Joseph Haydn's Symphony No. 17 in F major, Hoboken I/17, may have been written between 1757 and 1763. [1]
It is scored for 2 oboes, bassoon, 2 horns, strings and continuo. [2] It is in three movements:
Joseph Haydn's Symphony No. 17 in F major, Hoboken I/17, may have been written between 1757 and 1763. [1]
It is scored for 2 oboes, bassoon, 2 horns, strings and continuo. [2] It is in three movements:
The Symphony No. 48 in C major, Hoboken I/48, is a symphony by Joseph Haydn written in 1768 or 1769. The work has the nickname Maria Theresia as it was long thought to have been composed for a visit by the Holy Roman Empress, Maria Theresa of Austria in 1773. An earlier copy dated 1769 was later found, but the nickname has stuck. The symphony composed for the empress's visit was most likely No. 50.
Symphony No. 43 in E♭ major, Hoboken I/43, is a symphony by Joseph Haydn. Since the nineteenth century it has been referred to by the subtitle "Mercury". The source of the "Mercury" nickname remains unknown according to Matthew Rye. It could refer to its use as incidental music from some play or other given at Eszterháza, or it may not have appeared until the nineteenth century. It would certainly be wrong to impose any programmatic elements on to the abstract musical drama and search for a portrait of the gods’ winged messenger.
The Symphony No. 41 in C major, Hoboken I/41, is a festive symphony by Joseph Haydn. The symphony was composed by 1769. It is scored for flute, two oboes, bassoon, two horns, two trumpets, timpani and strings.
The Symphony No. 38 in C major, Hoboken I/38, is an early and festive symphony by Joseph Haydn. The symphony was composed some time between 1765 and 1769. Because of the virtuosic oboe parts in the final two movements, it has been suggested that the work's composition may have coincided with the employ of the oboist Vittorino Colombazzo in the fall of 1768. The symphony is popularly called the Echo Symphony, a nickname that, like all other named Haydn symphonies, did not originate with the composer.
The Symphony No. 32 in C major is a festive symphony by Joseph Haydn. The exact date of composition is unknown. It has been suggested by noted Haydn scholar H.C. Robbins Landon that it could have been written as early as 1757 and as late as 1763. More recent scholars have suggested it was composed in either 1760 or 1761
The Symphony No. 33 in C major is a festive symphony by Joseph Haydn. The precise date of composition is unknown. Haydn scholar H.C. Robbins Landon has dated this work to 1763–65. It has also been suggested that it was written in 1760 or 1761, along with Symphony no. 32.
Joseph Haydn wrote Symphony No. 24 in D major, Hoboken I/24, in 1764.
Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764.
The Symphony No. 25 in C major, Hoboken I/25, is a symphony by Joseph Haydn.The symphony was most likely composed in 1763, or at the very earliest in 1761, at about the same time as No. 33.
The Symphony No. 20 in C major is a festive symphony by Joseph Haydn. Hodgson places the composition date in either 1761 or 1762 while Brown states that it was likely composed before 1761. Calvin Stapert affirmatively states that it was composed in the group of 15 symphonies within Haydns tenure with Count Morzin. And is festive, like C major Symphonies 32, 33, and 37. It is scored for 2 oboes, bassoon, 2 horns, 2 trumpets, timpani, strings and continuo. The symphony is in four movements:
Joseph Haydn's Symphony No. 1 in D major, Hoboken I/1, was written in 1759 in Dolní Lukavice, while in the service of Count Morzin. Though identified by Haydn as his first symphony, scholars are not sure if it is actually the first he composed, or even the first that survived to posterity. While it is reliably known that No. 1 was written in 1759, H. C. Robbins Landon cannot rule out that No. 2,No. 4, or both could have been composed in 1757 or 1758.
Joseph Haydn's Symphony No. 2 in C major, Hoboken I/2, is believed to have been written between 1757 and 1761.
Joseph Haydn's Symphony No. 3 in G major, Hoboken I/3, is believed to have been written between 1760 and 1762.
Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763.
Joseph Haydn's Symphony No. 16 in B-flat major, Hoboken I/16, may have been written between 1757 and 1761.
The Symphony No. 10 in D major, Hoboken I/10, is a symphony by Joseph Haydn. The symphony may have been written as early as 1757 but no later than 1761, probably for the small, but resourceful orchestra of Count Morzin.
Joseph Haydn's Symphony No. 11 in E♭ major is a symphony which may have been written as early as 1760 but no later than 1762, meaning that it was written for either the orchestra of the salubrious Count Morzin or the noble Paul II Anton, Prince Esterházy's palace in Eisenstadt.
The Symphony No. 18 in G major, Hoboken I/18, is a symphony by Joseph Haydn. The composition date is conspicuously uncertain. The Breitkopf catalogue entry assures that it was composed no later than March 1766, the date of the Esterhazy orchestra moving to Esterhaza, but most scholars believe it was composed at least a few years before then. Dates between 1757 and 1764 have been also suggested but not proven.
The Symphony No. 19 in D major, Hoboken I/19, is a symphony by Joseph Haydn. The symphony was composed between 1757 and 1761.
Joseph Haydn's Symphony 'A' in B♭ major, Hoboken I/107, was written between 1757 and 1760. It therefore must have been composed for Count Morzin's orchestra, for whom Haydn worked until 1761.
Authority control  |
|
|---|
 | This article about a symphony is a stub. You can help Wikipedia by expanding it. |