Robert I of Normandy, also known as Robert the Magnificent and by other names, was a Norman noble of the House of Normandy who ruled as duke of Normandy from 1027 until his death in 1035. He was the son of Duke Richard II; the brother of Duke Richard III, against whom he unsuccessfully revolted; and the father of Duke William who became the first Norman king of England in 1066. During his reign, Robert quarrelled with the church—including his uncle Robert, archbishop of Rouen—and meddled in the disorder in Flanders. He finally reconciled with his uncle and the church, restoring some property and undertaking a pilgrimage to Jerusalem, during which he died.
The Duchy of Normandy grew out of the 911 Treaty of Saint-Clair-sur-Epte between King Charles III of West Francia and the Viking leader Rollo. The duchy was named for its inhabitants, the Normans.
A Breton lai, also known as a narrative lay or simply a lay, is a form of medieval French and English romance literature. Lais are short, rhymed tales of love and chivalry, often involving supernatural and fairy-world Celtic motifs. The word "lay" or "lai" is thought to be derived from the Old High German and/or Old Middle German leich, which means play, melody, or song, or as suggested by Jack Zipes in The Oxford Companion to Fairy Tales, the Irish word laid (song).
Anglo-Norman literature is literature composed in the Anglo-Norman language and developed during the period of 1066–1204, as the Duchy of Normandy and the Kingdom of England were united in the Anglo-Norman realm.
Bevis of Hampton (Old French: Beuve(s) or Bueve or Beavisde Hanton(n)e; Anglo-Norman: Boeve de Haumtone; Italian: Buovo d'Antona) or Sir Bevois, was a legendary English hero and the subject of Anglo-Norman, Dutch, French, English, Venetian, and other medieval metrical chivalric romances that bear his name. The tale also exists in medieval prose, with translations to Romanian, Russian, Dutch, Irish, Welsh, Old Norse and Yiddish.
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."
Dudo, or Dudon, was a Picard historian, and dean of Saint-Quentin, where he was born about 965. Sent in 986 by Albert I, Count of Vermandois, on an errand to Richard I, Duke of Normandy, he succeeded in his mission, and, having made a very favorable impression at the Norman court, spent some years in that country. During a second stay in Normandy, Dudo wrote his history of the Normans, a task which Duke Richard had urged him to undertake. Very little else is known about his life, except that he died before 1043.
The Seven Wise Masters is a cycle of stories of Sanskrit, Persian or Hebrew origins.
The story of the Knight of the Swan, or Swan Knight, is a medieval tale about a mysterious rescuer who comes in a swan-drawn boat to defend a damsel, his only condition being that he must never be asked his name.
Nicholas Trivet was an English Anglo-Norman chronicler.
Sir Isumbras is a medieval metrical romance written in Middle English and found in no fewer than nine manuscripts dating to the fifteenth century. This popular romance must have been circulating in England before 1320, because William of Nassyngton, in his work Speculum Vitae, which dates from this time, mentions feats of arms and other 'vanities', such as those found in stories of Sir Guy of Warwick, Bevis of Hampton, Octavian and Sir Isumbras. Unlike the other three stories, the Middle English Sir Isumbras is not a translation of an Old French original.
The Brut or Roman de Brut by the poet Wace is a loose and expanded translation in almost 15,000 lines of Norman-French verse of Geoffrey of Monmouth's Latin History of the Kings of Britain. It was formerly known as the Brut d'Engleterre or Roman des Rois d'Angleterre, though Wace's own name for it was the Geste des Bretons, or Deeds of the Britons. Its genre is equivocal, being more than a chronicle but not quite a fully-fledged romance.
"Le Fresne" is one of the Lais of Marie de France. It was likely written in the late 12th century. Marie claims it to be a Breton lai, an example of Anglo-Norman literature.
Grateful dead is both a motif and a group of related folktales present in many cultures throughout the world.
The Vitae duorum Offarum "The lives of the two Offas" is a literary history written in the mid-thirteenth century, apparently by the St Albans monk Matthew Paris; however, the most recent editor and translator of the work rejects this attribution and argues for an earlier date, in the late twelfth century. The earliest editor, William Wats, argues that the texts are older than Matthew's day but were revised by him; he bases this view on stylistic elements, such as the inclusion in the first Vita of a quotation from Lucan which also appears repeatedly in Matthew's Chronica maiora.
The Normans were a population arising in the medieval Duchy of Normandy from the intermingling between Norse Viking settlers and indigenous West Franks and Gallo-Romans. The term is also used to denote emigrants from the duchy who conquered other territories such as England and Sicily. The Norse settlements in West Francia followed a series of raids on the French northern coast mainly from Denmark, although some also sailed from Norway and Sweden. These settlements were finally legitimized when Rollo, a Scandinavian Viking leader, agreed to swear fealty to King Charles III of West Francia following the siege of Chartres in 911. The intermingling in Normandy produced an ethnic and cultural "Norman" identity in the first half of the 10th century, an identity which continued to evolve over the centuries.
Ipomadon is a Middle English translation of Hugh of Rhuddlan's Anglo-Norman romance Ipomedon composed in tail-rhyme verse, possibly in the last decade of the fourteenth century. It is one of three Middle English renditions of Hugh's work: the other two are a shorter verse Lyfe of Ipomydon and the prose Ipomedon, both of the fifteenth century. Each version is derived independently from the Anglo-Norman Ipomedon, which Hugh wrote 'not long after 1180', possibly in Herefordshire. It is included in a list of the popular English romances by Richard Hyrde in the 1520s.
Sir Gowther is a relatively short Middle English tail-rhyme romance in twelve-line stanzas, found in two manuscripts, each dating to the mid- or late-fifteenth century. The poem tells a story that has been variously defined as a secular hagiography, a Breton lai and a romance, and perhaps "complies to a variety of possibilities." An adaptation of the story of Robert the Devil, the story follows the fortunes of Sir Gowther from birth to death, from his childhood as the son of a fiend, his wicked early life, through contrition and a penance imposed by the Pope involving him in a lowly and humiliating position in society, and to his eventual rise, via divine miracles, as a martial hero and ultimately to virtual canonization. But despite this saintly end, "like many other lays and romances, Sir Gowther derives much of its inspiration from a rich and vastly underappreciated folk tradition."
Sir Cleges is a medieval English verse chivalric romance written in tail-rhyme stanzas in the late fourteenth or early fifteenth century. It is clearly a minstrel tale, praising giving gifts to minstrels, and punishing the servants who might make it impossible for a minstrel in a noble household. Corrupt officials are central to it.
Athelston is an anonymous Middle English verse romance in 812 lines, dating from the mid or late 14th century. Modern scholars often classify it as a "Matter of England" romance, because it deals entirely with pre-Conquest English settings and characters. It is mainly written in twelve-line stanzas rhyming AABCCBDDBEEB, though the poet occasionally varies his meter with stanzas of eight, six, or four lines. The poem survives in only one manuscript, the early 15th-century Gonville and Caius MS 175, which also includes the romances Richard Coer de Lyon, Sir Isumbras and Beves of Hamtoun. It has no title there. Athelston was first printed in 1829, when C. H. Hartshorne included it in his Ancient Metrical Tales.
