Six-String Samurai | |
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Directed by | Lance Mungia |
Written by |
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Produced by | |
Starring |
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Cinematography | Kristian Bernier |
Edited by | James Frisa |
Music by | |
Distributed by | Palm Pictures |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
Budget | $2 million USD [1] |
Six-String Samurai is a 1998 American post-apocalyptic action comedy film directed by Lance Mungia and starring Jeffrey Falcon and Justin McGuire. Brian Tyler composed the score for this film along with Red Elvises, the latter providing the majority of the soundtrack.
The film was greeted with a great deal of excitement when shown at Slamdance in 1998, winning the Slamdance awards for best editing and cinematography, and gathering extremely favorable reviews from influential alternative, cult and indie film publications such as Fangoria , Film Threat [2] and Ain't It Cool News. It is billed as a "post-apocalyptic musical satire". [3]
In a limited theatrical release the film ran for several months in a few theaters, gaining a reputation as a minor cult film; having a budget of $2,000,000, it only made a mere $124,494 at the box offices. An intended trilogy has been discussed but not yet realized, just like the predicted launching of the career of the film's star, Jeffrey Falcon, a martial artist who had appeared in several Hong Kong action movies in the 1980s and early 1990s. While Mungia made several music videos, he did not direct another feature until the 2005 film The Crow: Wicked Prayer .
In 1957, the Soviet Union attacks the United States with nuclear weapons, rendering most of the nation uninhabitable. The American government has collapsed with the exception of the haven known as Lost Vegas, ruled by King Elvis. The Red Army has been besieging Lost Vegas, but the lack of supplies over the years has relegated them to a gang of thugs. Forty years later King Elvis dies and radio disc jockey Keith Mortimer announces a call for all musicians to come to Lost Vegas to try to become the new King of Rock 'n' Roll. The ending of His message, "Vegas needs a new King!"
Buddy, a lone guitarist and swordsman, saves an unnamed boy he simply calls "Kid" from a group of bandits; consequently, as the Kid's mother was killed by the bandits he tags along with Buddy much to the latter's annoyance. As the duo travel through the desert wasteland, the heavy metal-playing Death stages several attempts to prevent Buddy from reaching Lost Vegas alive and claim the throne for himself. After enduring an attack by a bounty-hunting bowling team, Buddy and the Kid steal a car from another musician to continue their journey. They are later attacked on the road by bandits but escape.
When their car breaks down, Buddy and the Kid attempt to borrow a wrench from a suburban family, unaware that they are cannibals. Buddy leaves the Kid with them and takes off on foot. The Kid is about to be eaten but is spared after a group of Windmill People invade the home and the family flees with Buddy and the Kid's abandoned car after revealing they had a socket wrench needed to fix it. Buddy returns to defeat the Windmill People, the two reunite and continue their journey on an abandoned motorcycle. Meanwhile, Death has been killing off all other musicians coming across his path and taking their guitar picks as trophies.
Buddy and the Kid arrive in the town of Fallout, where he leaves the Kid with some locals and enters a bar to drink and spend time with a cheerleader. Death arrives but the Kid warns Buddy in time for them to flee. Before they do Buddy is approached by a young guitarist, whom he then humiliates. Continuing their travel, Buddy is attacked by the guitarist. Buddy unintentionally kills him in self defense, and, feeling guilty, he lays his sword down and walks away, but the Kid brings it back to him, still believing in Buddy and helping regain his confidence. Eventually the two begin to bond closer. Later, after they collapse in the desert, they are ambushed by Death and his bandmates, a trio of archers. Buddy slides the Kid and his guitar to safety while he battles the archers, but when the Kid is captured by a group of underground mutants, Buddy pursues the mutants to their lair. Death decides not to follow him as there are other musicians left to kill saving Buddy for last.
Buddy manages to save the Kid, and after returning to the surface, they find their road to Vegas blocked by the Red Army. After a grueling battle, Buddy is injured with the Kid dragging him to continue. Death finally catches up to them and engages Buddy in a guitar duel clashing their styles of music against one another; Buddy, Rock 'n' Roll and Death, Heavy Metal. When Buddy proves the better guitarist, an angry Death orders his bandmates to shoot him and the Kid with their bows. Buddy shields the Kid, getting shot in the back, but rises up and battles Death in a sword fight. Death mortally wounds Buddy in the end but the Kid discovers water is Death's weakness after spitting at him. The Kid then melts Death away with his water canteen.
With his defeat, Death's bandmates are in shock that the Kid bested him. They give him a card and tell him with admiration that if he ever needs them to call them, and they take their leave. The Kid, saddened by Buddy disappearing after dying, bravely accepts to finish Buddy's journey. He puts on his clothes and glasses, and carries his sword and guitar. With Lost Vegas now in sight, the Kid has completed Buddy's dream, and the film ends with him turning into Buddy, symbolizing he's inherited His spirit as a crowd cheers him from Lost Vegas.
The Red Elvises appear as themselves. Director Lance Mungia plays one of the Archers.
The opening sequence has an intentionally distorted visual effect. The de-anamorphic visuals are a subtle "tribute" to the Chinese martial arts films (notably the films by Shaw Brothers) that often had their wide-screen opening sequences compressed to the 1.33:1 format of TV screens for VHS release.
This article possibly contains original research .(January 2019) |
Throughout the film there are homages to many major musical movements in the United States. Buddy, the main character, is a symbol of the birth of rock 'n' roll. He shares the same clothing style of Buddy Holly, especially his horn-rimmed glasses.
Death, a character resembling Slash from Guns N' Roses, kills a character representing Jerry Lee Lewis during the film. Death also dispatches a mariachi band and another musician dressed country western style. His minions also torment a traveler dressed in hip hop fashion. Buddy also has a duel with a musician (wielding a ukulele) resembling Ritchie Valens, who died in the same 1959 plane crash as the original Buddy Holly. Death also kills rock music, through the death of Buddy. However, the last scene shows the child donning Buddy's clothing, suggesting that though rock 'n' roll is dead, there is still hope for the future.
The film also has references to the Wizard of Oz , loosely imitating the 1939 movie. A little person instructs Buddy to "follow the yellow brick road". Lost Vegas, seen from the distance, looks like the Emerald City. Death is obsessed with a specific object, Buddy's guitar pick, much like the Wicked Witch trying to get Dorothy's red slippers. Finally, Death is killed when sprayed with water, as was the Wicked Witch. When Buddy dies, his body disappears, leaving only his clothes for the kid to take, again like the Wicked Witch.
Six-String Samurai: Original Motion Picture Soundtrack | ||||
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Soundtrack album by | ||||
Released | August 25, 1998 | |||
Recorded | USMP Studios | |||
Genre | ||||
Length | 62:26 | |||
Label | ||||
Producer | Brian Tyler | |||
Brian Tyler chronology | ||||
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Red Elvises chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [4] |
Six-String Samurai:Original Motion Picture Soundtrack is the original soundtrack to the film,released by Rykodisc on August 25,1998. It features the score by Brian Tyler and Red Elvises,along with select dialogue tracks from the film. The Enhanced CD release includes the film's trailer. [5]
All tracks are written by Brian Tyler, except where noted.
No. | Title | Writer(s) | Artist | Length |
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1. | "United States of Russia" | Red Elvises | 1:04 | |
2. | "Neverland" | Brian Tyler | 0:12 | |
3. | "Love Pipe" | Red Elvises | 3:17 | |
4. | "A Mother's Hand / Buddy" | Brian Tyler | 1:01 | |
5. | "Fly Away Little Butterfly" | Brian Tyler | 0:35 | |
6. | "Kill 200 Men" (Dialogue) | Lex Lang | 0:11 | |
7. | "Boogie on the Beach" | Red Elvises | 2:47 | |
8. | "I Do Not Like Rock and Roll" (Dialogue) | John Sarkisian | 0:11 | |
9. | "Hungarian Dance #5" | Johannes Brahms | Red Elvises | 3:05 |
10. | "Arrowed Kid / Bowlers on the Floor" (Dialogue) | Lex Lang | 1:07 | |
11. | "Rock N' Rolling Ourselves to Death / Jerry's Got the Squeeze Box" | Red Elvises | 2:19 | |
12. | "Lonely Highway of Love / Scorchi Chornie" | Red Elvises | 4:38 | |
13. | "My Darling Lorraine" | Red Elvises | 2:32 | |
14. | "Astro" | Brian Tyler | 1:30 | |
15. | "Follow the Yellow Brick Road / Leech" | Red Elvises | 0:43 | |
16. | "See You Around Kid / Siberia" | Red Elvises | 3:29 | |
17. | "Good Golly Miss Molly" | Red Elvises | 3:05 | |
18. | "My Love Is Killing Me" | Red Elvises | 5:47 | |
19. | "Sacred Funeral" | Brian Tyler | 1:01 | |
20. | "Relentless Sun" | Brian Tyler | 1:47 | |
21. | "Over the Hill" | Brian Tyler | 0:47 | |
22. | "Bring His Guitar to Me / Sahara Burn" | Brian Tyler | 0:55 | |
23. | "A Boy and His Spirit" | Brian Tyler | 1:00 | |
24. | "If You Were Me, You'd Be Good-Looking / Surfing in Siberia" | Red Elvises | 4:48 | |
25. | "Dragging a Fallen Hero" | Brian Tyler | 1:04 | |
26. | "Nice Tuxedo / Show Down at Not Okay Corral" | Brian Tyler | 2:11 | |
27. | "Bend Before the Ways of Heavy Metal / Dueling Guitars" | Brian Tyler | 0:58 | |
28. | "Dream March" | Brian Tyler | 1:01 | |
29. | "The Great Battle" | Brian Tyler | 2:46 | |
30. | "End of a Hero / Finale" | Brian Tyler | 2:24 | |
31. | "On My Way to Vegas" | Brian Tyler | 2:24 | |
Total length: | 62:26 |
No. | Title | Length |
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32. | "Video Trailer" |
Six-String Samurai received mixed reviews, with a 57% approval rating on Rotten Tomatoes, based on 21 reviews. [6]
Film Threat gave the film a perfect score of five stars. [7] Leonard Klady of Variety called the film "A rock 'n' roll Mad Max served up Cantonese style, this is one wildly original and highly entertaining American indie with genuine commercial appeal." [8] Peter Stack of the San Francisco Chronicle commented on his review that "If the film didn't have an underlying intelligence, it would soon be irritating -- it's too cartoonish and one-dimensional. But Falcon, an ace martial-arts practitioner, is dazzling as the nerdy main attraction, equally adept at sword fighting and guitar picking." [9] Laurie Stone of The Village Voice wrote on her review: "There's one charming sequence, with vaudeville grace and tragicomedy worthy of Beckett, but the rest of the film, even with startling visual effects and some impish humor, is repetitious and derivative, playing like an endless commercial for bullet-hole chic." [10]
Six-String Samurai was released on a non-anamorphic DVD by Palm Pictures in March 1999. Extras included the theatrical trailer and two music videos by the Red Elvises. [11]
In March 2021, it was announced that the film would be receiving its first ever HD release in a Blu-ray/Ultra HD Blu-ray combo-pack from Vinegar Syndrome. Newly created extras include commentaries with Mungia and cinematographer Kristian Bernier, as well as a brand new extended length making-of documentary directed by Mungia and Elijah Drenner. [12] [13]
In September, 1998, a single Six String Samurai comic was released from Rob Liefeld's Awesome Entertainment. Written by Liefeld and Matt Hawkins, it featured art by 'Awesome' artists Dan Fraga and John Stinsman. A continuation rather than an adaptation, the plot summary from the comic is as follows:
In this alternate universe, in 1957 the Russians took the United States by nuclear force. Only one piece of the American frontier remained free, a patch of land known as Lost Vegas. Through this desert wasteland wanders the "six string samurai," a latter-day Buddy Holly who handles a guitar or a sword with equal skill. He's a man on a collision course with destiny: It seems that King Elvis, who ruled over the land of Vegas for forty years, has finally taken his last curtain call and the throne now stands empty. But it's a rough road to the big city and the body count is likely to be high, as demonstrated in this postapocalyptic future with a beat we can dance to. [14]
Charles Hardin Holley, known as Buddy Holly, was an American singer, songwriter, and musician who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas, during the Great Depression, and learned to play guitar and sing alongside his two siblings.
The Crickets were an American rock and roll band from Lubbock, Texas, formed by singer-songwriter Buddy Holly in January 1957. Their first hit record, "That'll Be the Day", released in May 1957, peaked at number three on the Billboard Top 100 chart on September 16, 1957. The sleeve of their first album, The "Chirping" Crickets, shows the band line-up at the time: Holly on lead vocals and lead guitar, Niki Sullivan on rhythm guitar, Jerry Allison on drums, and Joe B. Mauldin on bass. The Crickets helped set the template for subsequent rock bands, such as the Beatles, with their guitar-bass-drums line-up, performing their own material. After Holly's death in 1959, the band continued to tour and record into the 1960s and beyond with other band members through to the 21st century.
This is a list of notable events in music that took place in the year 1958.
Spy Kids 3-D: Game Over is a 2003 American spy action comedy film co-produced, written, shot, edited, composed, and directed by Robert Rodriguez. It is the sequel to Spy Kids 2: The Island of Lost Dreams (2002) and the third installment in the Spy Kids film series. The film stars Antonio Banderas, Carla Gugino, Alexa Vega, Daryl Sabara, Ricardo Montalbán, Holland Taylor, Mike Judge, Cheech Marin, and Sylvester Stallone.
Rush Hour 2 is a 2001 American buddy cop action comedy film directed by Brett Ratner and written by Jeff Nathanson. A sequel to Rush Hour (1998), it is the second installment in the Rush Hour franchise and stars Jackie Chan and Chris Tucker reprising their roles from the first film. The story follows Chief Inspector Lee (Chan) and LAPD Detective James Carter (Tucker), who go to Hong Kong on vacation only to be thwarted by a murder case involving two U.S. customs agents after a bombing at the American embassy. Lee suspects that the crime is linked to the Triad crime lord Ricky Tan (Lone).
The Smithereens are an American rock band from Carteret, New Jersey. The group formed in 1980 with members Pat DiNizio, Jim Babjak, Mike Mesaros, and Dennis Diken. This original lineup continued until 2006, when Mesaros left the band and Severo Jornacion took over on bass guitar until Mesaros' return in 2016. After DiNizio died in 2017, the band continued performing live shows as a trio with various guest vocalists.
The Red Elvises are an American cult band that performs funk rock, surf, rockabilly, reggae, folk rock, disco and traditional Russian styles of music. They were founded in California in the mid-1990s and are based in Los Angeles.
Samurai Fiction is a 1998 comedy-samurai film directed by Hiroyuki Nakano. It is almost entirely black-and-white, and follows a fairly standard plotline for a comedy and jidaigeki samurai film, but the presence of Tomoyasu Hotei's rock-and-roll soundtrack separates it from the films it was inspired by, such as the works of Akira Kurosawa. A loose spinoff was released in 2001, as Red Shadow.
The Crow: Wicked Prayer is a 2005 American superhero film directed by Lance Mungia, who co-wrote the screenplay with Jeff Most and Sean Hood, based on the 2000 novel of the same name by Norman Partridge, which in turn was based on the comic book character The Crow created by James O'Barr. It is the standalone sequel to The Crow: Salvation (2000) and the fourth installment in The Crow film series. The film stars Edward Furlong, Tara Reid, David Boreanaz, Emmanuelle Chriqui, Dennis Hopper, Marcus Chong, Tito Ortiz, Rena Owen, Danny Trejo, and Macy Gray.
Brian Theodore Tyler is an American composer, conductor and arranger, best known for his film, television, and video game scores. In his 26-year career, Tyler has scored seven installments of the Fast & Furious franchise, Rambo, Eagle Eye, The Expendables trilogy, Iron Man 3, Now You See Me, Avengers: Age of Ultron alongside Danny Elfman, Crazy Rich Asians and The Super Mario Bros. Movie among others. He also composed and re-arranged the current fanfare of the Universal Pictures logo, originally composed by Jerry Goldsmith, for Universal Pictures' 100th anniversary, which debuted with The Lorax (2012), and composed the 2013–2016 Marvel Studios logo, which debuted with Thor: The Dark World (2013), which he also composed the film's score. He composed the NFL Sunday Countdown Theme for ESPN, the Formula One theme, and the anthem for the Esports World Cup. He is also behind the soundtrack of many television series including Yellowstone. For his work as a film composer, he won the IFMCA Awards 2014 Composer of the Year.
Lance Mungia is an American screenwriter and film director of the film Six String Samurai and co-writer/director of The Crow: Wicked Prayer for Dimension Films.
Sonny Curtis is an American singer and songwriter. Known for his collaborations with Buddy Holly, he was a member of the Crickets and continued with the band after Holly's death. Curtis's best known compositions include "Walk Right Back", a major hit in 1961 for the Everly Brothers; "I Fought the Law", notably covered by the Bobby Fuller Four and the Clash; and "Love is All Around," the theme song for The Mary Tyler Moore Show.
David Stuart Sardy, more commonly known as D. Sardy, is an American composer, musician, songwriter, and multiple Grammy winning record producer. He came to prominence as the leader of 1990s noise rock band Barkmarket before turning mostly to production work, often with alternative rock, hard rock, electronic related genres, and then to scoring feature films.
The Hunted is a 1995 martial arts action-thriller film written and directed by J. F. Lawton in his mainstream directorial debut, and starring Christopher Lambert, John Lone, Joan Chen, Yoshio Harada and Yoko Shimada. Lambert plays Paul Racine, an American businessman who by accident earns the wrath of a modern-day ninja clan in Japan.
Walk Hard: The Dewey Cox Story is a 2007 American musical comedy film directed by Jake Kasdan, and written by Kasdan and co-producer Judd Apatow. It stars John C. Reilly, Kristen Wiig, Tim Meadows and Jenna Fischer. A parody of the biopic genre, Walk Hard is the story of a fictional early rock and roll star played by Reilly.
"Crying, Waiting, Hoping" is a song written by Buddy Holly. It was released in 1959 as the B-side to "Peggy Sue Got Married". Three versions of Holly's recording were released: the 1959 commercial release, the 1964 reissue with different orchestration, and Holly's original, private home recording.
Joseph Sonny West was an American songwriter and musician, best known as the co-writer of two of Buddy Holly's biggest hits: "Oh, Boy!" and "Rave On".
Jeffrey Falcon is an American martial artist, actor and filmmaker. A member of the US Wushu team, Falcon began his career in Hong Kong action cinema, before returning to the Untied States to write and star in the cult classic film Six-String Samurai.
The Loved Ones is a 2009 Australian horror film written and directed by Sean Byrne in his feature directorial debut. It stars Xavier Samuel, Robin McLeavy, Victoria Thaine, Jessica McNamee, Richard Wilson, and John Brumpton. The film follows a teenage boy who finds himself at the mercy of a classmate's demented party after he declines her offer to attend the school dance.
Viva Las Vegas is an EP by American singer Elvis Presley, containing four songs from the 1964 motion picture, Viva Las Vegas. It was released by RCA Victor in May 1964 to coincide with the film's premiere. The soundtrack EP made the Billboard Hot 100 at No. 92, the lowest-charting release of Presley's career to this point. RCA had not released a Presley EP single in two years; given the format's decreasing popularity in the United States and the disappointing chart performance of Viva Las Vegas, the company would only issue two more for the remainder of Presley's career.