The Symphony No. 63 in C major, Hoboken I/63, is a symphony by Joseph Haydn written sometime between 1779 and 1781. It is often known by the title of the second movement, La Roxelane, named for Roxelana, the influential wife of Suleiman the Magnificent of the Ottoman Empire. This second movement was originally part of Haydn's incidental music for Charles Simon Favart's stage work Soliman der zweite (or Les Trois Sultanes) in which Roxelana was a character. [1] [2]
There are two versions of this symphony: the so-called "first version" is scored for flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings, while the "second version" has the same scoring but with only one bassoon and no trumpets or timpani. Part of the reason for this rescoring was the departure of bassoonist Ignatz Drobny from Eszterháza, leaving Haydn's orchestra with only one bassoon. [3]
The two versions are not only differently scored; the third and fourth movements of the two versions are also totally different. The first version of the finale is based on an old fragment from c. 1769–73 and is viewed by some musicologists as a stop-gap to perhaps complete the symphony early to fulfill the need for a performance. [3]
First version
Second version
The first movement is derived from the overture to Haydn's opera Il mondo della luna . [1] This was done by transforming the curtain-raising transitional ending into one that is more cadential, adding the appropriate expositional repeats to conform more to sonata form and transposing one of the overture's two bassoon parts up an octave so that it could be played by the flute. [3] The exposition still retains some of its overture-like feel as the first theme group is in ternary form and it lacks a true second theme, transitioning straight into an expositional coda. In the recapitulation, only the third part of the ternary first theme group is restated. [3]
The "La Roxelane" second movement is in double variation form. (ABA1B1A2B2)
The trio of the minuet features solo oboe and solo bassoon playing over pizzicato string accompaniment. [3]
The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.
The Symphony No. 104 in D major is Joseph Haydn's final symphony. It is the last of the twelve London symphonies, and is known as the London Symphony. In Germany it is commonly known as the Salomon Symphony after Johann Peter Salomon, who arranged Haydn's two tours of London, even though it is one of three of the last twelve symphonies written for Viotti's Opera Concerts, rather than for Salomon.
The Symphony No. 96 in D major, Hoboken I/96, was completed by Joseph Haydn in 1791 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 11 March 1791. Although it is the fourth of the twelve London symphonies by number, it was actually the first one written and performed. It is popularly known as the Miracle Symphony.
The Symphony No. 100 in G major, Hoboken I/100, is the eighth of the twelve London symphonies written by Joseph Haydn and completed in 1793 or 1794. It is popularly known as the Military Symphony.
The Symphony No. 95 in C minor is the third of the twelve London symphonies written by Joseph Haydn. It is the only one of the twelve London symphonies in a minor key, and is also the only one of them to lack a slow introduction.
Symphony No. 93 in D major, Hoboken I/93, one of the twelve London symphonies written by Joseph Haydn.
The Symphony No. 98 in B♭ major, Hoboken I/98, is the sixth of the twelve London symphonies composed by Joseph Haydn. It was completed in 1792 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 2 March 1792. Some musicologists and historians interpret this symphony as Haydn’s tribute to his friend Mozart who had died on 5 December 1791.
Symphony No. 88 in G major was written by Joseph Haydn, for the orchestra of Esterháza under the benevolent Prince Nikolaus Esterhazy. It is notably the first of his symphonies written after the completion of the six Paris symphonies in 1786.
The Symphony No. 99 in E♭ major is the seventh of the twelve London symphonies written by Joseph Haydn. The symphony was written in 1793 in Vienna in anticipation for his second trip to London.
The Symphony No. 70 in D major, Hoboken 1/70, was written by Joseph Haydn to mark the start of construction of a new opera house on the Eszterháza estate. It was premiered on December 18, 1779—one of the few Haydn symphonies where the exact premiere date is known.
Franz Schubert's Symphony No. 3 in D major, D 200, was written between 24 May and 19 July 1815, a few months after his eighteenth birthday. Like the other early symphonies, it was not published during Schubert's lifetime. It appeared many years later, in the first Schubert complete works edition in 1884. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani and strings.
The Symphony No. 86 in D major, Hoboken I/86, is the fifth of the six Paris Symphonies written by Joseph Haydn, and was written to be performed in Paris in 1787. He wrote it in Esterháza in 1786, but for an orchestra much larger, at the instigation of Count Claude d'Ogney.
Symphony No. 81 in G major is a symphony by Joseph Haydn composed in 1784 as part of a trio of symphonies that also included symphonies 79 and 80.These three symphonies were specially written for performance in March 1785.
The Symphony No. 80 in D minor, Hoboken 1/80, is a symphony composed by Joseph Haydn in 1784 as part of a trio of symphonies that also included symphonies 79 and 81. This symphony, along with the one that follows it, and the one that precedes it, were not written for Prince Nikolaus, but for a Lenten concert performed in Vienna in March 1785. It is one of the relatively few later symphonies by Haydn to begin in the minor mode. Symphony No. 80 is highly structured with both outer movements in sonata form. There is a common modulation pattern seen in all four movements.
Symphony No. 76 in E♭ major is a symphony by Joseph Haydn completed in 1782.
Symphony No. 74 in E♭ major, Hoboken 1/74, is a symphony by Joseph Haydn composed in 1780 or 1781.
The Symphony No. 73 in D major, Hoboken 1/73, is a symphony by Joseph Haydn composed in 1782. It is often known by the subtitle La chasse due to the hunting horn calls in the final movement, a popular trope in eighteenth century music.
The Symphony No. 71 in B-flat major, Hoboken I/71, is a symphony by Joseph Haydn. It was composed by 1780.
The Symphony No. 62 in D major, Hoboken I/62, is a symphony written by Joseph Haydn for the orchestra at Esterháza in 1780 or 1781, a good length of time after the writing of Symphony No. 61.
The Symphony No. 53 in D major, Hoboken I/53, is a symphony by Joseph Haydn. It is often referred to by the subtitle "L'Impériale". The symphony was composed by 1777. It is scored for flute, two oboes, bassoon, two horns, timpani, and strings.