Author | James Joyce |
---|---|
Cover artist | N. I. Cannon |
Language | English |
Genre | Autobiographical, Modernism |
Publisher | Jonathan Cape |
Publication date | 1944 |
Media type | Print (Hardback & Paperback) |
Followed by | A Portrait of the Artist as a Young Man |
Stephen Hero is a posthumously published autobiographical novel by Irish author James Joyce. [1] It is the early version of A Portrait of the Artist as a Young Man. Its published form reflects only a portion of the manuscript: the first 518 pages have disappeared; 383 pages remain. [2]
Work on Stephen Hero probably began in Dublin in 1903, [3] although some scholarship suggests a date between 1904 and 1906. [4] According to Derek Attridge, it was to be "a thinly disguised autobiography, stylistically undistinguished and immensely long." [3]
Joyce abandoned the work in Trieste in 1905. [3] It was left among manuscripts given to the care of his brother Stanislaus when Joyce moved to Paris, who later sent it back to him. [5] Sylvia Beach, to whom Joyce later gave the surviving pages, wrote that, "When the manuscript came back to its author, after the twentieth publisher had rejected it, he threw it in the fire, from which Mrs. Joyce, at the risk of burning her hands, rescued these pages." Biographer Herbert Gorman supported this claim which has been widely reported. [6] It has been noted that no surviving parts of the manuscript have any signs of burning. [7] This surviving portion, missing the first 518 pages, was published in 1944. Stanislaus Joyce retained a separate portion of the manuscript which include a self-contained episode that would later be developed into a scene in A Portrait of the Artist as a Young Man: This section was later rediscovered and published in 1955. Five additional pages were of this additional section later came to light in 1959 and were later reintegrated into the additional scene in 1963. [8] [9]
Joyce introduced the concept of “epiphany” in Stephen Hero to preface a discussion of Thomas Aquinas’s three criteria of beauty, wholeness, harmony, and radiance: when the object “seems to us radiant, [it] achieves its epiphany.” [10] The term isn’t used when Stephen Dedalus covers the same ground in A Portrait of the Artist as a Young Man. Editor Theodore Spencer wrote in his introduction to the published edition of the manuscript that only in Stephen Hero does Joyce explicate an esthetic theory that pervades all of his other works. [11] He points to the following passage:
Stephen as he passed on his quest heard the following fragment of colloquy out of which he received an impression keen enough to afflict his sensitiveness very severely.…This triviality made him think of collecting many such moments together in a book of epiphanies. By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself. He believed it was for the man of letters to record these epiphanies with extreme care, seeing that they themselves are the most delicate and evanescent of moments. [12]
There’s a reference to Stephen Dedalus’s collection of epiphanies in Ulysses. [13] Joyce himself recorded over seventy epiphanies, of which forty have survived. [14]
William York Tindall has suggested that in Dubliners the concept is the basis of an overall narrative strategy, "the commonplace things of Dublin [becoming] embodiments or symbols . . . of paralysis". [15] Another critic has said of A Portrait that "in at least three instances an epiphany helps Stephen decide on the future courses of this life". [16] She has also identified four distinct epiphany techniques in Joyce's work, noting their use in Ulysses, from the simplest device, such as the revelation of Gerty Macdowell's limp, to the more complex, such as the bowl symbolism in "Telemachus". Cited as an example of Joyce's major epiphany technique—quidditas produced directly—is the revelation of Molly Bloom as "female essence". [17]
Australian scholar S. L. Goldberg has argued that interior monologue in Ulysses is rooted in Joyce's epiphany technique. For Goldberg, the epiphany is "the real artistic (and dramatic) unit of Joyce's 'stream-of-consciousness' writing. What he renders dramatically are minds engaged in the apprehension of epiphanies—the elements of meaning apprehended in life." [18]
James Augustine Aloysius Joyce was an Irish novelist, poet and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.
Ulysses is a modernist novel by the Irish writer James Joyce. Partially serialized in the American journal The Little Review from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's fortieth birthday. It is considered one of the most important works of modernist literature and has been called "a demonstration and summation of the entire movement".
Leopold Bloom is the fictional protagonist and hero of James Joyce's 1922 novel Ulysses. His peregrinations and encounters in Dublin on 16 June 1904 mirror, on a more mundane and intimate scale, those of Ulysses/Odysseus in Homer's epic poem: The Odyssey.
Non serviam is Latin for "I will not serve".
A Portrait of the Artist as a Young Man is the debut novel of Irish writer James Joyce, published in 1916. A Künstlerroman written in a modernist style, it traces the religious and intellectual awakening of young Stephen Dedalus, Joyce's fictional alter ego, whose surname alludes to Daedalus, Greek mythology's consummate craftsman. Stephen questions and rebels against the Catholic and Irish conventions under which he has grown, culminating in his self-exile from Ireland to Europe. The work uses techniques that Joyce developed more fully in Ulysses (1922) and Finnegans Wake (1939).
Stephen Dedalus is James Joyce's literary alter ego, appearing as the protagonist and antihero of his first, semi-autobiographic novel of artistic existence, A Portrait of the Artist as a Young Man (1916), and as a major character in his 1922 novel Ulysses. Stephen mirrors many facets of Joyce's own life and personality. Joyce was a talented singer, for example, and in Ulysses Leopold Bloom notes the excellence of Stephen's tenor voice after hearing him sing Johannes Jeep's song "Von der Sirenen Listigkeit".
Daedalus was a figure in Greek mythology.
Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914. It presents a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century.
Molly Bloom is a fictional character in the 1922 novel Ulysses by James Joyce. The wife of main character Leopold Bloom, she roughly corresponds to Penelope in the Odyssey. The major difference between Molly and Penelope is that while Penelope is eternally faithful, Molly is not. Molly is having an affair with Hugh 'Blazes' Boylan. Molly, whose given name is Marion, was born in Gibraltar on 8 September 1870, the daughter of Major Tweedy, an Irish military officer, and Lunita Laredo, a Gibraltarian of Spanish descent. Molly and Leopold were married on 8 October 1888. She is the mother of Milly Bloom, who, at the age of 15, has left home to study photography. She is also the mother of Rudy Bloom, who died at the age of 11 days. In Dublin, Molly is an opera singer of some renown.
"The Sisters" is a short story by James Joyce, the first of a series of short stories called Dubliners. Originally published in the Irish Homestead on 13 August 1904, "The Sisters" was Joyce's first published work of fiction. Joyce later revised the story and had it, along with the rest of the series, published in book form in 1914. The story details a boy's connection with a local priest, in the context of the priest's death and reputation.
Malachi Roland St. John "Buck" Mulligan is a fictional character in James Joyce's 1922 novel Ulysses. He appears most prominently in episode 1 (Telemachus), and is the subject of the novel's famous first sentence: "Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed."
The Countess Cathleen is a verse drama by William Butler Yeats in blank verse. It was dedicated to Maud Gonne, the object of his affections for many years.
Giacomo Joyce is a posthumously-published work by Irish writer James Joyce. It was published by Faber and Faber from sixteen handwritten pages by Joyce. The text is a free-form love poem that tracks the waxing and waning of Joyce's infatuation with one of his students in Trieste.
Ulysses is a 1967 drama film based on James Joyce's 1922 novel Ulysses. It concerns the meeting of two Irishmen, Leopold Bloom and Stephen Dedalus, in 1904 Dublin.
A Portrait of the Artist as a Young Man is a 1977 film adaptation of Irish novelist James Joyce's 1916 novel of the same name, directed by Joseph Strick. It portrays the growth of consciousness of Joyce's semi-autobiographical character, Stephen Dedalus, as a boy and later as a university student in late nineteenth-century Dublin.
William York Tindall (1903–1981) was an American Joycean scholar with a long and distinguished teaching career at Columbia University. Several of Tindall's classic works of criticism, including A Reader's Guide to James Joyce and A Reader's Guide to Finnegans Wake are still in print. He wrote a total of thirteen books on UK and Irish writers including Joyce, Dylan Thomas, W. B. Yeats, and Samuel Beckett. Indeed, Tindall nominated Beckett for the Nobel Prize in Literature; Beckett was the 1969 laureate.
Epiphany in literature refers generally to a visionary moment when a character has a sudden insight or realization that changes their understanding of themselves or their comprehension of the world. The term has a more specialized sense as a literary device distinct to modernist fiction. Author James Joyce first borrowed the religious term "Epiphany" and adopted it into a profane literary context in Stephen Hero (1904–1906), an early version of A Portrait of the Artist as a Young Man. In that manuscript, Stephen Daedalus defines epiphany as "a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself." Stephen's epiphanies are moments of heightened poetic perception in the trivial aspects of everyday Dublin life, non-religious and non-mystical in nature. They become the basis of Stephen's theory of aesthetic perception as well as his writing. In similar terms, Joyce experimented with epiphany throughout his career, from the short stories he wrote between 1898 and 1904 which were central to his early work, to his late novel Finnegans Wake (1939). Scholars used Joyce's term to describe a common feature of the modernist novel, with authors as varied as Virginia Woolf, Marcel Proust, Ezra Pound, and Katherine Mansfield all featuring these sudden moments of vision as an aspect of the contemporary mind. Joycean or modernist epiphany has its roots in nineteenth-century lyric poetry, especially the Wordsworthian "spots of time," as well as the sudden spiritual insights that formed the basis of traditional spiritual autobiography. Philosopher Charles Taylor explains the rise of epiphany in modernist art as a reaction against the rise of a "commercial-industrial-capitalist society" during the early twentieth century.
John Stephen Conmee SJ was an Irish Jesuit educator. He was born in County Roscommon into a wealthy farming family and was educated at Castleknock College and Clongowes Wood College. He influenced his student James Joyce and became a character in Joyce's novels A Portrait of the Artist as a Young Man and Ulysses. He was a rector of Clongowes Wood College, County Kildare and prefect of studies at Belvedere College.
John Jermain Slocum (1914–1997) was an American diplomat, book collector, literary agent, and scholar. He spent most of his career in the Inspection Corps of the United States Information Agency. As a bibliophile and philanthropist, he influenced two major US archives and contributed to scholarship on James Joyce.