Students for Free Culture

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Students for Free Culture
Website freeculture.org

Students for Free Culture, formerly known as FreeCulture.org, is an international student organization working to promote free culture ideals, such as cultural participation and access to information. It was inspired by the work of former Stanford, now Harvard, law professor Lawrence Lessig, who wrote the book Free Culture , and it frequently collaborates with other prominent free culture NGOs, including Creative Commons, the Electronic Frontier Foundation, and Public Knowledge. Students for Free Culture has over 30 chapters on college campuses around the world, [1] and a history of grassroots activism.

Contents

Students for Free Culture is sometimes referred to as "FreeCulture", "the Free Culture Movement", and other variations on the "free culture" theme, but none of those are its official name. It is officially Students for Free Culture, as set for in the new bylaws that were ratified by its chapters on October 1, 2007, which changed its name from FreeCulture.org to Students for Free Culture. [2]

Goals

Students for Free Culture has stated its goals in a "manifesto":

The mission of the Free Culture movement is to build a bottom-up, participatory structure to society and culture, rather than a top-down, closed, proprietary structure. Through the democratizing power of digital technology and the Internet, we can place the tools of creation and distribution, communication and collaboration, teaching and learning into the hands of the common person -- and with a truly active, connected, informed citizenry, injustice and oppression will slowly but surely vanish from the earth. [3]

It has yet to publish a more "official" mission statement, but some of its goals are[ citation needed ]:

Purpose

According to its website, [4] Students for Free Culture has four main functions within the free culture movement:

History

Initial stirrings at Swarthmore College

Students for Free Culture had its origins in the Swarthmore Coalition for the Digital Commons (SCDC), a student group at Swarthmore College. The SCDC was founded in 2003 by students Luke Smith and Nelson Pavlosky, and was originally focused on issues related to free software, digital restrictions management, and treacherous computing, inspired largely by the Free Software Foundation. [5] After watching Lawrence Lessig's OSCON 2002 speech entitled "free culture" [6] however, they expanded the club's scope to cover cultural participation in general (rather than just in the world of software and computers), and began tackling issues such as copyright reform. In September 2004, SCDC was renamed Free Culture Swarthmore, laying the groundwork for Students for Free Culture and making it the first existing chapter.

OPG v. Diebold case

Within a couple of months of founding the SCDC, Smith and Pavlosky became embroiled in the controversy surrounding Diebold Election Systems (now Premier Election Solutions), a voting machine manufacturer accused of making bug-ridden and insecure electronic voting machines. The SCDC had been concerned about electronic voting machines using proprietary software rather than open source software, and kept an eye on the situation. Their alarm grew when a copy of Diebold's internal e-mail archives leaked onto the Internet, revealing questionable practices at Diebold and possible flaws with Diebold's machines, and they were spurred into action when Diebold began sending legal threats to voting activists who posted the e-mails on their websites. Diebold was claiming that the e-mails were their copyrighted material, and that anyone who posted these e-mails online was infringing upon their intellectual property. The SCDC posted the e-mail archive on its website and prepared for the inevitable legal threats.

Diebold sent takedown notices under the DMCA to the SCDC's ISP, Swarthmore College. Swarthmore took down the SCDC website, and the SCDC co-founders sought legal representation. [7] They contacted the Electronic Frontier Foundation for help, and discovered that they had an opportunity to sign on to an existing lawsuit against Diebold, OPG v. Diebold, with co-plaintiffs from a non-profit ISP called the Online Policy Group who had also received legal threats from Diebold. With pro bono legal representation from EFF and the Stanford Cyberlaw Clinic, they sued Diebold for abusing copyright law to suppress freedom of speech online. After a year of legal battles, the judge ruled that posting the e-mails online was a fair use, and that Diebold had violated the DMCA by misrepresenting their copyright claims over the e-mails.

The network of contacts that Smith and Pavlosky built during the lawsuit, including dozens of students around the country who had also hosted the Diebold memos on their websites, gave them momentum they needed to found an international student movement based on the same free culture principles as the SCDC. They purchased the domain name Freeculture.org and began building a website, while contacting student activists at other schools who could help them start the organization.

FreeCulture.org launching at Swarthmore

On April 23, 2004, Smith and Pavlosky announced the official launch of FreeCulture.org, [8] in an event at Swarthmore College featuring Lawrence Lessig as the keynote speaker [9] [10] (Lessig had released his book Free Culture less than a month beforehand.) The SCDC became the first Freeculture.org chapter (beginning the process of changing its name to Free Culture Swarthmore), and students from other schools in the area who attended the launch went on to found chapters on their campuses, including Bryn Mawr College and Franklin and Marshall. [11]

Internet campaigns

FreeCulture.org began by launching a number of internet campaigns, in an attempt to raise its profile and bring itself to the attention of college students. These have covered issues ranging from defending artistic freedom (Barbie in a Blender) to fighting the Induce Act (Save The iPod), from celebrating Creative Commons licenses and the public domain (Undead Art) to opposing business method patents (Cereal Solidarity). While these one-shot websites succeeded in attracting attention from the press and encouraged students to get involved, they didn't directly help the local chapters, and the organization now concentrates less on web campaigns than it did in the past. However, their recent Down With DRM video contest was a successful "viral video" campaign against DRM, and internet campaigns remain an important tool in free culture activism.

Increased emphasis on local chapters

Today[ when? ] the organization focuses on providing services to its local campus chapters, including web services such as mailing lists and wikis, pamphlets and materials for tabling, and organizing conferences where chapter members can meet up. Active chapters are located at schools such as New York University (NYU), Harvard, MIT, Fordham Law, Dartmouth, University of Florida, Swarthmore, USC, Emory, and Yale.[ citation needed ]

The NYU chapter made headlines when it began protesting outside of record stores against DRM on CDs during the Sony rootkit scandal, [12] resulting in similar protests around New York and Philadelphia. [13]

In 2008, the MIT chapter developed and released YouTomb, a website to track videos removed by DMCA takedown from YouTube. [14]

Other activities at local chapters include:

Structure

Students for Free Culture began as a loose confederation of student groups on different campuses, but it has been moving towards becoming an official tax-exempt non-profit.

With the passage of official bylaws, Students for Free Culture now has a clear governance structure which makes it accountable to its chapters. The supreme decision-making body is the Board of Directors, which is elected once a year by the chapters, using a Schulze method for voting. It is meant to make long-term, high-level decisions, and should not meddle excessively in lower-level decisions. Practical everyday decisions will be made by the Core team, composed of any students who are members of chapters and meet the attendance requirements. Really low-level decisions and minutiae will be handled by a coordinator, who ideally will be a paid employee of the organization, and other volunteers and assistants. A new board of directors was elected in February 2008, [24] and a new Core Team was assembled shortly thereafter. There is no coordinator yet.[ when? ]

Related Research Articles

Creative Commons (CC) is an American non-profit organization and international network devoted to educational access and expanding the range of creative works available for others to build upon legally and to share. The organization has released several copyright licenses, known as Creative Commons licenses, free of charge to the public. These licenses allow authors of creative works to communicate which rights they reserve and which rights they waive for the benefit of recipients or other creators. An easy-to-understand one-page explanation of rights, with associated visual symbols, explains the specifics of each Creative Commons license. Content owners still maintain their copyright, but Creative Commons licenses give standard releases that replace the individual negotiations for specific rights between copyright owner (licensor) and licensee, that are necessary under an "all rights reserved" copyright management.

<span class="mw-page-title-main">Lawrence Lessig</span> American legal scholar and activist (born 1961)

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<span class="mw-page-title-main">Criticism of copyright</span> Dissenting views of copyright law

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<span class="mw-page-title-main">Edward Felten</span> American computer scientist (born 1963)

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<i>Free Culture</i> (book) Book by Lawrence Lessig

Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity is a 2004 book by law professor Lawrence Lessig that was released on the Internet under the Creative Commons Attribution/Non-commercial license on March 25, 2004.

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<span class="mw-page-title-main">Remix culture</span> Society that allows and encourages derivative works

Remix culture, also known as read-write culture, is a term describing a culture that allows and encourages the creation of derivative works by combining or editing existing materials. Remix cultures are permissive of efforts to improve upon, change, integrate, or otherwise remix the work of other creators. While combining elements has always been a common practice of artists of all domains throughout human history, the growth of exclusive copyright restrictions in the last several decades limits this practice more and more by the legal chilling effect. In reaction, Harvard law professor Lawrence Lessig, who considers remixing a desirable concept for human creativity, has worked since the early 2000s on a transfer of the remixing concept into the digital age. Lessig founded the Creative Commons in 2001, which released a variety of licenses as tools to promote remix culture, as remixing is legally hindered by the default exclusive copyright regime applied currently on intellectual property. The remix culture for cultural works is related to and inspired by the earlier Free and open-source software for software movement, which encourages the reuse and remixing of software works.

<span class="mw-page-title-main">Free Beer</span> Open source beer

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<span class="mw-page-title-main">Free-culture movement</span> Social movement promoting the freedom to distribute and modify the creative works of others

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<i>Online Policy Group v. Diebold, Inc.</i>

Online Policy Group v. Diebold, Inc., 337 F. Supp. 2d 1195, was a lawsuit involving an archive of Diebold's internal company e-mails and Diebold's contested copyright claims over them. The Electronic Frontier Foundation and the Stanford Cyberlaw Clinic provided pro bono legal support for the non-profit ISP and the Swarthmore College students, respectively.

<span class="mw-page-title-main">FAIR USE Act</span>

The "Freedom and Innovation Revitalizing United States Entrepreneurship Act of 2007" was a proposed United States copyright law that would have amended Title 17 of the U.S. Code, including portions of the Digital Millennium Copyright Act (DMCA) to "promote innovation, to encourage the introduction of new technology, to enhance library preservation efforts, and to protect the fair use rights of consumers, and for other purposes." The bill would prevent courts from holding companies financially liable for copyright infringement stemming from the use of their hardware or software, and proposes six permanent circumvention exemptions to the DMCA.

<span class="mw-page-title-main">Online Copyright Infringement Liability Limitation Act</span> 1998 U.S. federal law

The Online Copyright Infringement Liability Limitation Act (OCILLA) is United States federal law that creates a conditional 'safe harbor' for online service providers (OSP), a group which includes Internet service providers (ISP) and other Internet intermediaries, by shielding them for their own acts of direct copyright infringement as well as shielding them from potential secondary liability for the infringing acts of others. OCILLA was passed as a part of the 1998 Digital Millennium Copyright Act (DMCA) and is sometimes referred to as the "Safe Harbor" provision or as "DMCA 512" because it added Section 512 to Title 17 of the United States Code. By exempting Internet intermediaries from copyright infringement liability provided they follow certain rules, OCILLA attempts to strike a balance between the competing interests of copyright owners and digital users.

Digital rights management (DRM) is the management of legal access to digital content. Various tools or technological protection measures (TPM) like access control technologies, can restrict the use of proprietary hardware and copyrighted works. DRM technologies govern the use, modification and distribution of copyrighted works and of systems that enforce these policies within devices. DRM technologies include licensing agreements and encryption.

<span class="mw-page-title-main">GNU Free Documentation License</span> Copyleft license primarily for free software documentation

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The Electronic Frontier Foundation (EFF) is an international non-profit advocacy and legal organization based in the United States.

<i>Remix</i> (book) 2008 book by Lawrence Lessig

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<span class="mw-page-title-main">Digital Millennium Copyright Act</span> United States copyright law

The Digital Millennium Copyright Act (DMCA) is a 1998 United States copyright law that implements two 1996 treaties of the World Intellectual Property Organization (WIPO). It criminalizes production and dissemination of technology, devices, or services intended to circumvent measures that control access to copyrighted works. It also criminalizes the act of circumventing an access control, whether or not there is actual infringement of copyright itself. In addition, the DMCA heightens the penalties for copyright infringement on the Internet. Passed on October 12, 1998, by a unanimous vote in the United States Senate and signed into law by President Bill Clinton on October 28, 1998, the DMCA amended Title 17 of the United States Code to extend the reach of copyright, while limiting the liability of the providers of online services for copyright infringement by their users.

YouTomb was a website built to track videos removed by popular American video-sharing website YouTube. The site operated a searchable database of recent video removals on YouTube. It tracked not only DMCA takedowns but also terms of use violations and user removals. Those videos removed due to DMCA takedowns were sortable by alleged copyright holder. The database was generated by software that repeatedly scanned YouTube for unavailable videos. The site was operated by the MIT chapter of Students for Free Culture and its source code is licensed under the GNU Affero General Public License. Although it only tracked YouTube, a future goal was to cover more video websites on YouTomb.

<i>Amaretto Ranch Breedables, LLC v. Ozimals, Inc.</i>

Amaretto Ranch Breedables, LLC v. Ozimals, Inc. was a copyright case in the United States District Court for the Northern District of California involving a DMCA takedown notice dispute between companies that produce virtual animals on Second Life. Ozimals filed a DMCA takedown notice to Linden Research, the makers of Second life, claiming that Amaretto's horse infringed on their bunnies and demanding their removal. Consequently, Amaretto responded with a counter-DMCA notice and applied to the court for a temporary restraining order to forbid Linden Research from removing their virtual horses. This was granted and held in effect as the case proceeded. Amaretto claimed in court that Ozimal's DMCA notice was copyright misuse and asked for a declaration that its horses did not infringe copyright. Ozimals counterclaimed for copyright infringement. The court eventually dismissed both claims.

youtube-dl is a free and open source download manager for video and audio from YouTube and over 1,000 other video hosting websites. It is released under the Unlicense software license.

References

  1. FreeCulture.org Archived September 5, 2006, at the Wayback Machine , Students for Free Culture chapters
  2. FreeCulture.org Archived October 12, 2007, at the Wayback Machine , Students for Free Culture's new bylaws
  3. FreeCulture.org Archived September 18, 2008, at the Library of Congress Web Archives, Free Culture manifesto
  4. FreeCulture.org Archived November 28, 2011, at the Wayback Machine , About Students for Free Culture
  5. SwarthMore.edu, "New group to fight RIAA, Microsoft" from the Swarthmore Phoenix,
  6. Lessig, Lawrence. "FreeCulture.org crosses 13 - Lessig" . Retrieved June 25, 2016.
  7. "File Sharing Pits Copyright Against Free Speech". The New York Times. November 3, 2003. Retrieved June 25, 2016.
  8. FreeCulture.org Archived March 12, 2007, at the Wayback Machine , Students for Free Culture blog: Official Launch
  9. Nelson Pavlosky (January 1, 2004). "Lessig speaks at Swarthmore" . Retrieved June 25, 2016 via Internet Archive.
  10. LegalAffairs.org, Legal Affairs article on the launch
  11. Wired.com, Wired News - "Students Fight Copyright Hoarders"
  12. "USATODAY.com - Firestorm rages over lockdown on digital music". USA Today . Retrieved June 25, 2016.
  13. "Copy Cats", PhiladelphiaWeekly.com
  14. Guo, Jeff. "YouTomb Takes Stock of YouTube Takedowns" . Retrieved September 9, 2008.
  15. FreeCultureNYU.org, NYU's CC art show
  16. SharingIsDaring.org, "Sharing is Daring" CC art show at Harvard
  17. FreeCulture.org Archived September 3, 2006, at the Wayback Machine , Santa Cruz "face to face peer to peer" flashmob
  18. FreeCultureNYU.org, NYU's Film Remix 2006
  19. BoingBoing.net Archived May 17, 2011, at the Wayback Machine , USC FC NOTLD speed remix contest
  20. Business.NewsForge.com, Newsforge - Liberating iPods in Cambridge
  21. "銀座カラー横浜エスト店|お得なキャンペーンで脱毛リリース!" . Retrieved June 25, 2016.
  22. ThePhoenix.com, Boston Phoenix, Antenna Alliance Offers Free Studio Time
  23. FreeCulture.org, FreeCulture Taking Action on Open Access
  24. FreeCulture.org Archived February 27, 2008, at the Wayback Machine , Spring 2008 Board Election results