"She's Got a Way" | ||||
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Single by Billy Joel | ||||
from the album Cold Spring Harbor and Songs in the Attic | ||||
B-side |
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Released | November 1971 [1] (studio release) November 1981 [2] (live re-release) | |||
Recorded | July 1971 | |||
Studio | Record Plant Studios, Los Angeles | |||
Genre | Soft rock | |||
Length | 2:50 (studio) 3:00 (live) | |||
Label | Family Productions (U.S.) Philips (UK) Columbia (live re-release) | |||
Songwriter(s) | Billy Joel | |||
Producer(s) | Artie Ripp Phil Ramone (live re-recording) | |||
Billy Joel singles chronology | ||||
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"She's Got a Way" is a song by American singer-songwriter Billy Joel, originally released on his first studio album, Cold Spring Harbor (1971) and as a single from that album in some countries. It was also featured as a single from the 1981 live album Songs in the Attic , peaking at number 23 on the Billboard Hot 100 chart in early 1982. [3]
"She's Got a Way" is a love ballad. [4] The lyrics to "She's Got a Way" have the singer describing how various characteristics of a particular woman, such as her laugh, make him love her, even though he can't understand why. [5] To music critic Mark Bego, it's a song about a woman who has "mesmerized" him. [4] Joel biographer Fred Schruers describes the lyrics as a "plainspoken, never-quite-corny adoration of a loved one." [6]
According to a friend of the couple, Bruce Gentile, the song was written about Joel's first wife Elizabeth. [7] Joel's liner notes for Songs in the Attic seem to agree with this, commenting, "Written in 1970, I still feel the same way."
Schruers describes the song's melody as alternating between "surging" and "relenting." [6] The original studio version has minimal instrumentation. [5] The most prominent instruments are Joel's piano and some cymbal crashes. [5] Schruers describes Joel's piano playing as "stately." [6] Cash Box described it as "a slow, but never plodding love song." [8] On the 1983 reissue of Cold Spring Harbor, "She's Got a Way" also incorporated strings, which may have been inspired by a live performance at Carnegie Hall in New York City at which strings were included in the instrumentation. [5] Schruers attributes some of the effect of the song to the way Joel sings the final word of the final phrase "I don't know what it is/But there doesn't have to be a reason anyway." [6] Schruers describes the last word "anyway" as hanging in the air, "trailing off" and "disrupting the tempo" and thus "seemingly giving in to the emotion" of love. [6]
In a 1981 interview, Joel expressed mixed feelings about the song: "I thought it was cornball for years. I had trouble singing it at first. Then I got into it and decided everybody has a corny side, I suppose". [9]
Joel originally included "She's Got a Way" on a five-song demo tape that included other songs that would appear on Cold Spring Harbor, such as "Everybody Loves You Now" and "Tomorrow Is Today". Joel made the tape in an unsuccessful attempt to secure his first solo recording contract with Paramount Records. [7]
AllMusic critic Stephen Thomas Erlewine described the studio version as being "lovely" and rated it as one of Joel's "finest songs." [10] Record World called it a "pretty debut." [11] Bego described it as a "beautiful love ballad" and one of Joel's "most serious and adult compositions." [4] Joel biographer Hank Bordowitz called it a "remarkable composition that, while not great, at least indicate[d] a rising talent." [7] Billboard's Roy Waddell similarly described it as a "chestnut" that didn't get its "proper due" until the live version was released on Songs in the Attic. [12] Joel biographer Fred Schruers described it as the one "gem" from Cold Spring Harbor. [6] According to Rolling Stone Album Guide critic Paul Evans, "She's Got a Way" "set the pattern for the ballads Joel would soon turn out effortlessly." [13]
The version released on Songs in the Attic was recorded at a live performance in June 1980 at the Paradise Rock Club in Boston, Massachusetts. Joel performs the song with his own piano accompaniment. [5] Billboard called the live single a "delicate love ballad sincerely rendered." [14] Record World said that "Joel delivers a one-man show worthy of several encores." [15] Ken Bielen describes the performance as being influenced by Paul McCartney's style, and says that the small venue with its "attentive audience" provides an "intense intimacy." [5] Schruers describes this version as being "a technically better performance much more in a chest register" but does not consider it as poignant as the original version. [6] AllMusic critic Stephen Thomas Erlewine calls this version "richer and warmer" than the studio version. [16] Joel also performed this song on live TV on Saturday Night Live on November 14, 1981.
Chart (1981–82) | Peak position |
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Canada RPM Top Singles [17] | 46 |
Canada RPM Adult Contemporary [18] | 2 |
U.S. Billboard Hot 100 [7] | 23 |
U.S. Billboard Adult Contemporary | 4 |
Michael Sweet covered this song on 2007's Touched. [19] Phil Keaggy covered the song on 2007's Acoustic Café, accompanied only by acoustic guitar. [5] Ken Bielen described this version as being "sweet, gentle and simple." [5] Don Henley sang "She's Got a Way" as a tribute to Joel when Joel was awarded a Kennedy Center Honor in 2013. [6]
Margie Joseph recorded a femme version of the song, titled "He's Got a Way," in 1974. [5] Her version uses electric piano as the primary instrument, and adds a Hammond B-3 organ in the third verse to add a touch of gospel music influence. [5] She also adds a gospel choir for background vocals which, in Bielen's opinion gives the impression that her interpretation may be directed towards God rather than a human lover. [5] Bernadette Peters covered "He's Got a Way" on her 1996 album I'll Be Your Baby Tonight, accompanied only on piano. [5] Bielen described this version as being "technically perfect albeit emotion-filled." [5] Erlewine says that she is "well-suited" to its "pseudo-show tune stylings." [20]
William Martin Joel is an American singer, pianist, and songwriter. Commonly nicknamed the "Piano Man" after his signature 1973 song of the same name, he has had a successful music career as a solo artist throughout the 1970s and '80s. From 1971 to 1993, he released twelve studio albums that spanned pop and rock, as well as one album of classical music compositions in 2001. He is one of the best-selling music artists, as well as the seventh-best-selling recording artist and the fourth-best-selling solo artist in the United States, with over 160 million records sold worldwide. His 1985 compilation album, Greatest Hits – Volume I & Volume II, is one of the best-selling albums in the United States.
Piano Man is the second studio album by American recording artist Billy Joel, released on November 9, 1973, by Columbia Records. The album emerged from legal difficulties with Joel's former label, Family Productions, and ultimately became his first breakthrough album.
Cold Spring Harbor is the debut studio album by American recording artist Billy Joel, released on November 1, 1971, by Family Productions. The album sold poorly, receiving attention mainly after 1973's Piano Man and later albums became popular, and was reissued in 1983.
Songs in the Attic is the first live album by Billy Joel, released in 1981.
"Piano Man" is a song written and performed by American singer-songwriter Billy Joel. As his first single in North America, it was included on Joel's 1973 album of the same name and later released as a single on November 2, 1973. The song is sung from Joel's point of view as a piano player at a bar, reminiscing about his experiences there and the people he encountered. "Piano Man" is based on Joel's real-life experiences as a lounge musician in Los Angeles from 1972 to 1973, which he had decided to pursue in an effort to escape his contracted New York City-based record company at the time, Family Productions, following the poor commercial performance of the album Cold Spring Harbor. Joel describes various characters, including a bartender named John and a "real estate novelist" named Paul, all based on real-life individuals.
"Captain Jack" is a song by Billy Joel featured on his 1973 album Piano Man with a live version on his 1981 album Songs in the Attic.
"The Ballad of Billy the Kid" is a song by American singer-songwriter Billy Joel from the album Piano Man. It was also issued as a single in the UK backed with "If I Only Had The Words ."
"Los Angelenos" is a song written by Billy Joel that was first released on his 1974 album Streetlife Serenade. A live version was released on the 1981 album Songs in the Attic.
"You're My Home" is a single by Billy Joel. It was originally on Joel's 1973 album Piano Man, and also appears on Songs in the Attic (1981), The Ultimate Collection (2000), The Essential Billy Joel (2001) and 12 Gardens Live (2006). The song appears as a B-side on "Piano Man" and "All My Life" singles. The song was also covered by Helen Reddy on her album Love Song for Jeffrey, which was released as the flipside of her "Keep On Singing" single. It was also recorded by Sami Jo Cole on her album Sami Jo produced by Jimmy Bowen.
"Honesty" is a song by American singer and songwriter Billy Joel. Columbia Records released the song as the third single from his sixth studio album 52nd Street (1978) in 1979. "Honesty" was solely written by Joel, while production was handled by Phil Ramone. The song appears on the Dutch and Japanese editions of Greatest Hits Volume 2, replacing "Don't Ask Me Why" (1980).
"Goodnight Saigon" is a song written by Billy Joel, originally appearing on his 1982 album The Nylon Curtain, about the Vietnam War. It depicts the situation and attitude of United States Marines beginning with their military training on Parris Island and then into different aspects of Vietnam combat.
"Everybody Loves You Now" is a song written by Billy Joel. It was first released on his 1971 debut album Cold Spring Harbor and was also released as a b-side to his singles "She's Got a Way" and "Tomorrow Is Today." Live versions were included on the albums Songs in the Attic, 12 Gardens Live and Live at Shea Stadium: The Concert.
"Until the Night" is a song written by Billy Joel for his 1978 album, 52nd Street. Although passed over for single release in the US, "Until the Night" was issued as the second single from 52nd Street in the UK - following "My Life" - in March 1979 and reached #50 on the UK Singles Chart.
"Root Beer Rag" is a composition from Billy Joel's 1974 album Streetlife Serenade. An instrumental track in a very fast ragtime style, it was later released as the B-side of several singles from Joel's 52nd Street album, including "Big Shot" in the US, "Until the Night" in the UK, and "Honesty" in Japan and some European countries. A live version was included with the DVD that was part of the 30th anniversary re-release of The Stranger.
"Say Goodbye to Hollywood" is a song written and performed by Billy Joel, first released in 1976 on his album Turnstiles. It was originally released in the United States as the B-side to "I've Loved These Days" before being re-released a month later as an A-side single with "Stop in Nevada" as the B-side. However, the song achieved greater recognition in 1981 when a live version from Songs in the Attic was released as a single, with the live version of "Summer, Highland Falls" as a B-side. Joel wrote the song after moving back to New York City in 1975; he had previously relocated to Los Angeles in 1972 in an attempt to get out of an onerous record deal. The man who represents this song on the Turnstiles album is the man wearing sunglasses and holding a suitcase.
"Travelin' Prayer" is a song written and performed by singer Billy Joel, and released as the first single from his 1973 album Piano Man. The song is "urgent" and "banjo-fueled". It reached number No. 77 on the Billboard Hot 100 and No. 34 on the Adult Contemporary chart in 1974. It was a slightly bigger hit in Canada, where it reached No. 61.
"Worse Comes to Worst" is a song by singer Billy Joel released as the second single from his 1973 album Piano Man. It reached #80 on the Billboard Hot 100.
"Zanzibar" is a song written by Billy Joel that first appeared on his 1978 album 52nd Street. It has also appeared on several live albums.
"Scandinavian Skies" is a song written by Billy Joel that was first released on his 1982 album The Nylon Curtain. Commentators have noted its Beatle-esque elements and obscure lyrics. Joel has stated that the song was inspired by an experience with heroin. Although not released as a single, it reached #38 on Billboard's Mainstream Rock chart.
"Laura" is a song written by Billy Joel that was first released on his 1982 album The Nylon Curtain.
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