Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763. [1]
Symphony No. 14 is scored for 2 oboes, bassoon, 2 horns, strings and continuo. As was becoming more common for Haydn, this symphony has four movements:
The Andante was originally the finale of an early divertimento "Der Geburtstag" (en. "Birthday"), Hob. II/11. [2] The variations of the divertimento are reworked into sonata form for the symphony.
The trio of the Minuet features an oboe solo accompanied by violins and cello. [2]
The finale is highly contrapuntal [2] and is based on a descending scale. [3]
Symphony No. 39 is a symphony in G minor by Franz Joseph Haydn in 1765, at the age of 33 under the beneficence of Prince Nikolaus Esterházy. It is the earliest of Haydn's minor key symphonies associated with his Sturm und Drang period works. The work was influential and inspired later G minor symphonies by Johann Christian Bach and Wolfgang Amadeus Mozart.
Symphony No. 81 in G major is a symphony by Joseph Haydn composed in 1784 as part of a trio of symphonies that also included symphonies 79 and 80.These three symphonies were specially written for performance in March 1785.
Symphony No. 77 in B♭ major, Hoboken I/77, is a symphony by Joseph Haydn completed in 1782.
The Symphony No. 72 in D major is a symphony by Joseph Haydn. The symphony was probably composed between 1763 and 1765. The date of this composition is earlier than its number suggests. This work is not well chronologically placed in the Hoboken numbering system: it was composed fifteen to twenty years before the neighboring works.
Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."
Symphony No. 65 in A major, Hoboken I/65, is a symphony by Joseph Haydn which was composed by 1778.
The Symphony No. 52 in C minor is one of the last Sturm und Drang symphonies composed by the Austrian composer Joseph Haydn while the composer was in residence at Esterházy in 1771 or 1772.
Symphony No. 58 in F major, Hoboken I/58, is a symphony by Joseph Haydn, composed probably around 1767 but certainly not after 1774, after which time the traits of this symphony were outmoded. It is scored for two oboes, two horns and strings.
The Symphony No. 56 in C major, Hoboken I/56, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns, 2 trumpets, timpani and strings. It is in four movements:
The Symphony No. 55 in E♭ major, Hoboken I/55, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns and strings. It is in four movements:
The Symphony No. 48 in C major, Hoboken I/48, is a symphony by Joseph Haydn written in 1768 or 1769. The work has the nickname Maria Theresia as it was long thought to have been composed for a visit by the Holy Roman Empress, Maria Theresa of Austria in 1773. An earlier copy dated 1769 was later found, but the nickname has stuck. The symphony composed for the empress's visit was most likely No. 50.
The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765, at the age of 33. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement.
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
The Symphony No. 7 in C major, Hoboken I/7, is a symphony by Joseph Haydn, sometimes called "Le midi", meaning "The Noon."
Joseph Haydn's Symphony No. 27 in G major was probably written before March 19, 1761, while he was employed by Count Morzin. Its chronological position was assigned by Eusebius Mandyczewski in 1907. Although later adopted by Hoboken, Robbins Landon has subsequently revised the work's likely chronological position and now believes that the symphony is one of Haydn's earliest, written at roughly the same time as symphonies nos. 15–18. Haydn himself may have labeled the symphony his 16th, although this remains unclear.
Joseph Haydn's Symphony No. 2 in C major, Hoboken I/2, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been written between 1760 and 1762.
Joseph Haydn's Symphony No. 4 in D major, Hoboken I/4, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 11 in E♭ major is a symphony which may have been written as early as 1760 but no later than 1762, meaning that it was written for either the orchestra of the salubrious Count Morzin or the noble Paul II Anton, Prince Esterházy's palace in Eisenstadt.
The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is conspicuously uncertain. The Breitkopf catalogue entry assures that it was composed no later than March 1766, the date of the Esterhazy orchestra moving to Esterhaza, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been also suggested but not proven.