Horus, also known as Heru or Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as god of kingship, healing, protection, the sun and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Greco-Buddhist art or Gandhara art is the artistic manifestation of Greco-Buddhism, a cultural syncretism between Ancient Greek art and Buddhism. It had mainly evolved in the ancient region of Gandhara, located in the northwestern fringe of the Indian subcontinent.
The Indo-Greek Kingdom, or Graeco-Indian Kingdom, also known historically as the Yavana Kingdom (Yavanarajya), was a Hellenistic-era Greek kingdom covering various parts of modern-day Afghanistan, Pakistan and northwestern India. This kingdom was in existence from c. 200 BC to the beginning of the common era.
The Indo-Parthian Kingdom was a Parthian kingdom founded by Gondophares, and active from 19 CE to c. 226 CE. At their zenith, they ruled an area covering parts of eastern Iran, various parts of Afghanistan and the northwest regions of the Indian subcontinent. The rulers may have been members of the House of Suren, and the kingdom has even been called the "Suren Kingdom" by some authors.
Indo-Scythians were a group of nomadic Iranian peoples of Scythian origin who migrated from Central Asia southward into modern day Afghanistan, Pakistan and Northwestern India from the middle of the 2nd century BCE to the 4th century CE.
Sirkap is the name of an archaeological site on the bank opposite to the city of Taxila, Punjab, Pakistan.
The Guimet Museum is an art museum located at 6, place d'Iéna in the 16th arrondissement of Paris, France. Literally translated into English, its full name is the National Museum of Asian Arts-Guimet, or Guimet National Museum of Asian Arts.
Serapis or Sarapis is a Graeco-Egyptian God. The cult of Serapis was created during the third century BC on the orders of Greek Pharaoh Ptolemy I Soter of the Ptolemaic Kingdom in Egypt as a means to unify the Greeks and Egyptians in his realm.
The History of the Indo-Greek Kingdom covers a period from the 2nd century BCE to the beginning of the 1st century CE in northern and northwestern India. There were over 30 Indo-Greek kings, often in competition on different territories. Many of them are only known through their coins.
Indo-Corinthian capitals are capitals crowning columns or pilasters, which can be found in the northwestern Indian subcontinent, and usually combine Hellenistic and Indian elements. These capitals are typically dated to the first centuries of the Common Era, and constitute an important aspect of Greco-Buddhist art.
The Chakhil-i-Ghoundi Stupa, also code-named "Stupa C1", is a small limestone stupa from the Chakhil-i-Ghoundi monastery, at the archeological site of Hadda in eastern Afghanistan. Most of the remains of the stupa were gathered in 1928 by the archeological mission of Frenchman Jules Barthoux of the French Archaeological Delegation in Afghanistan, and have been preserved and reconstituted through a collaboration with the Tokyo National Museum. They are today on display at the Musée Guimet in Paris. It is usually dated to the 2nd-3rd century CE.
The Ancient Orient Museum is a small private museum in Tokyo, Japan, specializing in artifacts of the ancient Near East and Central Asia. It has a collection of Greco-Buddhist art of Gandhara, and several works of art pertaining to the art of Palmyra and Persia.
Cosmetic palettes are archaeological artifacts, originally used in predynastic Egypt to grind and apply ingredients for facial or body cosmetics. The decorative palettes of the late 4th millennium BCE appear to have lost this function and became commemorative, ornamental, and possibly ceremonial. They were made almost exclusively out of siltstone with a few exceptions. The siltstone originated from quarries in the Wadi Hammamat.
The Indo-Greeks practiced numerous religions during the time they ruled in present-day northwestern India from the 2nd century BCE to the beginning of the 1st century CE. In addition to the worship of the Classical pantheon of the Greek deities found on their coins, the Indo-Greeks were involved with local faiths, particularly with Buddhism, but also with Hinduism and Zoroastrianism.
Indo-Greek art is the art of the Indo-Greeks, who reigned from circa 200 BCE in areas of Bactria and the Indian subcontinent. Initially, between 200 and 145 BCE, they remained in control of Bactria while occupying areas of Indian subcontinent, until Bactria was lost to invading nomads. After 145 BCE, Indo-Greek kings ruled exclusively in parts of ancient India, especially in Gandhara, in what is now present-day the northwestern Pakistan. The Indo-Greeks had a rich Hellenistic heritage and artistic proficiency as seen with the remains of the city of Ai-Khanoum, which was founded as a Greco-Bactrian city. In modern-day Pakistan, several Indo-Greeks cities are known such as Sirkap near Taxila, Barikot, and Sagala where some Indo-Greek artistic remains have been found, such as stone palettes. Some Buddhist cultural objects related to the Indo-Greeks are known, such as the Shinkot casket.By far the most important Indo-Greek remains found are numerous coins of the Indo-Greek kings, considered as some of the most artistically brilliant of Antiquity. Most of the works of art of the Greco-Buddhist art of Gandhara are usually attributed to the direct successors of the Indo-Greeks in Ancient India in the 1st century CE, such as the nomadic Indo-Scythians, the Indo-Parthians and, in an already decadent state, the Kushans. Many Gandharan works of art cannot be dated exactly, leaving the exact chronology open to interpretation. With the realization that the Indo-Greeks ruled in India until at least 10-20 CE with the reign of Strato II in the Punjab, the possibility of a direct connection between the Indo-Greeks and Greco-Buddhist art has been reaffirmed recently.
The sources used to reconstruct the history of the Indo-Greeks are few and disparate, leading to much uncertainty about the precise state of the Indo-Greek kingdom and its chronology. Sources related to the Indo-Greeks can be classified into various categories: ancient literary sources from both the West and the Indian world, archaeological sources from the general area of present day Pakistan, Kashmir and North Indian states of Punjab, Haryana, Himachal Pradesh, Uttar Pradesh & Bihar, and numismatical sources, which are abundant and well-preserved but often rather cryptic.
Jandial near the city of Taxila in Pakistan is the site of an ancient temple well known for its Ionic columns. The temple is located 630 meters north of the northern gate of Sirkap. The Temple was excavated in 1912–1913 by the Archaeological Survey of India under John Marshall. It has been called the most Hellenic structure yet found on Pakistani soil.
Hellenistic influence on Indian art and architecture reflects the artistic and architectural influence of the Greeks on Indian art following the conquests of Alexander the Great, from the end of the 4th century BCE to the first centuries of the common era. The Greeks in effect maintained a political presence at the doorstep, and sometimes within India, down to the 1st century CE with the Greco-Bactrian Kingdom and the Indo-Greek Kingdoms, with many noticeable influences on the arts of the Maurya Empire especially. Hellenistic influence on Indian art was also felt for several more centuries during the period of Greco-Buddhist art.
Gandhāran Buddhism refers to the Buddhist culture of ancient Gandhāra which was a major center of Buddhism in the northwestern Indian subcontinent from the 3rd century BCE to approximately 1200 CE. Ancient Gandhāra corresponds to modern day north Pakistan, mainly the Peshawar valley and Potohar plateau as well as Afghanistan's Jalalabad. The region has yielded the Gandhāran Buddhist texts written in Gāndhārī Prakrit the oldest Buddhist manuscripts yet discovered. Gandhāra was also home to a unique Buddhist artistic and architectural culture which blended elements from Indian, Hellenistic, Roman and Parthian art. Buddhist Gandhāra was also influential as the gateway through which Buddhism spread to Central Asia and China.
Indo-Scythian art developed under the various dynasties of Indo-Scythian rulers in northwestern India, from the 1st century BCE to the early 5th century CE, encompassing the productions of the early Indo-Scythians, the Northern Satraps and the Western Satraps. It follows the development of Indo-Greek art in northwestern India. The Scythians in India were ultimately replaced by the Kushan Empire and the Gupta Empire, whose art form appear in Kushan art and Gupta art.
