Sadasiva Temple, Nuggehalli

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Sadashiva temple at Nuggehalli
Sadasiva temple at Nuggehalli - Hassan district of Karnataka state India view of entire temple.jpg
Religion
Affiliation Hinduism
District Hassan
Deity Shiva
Location
LocationNuggehalli
State Karnataka
Country India
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Shown within India
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Sadasiva Temple, Nuggehalli (Karnataka)
Geographic coordinates 13°00′40.5″N76°28′37.9″E / 13.011250°N 76.477194°E / 13.011250; 76.477194 Coordinates: 13°00′40.5″N76°28′37.9″E / 13.011250°N 76.477194°E / 13.011250; 76.477194
Architecture
Type Hoysala
CreatorBommanna Dandanayaka
Completedc. 1246 CE

The Sadasiva temple at Nuggehalli is a 13th-century Shiva temple with Hoysala architecture in Nuggehalli village, Hassan district, Karnataka, India. The temple is one of the best illustrations of the Hoysala era Nagara temple with the stellate style, remarkable for its octagonal star configuration with clean, simple aesthetics. [1] The brilliant synthesis of South Indian ideas with North Indian architectural plan makes it a special monument. It is also notable for its artwork that depicts legends of Shaivism, Vaishnavism, Shaktism and Vedic deities together. [1]

Contents

Location and date

The Sadasiva Temple is located in Nuggehalli, (also spelled "Nuggihalli"), a town in the Hassan district of Karnataka, India. It is to the east of Lakshmi Narasimha temple and closer to the historic water reservoir to the northeast of the village. The town was called Vijaya Somanathapura in ancient times and gained importance as an agrahara (place of learning) during the time of Bommanna Dandanayaka. The Sadasiva temple is a fine example of Hoysala nagara style of architecture with Bhumija type superstructure. [2]

It was completed in c.1249 by Bommanna Dandanayaka, a commander in the Hoysala Empire during the rule of King Vira Someshwara. [1]

Architecture and furnishings

This unusual Hoysala temple combines ekakuta ("one superstructure and shrine") architecture with a nagara (north Indian) styled tower. [2] The Vimana has a stellate plan with an octagonal star configuration. Each bhadra follows this same rhythm. Merged with the Vimana is the square gudha-mandapa flourished with orthogonal ratha. Thus, the sthanapati and shilpins (architect and artisans) were able to exhaustively and successfully create a "highly sophisticated rotating shape far beyond the innovations found in Chalukyan architecture" of the previous centuries, states Dhaky, a scholar of temple architecture and history. The temple is quasi-Bhumija with South Indian ideas on the rotating square principle of Hindu architecture. This synthesis creates a symphony in geometric configuration of its stellate base and the outer walls, all the way to the North Indian style shikhara. [1]

The shrine's walls and the mantapa have austere appearance, with no sculptural decoration. Yet the successful integration of the Nagara quasi-Bhumija architecture with South Indian flourish makes this temple one of the most important Hoysala monuments in architectural context. [1] [2] The temple is built on a jagati (platform) and the building material used is Soapstone (green–chloritic schist). It has a large "linga" (the universal symbol of the god Shiva) in its sanctum and an equally large and extremely well carved Nandi in a closed hall with walls that have perforated stone windows. The temple also has a unique life-size standing image of the goddess Parvati (consort of Shiva). The images of the navagraha (lit, "nine planets") facing each other is another unique feature. There are two images of the god Ganesha (son of Shiva), one outside the sanctum and the other at the entrance to the sanctum housing the goddess Parvati. In the common hall are the intricately carved independent images (not in frieze) of deities from the Hindu pantheon that are noteworthy: Chamundeshwari (one of seven Saptamatrikas, Shaktism), Kartikeya and Ganesha (sons of Parvati and Shiva), Kala Bhairava (a ferocious form of Shiva), a set of images depicting the different incarnations ( avatars ) of Vishnu, Parvati, and Surya (the Sun god). [1] [3]

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Hoysala architecture Building style developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, in India

Hoysala architecture is the building style in Hindu temple architecture developed under the rule of the Hoysala Empire between the 11th and 14th centuries, in the region known today as Karnataka, a state of India. Hoysala influence was at its peak in the 13th century, when it dominated the Southern Deccan Plateau region. Large and small temples built during this era remain as examples of the Hoysala architectural style, including the Chennakesava Temple at Belur, the Hoysaleswara Temple at Halebidu, and the Kesava Temple at Somanathapura. Other examples of Hoysala craftsmanship are the temples at Belavadi, Amruthapura, Hosaholalu, Mosale, Arasikere, Basaralu, Kikkeri and Nuggehalli. Study of the Hoysala architectural style has revealed a negligible Indo-Aryan influence while the impact of Southern Indian style is more distinct.

Vesara

Vesara is a hybrid form of Indian temple architecture, with South Indian plan and a shape that features North Indian details. This fusion style likely originated in the historic architecture schools of the Dharwad region. It is common in the surviving temples of later Chalukyas and Hoysalas in the Deccan region, particularly Karnataka. According to Indian texts, Vesara was popular in central parts of India such as between the Vindhyas and the river Krishna. It is one of six major types of Indian temple architecture found in historic texts along with Nagara, Dravida, Bhumija, Kalinga and Varata.

Lakshmi Devi Temple, Doddagaddavalli

The Lakshmi Devi temple is an early 12th-century Hindu temples complex located in Doddagaddavalli village in Hassan District, Karnataka India. The main temple consists of four-shrines that share a common mandapa (hall), each sanctum being a square and aligned to a cardinal direction. The eastern shrine has Lakshmi, the northern shrine is dedicated to Kali-Durga, the western to Shiva, and the southern is empty and likely Vishnu. The complex has a separate Bhairava shrine to the northeast of the main temple, and four small shrines at the corners inside a nearly square prakara (compound). All nine temples are notable for its pyramidal north Indian style Nagara shikhara – likely an influence from Maharashtra and an evidence of active flow of ideas between the southern, central and northern India. The complex has additional smaller shrines.

Lakshmi Narasimha Temple, Nuggehalli

The Lakshmi Narasimha temple was built in 1246 CE by Bommanna Dandanayaka, a commander in the Hoysala Empire during the rule of King Vira Someshwara. It is a good example of 13th-century Hoysala architecture. Located a short distance away in Nuggehalli, and built around the same time is the Sadashiva temple. The town was called Vijaya Somanathapura in ancient times and gained importance as an agrahara during the time of Bommanna Dandanayaka. Nuggehalli,, is a town in Hassan district of Karnataka, India. It is located on the Tiptur-Channarayapatna state highway and is about 50 km from Hassan city. It is well connected by road with Bangalore, the state capital.

Chennakeshava Temple, Belur

Chennakeshava Temple, also referred to as Keshava, Kesava or Vijayanarayana Temple of Belur, is a 12th-century Hindu temple in the Hassan district of Karnataka state, India. It was commissioned by King Vishnuvardhana in 1117 CE, on the banks of the Yagachi River in Belur also called Velapura, an early Hoysala Empire capital. The temple was built over three generations and took 103 years to finish. It was repeatedly damaged and plundered during wars, repeatedly rebuilt and repaired over its history. It is 35 km from Hassan city and about 200 km from Bengaluru.

Hoysaleswara Temple

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Veera Narayana Temple, Belavadi

The Veera Narayana temple, also referred to as the Viranarayana temple of Belavadi, is a triple Hindu temple with a complex Hoysala architecture completed around 1200 CE. Close to Halebidu, this is a better preserved large Hoysala monument found in the small village of Belavadi, Chikkamagaluru district of Karnataka, India.

Lakshminarayana Temple, Hosaholalu

The Lakshminarayana Temple is a 13th-century Hindu temple with Hoysala architecture in Hosaholalu, Mandya district of Karnataka, India. Dedicated to Vishnu, this three-shrine monument is notable for its finely carved plinth (adhisthana) with panels of the Ramayana, the Mahabharata and the Bhagavata Purana. It has one of the most beautifully embellished Hoysala tower projection (sukanasa) that integrates the Dravida motifs with asta-bhadra Bhumija motifs from central India. Also notable are polish and jewelry-like carvings inside the temple's mandapa.

Western Chalukya architecture Style of architecture from the 11th and 12th century Western Chalukya Empire in modern central Karnataka, India

Western Chalukya architecture, also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

Doddabasappa Temple

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Ishvara Temple, Arasikere

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Bucesvara Temple, Koravangala

Bucesvara temple , also referred to as the Buceswara, Bucheshwara or Bhucheshvara temple, is one of six 12th century Hindu temples in Koravangala village, Karnataka, India. A Hoysala architecture and the most sophisticated historic temple in the village, the Bucesvara temple was built by a wealthy patron named Buchi during the reign of king Ballala. It is an intricately carved twin temple with the two sanctums facing each other. The sanctum next to the larger mandapa opens to the east and is dedicated to Shiva, while the other near the two entrances is dedicated to Surya. The temple, like most large Hindu temple complexes, reverentially displays artwork of Shaivism, Vaishnavism, Shaktism and the Vedic deities, along with panels depicting scenes from the Ramayana, the Mahabharata, the Bhagavata Purana. Also included are secular scenes of artha and kama.

Brahmeshvara Temple, Kikkeri

The Brahmeshvara temple, also referred to as the Brahmeshwara or Brahmesvara temple, is a 12th-century Hindu temple with Hoysala architecture in Kikkeri village, Mandya district of Karnataka state, India. Along with two other major historic temples within the village, the Brahmeshvara temple is one of many major ruined temples with notable artwork in Kikkeri area close to the more famous monuments of Shravanabelagola.

Lakshminarasimha Temple, Haranhalli

The Lakshminarasimha temple at Haranhalli, sometimes referred to as Lakshmi Narasimha temple of Haranhalli, is one of two major historic Hindu temples that have survived in Haranhalli, Karnataka, India. It is triple-shrine temple dedicated to Vishnu, while the other – Someshvara Temple, Haranhalli few hundred meters to the east – is dedicated to Shiva. Both temples reflect a Vesara-style Hoysala architecture, share similar design ideas and features, and were completed in the 1230s by three wealthy brothers – Peddanna Heggade, Sovanna and Kesanna.

Nageshvara-Chennakeshava Temple complex, Mosale

The Nageshvara-Chennakeshava temple complex, sometimes referred to as the Nagesvara and Chennakesava temples of Mosale, are a pair of nearly identical Hindu temples in the village of Mosale near Hassan city, Karnataka, India. One for Shiva, other for Vishnu, this pair is a set of highly ornamented stone temples, illustrating the Hoysala architecture. These temples also include panels of artwork related to the goddess tradition of Hinduism (Shaktism) and Vedic deities. Another notable feature of these temples is the artwork in their ceilings, how the shilpins (artisans) integrated the historic pre-Hoysala architectural innovations from the Chalukya era. Further, the temples include north Indian Bhumija and south Indian Vesara aedicules on the outer walls above the panels. It is unclear when this temple pair was built, but given the style and architectural innovations embedded therein, it was likely complete before 1250 CE.

Kedareshwara Temple, Halebidu Hindu temple in Karnataka, India

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Rameshvara Temple, Koodli

The Rameshvara temple at Koodli in the Shimoga district of Karnataka state is a Hoysala construction of the non-ornate variety and is dated to the 12th century. Koodli is a town of great antiquity and is located about 9 km north-east of Shimoga city, the district headquarters. The town gets its name because it is situated at the confluence of the Tunga and Bhadra tributaries that form the Tungabhadra river. According to art historian Adam Hardy, the temple is a single vimana with an open mantapa (hall) built with Soap stone. The temple is protected as a monument of national importance by the Archaeological Survey of India.

Saumyakeshava Temple, Nagamangala

The Saumyakeshava temple at Nagamangala was constructed in the 12th century by the rulers of the Hoysala empire. Nagamangala is a town in the Mandya district of Karnataka state, India. It is located 62 km from the historically important town Mysore, on the Srirangapatna-Sira highway. Historically, Nagamangala came into prominence during the rule of Hoysala King Vishnuvardhana when it became an important center of Vaishnava faith and received patronage from one of his queens, Bommaladevi. During the rule of Veera Ballala II, Nagamangala prospered as an agrahara and had the honorific Vira Ballala Chaturvedi Bhattaratnakara. The temple is protected as a monument of national importance by the Archaeological Survey of India.

Someshvara Temple, Haranhalli

The Someshvara temple at Haranhalli, sometimes referred to as Somesvara temple of Haranhalli, is one of two major historic Hindu temples that have survived in Haranhalli, Karnataka, India. It is dedicated to Shiva, while the other – Lakshminarasimha Temple, Haranhalli few hundred meters to the west – is dedicated to Vishnu. Both temples reflect a Vesara-style Hoysala architecture, share similar design ideas and features, and were completed in the 1230s by three wealthy brothers – Peddanna Heggade, Sovanna and Kesanna.

Lakshminarasimha Temple, Nuggehalli

The Lakshminarasimha temple at Nuggehalli is a 13th-century Hindu temple with Hoysala architecture in Nuggehalli village, Hassan district, Karnataka, India. This three shrine Vaishnava complex is dedicated to Keshava, Lakshminarayana and Venugopala. The temple is notable for its Vaishnava reliefs, Shaiva reliefs such as those of Harihara, Dakshinamurti, Chandikesvara and Ganesha, Shakti reliefs such as of Durga Mahisasuramardini, dancing Lakshmi and Saraswati, as well as Vedic deities such as Surya and Brahma. The lower section depicts scenes from the Hindu epics and the Bhagavata Purana. The artwork completed and signed by the Hoysala artist Mallitamma are particularly notable.

References

  1. 1 2 3 4 5 6 Madhusudan A. Dhaky; Michael Meister (1996). Encyclopaedia of Indian Temple Architecture, Volume 1 Part 3 South India Text & Plates. American Institute of Indian Studies. p. 372–374. ISBN   978-81-86526-00-2.
  2. 1 2 3 Foekema, Gerard (1996). A Complete Guide to Hoysala Temples. Abhinav, 1996. pp. 83–85.
  3. Foekema, Gerard (1996). A Complete Guide to Hoysala Temples. Abhinav, 1996. pp. 83–86.