-French family, and raised in New York City. He traveled to Europe for further training and artistic study. After he returned to New York City, he achieved major critical success for his monuments commemorating heroes of the American Civil War, many of which still stand. Saint-Gaudens created works such as the Robert Gould Shaw Memorial on Boston Common, Abraham Lincoln: The Man, and grand equestrian monuments to Civil War generals: General John Logan Memorial in Chicago's Grant Park and William Tecumseh Sherman at the corner of New York's Central Park. In addition, he created the popular historicist representation of The Puritan.
George Luther Stearns was an American industrialist and merchant in Medford, Massachusetts, as well as an abolitionist and a noted recruiter of black soldiers for the Union Army during the American Civil War.
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Melzar Hunt Mosman was an American sculptor who made a number of Civil War and Spanish–American War monuments in Massachusetts.
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Joshua Bowen Smith (1813–1879) was an abolitionist, conductor on the Underground Railroad, co-founder of the New England Freedom Association, and politician, serving one term as a Massachusetts state legislator. He worked as a caterer in Boston, starting his own business at the age of 36.
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