Joseph Haydn's Symphony No. 15 in D major, Hoboken I/15, may have been written between 1760 and 1763. [1]
It is scored for 2 oboes, bassoon, 2 horns, strings and continuo, with a solo for 2 violas or cello in the trio of the minuet. [2] This symphony has four movements:
The opening movement is more similar to a baroque overture than sonata form though the movement still eludes either of these forms and has a unique character of its own. The movement begins with a light adagio with the first violins alternating with two horns while the rest of the string section accompanies in pizzicato. The Presto has two themes with distinct bridges between themes; however, it is difficult to define which section is the exposition, development and recapitulation, if in fact there even are such sections. The movement finishes with a modified version of the Adagio at the beginning of the movement. [3]
The work is one of the few symphonies of the Classical era to place the Minuet second (others include Haydn's 44th and "B" as well as his brother Michael's 15th and 16th). The G major trio was likely played as a quintet focusing on a dialog between violin I/violin II and viola/cello played over a bass. [3]
The slow movement is for strings and has one principal theme with several bridge motifs.
The final movement is a dance-like presto in ABA form.
Symphony No. 44 in E minor, Hoboken I/44, was completed in 1772 by Joseph Haydn. It is popularly known as Trauer. An apocryphal story relates that Haydn asked for the slow movement of this symphony to be played at his funeral.
Joseph Haydn's Symphony No. 45 in F♯ minor, known as the "Farewell" Symphony, is a symphony dated 1772 on the autograph score. A typical performance of the symphony lasts around twenty-five minutes.
Joseph Haydn's Symphony No. 13 in D major was written in 1763 for the orchestra of Haydn's patron, Prince Nikolaus Esterházy, in Eisenstadt.
The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.
The Symphony No. 104 in D major is Joseph Haydn's final symphony. It is the last of the twelve London symphonies, and is known as the London Symphony. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon.
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve London symphonies written by Joseph Haydn and completed in 1793 or 1794. It is popularly known as the Military Symphony.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792.
The Symphony No. 97 in C major, Hoboken I/97, is the fifth of the twelve London symphonies written by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 3 or 4 May 1792. First published in England, it made its way to the continent a few years later and was used by Ludwig van Beethoven as a model for a symphony in C major he never completed, and by Friedrich Witt for the Jena Symphony.
The Symphony No. 6 in D major is an early symphony written in 1761 by Joseph Haydn and the first written after Haydn had joined the Esterházy court. It is the first of three that are characterised by unusual virtuoso writing across the orchestral ensemble. It is popularly known as Le matin (Morning).
Joseph Haydn's Symphony No. 46 in B major, Hoboken I/46, was composed in 1772, during his Sturm und Drang period.
The Symphony No. 72 in D major is a symphony by Joseph Haydn. The symphony was probably composed between 1763 and 1765. The date of this composition is earlier than its number suggests. This work is not well chronologically placed in the Hoboken numbering system: it was composed fifteen to twenty years before the neighboring works.
The Symphony No. 68 in B flat major, Hoboken I/68, is a symphony by Joseph Haydn. The symphony was composed in 1779 for Nikolaus I, Prince Esterházy. It is chronologically the last symphony by Haydn where the Minuet is second out of the four movements.
Symphony No. 67 in F major, Hoboken I/67, is a symphony by Joseph Haydn. It was composed by 1779. The Haydn scholar H. C. Robbins Landon calls this work "one of the most boldly original symphonies of this period."
The Symphony No. 55 in E♭ major, Hoboken I/55, is a symphony by Joseph Haydn, composed by 1774. It is scored for 2 oboes, bassoon, 2 horns and strings. It is in four movements:
The Symphony No. 54 in G major, Hoboken I/54, is a symphony by Joseph Haydn, composed in 1774.
The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
Joseph Haydn's Symphony No. 47 in G major Hob. I:47 was probably written in 1772. It was nicknamed "The Palindrome".
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
The Symphony No. 7 in C major, Hoboken I/7, is a symphony by Joseph Haydn, sometimes called "Le midi", meaning "The Noon."
The six string quartets Op. 20 by Joseph Haydn are among the works that earned Haydn the sobriquet "the father of the string quartet". The quartets are considered a milestone in the history of composition; in them, Haydn develops compositional techniques that were to define the medium for the next 200 years.