The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765, at the age of 33. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement.
The Alleluia chant of the first movement has been confused with the principal melodic line in the finale of Mozart's Symphony No. 41 in C major. [1] Mozart did use this Alleluia chant melody for his Alleluia Canon, K. 553, written shortly after he completed his C major symphony. [2]
The work is scored for flute, two oboes, bassoon, two horns, trumpets, timpani, [3] and strings with continuo. The use of timpani in this symphony remains an unresolved matter. In his cycle, for example, Antal Dorati omits them. [4] Several more recent performances, however, have included timpani.
The work is in three movements:
The Alleluia motif dominates the first movement. It is the first theme; the second theme is also derived from it and it is also included in the closing material of the exposition. In the development, after the first theme is restated, the first three notes of the motif (do-re-mi) are repeated seven times at different pitch levels against sixteenth-note accompaniment. [5]
The second movement contains numerous solo concertante passages for the flute. [6] The rare choice of the dominant key for a second movement (subdominant was more common in Haydn) was likely because G major was a favorable key for the flute. [6]
Mark Ferraguto has discussed Haydn's deliberate use of spare instrumental scoring and minimal melodic material in the trio of the symphony. [7]
Joseph Haydn's Symphony No. 13 in D major was written in 1763 for the orchestra of Haydn's patron, Prince Nikolaus Esterházy, in Eisenstadt.
Symphony No. 39 is a symphony in G minor by Franz Joseph Haydn in 1765, at the age of 33 under the beneficence of Prince Nikolaus Esterházy. It is the earliest of Haydn's minor key symphonies associated with his Sturm und Drang period works.
Symphony No. 103 in E♭ major is the eleventh of the twelve London symphonies written by Joseph Haydn. This symphony is nicknamed The Drumroll after the long roll on the timpani with which it begins. It is from 1795, and his second-to-last symphony.
Symphony No. 93 in D major, Hoboken I/93, one of the twelve London symphonies written by Joseph Haydn.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
Symphony No. 88 in G major was written by Joseph Haydn, for the orchestra of Esterháza under the benevolent Prince Nikolaus Esterhazy. It is notably the first of his symphonies written after the completion of the six Paris symphonies in 1786.
The Symphony No. 99 in E♭ major is the seventh of the twelve London symphonies written by Joseph Haydn. The symphony was written in 1793 in Vienna in anticipation for his second trip to London.
The Symphony No. 70 in D major, Hoboken 1/70, was written by Joseph Haydn to mark the start of construction of a new opera house on the Eszterháza estate. It was premiered on December 18, 1779—one of the few Haydn symphonies where the exact premiere date is known.
The Symphony No. 91 in E♭ major, Hoboken I/91, was written by Joseph Haydn. It was completed in 1788 as part of a three-symphony commission from Count d'Ogny for the Concert de la Loge Olympique, a successor to Haydn's series of "Paris symphonies". It is occasionally referred to as The Letter T referring to an older method of cataloguing Haydn's symphonic output.This triptych also includes Haydn's own Symphony No. 90 and Symphony No. 92.
Symphony No. 83 in G minor, Hoboken I/83, is the second of the six Paris Symphonies written by Joseph Haydn in 1785. It was published by Artaria in Vienna in December 1787. It is popularly known as The Hen.
The Symphony No. 86 in D major, Hoboken I/86, is the fifth of the six Paris Symphonies written by Joseph Haydn, and was written to be performed in Paris in 1787. He wrote it in Esterháza in 1786, but for an orchestra much larger, at the instigation of Count Claude d'Ogney.
Symphony No. 81 in G major is a symphony by Joseph Haydn composed in 1784 as part of a trio of symphonies that also included symphonies 79 and 80.These three symphonies were specially written for performance in March 1785.
The Symphony No. 63 in C major, Hoboken I/63, is a symphony by Joseph Haydn written sometime between 1779 and 1781. It is often known by the title of the second movement, La Roxelane, named for Roxelana, the influential wife of Suleiman the Magnificent of the Ottoman Empire. This second movement was originally part of Haydn's incidental music for Charles Simon Favart's stage work Soliman der zweite in which Roxelana was a character.
The Symphony No. 52 in C minor is one of the last Sturm und Drang symphonies composed by the Austrian composer Joseph Haydn while the composer was in residence at Esterházy in 1771 or 1772.
The Symphony No. 56 in C major, Hoboken I/56, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns, 2 trumpets, timpani and strings. It is in four movements:
The Symphony No. 21 in A major, Hoboken I/21, was composed by Joseph Haydn around the year 1764. The symphony’s movements have unusual structures that make their form hard to identify. The parts that pertain to sonata form are often hard to recognize immediately and are often identified “only in retrospect.”
Symphony No. 12 in G major, K. 110/75b, by Wolfgang Amadeus Mozart, was composed in Salzburg in the summer of 1771. The symphony was apparently prepared in anticipation of Mozart's second Italian journey, which was to take place between August and December 1771. The symphony is in four movements, the opening allegro being the longest movement that Mozart had written to that date. It is the first of a group of works "painted on a larger canvas and achieving a greater individuality than his earlier exuberant pieces".
The Symphony No. 38 in C major, Hoboken I/38, is an early and festive symphony by Joseph Haydn. The symphony was composed some time between 1765 and 1769. Because of the virtuosic oboe parts in the final two movements, it has been suggested that the work's composition may have coincided with the employ of the oboist Vittorino Colombazzo in the fall of 1768. The symphony is popularly called the Echo Symphony, a nickname that, like all other named Haydn symphonies, did not originate with the composer.
Joseph Haydn wrote Symphony No. 24 in D major, Hoboken I/24, in 1764.
Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been written between 1760 and 1762.