Song of Songs 6

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Song of Songs 6
  chapter 5
chapter 7  
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Inscription "I went down into the garden of nuts" and on tab: "Song of Solomon 6:11", "Joyous Festivals 5713" stamp - 220 mil.
Book Song of Songs
Category Ketuvim
Christian Bible part Old Testament
Order in the Christian part22

Song of Songs 6 (abbreviated as Song 6) is the sixth chapter of the Song of Songs in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] This book is one of the Five Megillot, a collection of short books, together with Book of Ruth, Lamentations, Ecclesiastes and Esther, within the Ketuvim, the third and the last part of the Hebrew Bible. [3] Jewish tradition views Solomon as the author of this book, and this attribution influences the acceptance of this book as a canonical text, although this is at present largely disputed. [3] This chapter contains a dialogue between the daughters of Jerusalem and the woman about the man, followed by the man's descriptive poem of the woman, ending with a collective call to the woman to return. [4]

Contents

Text

The original text is written in Hebrew language. This chapter is divided into 13 verses.

Textual witnesses

Some early manuscripts containing the text of this chapter in Hebrew are of the Masoretic Text, which includes the Codex Leningradensis (1008). [5] [lower-alpha 1] Some fragments containing parts of this chapter were found among the Dead Sea Scrolls: 4Q106 (4QCanta); 30 BCE-30 CE; extant verses 11(?)-12). [7] [8] [9]

There is also a translation into Koine Greek known as the Septuagint, made in the last few centuries BCE. Extant ancient manuscripts of the Septuagint version include Codex Vaticanus (B; B; 4th century), Codex Sinaiticus (S; BHK: S; 4th century), and Codex Alexandrinus (A; A; 5th century). [10]

Structure

Modern English Version (MEV) groups this chapter into:

Chorus: Inquiry for the male (6:1)

Continuing from chapter 5 the daughters of Jerusalem agree to look for the man. [4]

Verse 1

Where has your beloved gone,
O fairest among women?
Where has your beloved turned aside,
that we may seek him with you? [11]

The words in this verse are parallel to those in Song 5:9. [12]

Female: Reunites with her lover (6:2-3)

This part contains the woman's affirmation of her love, when she finds him enjoying his garden. [4]

Verse 2

My beloved is gone down into his garden, to the beds of spices, to feed in the gardens, and to gather lilies. [13]

This could be related to Ecclesiastes 2:5, 6 where Solomon says, "I planted me vineyards; I made me gardens and parks, and I planted trees in them of all kinds of fruit; I made me pools of water, to water therefrom the forest where trees were reared." [14]

Verse 3

A text from Song 6:3 in Dutch (English: "Feedeth among the lilies"), on a house in Leiden, the Netherlands. Weidend Temidden Der Lelien.JPG
A text from Song 6:3 in Dutch (English: "Feedeth among the lilies"), on a house in Leiden, the Netherlands.
I am my beloved's, and my beloved is mine: he feedeth among the lilies. [15]

In reversed order compared to Song 2:16. [16]

Male: Second descriptive poem for the female (6:4-10)

This descriptive poem by the man still belongs to a long section concerning the desire and love in the country which continues until 8:4, [17] and partly parallel to the one in chapter 4. [4] The man's waṣf and the other ones (4:1-8; 5:10-16; 7:1-9) theologically demonstrate the heart of the Song that values the body as not evil but good even worthy of praise, and respects the body with an appreciative focus (rather than lurid). [18] Hess notes that this reflects 'the fundamental value of God's creation as good and the human body as a key part of that creation, whether at the beginning (Genesis 1:26–28) or redeemed in the resurrection (1 Corinthians 15:42, 44)'. [18]

Verse 4

You are beautiful as Tirzah, my love,
comely as Jerusalem,
awesome as an army with banners! [19]

Female: Lingering in the groves (6:11-12)

The woman's voice in this part contains ambiguity in the meaning of some words, that poses difficulty in assigning it to either of the main speakers (NIV assigns this part to the man). [26]

Verse 11

French tapestry with the text of Song 6:11 in Latin (English: "I went down into the garden of nuts"). Palais du Tau, Reims, Hauteville, Aisne (17th century). En mon jardin 04226.jpg
French tapestry with the text of Song 6:11 in Latin (English: "I went down into the garden of nuts"). Palais du Tau, Reims, Hauteville, Aisne (17th century).
I went down into the garden of nuts to see the fruits of the valley, and to see whether the vine flourished and the pomegranates budded. [27]

Verse 12

Or ever I was aware, my soul made me like the chariots of Amminadib. [29]

Chorus: Call to return (6:13)

This verse does not indicate clearly who the speaker is, but there must be either multiple persons concerned in it or a quotation, because 'there is an evident interchange of question and answer'. [12]

Verse 13

[Friends of the Woman]

Return, return, O Shulammite!
Return, return, that we may look upon you.

[The Man]

Why should you look upon the Shulammite,
as upon a dance before two armies? [33]

See also

Notes

  1. Since 1947 the current text of Aleppo Codex is missing Song of Songs 3:11, after the word ציון ("Zion"), to the end. [6]
  2. Another use of rê·‘î in the Hebrew Bible is in Job 31:9. [25]

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References

  1. Halley 1965, p. 279.
  2. Holman Illustrated Bible Handbook. Holman Bible Publishers, Nashville, Tennessee. 2012.
  3. 1 2 Brenner 2007, p. 429.
  4. 1 2 3 4 Brenner 2007, p. 431.
  5. Würthwein 1995, pp. 36–37.
  6. P. W. Skehan (2003), "BIBLE (TEXTS)", New Catholic Encyclopedia , vol. 2 (2nd ed.), Gale, pp. 355–362
  7. Ulrich, Eugene, ed. (2010). The Biblical Qumran Scrolls: Transcriptions and Textual Variants. Brill. pp.  744. ISBN   9789004181830 . Retrieved May 15, 2017.
  8. Dead sea scrolls - Song of Songs.
  9. Fitzmyer, Joseph A. (2008). A Guide to the Dead Sea Scrolls and Related Literature. Grand Rapids, MI: William B. Eerdmans Publishing Company. p. 42. ISBN   9780802862419 . Retrieved February 15, 2019.
  10. Würthwein 1995, pp. 73–74.
  11. Song 6:1 MEV
  12. 1 2 3 4 Cambridge Bible for Schools and Colleges. Song of Solomon 6. Accessed April 28, 2019.
  13. Song 6:2 KJV
  14. Exell, Joseph S.; Spence-Jones, Henry Donald Maurice (Editors). On "Song of Solomon 6". In: The Pulpit Commentary . 23 volumes. First publication: 1890. Accessed April 24, 2019.
  15. Song 6:3 KJV
  16. Jamieson, Robert; Fausset, Andrew Robert; Brown, David. Jamieson, Fausset, and Brown's Commentary On the Whole Bible . "Song of Solomon 6". 1871.
  17. Hess 2005, p. 36.
  18. 1 2 Hess 2005, p. 127.
  19. Song 6:4 MEV
  20. Coogan 2007, p. 965 Hebrew Bible.
  21. Hebrew Text Analysis: Song of Solomon 6:4. Biblehub
  22. 1 2 Bergant 2001, p. 19.
  23. Strong's Concordance: 7474. rayah. Biblehub
  24. 1 2 Hebrew Text Analysis: Song of Solomon 5:16. Biblehub
  25. Englishman's Concordance: rê·‘î — 2 Occurrences. Biblehub
  26. 1 2 Longman 2001, p. 184.
  27. Song 6:11 KJV
  28. Hebrew Text Analysis: Song of Solomon 6:11. Biblehub
  29. Song 6:12 KJV
  30. Note on Song of Solomon 6:12 in NKJV
  31. Longman 2001, p. 185.
  32. Froehlich, K. "Amminadab's Chariot: The Predicament of Biblical Interpretation," Princeton Seminary Bulletin 18 (1997): 262-78, apud Longman 2001, p. 185
  33. Song 6:13 MEV or Song 7:1 in Hebrew Bible (Note [a] on Song of Solomon 6:13 in MEV)
  34. Note [b] on Song of Solomon 6:13 in MEV

Sources