Shoulder pad (fashion)

Jazz singer Ann Hathaway (1925-1997), wearing a coat with shoulder pads, walking on Washington Square, New York, 1947

Shoulder pads are a type of fabric-covered padding used in men's and women's clothing to give the wearer the illusion of having broader and less sloping shoulders. In the beginning, shoulder pads were shaped as a semicircle or small triangle and were stuffed with wool, cotton, or sawdust. They were positioned at the top of the sleeve to extend the shoulder line. A good example of this is their use in "leg o' mutton" sleeves or the smaller puffed sleeves which are based on styles from the 1890s. In men's styles, shoulder pads are often used in suits, jackets, and overcoats, usually sewn at the top of the shoulder and fastened between the lining and the outer fabric layer. In women's clothing, their inclusion depends on the fashion taste of the day. Although from a non-fashion point of view they are generally for people with narrow or sloping shoulders, there are also quite a few cases in which shoulder pads will be necessary for a suit or blazer in order to compensate for certain fabrics' natural properties, most notably suede blazers, due to the weight of the material. There are also periods when pads intended to exaggerate the width of the shoulders are favored. As such, they were popular additions to clothing (particularly business clothing) during the 1930s and 1940s; the 1980s (encompassing a period from the late 1970s to the early 1990s); and the late 2000s to early 2010s.

1930 to 1945

In sports, the shoulder pad was invented in 1877 by a Princeton football player and was used in American football. ^[1] In women's fashion, shoulder pads originally became popular in the 1930s when fashion designers Elsa Schiaparelli and Marcel Rochas included them in their designs of 1931. ^[2] Though Rochas may have been the first to present them, ^[3] Schiaparelli was the most consistent in promoting them during the 1930s and '40s and it is her name that came to be most attached to them. ^{[4] [5]} Both designers had been influenced by the extravagant shoulder flanges and small waists of traditional Southeast Asian ceremonial dress. ^{[6] [7]} The following year, Joan Crawford wore them in the film Letty Lynton ^[8] in a dress designed by costume designer Adrian. This dress was widely copied and sold in Macy's department stores, helping to popularize the look. ^[9] Costume designer Travis Banton's broad-shouldered designs for Marlene Dietrich also influenced public tastes. ^[10]

Soon, broad, padded shoulders dominated fashion, ^{[11] [12]} seen even in eveningwear ^[13] and perhaps reaching a peak of variety in 1935-36, ^[14] when even Vionnet showed them; ^{[15] [16]} Rochas presented high, pinched-up shoulders; ^[17] and Piguet outdid even Rochas by extending his widened shoulders vertically like oars or paddles. ^[18] Amid all this competing extravagance, the widest shoulders were still said to come from Schiaparelli, ^[19] who hadn't given them up even when they briefly dropped out of favor with designers in 1933. ^[20]

War was in the air during this entire period, and fashion reflected it in epaulettes and other martial details, ^{[21] [22] [23]} but after World War II began in 1939, women's fashions became even more militarised. ^{[24] [25]} Jackets, coats, and even dresses in particular were influenced by masculine styles and shoulder pads became bulkier and were positioned at the top of the shoulder to create a solid look that sloped slightly toward the neck. ^[26]

The shoulder-padded style had now become universal, found in all garments except lingerie, so standard that when US designer Claire McCardell wanted to remove them from her garments in 1940, her financiers feared their sales would suffer and insisted that pads be retained. McCardell's innovative response was to put them in with very simple stitching so that they could be easily removed by the wearer, prefiguring the flexibility of the velcro-fastened shoulder pads of the 1980s. ^[27] The following year, British designer Molyneux also eliminated shoulder pads, ^[28] part of a prophetic trend in high fashion that would be carried further by Balenciaga in 1945 ^[29] and culminate in Dior's slope-shouldered 1947 Corolle collection. ^{[30] [31]}

Big shoulders were still popular in 1945, when Joan Crawford wore a fur coat with wide, exaggerated shoulders, also designed by Adrian, in the film Mildred Pierce .

In men's fashion, zoot suits had their own share of popularity. Basically, a zoot suit is based on a "regular" 2-piece suit, yet one or two sizes larger, so it was supposed to be padded "like a lunatic's cell."^{[ citation needed ]}

During this period, stiff, felt-covered cotton batting was the material used for most shoulder pads, a combination that allowed for easy adjustment ^[32] but didn't hold its shape very well when washed. ^[33]

1945 to 1970

Balenciaga's 1945 endorsement of sloped shoulders signaled the direction that fashion was heading, and this was confirmed with Christian Dior's transformative 1947 Corolle collection, characterized by a striking natural shoulder line. ^[34]

The popularity of shoulder pads with the public, too, ultimately tapered off later in the decade, after the war was over and women yearned for a softer, more feminine look. ^[35]

During the late 1940s to about 1951, some dresses featured a soft, smaller shoulder pad with so little padding as to be barely noticeable. Its function seems to have been to slightly shape the shoulder line. By the 1950s, shoulder pads appeared only in jackets and coats—not in dresses, knitwear or blouses as they had previously during the heyday of the early 1940s.

Some of the rounded-shoulder, barrel-shaped coats of the late 1950s, particularly those of Balenciaga ^[36] and Givenchy, ^[37] contained shoulder pads to widen the rounded line. ^[38]

By the early 1960s, coat and jacket shoulder pads slowly became less noticeable ^[39] (with Marc Bohan's fall 1963 collection for Dior a notable exception) ^{[40] [41]} and midway through the decade, shoulder pads had disappeared. ^{[42] [43]}

1970s

Shoulder pads made their next appearance in women's clothing in the early 1970s, through the influence of British fashion designer Barbara Hulanicki and her label Biba. Biba produced designs influenced by the styles of the 1930s and 1940s, and so a soft version of the shoulder pad was revived. Ossie Clark was another London designer using shoulder pads at the time, showing forties-revival suits as early as 1968. ^[44] During the first five years of the 1970s, a number of designers in other fashion capitals also presented padded shoulders with an explicit 1940s inspiration, constituting a minor trend that peaked in 1971. ^[45] In 1970, Yves Saint Laurent showed forties-themed padded shoulders; ^[46] in 1971, Angelo Tarlazzi, ^[47]  Yves Saint Laurent, ^{[48] [49]} Karl Lagerfeld for Chloé, ^[50] Marc Bohan for Dior, ^[51]   Valentino, ^[52] Jean-Louis Scherrer, ^[53]  Guy Laroche, ^[54] Michel Goma for Patou, ^[55] Michele Aujard, ^[56] Thierry Mugler, ^[57] and many New York designers; ^{[58] [59]} in 1972, Jean-Louis Scherrer ^[60] and Scott Barrie; ^[61] in 1973, Valentino, ^[62] Jean-Louis Scherrer, ^[63]  and Daniel Hechter; ^[64] and in 1974, Jean-Louis Scherrer ^[65] and Nino Cerruti. ^[66] These padded shoulders never reached mainstream acceptance, though; ^[67] Saint Laurent's forties-revival attempts in particular were widely criticized, ^[68] and so the look was relatively limited in reach, with designers showing and the public preferring the relaxed, natural, often jeans-based clothing styles typical of the times. ^{[69] [70] [71] [72]}

During the mid-1970s, Saint Laurent and a few others did show an occasional padded-shoulder jacket scattered among the popular ethnic and peasant looks, but sensibly-proportioned, easy, and contemporary in appearance instead of being part of a forties look, ^{[73] [74] [75]} suitable for the standard officewear women were preferring as they entered the workforce in greater numbers during the decade, ^{[76] [77]} a look codified with the 1977 publications of John T. Molloy's The Woman's Dress for Success Book and Michael Korda's Success!. ^{[78] [79]} The shoulder padding occasionally seen in these business blazers was unobtrusive, no more pronounced than in a standard men's suit jacket, and the most high-fashion versions carried no pads at all, in line with the unconstructed Big Look that dominated the fashion world at the time.

Fall 1978

For fall 1978, designers in all fashion capitals suddenly endorsed wide, padded shoulders across the board, introducing the broad-shouldered styles that would characterize the 1980s. ^{[80] [81] [82]} There had been some signs of a move toward broader shoulders the previous year, ^[83] but it would be a January 1978 collection from Yves Saint Laurent that would be cited as the first clear expression of the trend when Saint Laurent showed a handful of jackets with exaggerated shoulder padding over slim trousers. ^{[84] [85]} Jean-Louis Scherrer showed somewhat similar square-shouldered designs two days before Saint Laurent, ^{[86] [87]} but it was Saint Laurent's shoulders that made an impression on the press. ^{[88] [89]} In later years, there would be various claims about who began the eighties big-shoulders trend, with Norma Kamali, ^[90] Giorgio Armani, and several others variously cited as the exclusive originator, but Saint Laurent was the designer credited by sources at its 1978 inception with launching the trend.

When most of the rest of the fashion world showed broad-shouldered looks a couple of months later, there would be two distinct versions of it. The first, favored by Paris designers like Saint Laurent, ^[91] Karl Lagerfeld for Chloé, ^[92] Thierry Mugler, ^[93] Claude Montana, ^[94] Pierre Cardin, ^{[95] [96]} Jean-Claude de Luca, ^{[97] [98]} Anne Marie Beretta, ^[99] France Andrevie, ^[100] and a number of others, was an explicit but exaggerated 1940s-revival silhouette ^{[101] [102]} based largely on tailored suits and dresses, though more a slim-skirted haute couture forties look than the flared-skirt, World War II Utility Suit-inspired shapes flirted with by Saint Laurent in the early seventies, ^[103] no platform shoes or snoods this time. This first version was referred to as retro ^[104] and included 1940s accessories, ^{[105] [106] [107] [108]} some mid-20th-century sci-fi looks, ^{[109] [110] [111] [112]} and military influences. ^{[113] [114]}

The second was a more contemporary sportswear look in which shoulder pads were added to easy but slimmed-down casualwear, favored largely by US ^[115] and Italian designers like Perry Ellis, ^{[116] [117]} Norma Kamali, ^[118] Calvin Klein, ^[119] and Giorgio Armani. ^{[120] [121]}

This time, the shoulder line was usually continuous from outer edge to neck, without the dip toward the center seen in the 1940s, and the pads used, even when enormous, were much lighter and held their shape better than the ones used in the 1940s, ^[122] now most often made of foam and other lightweight, well-shaped, moldable materials. ^[123] As shoulder pads hadn't been this common in womenswear in decades, some in the fashion industry worried that the tailoring skills necessary for them had been lost and measures were taken to train workers in their proper placement. ^{[124] [125] [126]}

Initially, this big change from the natural shoulder of the sixties and seventies could be extreme, ^{[127] [128] [129]} with some designers showing shoulders three feet wide ^[130] and others presenting pagoda shoulders, ^{[131] [132]} and the buying public was strongly resistant. ^{[133] [134] [135] [136]} Undeterred, designers continued to present the look, ^{[137] [138] [139]} slowly acclimating the public to it ^{[140] [141] [142]} until it became one of the most characteristic and popular fashion trends of the 1980s. ^[143]

Most designers did adopt the new trend of padded shoulders, but a few prominent designers, Kenzo, Ralph Lauren, and Emanuel Ungaro among them, refrained, at least at first. ^[144] Kenzo mostly adhered to his popular, easy, comfortable clothes even during the shoulder-padded eighties. ^{[145] [146] [147] [148]} Ralph Lauren continued with his familiar English country classics ^[149] and devoted his fall 1978 collection to a cowboy theme, his shoulders the same size they had been in previous seasons. ^{[150] [151]} He wouldn't adopt the new big-shouldered silhouette until the following year ^[152] and it would remain only a minor part of his offerings into the eighties. Ungaro would also only resist the new broad-shoulders trend for a season or two, during which he continued to show the easy, seventies Soft Look/Big Look, ^[153] before enthusiastically adopting big-shoulder styles in 1979 ^[154] and making the look his signature the following decade. ^[155]

Shoulder Pads in 1970s Menswear

Standard, mass-market menswear during the 1970s continued to feature standard, unobtrusive shoulder pads shaping suits and sport jackets, but more high-fashion menswear basically followed the same trajectory as high-fashion womenswear, with a delay of about a season or two. Thus, there was a removal of shoulder pads and other internal structuring during the easy, oversized, unconstructed Big Look or Soft Look era of the mid-seventies, ^[156] spearheaded in womenswear by Kenzo Takada in 1973-74 ^{[157] [158]} and in menswear by Giorgio Armani a couple of years later. ^[159] When high-fashion womenswear reverted to highly structured garments with big shoulder pads for fall of 1978, high-fashion menswear followed suit the following year, ^[160] Cardin replicating his women's pagoda shoulders in his men's suits ^[161] and even Armani adding unusually pronounced shoulder pads to his men's jackets, ^{[162] [163]} a trend that would continue during the following decade.

1980s

The early 1980s continued a trend begun in the late 1970s toward a resurgence of interest in the ladies' evening wear styles of the early 1940s, with peplums, batwing sleeves and other design elements of the times reinterpreted for a new market. ^{[164] [165] [166]} The shoulder pad helped define the silhouette ^[167] and continued to be made in the cut foam versions introduced in the fall 1978 collections, ^[168] especially in well-cut suits reminiscent of the World War II era. These styles had initially been resisted by the public at their 1978 introduction, ^{[169] [170] [171]} but designers continued to present exaggerated shoulder pads into the eighties so that they saturated the market and women did come to adopt them, with everyone from television celebrities to politicians wearing them. ^[172] For example, British Prime Minister Margaret Thatcher was internationally noted for her adoption of these fashions as they more and more became the norm. ^{[173] [174] [175]} Before too long, these masculinized shapes were adopted by women seeking success in the corporate world, women who in the mid-seventies had worn sensibly-proportioned blazers for the same purpose, ^{[176] [177]} and exaggerated shoulder pads later became seen as an icon of women's attempts to smash the glass ceiling, a mission that was aided by their notable appearance in the US TV series Dynasty, ^{[178] [179]} whose stars' broad-shouldered, Valentino-inspired outfits ^[180] were designed by Nolan Miller. ^[181]

As the decade wore on, exaggerated shoulder pads became the defining fashion statement of the era, known as power dressing (a term that had previously been applied to the more sensibly proportioned business blazers of the mid-seventies) ^[182] and bestowing the perception of status and position onto those who wore them. Some of the exaggerated shoulder pad sizes from the fall 1978 introduction of the trend became accepted and even common among the public by the mid-eighties. ^{[183] [184]} Every garment from the brassiere upwards would come with its own set of shoulder pads, ^{[185] [186]} with women frequently layering one shoulder-padded garment atop another, a trend launched by designers in 1978. ^{[187] [188]}

To prevent excessive shoulder padding, velcro was sewn onto the pads so that the wearer could choose how many sets to wear. ^{[189] [190] [191]} The ability to remove shoulder pads also helped prevent deforming the pads in the wash, ^[192] but discomfort could result if the pad wasn't attached securely to the velcro strip and the rough side scratched the skin. ^[193] Other problems experienced by women as shoulder pads became widespread included slipping and displacement of the pads in oversized garments ^[194] and interference with purse straps. ^[195]

Prominent designers of big shoulders who had name recognition with the public during this period included Norma Kamali, Emanuel Ungaro, and Donna Karan. Kamali was one of a number of designers who, instead of just reviving highly tailored 1940s-style suits, added large shoulder pads to more contemporary sportswear styles, achieving great fame and influence in 1980 by showing sweatshirt-fabric versions of the flounced, hip-yoked, mini-length skirts she had introduced in 1979 (called rah-rah skirts in the UK) ^[196] and presenting them with hugely shoulder-padded tops in the same material. ^{[197] [198] [199]} Some made the plausible claim that the worldwide success of this collection is what finally made shoulder pads acceptable to the public after two or three years of designers promoting them. ^[200] Ungaro became perhaps the most commercially successful of the Paris designers of the period ^{[201] [202]} by maximizing the use of seductive-looking shirring, ruching, and draping ^[203] in large-shouldered dresses and suits, ^{[204] [205]} reintroducing a Schiaparelli-era trend of Edwardian revival. ^{[206] [207]} Donna Karan, who had achieved fame in the 1970s as one of the designers behind the Anne Klein label, opened her own house in the mid-eighties, specializing in versatile separates for working women as she had in the seventies, but with eighties-style big shoulder pads ^[208] and more formal glamor added to conform to the times. ^[209] Though distracting to the eye today, exaggerated shoulder pads were so normal during the eighties that the huge shoulders of Karan, Ungaro, and others were often not even commented on by fashion writers.

Throughout the Fall 1978-through-1980s big-shoulder-pads period, designers and fashion writers often said that the current year's shoulders were not as big as the previous year's. ^{[210] [211] [212] [213] [214] [215]} Often, means besides or in addition to shoulder pads were used to enlarge the shoulder, ^[216] including puff-top sleeves, ^{[217] [218] [219]} tucks and pleats, ^{[220] [221]} shoulder flanges, ^{[222] [223]} and stiffened ruffles. ^{[224] [225]} Yet, pronounced shoulder padding continued in high fashion through the mid-eighties. ^{[226] [227] [228] [229]} The most consistent in showing particularly huge ones was probably Claude Montana, ^{[230] [231]} who declared in 1985, "Shoulders forever!" ^[232] Nicknamed "King of the Shoulder Pad," Montana's silhouette designs were credited for defining the 1980s power-dressing era. ^[233] There were some designers who never really took them up, particularly Japanese designers like Kenzo and Issey Miyake, ^[234] but by and large, most put them in everything, with almost all creating their own versions of the heavily structured, prominently shoulder-padded eighties suit jacket, even normally independent designers like Mary McFadden, Jean Muir, André Courrèges, and Giorgio di Sant'Angelo.

Eighties designers even incorporated big shoulder pads when they were doing revival styles from earlier, non-shoulder-padded eras like the 1950s and 1960s. For instance, a version of the 1950s chemise dress was widely shown by designers from the 1978 inception of the big-shoulder era into the eighties, but with shoulder pads instead of authentic 1950s sloped shoulders. ^{[235] [236] [237]} Similarly, when Thierry Mugler did sixties-revival styles in 1985, ^{[238] [239]} they included his characteristic enormous shoulder pads. ^[240] Even sixties-revivalist Stephen Sprouse showed his period-perfect shift and trapeze minidresses in the eighties with broad-shouldered jackets and topcoats. ^[241] Designers producing more eighties-looking minidresses added shoulder pads because they felt that prominent shoulders helped balance out the increased expanse of leg. ^[242] During a brief general designer return to a sort of mid-seventies style of long dirndl skirts and shawls for Fall 1981, ^{[243] [244] [245]} most shoulders remained broad and padded, ^[246] very unlike the seventies.

All of this had an effect on the public, so that by the end of the era, some mass-market shoulder pads were the size of dinner plates and people were no longer shocked by them as they had been at their 1978 introduction.

During the mid-eighties, though, there were clear signs of a move away from big shoulder pads among several prominent designers, with Vivienne Westwood introducing her famous 1985-86 mini-crini ^[247] specifically to, as she put it, "kill this big shoulder." ^{[248] [249]} Christian Lacroix's celebrated mini-pouf skirt collections of 1986-87 were dominated by sloping, fichu shoulders, ^{[250] [251]} and even Karl Lagerfeld, who had been an early leader in the 1978 move to huge shoulders, for 1986 took pads from the shoulders and placed them visibly on the outside of the hips. ^{[252] [253]} Two years later, he would proclaim that shoulders would now be "tiny." ^{[254] [255]} Yves Saint Laurent had initiated the eighties big-shoulder trend in January 1978 and had been a shoulder-pad stalwart throughout the intervening years, but in 1988 even his shoulders, while still padded, ^[256] had been noticeably narrowed. ^[257] The two designers most noted for showing huge shoulders at the start of the era, Thierry Mugler and Claude Montana, brought their shoulders down in size somewhat mid-decade, ^{[258] [259]} with Montana giving up big shoulders entirely by 1988, when he began showing collections with completely natural shoulders. ^[260] Avant-garde designers like Adeline André ^[261] and Marc Audibet ^{[262] [263]} had long shown sloped shoulders with no pads, as had Romeo Gigli, ^[264] who was hailed as the most prophetic designer of the end of the eighties. ^[265] He showed almost exclusively natural, sloping shoulders, even on tailored jackets. ^{[266] [267]} This direction among designers was clear enough ^{[268] [269] [270]} that in The Washington Post's New Year in/out list for 1989, "Shoulder pads" were listed as out and "Shoulders" were listed as in. ^[271]

The public and retailers, though, had embraced shoulder pads wholeheartedly by the end of the decade, feeling that they filled out their form ^{[272] [273]} and gave clothes a more saleable "hanger appeal." ^[274] Shoulder pad manufacturers were flourishing, with literally millions of pads produced every week. ^[275] Many women seemed reluctant to give up big shoulder pads as designers began sending new signals in the late eighties. ^[276] Prominent shoulder pads would not completely disappear until into the nineties.

Shoulder Pads in 1980s Menswear

In menswear, the exaggerated shoulder pads that had been introduced into high-fashion clothing in 1979 would continue to various degrees throughout the eighties, even becoming mainstream, ^[277] with many everyday business suits having more pronounced shoulders than had usually been worn in the seventies. ^[278] High-fashion shoulder pad shapes would vary with the whims of designers, a sharp-edged pad preferred one season, ^{[279] [280]} a more rounded pad preferred another. ^{[281] [282]} Part of what drove these styles was the increased proliferation of serious working out in the eighties after widespread fitness and health pursuits had emerged in the seventies. ^{[283] [284]} Near-bodybuilder physiques became normal sights starting in the eighties for everyday people, both on the streets and in advertising, ^{[285] [286]} and jacket shapes seemed to echo this, ^{[287] [288]} sometimes by padding the shoulders and shaping the cut even more to a V-shape, ^[289] other times by leaving out or reducing the pads to allow the newly built-up wearer's own body to give the jacket shape. ^[290] By the end of the eighties, there was a fad for often brightly colored sport jackets with big shoulders worn over deep-cut, also often brightly colored muscle tank tops or string tank shirts, or even no shirt at all, letting a well-worked-out torso show ^[291] and sometimes allowing the shoulder-padded jacket to slide off the wearer's own chiseled shoulder, a style that would continue into the early nineties.

1990s

The shoulder pad fashion carried over from the late 1980s with continued popularity in the early 1990s, but wearers' tastes were changing due to a backlash against 1980s culture. ^[292] Some designers continued to produce ranges featuring shoulder pads into the mid-1990s, as shoulder pads were prominent in women's formal suits and matching top-bottom attire, highly exemplified in earlier episodes of The Nanny from 1993 and 1994, where costume designer Brenda Cooper outfitted star Fran Drescher in things like late-eighties-style square-shouldered jackets by Moschino and Patrick Kelly. ^[293] The velcro-fastened shoulder pads of the eighties were still familiar items in the early nineties. In 1993, a US patent was even registered for a removable shoulder pad that contained a hidden pocket to hide valuables. ^[294] But as the decade wore on, shoulder-padded styles became outdated and were shunned by young and fashion-conscious wearers. Appearances were reduced to smaller, subtler versions augmenting the shoulder lines of jackets and coats.

2000s and 2010s

The late 2000s and early 2010s saw the resurgence of shoulder pads. Many young women imitated pop artists, mainly Lady Gaga and Rihanna, who were known for their use of shoulder pads in their stylistic outfits. There was a large presence of shoulder pads on many runways, in fashion designer collections, and a revival of 1980s trends became mainstream among many people who were interested in them. By the 2009-2010 seasons, shoulder pads had made their way back into the mainstream market. ^[295] By 2010 many retailers like Wal-Mart had shoulder pads on at least half of all women's tops and blouses. ^[296]

The late 2010s saw another resurgence of shoulder pads. With the rise of the Me Too movement and other female empowerment movements, the increase of women being elected to political positions, and a continuing revival of 1980s trends, many are opting to wear clothes with shoulder pads. ^{[297] [298]}

See also

• 1930–1945 in fashion
• 1980s fashion
• Epaulette

References

1. Almond, K. (2019-01-01). "An analysis of the shoulder pad in female fashion". Fashion, Style & Popular Culture. 6 (1): 31–47. ISSN   2050-0726.
2. Mulvagh, Jane (1988). "1931". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 112. ISBN   0-670-80172-0. Schiaparelli and Rochas introduced militaristic, wide shoulders, using shoulder pads for coats and jackets.
3. Howell, Georgina (1978). "1930-1939". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 106. ISBN   0-14-00-4955-X. ...Marcel Rochas...is given credit for the first padded shoulders...
4. Mulvagh, Jane (1988). "1931". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 112. ISBN   0-670-80172-0. Schiaparelli...established the silhouette for several years to come.
5. Howell, Georgina (1978). "1940-1947". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 167. ISBN   0-14-00-4955-X. ...Dior's [New Look]...had been preceded by thirteen uninterrupted years of the square-shouldered Schiaparelli-initiated look.
6. Mulvagh, Jane (1988). "1931". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 112. ISBN   0-670-80172-0. Both Rochas and Schiaparelli were influenced by the 1931 Exposition Coloniale in Paris, which showed wide-shouldered Javanese and Balinese costumes and Bangkok temple dancers with winged shoulders and tiny waists.
7. Mulvagh, Jane (1988). "1934-1945". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 123. ISBN   0-670-80172-0. The Indo-Chinese costumes at the 'Exposition Coloniale' in Paris in 1931 inspired Schiaparelli and Rochas to imitate the extended shoulders by introducing shoulder pads.
8. Amy De La Haye 1988, Fashion Source Book, London, Quarto Publishing, 69, ISBN   0-356-15928-0
9. "Adrian, The Hatmaker's Son Who Dressed America - New England Historical Society". www.newenglandhistoricalsociety.com. 24 December 2016. Retrieved 2018-08-15.
10. Mulvagh, Jane (1988). "1934-1945". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 123. ISBN   0-670-80172-0. ...[C]lothing designed by Travis Banton – broad-shouldered, outsized jackets... – was worn by Marlene Dietrich...[and] was widely copied.
11. Mulvagh, Jane (1988). "1934-1945". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. pp. 122–123. ISBN   0-670-80172-0. ...[T]he mainstream daytime silhouette established by 1934 prevailed until the end of the war: a tightly waisted line with wide, if not padded, shoulders, and a straight, narrow skirt.
12. Howell, Georgina (1978). "1932-33". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 132. ISBN   0-14-00-4955-X. Focus on the raised waist, emphasized by widened, heavier shoulders... The architectural V from shoulders to small fitted waist...
13. Mulvagh, Jane (1988). "1931". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 110. ISBN   0-670-80172-0. Most evening dresses were...wide at the shoulders...
14. Mulvagh, Jane (1988). "1936". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 141. ISBN   0-670-80172-0. Everywhere wide shoulders hovered over tiny waists...
15. Mulvagh, Jane (1988). "1935". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 139. ISBN   0-670-80172-0. Even Vionnet, the queen of femininity,...widened her shoulders...
16. Mulvagh, Jane (1988). "1936". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 142. ISBN   0-670-80172-0. High shoulders were favoured by Vionnet...Vionnet['s] shoulders stood square and high, with folded fullness at the top of the sleeves.
17. Mulvagh, Jane (1988). "1936". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. pp. 142, 143. ISBN   0-670-80172-0. High shoulders were favored by...Rochas....Rochas's spring suit has stiff shoulders...
18. Mulvagh, Jane (1988). "1936". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 142. ISBN   0-670-80172-0. Piguet's were shaped like canoe paddles, rising nearly to the ears.
19. Mulvagh, Jane (1988). "1936". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 141. ISBN   0-670-80172-0. ...Schiaparelli['s]...padded shoulders were the widest...
20. Mulvagh, Jane (1988). "1933". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 120. ISBN   0-670-80172-0. The high point of the Paris autumn collections was the demise of shoulder padding – exaggeration was now démodé. Only Schiaparelli continued to pad her...shoulders. Her choice prevailed.
21. Mulvagh, Jane (1988). "1935". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 139. ISBN   0-670-80172-0. Europe bristled with war scares and...the couture reflected the prevailing mood. Shirred breastplates put a brave front on evening dress, crowns and cocks were printed on blouses, epaulettes broadened shoulders, and braid or frogging adorned almost every chest.
22. Howell, Georgina (1978). "1935-36". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 141. ISBN   0-14-00-4955-X. Daytime looks are severe and military, with square epauletted shoulders, frogging, plumed hats...Schiaparelli leads the military camp with regiments of fitted suits, drummer boy jackets and a forward 'putsch' of hats.
23. Mulvagh, Jane (1988). "1938". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 151. ISBN   0-670-80172-0. Schiaparelli's woollen capes with shoulders like an admiral's epaulettes, also seen in more modified versions at Alix and Molyneux.
24. Howell, Georgina (1978). "1940". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 179. ISBN   0-14-00-4955-X. Suits ranged from the frankly military to the rather military...
25. Manchester, William (1975-03-02). "Style is the Changing Woman". The New York Times: 240. Retrieved 2022-02-10. Then came the war...One popular evening gown of the period was adorned with a huge swooping Air Corps wing of gold Iamé, beginning at one hip and curving upward across the bosom to the opposite shoulder....[G]irls who had no intention of joining the Women's Army Corps wore copies of WAC hats decked out with sequins.
26. Hyde, Nina S. (1979-09-20). "Fashion: Shoulder It". The Washington Post. Retrieved 2022-02-07. In the '40s, the shoulder shape was what [shoulder-pad manufacturer Harold] Lopato calls 'saddle-shaped,' or sloping in the center. The pads were rigid.
27. Mulvagh, Jane (1988). "1940". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 158. ISBN   0-670-80172-0. When [Claire McCardell] insisted on removing shoulder pads, which had prevailed since the early thirties,...her backers...considered this uncommercial. McCardell arrived at a compromise: she tacked shoulder pads inside so that they could be easily removed.
28. Mulvagh, Jane (1988). "1941". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 161. ISBN   0-670-80172-0. Molyneux, like McCardell in America, removed shoulder padding...
29. Mulvagh, Jane (1988). "1945". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. pp. 178–179. ISBN   0-670-80172-0. Balenciaga...softened and dropped the shoulder farther than any other couturier...
30. Manchester, William (1975-03-02). "Style is the Changing Woman". The New York Times: 240. Retrieved 2021-12-01. In late 1946, the Orphic couturier [Christian Dior] sketched abundant skirts barely twelve inches from the floor, with unpadded shoulders but stuffed brassieres and shoes and hats that made men gasp.
31. Howell, Georgina (1978). "1940-1947". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 167. ISBN   0-14-00-4955-X. [Dior's] New Look...arrived on 12 February 1947...Dior's...woman had soft neat shoulders...
32. Hyde, Nina S. (1979-09-20). "Fashion: Shoulder It". The Washington Post. Retrieved 2022-02-07. ...Elizabeth Simmons, owner of Ardis School of Design[,]...recommends cotton batting-filled pads...because they are more adjustable.
33. McEvoy, Marion (1978-11-12). "Where the Pads Come From". The New York Times: 240. Retrieved 2021-11-21. In the 40's,...shoulder pads were almost always made of stiff cotton batting and covered with felt....The pads looked great until the dress or coat was washed, in which case there were noticeable lumps and bumps.
34. Withers, Audrey. "Fashion and Dress". 1950 Britannica Book of the Year: Events of 1949. London, England, U.K.: Encyclopaedia Britannica, Ltd. p. 258. ...[T]he removal of square padding left shoulders naturally rounded. These new shoulders were...sloped and unpadded...
35. Howell, Georgina (1978). "1940-1947". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 167. ISBN   0-14-00-4955-X. [W]omen were eyeing clothes with passionate longing....[Dior's 1947] New Look provoked extremes of delight in women, for whom each dress and suit was an orgy of all things most feminine...Shoulders are gently natural.
36. "The New Shapes from Givenchy and Balenciaga". The New York Times: R9. 1957-08-30. Retrieved 2023-07-02. The Balenciaga coats have wide, well-rounded shoulders. The gray tweed has pads to support shoulders....The Balenciaga suit:...shoulders widened in a sculptured curve...
37. "Fall Fashion Trends from Abroad, Paris: Givenchy Changes Body's Proportions". The New York Times: F46. 1957-08-27. Retrieved 2023-07-02. Givenchy...suits...had good, big, wide shoulders....Most of the sleeves were set in, and it was evident that there must have been a good hunk of shoulder pad lurking underneath each one.
38. Donovan, Carrie (1959-01-27). "Fashion Trends Abroad – Paris: Cardin, Patou, Heim Collections". The New York Times: 28. Jacques Heim's collection contained a bit of the rounded, wide shoulder look...Many of his suits appear to have some padding in them...
39. Peterson, Patricia (1963-07-27). "Cardin's Youthful Styles are the Highlight of a Busy Day in Paris". The New York Times: 18. There was not a square shoulder in sight.
40. Peterson, Patricia (1963-08-05). "Paris Designers Favor Lean and Natural Look". The New York Times: F39. Retrieved 2023-06-18. Dior alone went all out for the square and padded shoulder.
41. Peterson, Patricia (1963-07-26). "Dior and Capucci Show Turtle Necks in Paris Collections". The New York Times: 29. Retrieved 2023-06-18. Marc Bohan, designer for the House of Dior, sent his models trotting out today with the broad, padded shoulders of a high-fashion football team.
42. McEvoy, Marion (1978-11-12). "Where the Pads Come From". The New York Times: 240. Retrieved 2021-11-21. In the 50's, business was 'still good — but down about one‐third from what it was during the 40's.' As for shoulder‐pad business in the 60's, [shoulder pad manufacturer Harold Lopato] simply says, 'It wasn't a particularly good decade for shoulders'.
43. Blackwell, Betsy Talbot. "Fashions". The American Peoples Encyclopedia 1966 Encyclopedia Yearbook: Events of 1965. Grolier Incorporated. p. 232. [In 1965,] [s]houlders in general were narrow...
44. Howell, Georgina (1978). "1967-68". In Vogue: Sixty Years of Celebrities and Fashion from British Vogue. Harmondsworth, Middlesex, England: Penguin Books Ltd. p. 296. ISBN   0-14-00-4955-X. Ossie Clark...turns to the recent past for fawn jersey tailored suits with square shoulders, a forties-through-sixties-eyes look.
45. "Paris Report: Last Winter's Wardrobe Need Not Go to Thrift Shop – Yet". The New York Times: 34. 1971-04-24. Retrieved 2024-08-24. This year's...Forties...peaked shoulders, platform soles, box pleated dresses, tight black satin and wildly dyed chunky fur jackets turn up in collection after collection...
46. Morris, Bernadine (1970-07-24). "Saint Laurent, Ungaro and Dior: Many Styles, No New Look". The New York Times: 37. Retrieved 2021-12-03. Yves Saint Laurent was good for a few laughs...An obvious tart...sashayed through the salon. She represented the spirit of the nineteen-forties....The first spurts of laughter were followed by nervous reflection....Was Saint Laurent making fun of the nineteen-forties – or the audience? Or was the whole collection one big parody of fashion?
47. Morris, Bernadine (1971-07-20). "In Rome, Fall Collections Get Off to Classic but Blasé Start". The New York Times: 26. Retrieved 2024-08-24. ...Angelo Tarlazzi showed his nineteen‐forties collection in January...before Saint Laurent...
48. "Saint Laurent Retorts". The New York Times: 30. 1971-02-19. Retrieved 2022-01-11. Yves Saint Laurent's...World War II...look...in football shoulders and tight dresses...
49. Morris, Bernadine (1971-02-02). "Now Why Are They Throwing Brickbats at Saint Laurent?". The New York Times: 42. Retrieved 2021-12-03. Yves Saint Laurent['s]...spring collection...recalled the terrible time of collaborationists in France, bombings in London and wartime austerity in the United States....The forties trend is...inescapable in the Saint Laurent clothes. His shoulders may not be the widest in Paris, but they seemed so.
50. "Paris Report: Last Winter's Wardrobe Need Not Go to Thrift Shop – Yet". The New York Times: 34. 1971-04-24. Retrieved 2024-08-24. ...Forties...shoulders...turn up [at]...Karl Lagerfeld of Chloe...
51. Morris, Bernadine (1971-01-29). "1930's Again? Both Dior and Courrèges Turn Clock Back". The New York Times: 19. Retrieved 2024-08-24. ...Marc Bohan, the Dior designer, was...showing...the...look of the nineteen-forties...[M]any of the styles have the broad football shoulders that are an earmark of the nineteen‐forties.
52. Morris, Bernadine (1971-01-22). "Valentino Revivifies Fashions of 40's". The New York Times: 45. Retrieved 2022-03-18. If he doesn't bring back wide shoulders, toppers and the hip‐length vests that were called jerkins, he at least may spur the return of the big bands and the Lindy Hop.
53. "Paris Report: Last Winter's Wardrobe Need Not Go to Thrift Shop – Yet". The New York Times: 34. 1971-04-24. Retrieved 2024-08-24. ...Forties...shoulders...turn up [at]...Jean-Louis Scherrer...
54. Morris, Bernadine (1971-01-28). "Givenchy: Elegance and More". The New York Times: 41. Retrieved 2022-03-18. ...Guy Laroche is concerned with the nineteen‐forties...[H]e made a big fuss over...broad-shouldered suits, bolero jackets, fluid crepe dresses with crepe capes á la Adrian and lots of other standards of that era.
55. Morris, Bernadine (1971-01-28). "Givenchy: Elegance and More". The New York Times: 41. Retrieved 2022-03-18. The part of the nineteen-forties look that Michel Goma has taken to his heart at Patou is the wider shoulder. On the sheerer styles, you can even see the pads.
56. Hyde, Nina S. (1978-09-23). "Continuing the Aujard Collection". The Washington Post. Retrieved 2022-03-01. [In 1971, designer Michele Aujard] put huge shoulder pads in her clothes...
57. Mulvagh, Jane (1988). "1971". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 322. ISBN   0-670-80172-0. Thierry Mugler showed his first collection in Paris, which concentrated on an angular, wide-shouldered cut reminiscent of the forties.
58. Morris, Bernadine (1971-05-19). "Blazers and Chubbies Galore". The New York Times: 40. Retrieved 2024-08-24. ...Yves Saint Laurent...hard-edged blazers and fluffy fur jackets...have cropped up all over Seventh Avenue....Shoulders are significantly broadened, some of them showing a suspicion of padding.
59. Morris, Bernadine (1971-08-09). "New Fashions Mother is Not Ready For – Yet". The New York Times: 24. For fall, Betsey [Johnson] is intrigued with...shoulder pads...
60. Morris, Bernadine (1972-01-25). "Romance, Contemporary-Style, is the Parisian Look for Spring". The New York Times: 40. Retrieved 2022-06-22. Jean-Louis Scherrer...clothes have a late forties look with squared shoulders...
61. Morris, Bernadine (1972-11-14). "Fashion Talk". The New York Times: 42. Retrieved 2022-06-22. ...Scott Barrie likes...squared-shoulder nineteen-forties suits with plunging necklines worn over no bra and no blouse. It wasn't that way in the forties.
62. Morris, Bernadine (1973-07-21). "Valentino Makes Sure They'll Return to Rome for Next Year's Show". The New York Times: 19. Retrieved 2022-06-22. His pitch was the nineteen forties...suits with padded shoulders...and square‐shouldered box coats to go over them.
63. Morris, Bernadine (1973-07-24). "Dior was the One with a Bit of Razzle Dazzle". The New York Times: 40. Jean Louis Scherrer...shoulders were squared...
64. Morris, Bernadine (1973-04-04). "Kenzo Displays His Imagination With a Fun-Filled Fashion Show in Paris". The New York Times: 38. Retrieved 2021-12-31. Daniel Hechter is popular with women in their twenties and thirties. Guess what he's up to? Padded shoulders on boxy jackets and pleated skirts. It's the kind of thing Yves Saint Laurent was hooted at for showing a couple of years ago.
65. Morris, Bernadine (1974-07-23). "Paris for Fall: Listless Start and Why Revive the 40's?". The New York Times: 42. Retrieved 2022-01-24. [L]ast season, Scherrer was immersed in the nineteen‐thirties look. Now he's moved on to the forties. Joan Crawford, Rosalind Russell and all that. Squared shoulders. Padded turbans. Extravagantly beaded evening dresses. Again, glamour gowns for private clients. No guide to the future.
66. Morris, Bernadine (1974-01-29). "Bombshell from Dior: The New Look Updated". The New York Times: 28. Retrieved 2022-09-28. At Nino Cerruti,...[s]quared padded shoulders appeared on everything, the women's styles too.
67. Hyde, Nina S. (1978-09-23). "Continuing the Aujard Collection". The Washington Post. Retrieved 2022-03-01. ...[T]he clothes never sold. 'Women just didn't like it,' [Michele Aujard] said.
68. "Saint Laurent Retorts". The New York Times: 30. 1971-02-19. Retrieved 2022-01-11. ...[C]ritics...attacked [Yves Saint Laurent's] World War II floozy look...When his mannequins paraded like 1940s streetwalkers..., one critic cried 'hideous' and a...news magazine renamed him 'Yves St. Debacle.'.
69. Embree, Alice (2021). "Raising Our Voices: 1973-1979". Voice Lessons. Austin, TX, USA: Briscoe Center for American History, The University of Texas at Austin. p. 174. ISBN   978-0-9997318-6-4. In 1970, the women's movement began to take dress down an increasingly informal path. T-shirts, blue jeans, cutoffs, hiking boots, hair flowing freely...Women disposed of bras and freed their breasts under T-shirts or blue work shirts....Relaxed informality settled into the mainstream.
70. Morris, Bernadine (1973-04-16). "Some Hems Will Be Lower, But It's Not Worth the Worry". The New York Times: 47. Retrieved 2021-12-31. After a brief flurry of interest in shorts for day and evening wear in the spring of 1971 on both sides of the Atlantic, women everywhere settled contentedly into trousers for practically all occasions....Blue jeans became even further entrenched as the uniform of the young and experimentation was limited to different toppings for pants.
71. Morris, Bernadine (1978-01-13). "Fashion: A Look at the Simple Truth". The New York Times: B4. Retrieved 2022-01-09. With a generation of office workers and executives going to work in T-shirts and blue jeans, formality in fashion was becoming a thing of the past....[I]t is possible for a woman to go anywhere, including black‐tie dinners, in a shirt and pants....Simplicity is the rule, and there's no need for a woman to clutter her closets with a lot of clothes...It is part of the simplification of life that comes under the heading of modernity.
72. Morris, Bernadine (1976-01-01). "70's Fashion: Sportswear at the Summit". The New York Times: 36. Retrieved 2021-12-10. [T]he 1970's will be marked by clothes divided into many easy pieces that can be added to or subtracted from, according to the weather, personal preferences and the feeling of the moment....The style of the 1970's is low on artifice, high on a natural look. Casual is the operative word.
73. Morris, Bernadine (1974-01-31). "Saint Laurent Goes His Own Way". The New York Times: 24. Yves Saint Laurent...suits...are severely tailored...No softening agents at all, unless you want to count the chiffon blouses and the high heel shoes....The best woman's style was a glen plaid pants suit with...sharp shoulders.
74. Morris, Bernadine (1975-07-31). "Applause Meter Gets a Workout at Saint Laurent". The New York Times: 18. Retrieved 2022-03-18. ...[T]hey...joyously applauded a plain gray flannel coat with broad shoulders that wrapped over a pin‐striped tailored suit and a very full smock coat in gray flannel....They love him when he is making mannish tailored suits with padded shoulders...
75. Morris, Bernadine (1976-07-27). "High Marks for Dior as Fall Collections Get Under Way". The New York Times: 34. [Christian Dior]...sports clothes favor knitted tunics and stove-pipe pants, [the] mannish suits have padded shoulders, and harem pants are a leitmotif for evening.
76. McEvoy, Marion (1978-11-12). "Where the Pads Come From". The New York Times: 240. Retrieved 2021-11-21. ...[T]he first three years of the 1970's...changed fashion and changed the way women wanted to look....'Suddenly more than half the American women were going to work. Their wardrobe requirements changed. They started looking for more classic styles to work in, to go to the office in. And,' [shoulder pad manufacturer Harold Lopato] says, 'more tailored clothes...always signal a more pronounced shoulder'.
77. Elkins, Ann M. "Fashion". The American Peoples Encyclopedia Yearbook 1977: Events of 1976. Grolier Incorporated. p. 212. ISBN   0-7172-0408-1. Suits tailored with Savile Row precision...gave a sharp, businesslike look to the liberated woman.
78. Dullea, Georgia (1977-10-09). "Suited Up to Storm the Boardroom". The New York Times: 82. Retrieved 2022-04-04. ...Wall Street women are...wearing the so-called success suit (tailored jacket and skirt...)...
79. Jacoby, Susan (1977-12-29). "Hers". The New York Times: 40. Retrieved 2022-05-07. [Woman's Dress for Success Book author John] Molloy...reports enthusiastically on a 'pledge' he says was drafted by women in one corporation: 'I pledge to wear highly tailored, dark‐colored, traditionally designed, skirted suits whenever possible to the office'...
80. Larkin, Kathy. "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crowell-Collier Publishing Company. pp. 249–252. In women's fashion, 1978 was a year of great change. It began with women submerged under layers of soft shapeless clothing...But the year ended with the same women shedding layers to emerge with a revamped fashion silhouette reminiscent of the 1940s, a look characterized by broad, even padded shoulders, tight waistlines, and shorter, straighter skirts....[D]esigners in Milan, Paris, and New York showed fall ready-to-wear collections that almost simultaneously reached the same conclusion....broad-shouldered fashions, the pared-down look of fewer layers, and the neater waist...huge shoulders, puffed sleeves to emphasize width further...[T]he fashion message was clear: Broad shoulders were in.
81. Duka, John (1978-07-02). "Fashion Profile". The New York Times: SM6. Koko Hashim, vice president of Neiman‐Marcus [says]...'There has been an enormous change in the silhouette, a broadening of the shoulders and narrowing of the hips — what we call the triangle... — that requires a reeducation of the consumer'.
82. Morris, Bernadine (1978-04-11). "Shaking Fashion". The New York Times: 30. What thousands of fashion followers are muttering as they crisscross [Paris] to see the new fashions for fall and winter...is 'shoulders, shoulders, shoulders'.
83. Hyde, Nina S. (1977-10-24). "Thinking Big for Spring". The Washington Post. Retrieved 2022-02-07. These [1977 presentations of spring 1978] collections will give buyers and manufacturers the assurance to keep making these clothes and making them bigger. And often more broad-shouldered.
84. Donovan, Carrie (1978-11-12). "Why the Big Change Now". The New York Times: SM226. Retrieved 2021-11-15. Yves Saint Laurent — the most influential fashion designer in the world — is being credited with starting this fall's dramatic shift of silhouette....What Saint Laurent sprang on the fashion world last January when he introduced man‐tailored suit jackets with shoulders squared out with padding...has now become staple fashion in Italy, France and America. As if by magic, wider-shouldered and leaner‐lined clothes have shown up everywhere at every price level. Fashion has taken a new turn.
85. McEvoy, Marion (1978-11-12). "Where the Pads Come From". The New York Times: 240. Retrieved 2021-11-21. Yves Saint Laurent's man‐tailored suit, introduced in January 1978, put emphasis on bigger, built-out shoulders. American designers simultaneously backed the built‐up look and started adding shoulder apparatus of their own.
86. "The Message from Paris Couture: The Tailored Suit is Back". The New York Times: 22. 1978-01-31. Retrieved 2021-11-12. It started on the first day of the spring and summer couture collections, when Jean‐Louis Scherrer sent out his mannequins in...mannish tailored suits.
87. Zito, Tom (1978-01-24). "The Garbage Bag Never Had It So Haute". The Washington Post. p. 22. Retrieved 2022-04-04. ... Jean-Louis Scherrer...has taken ...squared shoulders, short jackets,...
88. "The Message from Paris Couture: The Tailored Suit is Back". The New York Times: 22. 1978-01-31. Retrieved 2021-11-12. ...[T]he shoulders of the jackets seem particularly exaggerated...
89. "1978 Broadway Suit Collection". Musée Yves Saint Laurent Paris. 'YSL's...mannequin...got ovations every time she sauntered out on the runway in another version of the spencer jacket'.
90. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. ...[T]he real credit for the whole shoulder-pad revival belongs to New Yorker Norma Kamali...
91. Morris, Bernadine (1978-04-12). "Saint Laurent: The Clothes are the Message". The New York Times: C14. Retrieved 2021-12-01. Saint Laurent...is broadening the shoulders and narrowing the skirts...
92. Donovan, Carrie (1978-11-12). "Why the Big Change Now". The New York Times: 226. Retrieved 2021-11-15. ...[Karl Lagerfeld's] current fall collection is one of the most outrageous in its thrust of broad padded shoulders and aggressive sexiness.
93. Hyde, Nina S. (1978-10-23). "Getting in Shape". The Washington Post. Retrieved 2022-02-07. He explains clearly why he chooses this silhouette: 'Big shoulders give a woman a sense of grandeur and height and presence'.
94. Russell, Mary (1978-11-12). "How They're Wearing It in Paris". The New York Times. Retrieved 2021-12-12. Claude Montana's belted and wide‐sleeved coat in the status 'fabric'- leather- has the broadest shoulders in Paris.
95. Larkin, Kathy (1979). "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crowell-Collier Publishing Company. p. 250. ...[A] wide-shouldered coat by Pierre Cardin, being cinched tight...by the designer himself, to emphasize that shapelessness had become quite passé.
96. "Cardin Shows Haute Couture Designs in China". The New York Times: C5. 1979-03-20. Retrieved 2023-11-14. ...[Viewers] stared in amazement at the oversized shoulders on Cardin's new creations. 'These styles are Superman styles,' Cardin said of the big, wide shoulders...
97. Duka, John (1978-11-13). "Paris is Yesterday". New York. 11 (46): 112. Retrieved 2021-12-11. ...[I]f [French designers] have their way,...women will be wearing big, big, big padded shoulders...[T]he overriding trend from Paris was Retro...On the side of Retro are designers like...Jean-Claude de Luca...
98. Livingston, Kathryn. "Fashion". World Book Year Book 1979: Events of 1978. Chicago, Illinois, USA: World Book-Childcraft International, Inc. p. 331. Paris padding was provided by the gargantuan-shouldered topcoats of Claude Montana, Jean Claude de Luca, and Thierry Mugler.
99. Cunningham, Bill (1987-03-01). "The Collections Spring Forward". Details. V (8). New York, NY: Details Publishing Corp.: 102. ISSN   0740-4921. ...[M]any Paris designers who came to prominence in the...Seventies established a style that assaulted the eye with aggressively padded shoulders and hard-edged, grand-scale proportions...Claude Montana, Anne-Marie Beretta and Thierry Mugler were the leaders of this movement.
100. Duka, John (1978-11-13). "Paris is Yesterday". New York. 11 (46): 112. Retrieved 2021-12-11. At Andrevie...shoulders were almost three feet wide.
101. Hyde, Nina S. (1978-07-27). "YSL Reintroduces the Grand-Entrance Era". The Washington Post. Retrieved 2022-04-04. Did you love the way your mother looked in the 1940s? If you did, you are in luck - because Yves Saint Laurent, clearly the strongest influence out of Paris, has designed a collection of haute glamour clothes for fall with roots in the Joan Crawford, grand-entrance era.
102. "Peplums and Picasso". The Washington Post. 1979-07-26. Retrieved 2022-03-03. It is back to the history books if you care to comprehend what the Paris fashion designers are up to...[T]here is a heavy dose of the 1940s in the fall designs, with broad-shouldered suits with fitted bodices, tightly nipped waistlines, and peplums, plus a heavy injection of the early 1900s...
103. Hyde, Nina S. (1978-07-27). "YSL Reintroduces the Grand-Entrance Era". The Washington Post. Retrieved 2022-04-04. ...YSL was on this kick in earlier collections, and now he's changed the silhouette slightly...
104. Larkin, Kathy. "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crowell-Collier Publishing Company. p. 250. Out with the new and in with the old seemed to be the rule in women's fashions for 1978.
105. Sweetinburgh, Thelma (1979). "Fashion and Dress". 1979 Britannica Book of the Year: Events of 1978. New York, New York, USA: Encyclopedia Britannica. pp. 378–379. ISBN   9780852293621. Designer after designer showed...the 'retro' look...of the 1940's....From the old days of Hollywood came puffed sleeves,...hats and veils,...rolled or pompadoured hairstyles of the 1940s,...seamed hose,...and even gloves.
106. Hyde, Nina S. (1978-10-22). "Fashion Notes". The Washington Post. Retrieved 2022-04-04. The revival of the '40s look has brought with it the retro trappings of red lipstick, long gloves, stockings with seams and tiny hats with veils.
107. Morris, Bernadine (1979-04-13). "French Ready-to-Wear: The Ever-Changing Message". The New York Times: A12. Retrieved 2023-05-17. Ready‐to-wear designers are...bringing back...formal accessories such as hats, gloves and serious handbags.
108. Duka, John (1978-11-13). "Paris is Yesterday". New York. 11 (46): 112. Retrieved 2021-12-11. Lagerfeld...has brought back the Merry Widow corselet, whalebone stays and all.
109. Morris, Bernadine (1978-04-11). "Shaking Fashion". The New York Times: 30. Retrieved 2021-12-01. Wide shoulders were an even stronger trend among the French designers than the military look their Italian counterparts favored..., but the invaders look as if they came from outer space, not from over the hill[, with]...helmet-and-goggles...accessories...
110. Duka, John (1978-11-13). "Paris is Yesterday". New York. 11 (46): 111–112. Retrieved 2021-12-11. On the Flash Gordon side of French ready-to-wear Retro are such designers as Claude Montana, Thierry Mugler, and France Andrevie....At Montana, it took the form of...Italian fascist gone science-fiction fantasy....At Mugler,...a big-shouldered Flash Gordon jacket...
111. "Fashion View". The New York Times: SM6. 1979-12-30. Retrieved 2021-12-10. ...Claude Montana's Mongolian Martian Look and Thierry Mugler's Star Trekesque gigantic shoulders....
112. Fraser, John (1979-03-20). "Comrade Chic". Washington Post. Retrieved 2022-05-07. ...[Pierre Cardin's] space-age shoulder pads...
113. Larkin, Kathy (1979). "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crowell-Collier Publishing Company. p. 252. Designers everywhere were also being influenced by the World War II era in another way, as clothes took on a military look....[A]ccessories like World War II infantry caps, military ribbons, and bandolier belts abounded.
114. Morris, Bernadine (1978-07-14). "In America, Fashion as a Grace Note". The New York Times: C12. Retrieved 2021-11-12. Along with the giant pads came a kind of mindless toying with military looks...
115. Elkins, Ann M. "Fashion". Encyclopedia Yearbook 1980: Events of 1979. Grolier Incorporated. p. 216. ISBN   0-7172-7808-5. In American collections there was...a slight broadening of the shoulders, a closer body fit, a natural hip curve tapering to a narrow, slightly shorter skirt.
116. Donovan, Carrie (1978-11-06). "The New Look, Hit or Miss?". The New York Times: 58. Retrieved 2021-12-10. ...Perry Ellis's breezy designs with exaggerated, almost pillow‐padded shoulders...
117. Morris, Bernadine (1978-04-25). "Ellis Joins Blass in Fashion's Firmament". The New York Times: 42. Retrieved 2021-12-10. ...[T]he Ellis clothes...look absolutely comfortable and relaxed...Shoulders are padded...Mr. Ellis said he had no compunctions about adding padded coat to padded jacket to padded sweater.
118. Duka, John (1978-07-11). "Norma Kamali is Heading Out on Her Own". The New York Times: C2. Retrieved 2021-12-10. Norma Kamali...has become famous for her parachute dresses, sexy, shirred bathing suits, pegged, draped skirts...and...padded shoulders.
119. Donovan, Carrie (1978-11-12). "Why the Big Change Now". The New York Times: SM226. Retrieved 2021-11-15. This fall, [Calvin Klein] narrowed [his clothes]...and added a bit of shoulder padding.
120. Morris, Bernadine (1978-04-04). "In Milan, the Classic Prevailed Over the Romantic". The New York Times: 28. Retrieved 2021-12-10. Armani's...gift for fall is a long-jacket suit with military shoulders...It accompanies pants, skirts or culottes and it sometimes has epaulets....[S]oftening agents take the curse off the military look....It has broad, padded shoulders...
121. Hyde, Nina S. (1978-04-01). "Military Two-Step on Milan's Runways". The Washington Post. Retrieved 2022-06-22. [Armani's] broad-shouldered, high-neckline jackets and coats are expected to be influential.
122. Hyde, Nina S. (1979-09-20). "Fashion: Shoulder It". The Washington Post. Retrieved 2022-02-07. In the '40s, the shoulder shape was what Lopato calls 'saddle-shaped,' or sloping in the center. The pads were rigid. Today the shoulder line is straight, says Lopato, and the pads soft and more pliable.
123. McEvoy, Marian (1978-11-12). "Where the Pads Come From". The New York Times: 240. Today, shoulder pads are...often constructed of foam, nonwoven polyester filler, reprocessed cotton felt, ozite and sanforized or nylon thread...The result is a pad which retains its shape and doesn't disintegrate when washed....Average weight is about one ounce.
124. Hyde, Nina S. (1978-11-10). "Beyond 'Retro'". The Washington Post. Retrieved 2022-04-04. Nowadays, with fewer skilled cutters and tailors, and different fabrics, it just isn't possible or sensible to repeat an old style.
125. Morris, Bernadine (1978-04-04). "In Milan, the Classic Prevailed Over the Romantic". The New York Times: 28. Retrieved 2021-12-10. Bergdorf Goodman's Leonard Hanken...remark[ed], 'We'll have to train a whole new generation of tailors to put in shoulder pads properly. It's a lost art'.
126. Hyde, Nina S. (1979-09-20). "Fashion: Shoulder It". The Washington Post. Retrieved 2022-02-07. 'I'm giving more instruction on how to make and place shoulder pads,' says Elizabeth Simmons, owner of Ardis School of Design.
127. Donovan, Carrie (1978-11-12). "Why the Big Change Now". The New York Times: 226. Retrieved 2021-11-15. Saint Laurent['s]...man‐tailored suit jackets with shoulders squared out with padding...looked not only boldly aggressive but startling and totally unexpected...
128. Morris, Bernadine (1978-07-14). "In America, Fashion as a Grace Note". The New York Times: C12. Retrieved 2021-11-12. ...[S]houlder pads...big and bulky enough to grace the shoulders of Gargantua.
129. McEvoy, Marian (1978-11-12). "Where the Pads Come From". The New York Times: 240. [Shoulder pad manufacturer Harold] Lopato picks up what looks like a hunk of mattress stuffing...'This,' he pronounces proudly, 'is our three-inch-thick shoulder pad which we worked out with [designer] Bill Kaiserman.'
130. Mulvagh, Jane (1988). "1979". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 364. ISBN   0-670-80172-0. A hard, constructed, uncompromising silhouette prevailed: padded shoulders, sometimes three feet wide...
131. Hyde, Nina S. (1979-10-21). "Fashion From Paris". The Washington Post. Retrieved 2021-12-19. [B]ig pagoda shoulders...were [Cardin's] favorite silhouette...last March.
132. Taylor, Angela (1979-09-07). "Claude Montana's Space-Age Styles Touch Down on West 54th Street". The New York Times: A16. Retrieved 2021-12-18. [Montana's] shoulders...turned up at the ends, like pagoda roofs.
133. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. ...[In] the late '70s...really big shoulders reappeared, this time...broader than ever. Reactions to the doorway-wide affairs generally ranged from 'not for me' to 'never!'
134. Hyde, Nina S. (1978-09-16). "Fall Fashion Blitz: The Show's the Thing for Washington Stores". The Washington Post. Retrieved 2022-03-27. The new broad-shouldered, retro-glamor clothes, military looks and black leather that most customers are seeing for the first time are considered quite shocking....Dorothy Vineburgh, an active volunteer in town, [says], 'No way will I wear those shoulder pads....I want to find something elegant and comfortable.' Richard Krolick, staff director of a congressional committee, wasn't quite so kind. 'It's like World War II!,' he said after one benefit this week. 'They have got to be kidding.'...[C]ustomers aren't loving all the clothes and the shows aren't generating large sales...
135. Hyde, Nina S. (1979-04-11). "Not-So-Ready-to-Wear Clothes". The Washington Post. Retrieved 2022-02-07. ...[M]any [buyers] had trouble selling exaggerated shoulders...'I can't see women getting into cars with shoulders so broad,' said Wendall Ward, vice president of Garfinckel's...
136. Hyde, Nina S. (1979-04-09). "Broad Shouldered Paris". The Washington Post. Retrieved 2022-03-03. 'If you had tried to sell big shoulders in a store this winter, you wouldn't touch them for spring,' insists Val Cook, of Saks-Jandel, about the padded-shoulder styles, some of which looked like the model had forgotten to remove the hanger before putting on the dress.
137. Hyde, Nina S. (1978-10-25). "Hourglass for Spring". The Washington Post. Retrieved 2022-04-04. ...[I]f you thought padded shoulders would pass with the football season, you are wrong. There are various degrees of padding, but clearly the broad-shouldered look has a wide following.
138. Morris, Bernadine (1978-03-31). "At Milan Showings, the Clothes for Winter are Somber". The New York Times: A16. Retrieved 2022-04-04. Wide shoulders are obligatory this season. Some...styles...have a fold or flange effect that draws the eye outward.
139. "Autumn Inspirations, 1979". Couture Allure. 2013-08-05. Retrieved 2021-12-21.
140. Donovan, Carrie (1978-11-06). "The New Look, Hit or Miss?". The New York Times: 58. Retrieved 2021-12-10. [T]he new look took — mostly in the less extreme versions, but with a few surprises. Broader shoulders have been accepted, up to a point.
141. Hyde, Nina S. (1979-09-20). "Fashion: Shoulder It". The Washington Post. Retrieved 2022-02-07. ...[A]s the exaggerated showpieces were translated into saleable styles – with the broadened shoulder tapering to the waist and hemline – women responded positively.
142. "Fashion View". The New York Times: SM6. 30 December 1979. Retrieved 2022-03-18. The brisk, capable look of the wide-shouldered silhouette suited the mood of women who wanted to convey just that image: in control and 'together'.
143. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. ...[S]houlders [are] now [1985] proportioned to sports-page, rather than fashion-page, dimensions...Customers...don't seem to be bothered by the exaggerated shoulders. After all, they make the waist and hips look smaller.
144. "Fashion". The American Peoples Encyclopedia Year Book 1979: Events of 1978. Grolier Incorporated. 1979-01-01. p. 205. ISBN   0-7172-0410-3. Shoulders were broader. Skirt and pant lines slimmed down....It was not...the only shape around. It was simply the latest.
145. Duka, John (1978-11-13). "Paris is Yesterday". New York. 11 (46): 112–113. Retrieved 2021-12-11. The only designer who has managed to stay outside of the Retro mainstream is Kenzo...
146. Russell, Mary (1979-04-18). "Fashion/Beauty Fallout from Paris". The New York Times: SM19. Retrieved 2022-04-04. Kenzo goes his own humorous, playful way, creating amusing, young, almost 'toy' fashions.
147. Hyde, Nina S. (1979-04-10). "Mickey and Minnie on the Paris Runway". The Washington Post. Retrieved 2022-04-04. Kenzo...intended his showing of 'comic-strip' clothes to poke fun at the pretentiousness of his colleagues and the '[more-]couturier-than-thou' quality of their designs.
148. Mulvagh, Jane (1988). "1981". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 377. ISBN   0-670-80172-0. Kenzo's oversized tent shapes were belted and bloused.
149. Halasz, Robert (ed.). "Fashion". The Illustrated Columbia Encyclopedia Year Book 1979: Events of 1978. Chicago, Illinois, USA: Standard Educational Corporation. p. 316. ...Ralph Lauren turned his back on Europe except for the British Isles, the source for his tweed...looks...
150. "Fashion". The American Peoples Encyclopedia Year Book 1979: Events of 1978. Grolier Incorporated. pp. 205–206. ISBN   0-7172-0410-3. [Ralph Lauren's]...new Western clothes were...responsible for an entirely fresh crop of prairie dresses and frontier jackets...
151. Larkin, Kathy. "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crowell-Collier Publishing Company. p. 252. ...[T]here were exceptions to the revamped Hollywood look of the 1940's...Ralph Lauren revived the Wild West look...
152. Hyde, Nina S. (1979-04-30). "Gussying Up for Fall". The Washington Post. Retrieved 2024-01-24. ...Ralph Lauren...has...sweaters beefed up at the shoulders with pads...
153. Morris, Bernadine (1978-02-18). "No More Skirting the Issue, Dresses Have Come Back". The New York Times: 28. Retrieved 2022-01-23. Emanuel Ungaro...has sent...advance hints of his styles for next fall....Ungaro uses [a brushed silk shirt] as part of a layering plan that involves a matching vest. a skirt in the same fabric but a blending print, and a couple of sweaters....But Mr. Ungaro hasn't forgotten about dresses. One of the prettiest a loose style in flowery wool challis...
154. Morris, Bernadine (1979-07-25). "Paris: A Peplum and Puffed Sleeve Revival". The New York Times: C16. Retrieved 2022-01-23. Ungaro['s] jackets had...peplums and...puffy shoulders.
155. Donovan, Carrie (1985-03-31). "Fashion: Feminine Flourishes". The New York Times: 80. Retrieved 2022-03-09. Karl Lagerfeld..., Yves Saint Laurent, Emanuel Ungaro and Hubert de Givenchy...continued with their versions of the rather aggressive broad-shouldered silhouette...
156. Hyde, Nina S. (1978-03-23). "Designers Say It's the Casual, Rumpled Look for Men this Year". The Washington Post. Retrieved 2022-02-07. Following the direction women's clothes have taken for the last two or three years, designers expect men to adopt a looser, freer, softer look in fashion...Changes include: Jackets with less inner construction, the built-in features that give a garment its shape. Instead, the clothes are supposed to take on the shape of the wearer and be comfortable, like a sweater. Softer, more loosely woven natural fabrics that allow jacket sleeves to be pushed up and collars turned up to underscore a more casual, even rumpled look. Clothes cut more loosely....American designers...refer to it as 'unconstructed'...
157. Salmans, Sandra (1974-08-25). "Seventh Avenue". The New York Times: 96. Retrieved 2021-12-10. ...[T]he Big Look...was pioneered in Paris a year ago by Kenzo Takada...with absurdly large skirts and coats....[T]he look features long skirts, dropped shoulders, dolman sleeves and large armholes, blouson jackets, blowing capes, and loose dresses–all laid on with layers of fabric.
158. Mulvagh, Jane (1988). "1974". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 337. ISBN   0-670-80172-0. Kenzo anticipated a major change this winter by creating a full, circular skirt, easily caught by the wind...The replacement of the short, kicky skirt by the longer, fuller style was the most important change in the silhouette...The new coat and cape shapes were also looser, fuller and longer – the hemline was anywhere from 3 inches below the knee to the ankle. This voluminous, unconstructed style was christened the 'Big Look'.
159. La Ferla, Ruth (1990-10-21). "Fashion: Sizing Up Giorgio Armani". The New York Times: 55. Retrieved 2021-12-10. [Armani's] career has been punctuated by a series of radical gestures, beginning with the unconstructed blazer of the mid-1970's - his epochal creation....The blazer, a calculatedly rumpled affair, featured sloping shoulders, narrow lapels, baggy pockets and an attenuated line. More importantly, it was endowed with a mobility previously unknown in men's suit jackets, except on Savile Row. It had the kind of comfort found only in sports clothing, which he achieved in part by stripping out much of its cumbersome lining and padding.
160. Alexander, Ron (1979-09-16). "Shoulder It, Men: Padding is Back". The New York Times: CN21. Retrieved 2021-12-10. Even men who shrug at fashion will probably find themselves in jackets with padded shoulders this fall. Broad shoulders are back...Calvin Klein['s]...shoulders are broad, not extreme, but there is definite padding....Pierre Cardin refers to his new silhouette as 'an upside-down triangle',...designing clothes with broader shoulders...Yves Saint Laurent...is building [shoulders] up again....Bill Kaiserman advocates...'strong but not extreme' shoulders....Lee Wright designs...clothing...inspired by the Italian V-silhouette...
161. Machalaba, Nick (17 August 2021). "Exclusive Archival Images from DNR [Daily News Record]: European Menswear". Women's Wear Daily. Fairchild Media. Retrieved 2021-12-18. A model poses in Pierre Cardin's double-breasted suit with pagoda shoulders during the French men's wear designer fashion show in New York on Oct. 8, 1979.
162. Russell, Mary (1979-03-04). "Men's Fashion". The New York Times: SM19. Retrieved 2021-12-10. Armani's 1979 jackets are wide at the shoulder with a narrowing at the waist and low button closing.
163. La Ferla, Ruth (1990-10-21). "Fashion: Sizing Up Giorgio Armani". The New York Times: 55. Retrieved 2021-12-10. At the end of the 1970's, Armani altered his style dramatically. Taking his design cues from Hollywood costumes of the 1930's and 40's, he widened the lapels of his suits and extended and padded the shoulders.
164. Katan, V. "Women's Shoulder Pads" . Retrieved 19 November 2015.
165. Morris, Bernadine (1978-12-29). "This Season, Jackets Shape Up Shorter". The New York Times: A15. Retrieved 2021-12-08. Shoulders tend to be padded now or given greater width through puffs at the top of the sleeves...And the peplum jacket is reappearing...It's part of fashion's retro mood that...echoes...the 1940's.
166. Morris, Bernadine (1979-07-25). "Paris: A Peplum and Puffed Sleeve Revival". The New York Times: C16. Retrieved 2021-12-08. The shape that Paris couturiers seem to have agreed upon for fall is the tightly fitted jacket with a small peplum...[w]ith puffed-top, leg-of-mutton sleeves
167. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. Retrieved 2021-12-08. ...Karl Lagerfeld pronounces, 'Shoulders are the roof of a house'.
168. McEvoy, Marian (1978-11-12). "Where the Pads Come From". The New York Times: 240. Retrieved 2021-11-15. (see previous McEvoy citations)
169. Hyde, Nina S. (1978-09-16). "Fall Fashion Blitz: The Show's the Thing for Washington Stores". The Washington Post. Retrieved 2022-03-27. The new broad-shouldered, retro-glamor clothes, military looks and black leather that most customers are seeing for the first time are considered quite shocking....Dorothy Vineburgh, an active volunteer in town, [says], 'No way will I wear those shoulder pads....I want to find something elegant and comfortable.' Richard Krolick, staff director of a congressional committee, wasn't quite so kind. 'It's like World War II,' he said after one benefit this week. 'They have got to be kidding.'...[C]ustomers aren't loving all the clothes and the shows aren't generating large sales...
170. Hyde, Nina S. (1979-04-11). "Not-So-Ready-to-Wear Clothes". The Washington Post. Retrieved 2022-02-07. ...[M]any [buyers] had trouble selling exaggerated shoulders...'I can't see women getting into cars with shoulders so broad,' said Wendall Ward, vice president of Garfinckel's...At one point during the five-day marathon of fall ready-to-wear shows, Robert Sakowitz, president of Sakowitz (Houston), asked Val Cook of Saks-Jandel, 'Do you know a good book store in Paris?...I want to buy a stack of Bibles,' he explained. 'I think we will all need to do a lot of praying to sell these clothes'.
171. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. ...[In] the late '70s...really big shoulders reappeared, this time...broader than ever. Reactions to the doorway-wide affairs generally ranged from 'not for me' to 'never!'
172. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. ...[S]houlders [are] now [1985] proportioned to sports-page, rather than fashion-page, dimensions...Customers...don't seem to be bothered by the exaggerated shoulders. After all, they make the waist and hips look smaller.
173. Howell, Georgina (1991). "The Aggressive Eighties: 1980-1991". In Vogue: 75 Years of Style. London, England: Random Century Ltd. p. 218. ISBN   0-7126-4791-0. ...[Margaret Thatcher] gave readers the benefit of her fashion advice...: 'I have bought about two suits a year,' she said. '...In the last two years [1983-85], the shoulders have been a little wider, the top of the sleeves a little more important. That's the only genuflection I make to fashion'.
174. "Shoulder pads: A history". The Independent. 13 October 2009.
175. "Style Icon: Margaret Thatcher". oxfordstudent.com. 21 January 2012.
176. Dullea, Georgia (1977-10-09). "Suited Up to Storm the Boardroom". The New York Times: 82. Retrieved 2022-04-04. ...Wall Street women are...wearing the so-called success suit (tailored jacket and skirt...)...
177. Jacoby, Susan (1977-12-29). "Hers". The New York Times: 40. Retrieved 2022-05-07. [Women's Dress for Success Book author John] Molloy...reports enthusiastically on a 'pledge' he says was drafted by women in one corporation: 'I pledge to wear highly tailored, dark‐colored, traditionally designed, skirted suits whenever possible to the office'...
178. Amy De La Haye 1988, Fashion Source Book, London, Quarto Publishing, 170, ISBN   0-356-15928-0
179. Mulvagh, Jane (1988). "1984". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. pp. 390–391. ISBN   0-670-80172-0. Soap operas were a new fashion influence. Just as the cinema-goers of the thirties and forties had mimicked the wardrobes of Greta Garbo and Joan Crawford, so Joan Collins/Alexis and Linda Gray/Sue-Ellen became a source of inspiration. The soap stars wore the clothes of Saint Laurent, Ferre, Oscar de la Renta and Calvin Klein....[T]he viewers' definition of glamour was to be dressed up at all times...
180. Hyde, Nina (1985-03-28). "YSL, Robust and Refined High Hemlines for His Paris Show". The Washington Post. Retrieved 2022-03-09. ...[Dynasty star] Joan Collins sat in the front row of the Valentino show, furiously scribbling notes. No wonder. There were enough skinny, sexy, rich, even tarty clothes on the runway for Collins, her chums on Dynasty and lots of Dynasty aficionados as well.
181. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. Nolan Miller, the man responsible for designing the 'Dynasty' look,...his stars are pad-dependent. They'd never give them up, according to Miller....Miller believes in the survival of the shoulder pad
182. Dullea, Georgia (1977-10-09). "Suited Up to Storm the Boardroom". The New York Times: 82. Retrieved 2022-04-04. ...[C]lothing consultants...are...counseling businesswomen on how to 'dress for power'.
183. Morris, Bernadine. "Fashion". The 1986 World Book Year Book: Events of 1985. World Book, Inc. p. 320. ISBN   0-7166-0486-8. An absence of uniformity marked the 1985 collections....Shoulders tended to be wide and padded, but that was the only unifying element.
184. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. Retrieved 2021-11-15.
185. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. ...[S]houlder pads have become a way of life to the fashion-conscious, invading not only the innards of coats and jackets, but sweaters and blouses as well....[T]hey`re showing up in the most unexpected places, including camisoles, teddies and even slips, bodysuits, pajamas, robes, sleepshirts, fashions for lounging and fashions for exercising.
186. Greenfield, Ellen J. "Fashion". 1986 Collier's Year Book Covering the Year 1985. MacMillan Educational Company. p. 228. Big sweaters with padded shoulders prevailed...
187. Morris, Bernadine (1978-04-16). "The Message is Clear, But How Will It Be Received?". The New York Times: 70. Retrieved 2021-11-15. ...[I]f you add a padded coat to a padded jacket over a padded blouse, the effect can be grotesque. A lot of grotesque effects were seen on the runways...
188. Morris, Bernadine (1978-04-25). "Ellis Joins Blass in Fashion's Firmament". The New York Times: 42. Retrieved 2021-12-10. [Perry] Ellis said he had no compunctions about adding padded coat to padded jacket to padded sweater.
189. Hyde, Nina (1981-08-18). "The Sweat Shirt Swath". The Washington Post. Retrieved 2022-05-07. Shoulder pads are on Velcro and can be removed for easy washing.
190. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. Norma Kamali...designed the pads so that they could be easily removed or returned to their proper place via slim strips of Velcro,
191. "Shoulder Pads". V&A Explore the Collections. Retrieved 2021-12-11.
192. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. ...[S]houlder pads deformed...in the dryer...
193. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. ...the sandpaper sensation of Velcro against skin...
194. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. ...[S]houlder pads...floated like loose slip straps on our shoulders...
195. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. ...[P]ads shot up near our ears when straddled by a purse strap...
196. Mulvagh, Jane (1988). "1979". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 367. ISBN   0-670-80172-0. Norma Kamali...and Perry Ellis introduced the short rah-rah skirt...
197. Mulvagh, Jane (1988). "1980". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 371. ISBN   0-670-80172-0. Norma Kamali launched her 'sweats' collection: rah-rah skirts, leggings and jogging suits cut in grey and brightly coloured cotton sweatshirting. The tops often had huge, American-footballer shoulder pads. These low-priced co-ordinates were copied worldwide.
198. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. ...Kamali slipped oversized shoulder pads into vastly oversized sweatshirts in a collection of sportswear that took off overnight and found women, girls and even kids across the country happily looking like female footballers.
199. Dailey, Martha Sherrill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. Norma Kamali...in the early '80s took shoulders where they'd never gone before – imagine sweat shirts with sofa cushions in them.
200. Buck, Genevieve (1985-10-02). "Shoulders: The Intimate Story". The Chicago Tribune. Retrieved 2022-04-04. Since then, shoulder pads have become a way of life to the fashion-conscious,...
201. Cunningham, Bill (1989-09-01). "To the Future Through the Past". Details. VIII (3). New York, NY: Details Publishing Corp.: 219. ISSN   0740-4921. ...Ungaro was continuing to drape dresses and cut suits, giving his designs an international influence greater than any other Paris couturier.
202. Horyn, Cathy (2010-08-20). "The Fall of the House of Ungaro". The New York Times. Retrieved 2021-11-27. [M]any people know Ungaro because it was prominent in the '80s and '90s. If you were a snooty boutique owner in Dallas or New York and you couldn't sell an Ungaro dress with the drapery pouring over the breasts and thighs like butter on a hot ear of corn, you had no business being in retail.
203. Luther, Marylou (1985-10-24). "Fashion". The Washington Post. Retrieved 2022-03-09. Emanuel Ungaro, who started the bodice-shirring trend two years ago, continues to refine this look that's now being copied all over the world. As anyone who's ever worn one of these drape-front dresses can tell you, the shirring allows freedom of movement in even the narrowest of dresses.
204. McCall, Patricia (1983-03-20). "Fashion Preview: Paris". The New York Times: 60. Retrieved 2021-12-15. As for Emanuel Ungaro, nothing is quite so seductive as a skinny sheath tucked under a big-shouldered jacket or coat. 'It is this contrast of wide on narrow that I love,' he says.
205. Morris, Bernadine (1986-01-29). "Ungaro's Bright Palette Lights Up Couture". The New York Times: C1. Retrieved 2022-04-04. ...[J]ackets tend to have large rippling lapels as well as very broad shoulders and peplums over the hips.
206. Morris, Bernadine (1984-07-31). "Affluent Fans Breathe New Life Into Paris Couture". The New York Times: C12. Retrieved 2022-03-17. Emanuel Ungaro's updated, sexy Edwardian clothes...
207. Mulvagh, Jane (1988). "1934-1945". Vogue History of 20th Century Fashion. Viking, the Penguin Group. p. 122. ISBN   0-670-80172-0. Mae West visited Paris in 1936...Schiaparelli...was to dress her...The arrival of the...film star promoted a tidal wave of Nineties gaiety and...fashions....Edwardian costume balls and styles became all the rage.
208. Darnton, Nina (1985-04-14). "Fashion Profile: On Her Own". The New York Times Magazine: 70. Retrieved 2022-04-04. Miss Karan says,...'Somewhere in the back of my mind is the figure I always start with - wide shoulders and a shaped body, with round hips'...
209. Cunningham, Bill (1989-03-01). "Designers of the World, Unite!". Details. VII (9). New York, NY: Details Publishing Corp.: 199. ISSN   0740-4921. Donna Karan drew her inspiration from the imperious screen goddesses of Hollywood in the Forties,...reinterpreting this spirit for...today.
210. Hyde, Nina S. (1978-07-27). "YSL Reintroduces the Grand-Entrance Era". The Washington Post. Retrieved 2022-04-04. Most of YSL's jackets have big shoulders (though he insists that they are smaller than a season ago)...
211. Morris, Bernadine (1979-07-31). "Couture Forecasts Shape of Clothes to Come". The New York Times: C5. Retrieved 2022-04-04. ...[S]houlders...are padded, but usually not as exaggeratedly as they have been in the recent past.
212. Hyde, Nina (1980-10-23). "Familiar Wrinkles". The Chicago Tribune. Retrieved 2022-04-04. Last year's exaggerated football shoulders are gone from just about every collection, and designers have used shaped sleeves to achieve a far more attractive look of width at the top.
213. "Decoding the Styles of the 70's". The New York Times: SM6. 1979-12-30. 'The tough shoulders already look a little demodé,' says French designer Karl Lagerfeld.
214. Hyde, Nina (1982-09-12). "Say It Simple". The Washington Post. Retrieved 2022-04-04. Big puffed-out sleeves have been deflated, football-player shoulders have been tamed...
215. Hyde, Nina (1982-10-21). "Hips! Shoulders! Knees! Sexy Seams Slink Back Into Vogue As Yves Celebrates Two Decades". The Washington Post. Retrieved 2022-04-04. Big shoulders continue, though scaled down from their earliest incarnation...
216. Hyde, Nina S. (1980-04-29). "Fashion's Opulent Autumn". The Washington Post. Retrieved 2022-04-04. 'I wanted to take the padding out of the shoulder, but I felt it needed something at the top to replace it,' [Perry Ellis] explained. '[Capelet collars] were the answer'.
217. Larkin, Kathy. "Fashion". 1979 Collier's Yearbook Covering the Year 1978. Crown-Collier Publishing Company. pp. 251–252. ...Saint Laurent...confirmed huge shoulders, puffed sleeves to emphasize width further...
218. Morris, Bernadine (1981-08-04). "Couture: Styles of Splendor". The New York Times: C6. Retrieved 2021-12-01. ...[E]very...designer is content to achieve breadth across the top with such devices as leg o'mutton sleeves.
219. Hyde, Nina (1980-10-30). "Spring Blooms on Seventh Avenue". The Washington Post. Retrieved 2022-04-04. Perry Ellis...has stashed away his old signature – padded shoulders...[H]e now has...width coming only from the rounded shape of the sleeve...
220. Morris, Bernadine (1981-10-19). "Ungaro and Saint Laurent Brighten Paris Showings". The New York Times: B10. Retrieved 2022-04-04. [At Ungaro, a] triangular fold just below the shoulder adds breadth but not bulk to the top of the body.
221. Morris, Bernadine (1986-03-26). "From Valentino, a Practical Elegance". The New York Times: C10. Retrieved 2022-04-04. ...Ungaro...leather suits...had soft folds at the shoulders.
222. Morris, Bernadine (1978-03-31). "At Milan Showings, the Clothes for Winter are Somber". The New York Times: A16. Retrieved 2022-04-04. Wide shoulders are obligatory this season. Some of the styles shown here have a fold or flange effect that draws the eye outward.
223. Morris, Bernadine (1983-01-25). "In Paris, Long, Lean and Lively". The New York Times: C8. Retrieved 2022-04-04. Pierre Cardin...dresses...had cap-like extensions over the shoulders....[T]here are stiff flanges and revers on suits...and wings on the shoulders that seem as if they were about to levitate.
224. Morris, Bernadine (1981-04-22). "All Eyes Turn to Perry Ellis". The New York Times: C14. Retrieved 2022-06-22. Some of [Perry Ellis's] familiar heathery wool sweaters sport stand-up ruffles at the shoulder.
225. Elkins, Ann M. "Fashion". The Americana Annual 1981: An Encyclopedia of the Events of 1980. Grolier Incorporated. p. 230. ISBN   0-7172-0212-7. Ruffled trims ran...across shoulders and down sleeves like the dorsal fin of some prehistoric animal.
226. "Fashion View: A Tale of Two Cities". The New York Times: 72. 1983-06-12. Retrieved 2022-04-04. ...[S]houlders, as in seasons immediately past, have been padded slightly, or a bit more so, but rarely with exaggeration.
227. Finley, Ruth, ed. (1983-12-01). "Paris, Spring/Summer '84". Fashion International. XII (3). New York, NY, USA: Fashion International: 4. Shoulders remain wide but less angular.
228. McColl, Patricia (1985-03-17). "Fashion Preview: Paris Takes a Wide View". The New York Times Magazine: 69. Retrieved 2021-12-01. ...[T]he talk is of wide shoulders...Yves Saint Laurent is...working with big shoulders...Valentino...tried to cut down on shoulder padding. Unfortunately, he says, 'Everything looks better with it'.
229. Sweetinburgh, Thelma. "Fashion and Dress". 1986 Britannica Book of the Year: Events of 1985. Encyclopaedia Britannica, Inc. p. 251. ISBN   0-85229-437-9. ...[F]ashion turned to a new gentleness in the spring of 1985. This was achieved mainly through rounded instead of square padding at the shoulders...
230. Morris, Bernadine (1979-10-19). "At Paris Showings, Both Creativity and Confusion". The New York Times: A20. Retrieved 2022-04-04. The mammoth shoulder pads shown a year ago [1978] are one of the disasters. Only Claude Montana has repeated them.
231. Morris, Bernadine (1979-10-15). "In Paris, High Fashion's Latest Trip is to Outer Space". The New York Times: B14. Retrieved 2023-05-17. Claude Montana...shoulders extended half a foot on each side by padding and huge shelflike sleeves...
232. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. Retrieved 2021-11-15. As for Claude Montana, who is to big shoulders what Alexander Graham Bell is to the telephone, fashion is simple: 'Shoulders forever,' he says.
233. "Claude Montana, troubled fashion designer known in the 1980s as 'King of the Shoulder Pad' – obituary". The Telegraph. 23 February 2024. Retrieved 24 February 2024.
234. Finley, Ruth, ed. (1983-05-01). "The Paris Pret-a-Porter: Soigné and Sophisticated for Fall '83". Fashion International. XI (8/9). New York, NY, USA: Fashion International: 3. ...[B]road, often immense shoulders tapered past slim hips...The sole exception...remained the Japanese.
235. Morris, Bernadine (1979-07-31). "Couture Forecasts Shape of Clothes to Come". The New York Times: C5. Retrieved 2022-04-04. As in other clothes, the shoulders of the chemise are padded...
236. Finley, Ruth, ed. (1984-10-01). "Sophisticated Italian Spring Dresses". Fashion International. XIII (1/2). New York, NY, USA: Fashion International: 2. Day chemises: An architectural silhouette...with broad shoulders, narrowing toward the hem.
237. Morris, Bernadine (1983-10-25). "Looking for Keys to Fashion Trends". The New York Times: A32. Retrieved 2022-04-04. ...Hubert de Givenchy...returned to the...chemise shapes promulgated by Balenciaga in 1957....Current versions have wider shoulders and shorter skirts than those of Balenciaga, but still offer a reprise on an earlier style.
238. Schiro, Anne-Marie (1985-03-26). "Notes on Fashion". The New York Times: A22. Retrieved 2022-02-08. Thierry Mugler reminded his audience of just what many of them looked like in the 1960's in their minidresses, wildly colored prints, beads and link belts of plastic disks. Remember those?
239. Morris, Bernadine (1985-03-22). "Japanese Designers Lower Shock Quotient". The New York Times: A18. Retrieved 2022-04-04. Thierry Mugler...is now into the psychedelic 1960's. Miniskirts and maxicoats, bell-bottom trousers, bubble-shaped dresses and Op Art jumpsuits, Afro wigs and short, straight Vidal Sassoon haircuts...
240. McColl, Patricia (1985-03-17). "Paris Takes a Wide View". The New York Times: 69. Retrieved 2021-12-08. ...Thierry Mugler opts for a less dramatic, sloping shoulder. 'But not narrow,' he says.
241. Donovan, Carrie (1984-06-24). "Aggressive American Design". The New York Times: 54. Retrieved 2022-04-04. Many observers claim that Sprouse's sleeveless mini shift dresses, with their flared tent shapes, are cookie-cutter copies of those of Courreges in the 1960's. Yet Sprouse's broad-shouldered, beautifully man-tailored jackets and coats...are selling in the stores.
242. Feldkamp, Phyllis. "Fashion". 1989 Collier's Year Book Covering the Year 1988. MacMillan Educational Company. p. 241. To balance the leggy look, shoulders were noticeably widened and heightened with padding.
243. Morris, Bernadine (1981-10-06). "Notes on Fashion". The New York Times: B8. Retrieved 2022-04-04. ...the new Long and Strong look - long skirts, shawls, wrap coats and lots of layers.
244. Hyde, Nina (1981-04-06). "Costumes from Classics". The Washington Post. Vol. 6. Retrieved 2022-04-04. ...French styles...are longer, fuller and more layered once again.
245. Hyde, Nina (1981-04-09). "Skirting the Classics". The Washington Post. Retrieved 2022-04-04. The big news is the appearance of the long skirt...There are voluminous shapes...[M]any of the designers like the look of lightweight layers...
246. Morris, Bernadine (1984-03-09). "An Ellis Collection Takes Past as Prologue". The New York Times: B6. Retrieved 2022-06-22. The clothes have the relaxed, natural look of [Perry] Ellis's first collection in the 1970's. Trousers are important. Colors are muted. Skirts are long and legs are clad in dark, thick stockings above low-heel shoes. Tops tend to be belted at the hips, and shoulders are broad.
247. Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction". Details. IV (8). New York, NY: 105. ISSN   0740-4921. Vivienne Westwood surprised her audience with...1860s bell-shaped, hoop-skirted dresses, with their layered panels now cut down to mini length.
248. Hirshey, Gerri (1987-06-07). "She Hoops to Conquer". The Washington Post. Retrieved 2022-05-07. In 1985, Westwood first showed her hooped mini-crini in Paris...[T]he idea caught on in the tonier fashion houses. The shape was refined and repackaged – by Christian Lacroix of the House of Patou...'I was trying to find a way to kill this big shoulder'...
249. Hyde, Nina (1986-12-15). "Petticoats Plus: Skirts' New Flair". The Washington Post. Retrieved 2022-06-22. ...[S]he says,...'The crinoline thing seemed to me to be the perfect thing to bring to an end...this shape of the inverted triangle, broad at the shoulders and tapered to the hem'.
250. Luther, Marylou (1987-08-01). "Paris When It Dazzles". The Washington Post. Retrieved 2021-12-01. Christian Lacroix...continues the poufs, puffballs and petticoats that first brought him international attention. New this season are...the simple shawls and fichus of Provence...
251. Morris, Bernadine. "Fashion". The 1988 World Book Year Book: Events of 1987. World Book, Inc. p. 326. ISBN   0-7166-0488-4. Lacroix's imaginative clothes[,]...with shawllike fichu bodices[,]...differed greatly from the tough chic of the broad-shouldered, sleek skirt era that they replaced.
252. Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction". Details. IV (8). New York, NY: 116. ISSN   0740-4921. ...[A]t Karl Lagerfeld, shoulder pads were removed from the shoulders and moved down to the hips...
253. Finley, Ruth, ed. (1985-12-01). "Spring/Summer Paris Collection Highlights". Fashion International. XIV (3). New York, NY, USA: Fashion International: 2. By moving shoulder pads to the top of the hip, Lagerfeld suggests the first major structural change in fashion for quite some time...
254. Hyde, Nina (1988-03-20). "Pouf! The Costume Party's Almost Over". The Washington Post. Retrieved 2022-06-22. ...Lagerfeld...says:...'There will be...tiny shoulders....You cannot hide behind the excesses of...huge shoulders'.
255. Hyde, Nina (1988-03-26). "On Their Knees". The Washington Post. Retrieved 2022-08-20. 'It is wonderful to sell slim arms and natural shoulders again,' said Lagerfeld...
256. Hyde, Nina (1988-11-06). "Clear Signs of Spring". The Washington Post. Retrieved 2022-08-20. Shoulder pads have collapsed in many of the collections, though Yves Saint Laurent makes it all right with the fashion world to keep on wearing them...
257. Hyde, Nina (1988-03-26). "On Their Knees". The Washington Post. Retrieved 2022-08-20. Saint Laurent repeated his successful tunics, but with less padded and more fitted shoulders. In his suits the shoulders appear slimmer as well.
258. Cunningham, Bill (1 March 1987). "The Collections Spring Forward". Details. VI (3). New York, NY: Details Publishing Corp.: 102, 120. ISSN   0740-4921. ...Mugler broke away from his heroic silhouette to a softer proportioned one....moving away from his heavily padded goddesses...in soft, delicate dresses and transparent gowns...with demure puffed sleeves.
259. McColl, Patricia (1984-10-14). "Fashion Preview: Paris Goes Its Own Way". The New York Times: 101. Retrieved 2021-12-15. Montana seems to have severely tempered his use of shoulder pads, which has been somewhat of a signature for him.
260. Cunningham, Bill (1988-09-01). "The Colllllections". Details. VII (4). New York, NY: Details Publishing Corp.: 189. ISSN   0740-4921. Claude Montana...has lost none of his fierce originality in leaping from his aggressively padded shoulder silhouettes of the past ten years to an unpadded, natural shoulder.
261. Cunningham, Bill (1987-09-01). "Follies to Futurism". Details. VI (3). New York, NY: Details Publishing Corp.: 131. ISSN   0740-4921. Adeline André designed sloping shoulders, the shape of the new futurists.
262. Cunningham, Bill (1986-03-01). "Bright Spring Fashion Takes a Brave New Direction". Details. IV (8). New York, NY: 109. ISSN   0740-4921. Marc Audibet...moved away from the prevailing padded-shoulder...
263. Cunningham, Bill (1987-09-01). "Follies to Futurism". Details. VI (3). New York, NY: Details Publishing Corp.: 124. ISSN   0740-4921. Marc Audibet...advocates a small, natural shoulder or a dropped, sloping shoulder...that reduces fashion from its current screaming wallop of...heroic padded shoulders to a...whisper
264. Cunningham, Bill (1988-03-01). "Fashionating Rhythm". Details. VI (8). New York, NY: Details Publishing Corp.: 120. ISSN   0740-4921. Romeo Gigli represents the avant-garde of Milan.
265. Cunningham, Bill (1988-09-01). "The Colllllections". Details. VII (4). New York, NY: Details Publishing Corp.: 187. ISSN   0740-4921. The single most commanding collection...was Romeo Gigli's...
266. Hyde, Nina (1989-10-24). "The Cutting Edge". The Washington Post. Retrieved 2022-05-07. [Gigli's] shape is always narrow through the shoulder...
267. Mulvagh, Jane (1988). "1986". Vogue History of 20th Century Fashion. London, England: Viking, the Penguin Group. p. 399. ISBN   0-670-80172-0. Grace Coddington of British Vogue admired his work: 'Gigli has dispensed with shoulder pads and still made the proportions work'.
268. Feldkamp, Phyllis. "Fashion". 1989 Collier's Year Book Covering the Year 1988. MacMillan Educational Company. p. 243. Signs of the imminent demise of bulky shoulder padding were seen...
269. Hyde, Nina (1988-11-06). "Clear Signs of Spring". The Washington Post. Retrieved 2022-04-04. Shoulder pads have collapsed in many of the collections...
270. McLaughlin, Patricia. "Fashion". Funk & Wagnalls 1990 Yearbook: Events of 1989. Funk & Wagnalls L. P. p. 164. ISBN   0-8374-0070-8. ...[T]he strong-shouldered, inverted-pyramid silhouette that had dominated mainstream fashion since the...1970s – a shape defined by jackets with serious shoulder pads over narrow skirts or trousers – finally tipped over. By late 1989 shoulders had narrowed, shoulder pads had all but disappeared, and hems were flared out.
271. Hyde, Nina (1989-01-01). "The List: What's Out, What's In as 1989 Dawns". The Washington Post. Retrieved 2022-04-04. OUT: Shoulder pads. IN: Shoulders.
272. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. It's claimed they give women a forceful physical presence and a V-shape...They mask bad posture, it's believed, and sloping, inadequate shoulders.
273. Duka, John (1981-10-27). "Notes on Fashion". The New York Times: C6. Retrieved 2023-11-20. 'Shoulder pads...,' [Norma Kamali] said, '[a]re like wearing a padded bra. They give you a certain attitude and strength. They compensate for...physical shortcomings.'...
274. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. They make even cheap dresses hang right....'Fabrics are less expensive fabrics now, so they need more support. And we keep a hanger from stretching out a garment in the store,' [shoulder pad manufacturer Harold Lopato] says.
275. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. Majestic Shapes, a shoulder pad manufacturing company in the South Bronx, makes 100,000 pairs a day, five days a week, according to its president, Harold Lopato.
276. Dailey, Martha Sherill (1988-10-09). "The Bold Shoulder". The Washington Post. Retrieved 2022-04-04. 'A few years ago, the network [hosting the TV show Dynasty] said no more shoulder pads,' [Dynasty costume designer Nolan Miller] says. 'Both Linda [Evans] and Joan [Collins] almost mutinied'.
277. Sustendal, Diane (1985-10-08). "Men's Style View: Assimilation". The New York Times: 146. Retrieved 2022-04-04. The padded shoulders, ventless back and slight suppression in the torso that are so prevalent in Italian and French tailoring...may have seemed a bit avant-garde...a few years ago, but no longer.
278. Dailey, Martha Sherrill (1987-06-11). "Luxury Lounging". The Washington Post. Retrieved 2022-04-04. Alexander Julian['s]...jacket...shape has changed,...moving toward a broad-shouldered silhouette with wide lapels.
279. Schiro, Anne-Marie (1985-03-12). "Notes on Fashion". The New York Times: A28. Retrieved 2022-04-04. ...[J]ackets with exaggerated shoulders that taper to narrow hips, and side vents placed so that hands can slip into pants pockets without disturbing the line. That is the new shape in men's clothes [Pierre Cardin] showed...
280. Finley, Ruth, ed. (1984-09-01). "Uomo Moda – Spring/Summer '85". Fashion International. XII (12). New York, NY, USA: Fashion International: 3. Fenzi Knitwear:...The shoulder line continues its geometry, which is more pronounced.
281. Duka, John (1985-07-09). "Notes on Fashion". The New York Times: B8. Retrieved 2022-04-04. The Armani suit owes much of its shape and swagger to the 1940's, with extremely broad and soft shoulders, very wide lapels and a gorge (that embattled little notch between lapel and collar) that is higher.
282. Dailey, Martha Sherrill (1987-06-06). "The Menswear Evolution". The Washington Post. Retrieved 2022-04-04. ...[S]emiconstructed jackets have slightly padded shoulders that slump nearly off the shoulders.
283. Gross, Michael (1985-09-08). "The Impact of Fitness on the Cut of Clothes". The New York Times: 98. Retrieved 2022-04-04. The exercise fad of the 1970's has become a fact of life in the 1980's.
284. Elkins, Ann M. "Fashion". The Americana Annual 1986: An Encyclopedia of the Events of 1985. Grolier Incorporated. p. 229. ISBN   0-7172-0217-8. The fitness craze...grew from the weekly exercise class to body-building and triathlon regimens...
285. Span, Paula (1985-12-19). "House of Pectorals". The Washington Post. Retrieved 2022-04-04. [Click modeling agency head Frances] Grill uses athletes with shoulders that barely fit into the sports coats they are supposed to be peddling...[like model] Sasha Mitchell,...[in] black pants and shoes and shoulders swollen by 90 minutes a day of lifting weights...
286. Gross, Michael (1985-11-12). "Notes on Fashion". The New York Times: A32. Retrieved 2022-06-22. Perry Ellis gave the fashion crowd a jolt with an uncharacteristically close-fitting men's and women's collection shown with sizzle by such models as athletic Jeff Aquilon, lithe Lise Ryall, Elle Macpherson, who is so fit she seemed to leap out of everything she wore...
287. Gross, Michael (1985-09-08). "The Impact of Fitness on the Cut of Clothes". The New York Times: 98. Retrieved 2022-04-04. ...[O]bserves Ralph Lauren,...'...Men's suits have gotten more shaped because they're working out'....Natural-shoulder suits are now more suppressed in the waist and broader in the shoulders, chest and back.
288. Finley, Ruth, ed. (1984-09-01). "Uomo Moda – Spring/Summer '85". Fashion International. XII (12). New York, NY, USA: Fashion International: 3. Special emphasis on a looser and more broad-chested style. Softer, wider and slightly padded shoulders create the season's fashion image.
289. Gross, Michael (1985-09-08). "The Impact of Fitness on the Cut of Clothes". The New York Times: 98. Retrieved 2022-04-04. Guido Petruzzi, president of Giorgio Armani Fashion Corporation, the designer's American manufacturer, says that Mani's V-shaped suit represents 'an extreme,' but he thinks American consumers are coming to accept it. 'All that work and energy,' Petruzzi remarks. 'A suit without shape doesn't show it off'.
290. Hyde, Nina (1981-10-01). "Julian's Bright Ideas". The Washington Post. Retrieved 2022-04-04. 'American men have their own shoulders and don't need any padding,' [Alexander Julian] says.
291. Gross, Michael (1985-09-08). "The Impact of Fitness on the Cut of Clothes". The New York Times: 98. Retrieved 2022-04-04. The two-button suit is 'the most important,' says Ralph Lauren, because, by showing more of the chest, 'it's more flattering to the body'.
292. Cunningham, Bill (1989-09-01). "To the Future Through the Past". Details. VIII (3). New York, NY: Details Publishing Corp.: 214. ISSN   0740-4921. This viewer [fashion writer Bill Cunningham] was fascinated by an almost puritanical simplicity that was sweeping into many collections...as a reaction against the excessive riches and embarrassing prices...of the Eighties.
293. Gonzales, Erica (2020-02-06). "Fran Drescher Knows She's an Instagram Fashion Icon". Harper's Bazaar. Retrieved 2022-06-12. You can thank costume designer Brenda Cooper...for the spectacle of Nanny Fine's wardrobe....[S]tandouts were by Moschino or Dolce & Gabbana...
294. Riordan, Teresa (1993-03-08). "Patents". The New York Times: D2. Retrieved 2023-11-20. A Shoulder Pad as a Money Hider: Jenna Mitchell of Venice, Calif., has designed a...Velcro-fastened shoulder pad with a...secret...pocket that snaps shut....Ms. Mitchell received patent 5,189,738.
295. "Poof! Shoulder pads puff back". New York Daily News .
296. Glamour Magazine (11 December 2008). "Trend Alert: Shoulder Pads Are Back!". Glamour.
297. "Our Favorite Throwback Trend Has a History of Female Empowerment". Coveteur. 2019-04-04. Retrieved 2020-12-19.
298. Kim, Leena (2020-11-09). "Long Live Alexis Carrington: Dynasty Shoulders Are Back!". Town & Country. Retrieved 2020-12-19.