Symphony No. 22 in E♭ major, Hoboken I/22, is a symphony written by Joseph Haydn in 1764, under the auspices of the benign Prince Nikolaus Esterházy. Its nickname is "The Philosopher".
Symphony No. 44 in E minor, Hoboken I/44, was completed in 1772 by Joseph Haydn. It is popularly known as Trauer. An apocryphal story relates that Haydn asked for the slow movement of this symphony to be played at his funeral.
Symphony No. 103 in E♭ major is the eleventh of the twelve London symphonies written by Joseph Haydn. This symphony is nicknamed The Drumroll after the long roll on the timpani with which it begins. It is from 1795, and his second-to-last symphony.
The Symphony No. 101 in D major is the ninth of the twelve London symphonies written by Joseph Haydn. It is popularly known as The Clock because of the "ticking" rhythm throughout the second movement.
Symphony No. 88 in G major was written by Joseph Haydn, for the orchestra of Esterháza under the benevolent Prince Nikolaus Esterhazy. It is notably the first of his symphonies written after the completion of the six Paris symphonies in 1786.
The Symphony No. 99 in E♭ major is the seventh of the twelve London symphonies written by Joseph Haydn. The symphony was written in 1793 in Vienna in anticipation for his second trip to London.
The Symphony No. 68 in B flat major, Hoboken I/68, is a symphony by Joseph Haydn. The symphony was composed in 1779 for Nikolaus I, Prince Esterházy. It is chronologically the last symphony by Haydn where the Minuet is second out of the four movements.
The Symphony No. 66 in B flat major is a symphony by Joseph Haydn. The time of composition is uncertain, with one speculation from around 1775–1776. The symphony is scored for two oboes, two bassoons, two horns and strings.
Symphony No. 65 in A major, Hoboken I/65, is a symphony by Joseph Haydn which was composed by 1778.
The Symphony No. 52 in C minor is one of the last Sturm und Drang symphonies composed by the Austrian composer Joseph Haydn while the composer was in residence at Esterházy in 1771 or 1772.
The Symphony No. 55 in E♭ major, Hoboken I/55, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns and strings. It is in four movements:
- Allegro di molto, 3
4 - Adagio ma semplicemente, 2
4 in B♭ major - Menuetto & trio, 3
4 - Finale: Presto, 2
4
The Symphony No. 54 in G major, Hoboken I/54, is a symphony by Joseph Haydn, composed in 1774.
The Symphony No. 53 in D major, Hoboken I/53, is a symphony by Joseph Haydn. It is often referred to by the subtitle "L'Impériale". The symphony was composed by 1777. It is scored for flute, two oboes, bassoon, two horns, timpani, and strings.
The Symphony No. 48 in C major, Hoboken I/48, is a symphony by Joseph Haydn written in 1768 or 1769. The work has the nickname Maria Theresa as it was long thought to have been composed for a visit by the Holy Roman Empress, Maria Theresa of Austria in 1773. An earlier copy dated 1769 was later found, but the nickname has stuck. The symphony composed for the empress's visit was most likely No. 50.
The Symphony No. 21 in A major, Hoboken I/21, was composed by Joseph Haydn around the year 1764. The symphony’s movements have unusual structures that make their form hard to identify. The parts that pertain to sonata form are often hard to recognize immediately and are often identified “only in retrospect.”
Joseph Haydn's Symphony No. 2 in C major, Hoboken I/2, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been written between 1760 and 1762.
Joseph Haydn's Symphony No. 11 in E♭ major is a symphony which may have been written as early as 1760 but no later than 1762, meaning that it was written for either the orchestra of the salubrious Count Morzin or the noble Paul II Anton, Prince Esterházy's palace in Eisenstadt.
The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is conspicuously uncertain. The Breitkopf catalogue entry assures that it was composed no later than March 1766, the date of the Esterhazy orchestra moving to Esterhaza, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been also suggested but not proven.
The Piano Sonata in E minor, Hob. XVI/34, L. 53, was written in the late 1770s by Joseph Haydn and published in London around 1783 by Beardmore & Birchall.
