C major is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the twelve London symphonies written by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed, and by Friedrich Witt for the Jena Symphony.
The Symphony No. 91 in E♭ major, Hoboken I/91, was written by Joseph Haydn. It was completed in 1788 as part of a three-symphony commission from Count d'Ogny for the Concert de la Loge Olympique, a successor to Haydn's series of "Paris symphonies". It is occasionally referred to as The Letter T referring to an older method of cataloguing Haydn's symphonic output.This triptych also includes Haydn's own Symphony No. 90 and Symphony No. 92.
Symphony No. 90 in C major, Hoboken I/90, was written by Joseph Haydn in 1788 as part of a three-symphony commission by Count d'Ogny for the Concert de la Loge Olympique. It is occasionally referred to as The Letter R – referring to an older method of cataloguing Haydn's symphonic output. This triptych also includes Haydn's own Symphony No. 91 and Symphony No. 92.
The Symphony No. 6 in D major is an early symphony written in 1761 by Joseph Haydn and the first written after Haydn had joined the Esterházy court. It is the first of three that are characterised by unusual virtuoso writing across the orchestral ensemble. It is popularly known as Le matin (Morning).
Joseph Haydn's Symphony No. 46 in B major, Hoboken I/46, was composed in 1772, during his Sturm und Drang period.
The Symphony No. 80 in D minor, Hoboken 1/80, is a symphony composed by Joseph Haydn in 1784 as part of a trio of symphonies that also included symphonies 79 and 81. This symphony, along with the one that follows it, and the one that precedes it, were not written for Prince Nikolaus, but for a Lenten concert performed in Vienna in March 1785. It is one of the relatively few later symphonies by Haydn to begin in the minor mode. Symphony No 80 is highly structured with both outer movements in sonata form. There is a common modulation pattern seen in all four movements.
Haydn's Symphony No. 79 in F major, was composed in 1784. The symphony is characterized by a strong and joyful opening theme, as well as varied rhythms throughout all four movements, especially in the minuet. The wind section alternates throughout the symphony between doubling the string section and playing independently. Of particular note are a number of long rests, which are characteristic of Haydn.
Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."
The Symphony No. 41 in C major, Hoboken I/41, is a festive symphony by Joseph Haydn. The symphony was composed by 1769. It is scored for flute, two oboes, bassoon, two horns, two trumpets, timpani and strings.
The Symphony No. 38 in C major, Hoboken I/38, is an early and festive symphony by Joseph Haydn. The symphony was composed some time between 1765 and 1769. Because of the virtuosic oboe parts in the final two movements, it has been suggested that the work's composition may have coincided with the employ of the oboist Vittorino Colombazzo in the fall of 1768. The symphony is popularly called the Echo Symphony, a nickname that, like all other named Haydn symphonies, did not originate with the composer.
The Symphony No. 37 in C major, Hob. I/37, is a symphony by Franz Joseph Haydn. The numbering is completely misleading, as it is clearly one of Haydn's earliest symphonies. A copy of the score found at Český Krumlov, Czech Republic, is dated 1758. It can be presumed it was written for the orchestra of Count Morzin, in which Haydn was employed until February 1761.
The Symphony No. 32 in C major is a festive symphony by Joseph Haydn. The exact date of composition is unknown. It has been suggested by noted Haydn scholar H.C. Robbins Landon that it could have been written as early as 1757 and as late as 1763. More recent scholars have suggested it was composed in either 1760 or 1761
The Symphony No. 33 in C major is a festive symphony by Joseph Haydn. The precise date of composition is unknown. Haydn scholar H.C. Robbins Landon has dated this work to 1763–65. It has also been suggested that it was written in 1760 or 1761, along with Symphony no. 32.
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
The Symphony No. 25 in C major, Hoboken I/25, is a symphony by Joseph Haydn.The symphony was most likely composed in 1763, or at the very earliest in 1761, at about the same time as No. 33.
The Symphony No. 7 in C major, Hoboken I/7, is a symphony by Joseph Haydn, sometimes called "Le midi", meaning "The Noon."
Joseph Haydn's Symphony No. 2 in C major, Hoboken I/2, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 4 in D major, Hoboken I/4, is believed to have been written between 1757 and 1761.
