51°27′20″N0°58′10″W / 51.45563°N 0.96948°W Coordinates: 51°27′20″N0°58′10″W / 51.45563°N 0.96948°W | |
Location | Reading, Berkshire |
---|---|
Designer | John Soane |
Material | Portland stone |
Height | 25 feet (7.6 m) |
Completion date | 1804 |
Restored date | 2007 |
The Simeon Monument, also known as the Soane Obelisk, the Soane Monument and the Simeon Obelisk, [upper-alpha 1] is a stone structure in Market Place, the former site of the market in Reading, Berkshire. It was commissioned by Edward Simeon, a Reading-born merchant who became extremely wealthy as a City of London trader. Edward Simeon's brother, John, was a former Member of Parliament for Reading who had lost his seat in the 1802 elections to the parliament of the newly created United Kingdom of Great Britain and Ireland, since which time the family had been engaged in ostentatious spending locally in an effort to gain support among the town's voters.
Although street lighting had been installed in Reading in 1797, the system used was one of lamps attached to the sides of buildings and as a consequence open spaces remained unlit. In 1804 Simeon persuaded the Mayor of Reading that it would be of benefit to erect a structure in Market Place, which would serve both to carry lamps to light the area and to improve the flow of traffic in the area, and volunteered to pay for such a structure himself.
Simeon commissioned local architect John Soane to design a suitable structure. Soane designed an unusual triangular structure, 25 feet (7.6 m) high and built of Portland stone. It had no official unveiling or opening ceremony, but the stonework was complete by September 1804. The structure was immediately controversial, denounced within weeks of its opening as "a paltry gew-gaw thing without use, or name", built by Simeon to promote himself rather than for the public benefit. In early 1805 Simeon donated an annuity of 3% interest on £1000 to pay for the lamps on the obelisk to be lit in perpetuity.
By 1900 a cabmen's shelter had been erected next to the monument, and in 1933 underground public toilets had been built alongside it. Although Simeon had stipulated that the lamps were to remain lighted forever, by this time the lamps were no longer operational, having been replaced by baskets of flowers in 1911. Although the monument was Grade II listed in 1956, by this time it was becoming extremely dilapidated. The market was relocated away from Market Place in the 1970s, and the obelisk avoided demolition primarily owing to lobbying by admirers of Soane, as it was the last surviving structure in Reading to have been designed by him.
In 2005, Reading Borough Council agreed to landscape Market Place and to renovate the Simeon Monument. The now-disused toilets and other structures around the monument were removed, and the monument itself was restored to its former condition.
The town of Reading is at the confluence of the River Thames and River Kennet, approximately 40 miles (64 km) west of London. The settlement has existed since at least the Anglo-Saxon period, [2] it became a prominent town in 1121 following the foundation of Reading Abbey. [3] Located on the Great West Road, the main route connecting London to Bath and Bristol, and with the Thames providing direct shipping routes to London and Oxford, the city grew prosperous and became a major industrial centre, particularly noted for its iron production and breweries, as well as a major market town for the surrounding area. [4]
Market Place in Reading was a large triangular piece of open land, surrounded by shops, [5] which since the twelfth century had been the site of Reading's market. [6] The Borough Corporation maintained the area, in return for a tax of one pint of corn from each sack sold. [7] While the outdoor market in Market Place had traditionally specialised in dairy produce, meat and poultry, the sale of these items had been moved to a nearby purpose-built market hall in 1800, leaving Market Place dealing with trade in grain, fruit, vegetables and "colonial or manufactured articles"; Reading was considered one of the cheapest places in the country to buy imported and manufactured items. [7] By the early nineteenth century, around 200 wagons of produce would arrive in Reading on busy market days. [7]
Although Reading had introduced street lighting in 1797, this system did not use lamp posts and instead consisted of oil lamps attached to the walls of buildings. [8] As a consequence, open areas such as Market Place remained unlit other than around their edges. [8]
John Soane (from 1831 Sir John Soane) was a local architect, born in nearby Goring in 1753 and educated at William Baker's Academy in Reading. [8] After a successful early career designing country houses, on 16 October 1788 he was appointed architect and surveyor to the Bank of England. [9] In addition to his work for the Bank of England he continued to design other buildings, including in 1789 a brewery in Bridge Street, Reading, and in 1796 a house for Lancelot Austwick, who was to become Mayor of Reading in 1803. [8]
Edward Simeon (c.1755–1812 [10] ) was a Reading-born merchant, who became extremely wealthy as a City of London trader. [10] From 1792 he was a director of the Bank of England. [10] Although he lived in London, in Salvadore House on White Hart Court, [10] [upper-alpha 2] he maintained links with Reading. [10] His 1792 wedding took place there, [10] and he regularly donated clothing to the poor children of the town. [1] The Simeon family were prominent in the town; John Simeon, brother to Edward, was the Recorder of Reading and a Tory politician who had been elected MP for the town in the 1796 British general election, lost his seat in the 1802 election to the parliament of the newly created United Kingdom, and successfully regained the seat in the 1806 general election. [11] [12] John Simeon was a controversial and reactionary figure who opposed the poor being taught arithmetic or writing, [13] and following his defeat in 1802 the Simeon family had been engaged in ostentatious efforts to curry favour with the approximately 300 men who were entitled to vote in Reading's elections. [11] [14] [upper-alpha 3]
Concerned about the appearance of the Market Place and the congestion caused by traffic passing through it, Simeon wrote to Lancelot Austwick, the Mayor of Reading, on 24 January 1804:
It has very often struck me that the want of light in so great a public spot as the Market Place was productive of inconvenience which every inhabitant and neighbour must experience ... [I] request you will make known my desire of erecting at my own expense an obelisk in the centre of the Market Place protected with iron railings and spurs or curb stones to resist the heaviest shock of a waggon. The obelisk to have four lamps—to invest in the name of the M&B [upper-alpha 4] such a sum as will defray for ever the expense of lighting the same during the period when the other lamps are lighted. The erection will contribute largely to prevent the confusion which now prevails with the wagons on market days by obliging the drivers to take a regular line. The architect will be directed to present the proposed plan and carry the same into immediate effect. [1] [10]
Austwick approved Simeon's plan, and John Soane was approached to design an obelisk with the dual purpose of acting as an obstruction to prevent wagons driving across Market Place, and holding four lamps to illuminate the area. [1]
Soane's initial design was based on an unbuilt Palladian structure Soane had designed for Norwich Market, comprising a square base with Ionic columns supporting a cupola and four lamps on diagonally-set piers; [15] [16] the cupola would in turn be topped with a caduceus. [16] [upper-alpha 5] He soon rejected this shape in favour of an unconventional triangular design. [15] It is unrecorded why he made this choice; Sowan (2007) speculates that it may have been inspired by triangular Roman lamps Soane had seen on a recent visit to Pompeii, although it is more likely to be a response to the triangular shape of Market Place itself. [17] His final design was a mixture of differing architectural styles, [16] and consisted of a triangular base with each corner supporting a wrought iron lamp, surrounding a fluted three-sided Portland stone column, which in turn supported a stone cylinder topped with a bronze or copper pinecone. [18] [upper-alpha 6] In total, the structure was to be 25 feet (7.6 m) tall. [20]
In May 1804 the Borough Corporation approved Simeon and Soane's scheme, although the proposed metal pinecone was replaced with a pinecone in carved stone, [18] and by 20 July Soane was in Reading supervising construction. [18] Robert Spiller was paid £310 3/– (about £29,000 in 2023 terms [21] ) to build the structure. [18] Bricklayer J Lovegrove built the brick core of the base, James Marshall was stonemason, and Thomas Russell the blacksmith. [22] The base of the structure was adorned with a large metal plaque reading:
[23]Erected
and Lighted for ever
at the expence of
Edward Simeon Esqr.
As a mark of affection
to his Native Town
A.D.1804.
Lancelot Austwick Esqr.
Mayor.
On the remaining two sides are bronze works, one consisting of the arms of Simeon, the other showing a crowned head surrounded by four uncrowned heads. The corner columns bear carved fasces.
There was no unveiling ceremony for the monument and the date its lamps were first lit is not recorded, but the stonework was complete by the time Soane inspected it on 3 September 1804. [24] The first recorded mention of the completed monument comes in a report of a dinner hosted on 10 September 1804 by Reading's MP Charles Shaw-Lefevre, reporting that "Mr Monck was remarkably happy in his allusion to a certain newly erected monument, by observing that some gentlemen endeavoured to ingratiate themselves with the Electors by raising monuments of stone, and having their transitory names emblazoned on them in brass, but that his friend raised a more lasting monument, in the breasts and hearts of his constituents". [25] [upper-alpha 7] The monument proved immediately controversial; a letter published in the Reading Mercury on 24 September accused Simeon of attempting to "bias the heads of the Borough in his favour by setting up in the market-place a paltry gew-gaw thing without use, or name", [24] and stating that "Some denominate it an obelisk, others a pillar, but among the generality of the inhabitants it is called a p****** post", [11] referring to its use as an object to urinate on. [20] At this time the lamps were not yet in place, and it is possible that the anonymous critic (likely to have been local historian John Man [11] ) was not aware that the structure was intended as a lamp-post to illuminate the market, and thought that Simeon had erected the column as a monument to himself. [26] The triangular base of the monument has shallow recesses on each side, the railings surrounding it had not yet been installed, and as the lamps were not yet operational these recesses would have offered a degree of privacy, so it is likely that the anonymous author was correct in asserting that at that time the structure was being used as an impromptu urinal. [11]
During the planning and construction of the monument, Edward Simeon had commissioned what he described as "a variety of experiments ... to produce the most effectual and brilliant light". [13] On 17 January 1805, with the monument now in place, he wrote to George Gilbertson, the Mayor of Reading, advising that:
The preference has to be given to burners containing 2 tiers of lights, 3 above and 4 below, each burner containing 36 threads of cotton, so that the 3 lamps are to give a light equal to 27 of the town lamps – as fully explained in the contract with Mr Owen who lights the town lamps – annual charge for lighting and cleaning the lamps £22-5-6. [upper-alpha 8] I enclose the bank receipt for £1000 [upper-alpha 9] 3% – transferred to the mayor and Corporation. Ordered E. Simeon be presented with the freedom of this borough. [13]
The lamps themselves, along with their supports, were supplied by John Neville of Fleet Street in London. [22] Neville died before being fully paid for the lamps and supports, and Simeon neglected to pay his heirs. On 18 August 1809, following Neville's death, his brother threatened to attach a second plaque to the structure reading "Edward Simeon Esq, of Salvadore House Accepted from William Neville of Fleet Street £20.9s.7d [upper-alpha 10] as a small donation towards the expense of erecting his obelisk in commemoration of his name for the work and expenses attending the same performed by his late brother John Neville 416 Strand London". [27] In January 1810 Soane and Simeon each paid half of the outstanding sum to William Neville; Neville returned both cheques, requesting that Simeon donate his share of the sum to a local charity in Reading and that Soane keep his share to do with as he wished. [27]
While some welcomed the erection of the obelisk, others questioned its use and practicality, and were sceptical of Simeon's motives in funding it. [28] Some felt its design was inappropriate, and as early as September 1804 an anonymous correspondent to the Reading Mercury described it as "A spruce pedestal of Wedgwood Ware, where motley arms and tawdry emblems glare", and sarcastically referred to the monument as "the eighth wonder of the world". [25] [upper-alpha 11] John Man, describing Market Place in his 1810 A Stranger in Reading, wrote that:
Nearly in the centre is a large stone lamp post, if such it may be called, of a triangular form, to correspond, I suppose, with that of the Market-place, but of what order of architecture, I was not able to discover; some of the ornaments however are British, some Roman, and some Egyptian. The base, or pedestal, is, as you may conclude from its shape, divided into three compartments, in one of which, composed of the same kind of gingerbread work I mentioned before, are the town arms, consisting of five maidens' heads placed lozenge wise, the middle one crowned, the others ornamented with garlands of flowers; but I was informed by a great antiquary, who resides here, that this was not correct, the original arms having been five maidens' heads, veiled as nuns, and not in the meretricious dresses they are here represented; as to the middle one being crowned, he says, it was only introduced in compliment to Queen Elizabeth, who was a great benefactress to the town, and consequently might very well now be omitted. In another compartment are the arms of the founder, and in the third an inscription on a brass plate, recording the time of its erection. The three facets, or corners of the base, are ornamented with what I at first mistook for bundles of sticks or fagots, with a woodman's axe thrust into the ends of each of them; but the same learned gentleman assured me, that they were intended to represent to fasces and axes usually carried before the Roman Consuls, in token of their supreme power; if so they are certainly not appropriately introduced here, as the Corporation have only a delegated, not a supreme power; they may whip, but not behead an offender: I would therefore recommend that the axes be taken away, and the fasces left, as being all that is classically necessary to represent that degree of power the Corporation really possess. On the pedestal is raised a triangular shaft, with the facets ornamented in the Egyptian style, and surmounted at the top with something like an acorn. At each corner of the pedestal is a large lamp, for the maintenance whereof, for ever, I am told, the founder has funded a sufficient sum of money in annuities, under the management of the Corporation. It is surrounded by a handsome iron railing, and may, upon the whole, be called a pretty, rather than a correct, design for a lamp post. [29]
Although Man disliked the Simeon Monument, he was nonetheless an admirer of Soane, whom he described in the same book as "one of London's first architects ... whose numerous works, in the city [London], and other parts of the kingdom, are convincing proofs of his superior abilities, in a line which has yet to boast of very few masters". [30]
The structure was never officially named, and since its erection has been referred to as the "Simeon Monument", "Soane Monument", "Simeon Obelisk" and "Soane Obelisk" interchangeably. As it was built to illuminate the market and divert the flow of traffic, rather than to officially commemorate any person or event, it is not strictly a monument; as it is a triangular rather than a square structure, it is not technically an obelisk; it was commissioned by Simeon and designed by Soane. [1] Its listing on the National Heritage List for England describes it as the Simeon Monument, [19] as does Soane's biographer Dorothy Stroud, [31] while Adam Sowan's A Mark of Affection (2007) describes it as the "Soane Obelisk", on the grounds that "[Soane's] greater fame has no doubt saved it from demolition, and obelisk ... is what Simeon asked for". [1]
Edward Simeon died on 14 December 1812 in Highgate, "cut off prematurely with a peculiar and distressing malady". [10] He left £4715 (about £320,000 in 2023 terms [21] ) to local causes in his will. [32] The £1000 annuity at 3% which Edward Simeon had gifted in 1805 for the maintenance of the lamps proved more than was needed to keep the lighting operational following the conversion of the lamps to cheaper gas lighting in the 1840s and was unnecessary after the lamps were removed in 1911. [32] In 1883 Simeon's bequest was transferred to the Official Trustee, with the dividends continuing to be used to pay for gas to the lamps. [10] The surpluses were diverted to other local causes such as illuminating Market Place's clock. [32]
In the mid 1840s, Neville's oil lamps were replaced by cheaper gas lamps, supported by heavier brackets; [32] these in turn were replaced by tall lamp posts affixed to the ground rather than the monument itself in 1890. [33] In 1911 the lamps were shut down and replaced with baskets of flowers. [33] Although the original railings surrounding the structure had been an elaborate design of palmettes alternating with flame palmettes, [18] by 1880 these had been replaced by railings of a more austere and functional design. [34] By 1900 a cabmen's shelter had been constructed next to the monument, later used as a hut the attendants of a car park opened next to the obelisk to serve the market. [33] Underground public toilets were installed adjacent to the obelisk in 1933. [33]
In 1956 the monument was Grade II listed. [19] By this time, the structure was severely dilapidated, and described as "effectively ruined". [14] In 1965 responsibility for the monument was transferred to Reading Borough Council. [32] In 1971 the baskets of flowers hanging from the disused lamp brackets were removed, and electric light bulbs in mock gas lamps installed, [33] while in the mid-1970s the market itself was relocated across the town centre to Hosier Street, [35] near its original site prior to its relocation to Market Place in the twelfth century. [6] [upper-alpha 12] In 1981 the car park was closed, and in 1985 wheelchair-accessible toilets were erected next to the entrance to the underground toilets, clad in Portland stone to blend in with the Simeon Monument. [14] [33] By this time, the Monument was dilapidated and had survived demolition mainly through lobbying by admirers of Soane; [1] a 2003 profile of the structure in the Daily Telegraph described this "strange, tripodal stalk of limestone" as "a rather clumsy bit of masonry, revered by Soane fans, ignored by everyone else". [14]
Although Soane's designs had become unpopular in the late nineteenth and early twentieth centuries, and most of his buildings had been demolished or significantly altered, [36] following his championing by Nikolaus Pevsner from the 1950s onwards attitudes began to slowly change. [37] In 2005, following pressure from the Soane Monuments Trust, Reading Council agreed to landscape Market Place, removing the now-disused toilets and their airshaft and other structures surrounding the obelisk, and commissioning Julian Harrap to restore the monument itself. [38] Following works costing a total of approximately £60,000 (£15,000 of which was provided by the Soane Monument Trust), [upper-alpha 13] the renovated monument was unveiled on 18 December 2007. [20] By this time, the monument was the last surviving structure in Reading to have been designed by Soane. [36] [upper-alpha 14]
Nelson's Column is a monument in Trafalgar Square in the City of Westminster, Central London, built to commemorate Vice-Admiral Horatio Nelson's decisive victory at the Battle of Trafalgar over the combined French and Spanish navies, during which he lost his life. The monument was constructed between 1840 and 1843 to a design by William Railton at a cost of £47,000. It is a column of the Corinthian order built from Dartmoor granite. The statue of Nelson was carved from Craigleith sandstone by sculptor Edward Hodges Baily. The four bronze lions around its base, designed by Sir Edwin Landseer, were added in 1867.
Menmaatre Seti I was the second pharaoh of the Nineteenth Dynasty of Egypt during the New Kingdom period, ruling c.1294 or 1290 BC to 1279 BC. He was the son of Ramesses I and Sitre, and the father of Ramesses II.
Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect John Soane. It holds many drawings and architectural models of Soane's projects and a large collection of paintings, sculptures, drawings, and antiquities that he acquired over many years. The museum was established during Soane's own lifetime by a Private Act of Parliament in 1833, which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death, his house and collections would pass into the care of a board of trustees acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received an annual Grant-in-Aid from the British Government via the Department for Digital, Culture, Media and Sport.
Sir John Soane was an English architect who specialised in the Neo-Classical style. The son of a bricklayer, he rose to the top of his profession, becoming professor of architecture at the Royal Academy and an official architect to the Office of Works. He received a knighthood in 1831.
Lambeth Bridge is a road traffic and footbridge crossing the River Thames in an east–west direction in central London. The river flows north at the crossing point. Downstream, the next bridge is Westminster Bridge; upstream, the next bridge is Vauxhall Bridge.
Egyptian Revival is an architectural style that uses the motifs and imagery of ancient Egypt. It is attributed generally to the public awareness of ancient Egyptian monuments generated by Napoleon's conquest of Egypt and Admiral Nelson's defeat of the French Navy at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt. Publication of the expedition's work, the Description de l'Égypte, began in 1809 and was published as a series through 1826. The size and monumentality of the façades discovered during his adventure cemented the hold of Egyptian aesthetics on the Parisian elite. However, works of art and architecture in the Egyptian style had been made or built occasionally on the European continent and the British Isles since the time of the Renaissance.
The Macquarie Place Park, also known as the Macquarie Place Precinct, is a heritage-listed small triangular urban park located in the Sydney central business district in the City of Sydney local government area of New South Wales, Australia. The former town square and milestone and now memorial, public park and monument is situated on the corner of Bridge Street and Loftus Street. It is named in honour of Governor Lachlan Macquarie. The precinct includes The Obelisk or Macquarie Obelisk, the Sirius anchor and gun/cannon, the Statue of Thomas Sutcliffe Mort, the historic Underground Public Conveniences and the Christie Wright Memorial Fountain. The property was added to the New South Wales State Heritage Register on 5 March 2010.
George Dance the Younger RA was an English architect and surveyor as well as a portraitist.
Smeaton's Tower is a memorial to civil engineer John Smeaton, designer of the third and most notable Eddystone Lighthouse. A major step forward in lighthouse design, Smeaton's structure was in use from 1759 to 1877, until erosion of the ledge it was built upon forced new construction. The tower was largely dismantled and rebuilt on Plymouth Hoe in Plymouth, Devon, where it stands today.
Sir Robert Smirke was an English architect, one of the leaders of Greek Revival architecture, though he also used other architectural styles. As architect to the Board of Works, he designed several major public buildings, including the main block and façade of the British Museum. He was a pioneer of the use of concrete foundations.
Pitzhanger Manor is an English country house famous as the home of neoclassical architect, Sir John Soane. Built between 1800 and 1804 in Walpole Park Ealing, to the west of London), the Regency Manor is a rare and spectacular example of a building designed, built and lived in by Sir John Soane himself. Soane intended it as a domestic space to entertain guests in, as well as a family home for a dynasty of architects, starting with his sons.
Royal Victoria Park is a public park in Bath, England. It was opened in 1830 by the 11-year-old Princess Victoria, seven years before her ascension to the throne, and was the first park to carry her name. It was privately run as part of the Victorian public park movement until 1921, when it was taken over by the Bath Corporation.
The Indiana State Soldiers and Sailors Monument is a 284 ft 6 in (86.72 m) tall neoclassical monument built on Monument Circle, a circular, brick-paved street that intersects Meridian and Market streets in the center of downtown Indianapolis, Indiana. In the years since its public dedication on May 15, 1902, the monument has become an iconic symbol of Indianapolis, the state capital of Indiana. It was added to the National Register of Historic Places on February 13, 1973 and was included in an expansion of the Indiana World War Memorial Plaza National Historic Landmark District in December 2016. It is located in the Washington Street-Monument Circle Historic District. It is also the largest outdoor memorial and the largest of its kind in Indiana.
Britwell Salome is a village and civil parish in South Oxfordshire, England centred 4+1⁄2 miles (7 km) northeast of Wallingford. The 2011 Census recorded the parish's population as 204.
Walpole Park is a 28 acres (110,000 m2) Grade II municipal park, situated in Ealing. Currently governed by Ealing Council, it was initially the grounds of Pitzhanger Manor, the early 19th-century country home of Sir John Soane. It was acquired by Ealing Council in 1899 and opened to the public for the first time on 1 May 1901.
The Zebrnjak Memorial is a war memorial commemorate the Battle of Kumanovo, fought in 1912 as part of the First Balkan War. It is situated on the battlefield, close to the village of Mlado Nagoričane, near Kumanovo, North Macedonia.
Rode Hall, a Georgian country house, is the seat of the Wilbraham family, members of the landed gentry in the parish of Odd Rode, Cheshire, England. The estate, with the original timber-framed manor house, was purchased by the Wilbrahams from the ancient Rode family in 1669. The medieval manor house was replaced between 1700 and 1708 by a brick-built seven-bay building; a second building, with five bays, was built in 1752; the two buildings being joined in 1800 to form the present Rode Hall.
The Bromley War Memorial in Bromley, Greater London, England commemorates the fallen of World War I and World War II. It was designed by British sculptor Sydney March, of the March family of artists.
The North Eastern Railway War Memorial is a First World War memorial in York in northern England. It was designed by Sir Edwin Lutyens to commemorate employees of the North Eastern Railway (NER) who left to fight in the First World War and were killed while serving. The NER board voted in early 1920 to allocate £20,000 for a memorial and commissioned Lutyens. The committee for the York City War Memorial followed suit and also appointed Lutyens, but both schemes became embroiled in controversy. Concerns were raised from within the community about the effect of the NER memorial on the city walls and its impact on the proposed scheme for the city's war memorial, given that the two memorials were planned to be 100 yards apart and the city's budget was a tenth of the NER's. The controversy was resolved after Lutyens modified his plans for the NER memorial to move it away from the walls and the city opted for a revised scheme on land just outside the walls; coincidentally the land was owned by the NER, whose board donated it to the city.
Cleopatra's Needle in London is one of a pair of obelisks, together named Cleopatra's Needles, that were relocated from the ruins of the Caesareum of Alexandria in the 19th century. Inscribed by Thutmose III and later Ramesses II of the Egyptian New Kingdom, the obelisk was moved to Alexandria in 12 BC, where it remained for nearly two millennia.
Media related to Simeon Monument at Wikimedia Commons