Symphony No. 58 in F major, Hoboken I/58, is a symphony by Joseph Haydn, composed probably around 1767 but certainly not after 1774, after which time the traits of this symphony were outmoded. [1] It is scored for two oboes, two horns and strings.
The unique distinction alla zoppa on the Menuet literally means "limping" which Haydn accomplishes with a dotted rhythm pushed into all sorts of asymmetrical patterns. [2] [3] This movement was also used in Haydn's Baryton Trio in D major (Hob 11/52).
A. Peter Brown has noted how the character of the first movement is very reminiscent of a minuet, and can be regarded as an "expanded Minuet". Brown has also commented that the overall nature of the work highly resembles a suite where all four movements are dance-like in nature. [4]
Symphony No. 39 is a symphony in G minor by Franz Joseph Haydn in 1765, at the age of 33 under the beneficence of Prince Nikolaus Esterházy. It is the earliest of Haydn's minor key symphonies associated with his Sturm und Drang period works. The work was influential and inspired later G minor symphonies by Johann Christian Bach and Wolfgang Amadeus Mozart.
Symphony No. 93 in D major, Hoboken I/93, one of the twelve London symphonies written by Joseph Haydn.
The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the twelve London symphonies written by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed, and by Friedrich Witt for the Jena Symphony.
The Symphony No. 87 in A major, Hoboken I/87, is the last of the six Paris Symphonies written by Franz Joseph Haydn. It was written in 1786, but performed in 1787 by the Concert de la Loge Olympique, after having been commissioned for performance there by Count Count d'Ogney in 1785.
Symphony No. 74 in E♭ major, Hoboken 1/74, is a symphony by Joseph Haydn composed in 1780 or 1781.
The Symphony No. 72 in D major is a symphony by Joseph Haydn. The symphony was probably composed between 1763 and 1765. The date of this composition is earlier than its number suggests. This work is not well chronologically placed in the Hoboken numbering system: it was composed fifteen to twenty years before the neighboring works.
The Symphony No. 71 in B flat major, Hoboken I/71, is a symphony by Joseph Haydn. It was composed by 1780.
The Symphony No. 68 in B flat major, Hoboken I/68, is a symphony by Joseph Haydn. The symphony was composed by 1779.
Symphony No. 65 in A major, Hoboken I/65, is a symphony by Joseph Haydn which was composed by 1778.
The Symphony No. 63 in C major, Hoboken I/63, is a symphony by Joseph Haydn written sometime between 1779 and 1781. It is often known by the title of the second movement, La Roxelane, named for Roxelana, the influential wife of Suleiman the Magnificent of the Ottoman Empire. This second movement was originally part of Haydn's incidental music for Charles Simon Favart's stage work Soliman der zweite in which Roxelana was a character.
The Symphony No. 56 in C major, Hoboken I/56, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns, 2 trumpets, timpani and strings. It is in four movements:
The Symphony No. 38 in C major, Hoboken I/38, is an early and festive symphony by Joseph Haydn. The symphony was composed some time between 1765 and 1769. Because of the virtuosic oboe parts in the final two movements, it has been suggested that the work's composition may have coincided with the employ of the oboist Vittorino Colombazzo in the fall of 1768. The symphony is popularly called the Echo Symphony, a nickname that, like all other named Haydn symphonies, did not originate with the composer.
The Symphony No. 30 in C major, Hoboken I/30, is a symphony by Joseph Haydn composed in 1765, at the age of 33. It is nicknamed the Alleluia Symphony because of Haydn's use of a Gregorian Alleluia chant in the opening movement.
Symphony No. 35 in B♭ major, Hoboken I/35, was written by Joseph Haydn. The autograph score is "carefully" dated "December 10, 1767". It has been speculated that this symphony was written to celebrate Prince Esterházy's return from a visit to the Palace of Versailles.
The Symphony No. 32 in C major is a festive symphony by Joseph Haydn. The exact date of composition is unknown. It has been suggested by noted Haydn scholar H.C. Robbins Landon that it could have been written as early as 1757 and as late as 1763. More recent scholars have suggested it was composed in either 1760 or 1761
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
Joseph Haydn's Symphony No. 29 in E major, Hoboken I/29, was written in 1765, just after his 28th, and to be performed in Eisenstadt, under the benign auspices of Prince Nikolaus Esterházy.
The Symphony No. 5 in A major, Hoboken I/5, by Joseph Haydn, is believed to have been written between 1760 and 1762, while he was employed either by Count Morzin or, Prince Paul II Anton Esterházy.
Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763.
Joseph Haydn's Symphony No. 15 in D major, Hoboken I/15, may have been written between 1760 and 1763.