Joseph Haydn's Symphony No. 2 in C major, Hoboken I/2, is believed to have been written between 1757 and 1761.
It is scored for 2 oboes, bassoon, 2 horns, strings and continuo. [1] Like many of the earliest symphonies by Haydn and others of the time, it is in three movements:
In the second movement, the wind instruments are omitted and the violins play in semiquavers from start to finish (a kind of perpetuum mobile ) with the pattern frequently broken by the use of trills. [2] The violas in this slow movement double the bass part throughout at an octave above. [3] (e.g., "col basso," which was common in the period). Also, the first and second violins are the same in the second movement. The last movement is "Haydn's first attempt at a symphonic rondo and is characterized by a preoccupation with imitative processes." [4] It is the only one of Haydn's symphonies that contains no repeat signs. [5] It is also one of his shortest symphonies; performances generally last less than ten minutes.
Symphony No. 103 in E♭ major is the eleventh of the twelve London symphonies written by Joseph Haydn. This symphony is nicknamed The Drumroll after the long roll on the timpani with which it begins. It is from 1795, and his second-to-last symphony.
The Symphony No. 6 in D major is an early symphony written in 1761 by Joseph Haydn and the first written after Haydn had joined the Esterházy court. It is the first of three that are characterised by unusual virtuoso writing across the orchestral ensemble. It is popularly known as Le matin (Morning).
Symphony No. 76 in E♭ major is a symphony by Joseph Haydn completed in 1782.
Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."
The Symphony No. 55 in E♭ major, Hoboken I/55, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns and strings. It is in four movements:
The Symphony No. 54 in G major, Hoboken I/54, is a symphony by Joseph Haydn, composed in 1774.
Michael Haydn's Symphony No. 39 in C major, Perger 31, Sherman 39, MH 478, written in Salzburg in 1788, is the last C major symphony he wrote, the sixth of his final set of six symphonies.
Symphony No. 43 in E♭ major, Hoboken I/43, is a symphony by Joseph Haydn. Since the nineteenth century it has been referred to by the subtitle "Mercury". The source of the "Mercury" nickname remains unknown according to Matthew Rye. It could refer to its use as incidental music from some play or other given at Eszterháza, or it may not have appeared until the nineteenth century. It would certainly be wrong to impose any programmatic elements on to the abstract musical drama and search for a portrait of the gods’ winged messenger.
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
The Symphony No. 7 in C major, Hoboken I/7, is a symphony by Joseph Haydn, sometimes called "Le midi", meaning "The Noon."
The Symphony No. 20 in C major is a festive symphony by Joseph Haydn. Hodgson places the composition date in either 1761 or 1762 while Brown states that it was likely composed before 1761. Calvin Stapert affirmatively states that it was composed in the group of 15 symphonies within Haydn's tenure with Count Morzin. And is festive, like C major Symphonies 32, 33, and 37. It is scored for 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, strings and continuo. The symphony is in four movements:
The Symphony No. 12 in E major is a symphony by Joseph Haydn. The symphony was composed in 1763, at the age of 31, under the patronage of Prince Nikolaus Esterházy.
Joseph Haydn's Symphony No. 1 in D major, Hoboken I/1, was written in 1759 in Dolní Lukavice, while in the service of Count Morzin. While it is reliably known that No. 1 was written in 1759, H. C. Robbins Landon cannot rule out that No. 2, No. 4, or both could have been composed in 1757 or 1758.
Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been written between 1760 and 1762.
Joseph Haydn's Symphony No. 4 in D major, Hoboken I/4, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763.
Joseph Haydn's Symphony No. 15 in D major, Hoboken I/15, may have been written between 1760 and 1763.
The Symphony No. 9 in C major, Hoboken I/9, is a symphony by Joseph Haydn. The symphony was composed in 1762, under the auspices of Nikolaus Esterházy, who allowed the symphony to be performed in Eisenstadt.
Joseph Haydn's Symphony No. 11 in E♭ major is a symphony which may have been written as early as 1760 but no later than 1762, meaning that it was written for either the orchestra of the salubrious Count Morzin or the noble Paul II Anton, Prince Esterházy's palace in Eisenstadt.
The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is conspicuously uncertain. The Breitkopf catalogue entry assures that it was composed no later than March 1766, the date of the Esterhazy orchestra moving to Esterhaza, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been also suggested but not proven.