Take Me to the Alley | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 6, 2016 | |||
Recorded | September 28 – October 1, 2015 | |||
Studio |
| |||
Genre | Jazz | |||
Length | 51:18 | |||
Label | Blue Note | |||
Producer |
| |||
Gregory Porter chronology | ||||
| ||||
Singles from Take Me to the Alley | ||||
|
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.6/10 [1] |
Metacritic | 81/100 [2] |
Review scores | |
Source | Rating |
All About Jazz | [3] |
AllMusic | [4] |
The Telegraph | [5] |
Exeposé | [6] |
The Guardian | [7] |
Irish Examiner | 4/5 [8] |
The Irish Times | [9] |
The National | [10] |
Pitchfork | 6.7/10 [11] |
PopMatters | 9/10 [12] |
Take Me to the Alley is the fourth studio album by Gregory Porter, released on May 6, 2016 through Blue Note Records. It earned Porter a 2017 Grammy Award for Best Jazz Vocal Album. [13]
The album was recorded in Hollywood and New York City between September and October 2015. [14] Porter worked alongside producer Kamau Kenyatta, with whom he first worked in the mid-1990s when he was a student at San Diego State University. Porter observed: "Kamau has been most instrumental in taking what I have and refining it... he's been great at offering encouragement to what I already have artistically." [15]
Writing for The Guardian , Alexis Petridis said:
... for all its easiness on the ear, – and there are moments when listening Take Me to the Alley feels like being mugged by a syrup sponge pudding – there’s something weirdly uncompromising about Porter’s music. He doesn’t bother with glossy production: Take Me to the Alley sounds fantastic, but that’s down to the warm spontaneity of an album that seems to have been recorded in six days. Nor does he dabble in radio-friendly pop covers – no scat-singing interpreter of the Coldplay songbook he. His own compositions proudly display his gospel roots – not the first genre you’d think of flaunting were you desperate for mainstream success. The title track offers up a parable about the second coming of Christ, its sternness at odds with the pacific piano playing and Alicia Olatuja's pillowy backing vocals; "In Heaven" undercuts the small hours loveliness of its muted trumpet with a lyric by Porter's cousin about death and redemption. [16]
All songs written by Gregory Porter, except where noted. [17] Arrangements by Porter, Chip Crawford and Kamau Kenyatta, horns arranged by Kenyatta and Keyon Harrold.
No. | Title | Length |
---|---|---|
1. | "Holding On" (Gregory Porter, James John Napier, Guy William Lawrence and Howard John Lawrence) | 5:01 |
2. | "Don't Lose Your Steam" | 3:17 |
3. | "Take Me to the Alley" | 5:16 |
4. | "Day Dream" (Gregory Porter and Craig Dawson) | 3:51 |
5. | "Consequence of Love" | 3:20 |
6. | "In Fashion" | 4:34 |
7. | "More Than a Woman" | 3:31 |
8. | "In Heaven" (Darlene Andrews) | 4:18 |
9. | "Insanity" | 5:37 |
10. | "Don't Be a Fool" | 4:31 |
11. | "Fan the Flames" | 4:12 |
12. | "French African Queen" | 3:44 |
Total length: | 51:18 |
No. | Title | Length |
---|---|---|
13. | "Holding On" (featuring Kem) | 4.16 |
14. | "Insanity" (featuring Lalah Hathaway) | 5.03 |
15. | "Don't Lose Your Steam" (Fred Falke remix) | 3:15 |
Total length: | 63:51 |
Weekly charts
| Year-end charts
|
Come Away with Me is the debut studio album by American recording artist Norah Jones, released on February 26, 2002, by Blue Note Records. Recording sessions took place at Sorcerer Sound Studio in New York City and Allaire Studios in Shokan, New York.
Jazz is the seventh studio album by the British rock band Queen. It was released on 10 November 1978 by EMI Records in the United Kingdom and by Elektra Records in the United States. Produced by Roy Thomas Baker, the album artwork was suggested by Roger Taylor, who previously saw a similar design painted on the Berlin Wall. The album's varying musical styles were alternately praised and criticised. It reached number two in the UK Albums Chart and number six on the US Billboard Top LPs & Tape chart.
The Look of Love is the sixth studio album by Canadian singer Diana Krall, released on September 18, 2001, by Verve Records. It became Krall's first album to top the Canadian Albums Chart. In 2002, the album earned Al Schmitt the Grammy Award for Best Engineered Album, Non-Classical, and received the Juno Award for Album of the Year in Canada.
Christmas Songs is the eighth studio album by Canadian singer Diana Krall, performed with The Clayton/Hamilton Jazz Orchestra. It was released on October 26, 2005, by Verve Records. This is Krall's first full-length album of Christmas songs, and her first studio album with a big band. The album was released on vinyl for the first time on October 14, 2016.
Gregory Porter is an American singer, songwriter and actor. He has twice won the Grammy Award for Best Jazz Vocal Album: first in 2014 for Liquid Spirit and then again in 2017 for Take Me to the Alley.
Liquid Spirit is the third studio album by American jazz musician Gregory Porter. It was released through Blue Note Records on September 2, 2013. The album won the Grammy Award for Best Jazz Vocal Album in 2014. The record also produced six singles.
Duets: Re-working the Catalogue is the 35th studio album by Northern Irish singer/songwriter Van Morrison, released on 13 March 2015 on RCA Records, a subsidiary of Sony Music. Produced by Van Morrison along with Don Was and Bob Rock, it consists of previously recorded Morrison songs, reworked as duets. Collaborators include Bobby Womack, Steve Winwood, Mark Knopfler, Taj Mahal, Mavis Staples, Michael Bublé, Natalie Cole, George Benson, Gregory Porter, Clare Teal, P.J. Proby, Joss Stone, Georgie Fame, Mick Hucknall, Chris Farlowe, and Morrison's daughter Shana Morrison. Morrison's first album for Sony, it entered the Top 10 in six countries, including the UK.
Interlude is the seventh studio album by Jamie Cullum. It was released on 6 October 2014 in the UK and 27 January 2015 in the US through Island Records, a division of Universal Music. The album was produced, engineered and mixed by Benedic Lamdin for Nostalgia 77.
Caracal is the second studio album by English electronic music duo Disclosure. It was released on 25 September 2015 by PMR Records and Island Records. Its serves as a follow-up to their debut album: Settle (2013). Five official singles have been released from the album: "Holding On", "Omen", "Jaded", "Magnets" and "Nocturnal", with three promotional singles also being released: "Bang That", "Willing and Able" and "Hourglass".
Day Breaks is the sixth studio album by American singer-songwriter Norah Jones, released on October 7, 2016, through Blue Note Records. The album features nine original songs and three covers. Jones returned to a piano-driven sound as heard on releases early in her career. It peaked at number two on the US Billboard 200, becoming her sixth album to reach the top ten. Day Breaks received positive reviews from music critics, with many praising the album's production and Jones' vocals with many comparing it favorably to her debut album Come Away with Me. Jones promoted the album with television performances and interviews.
Blue & Lonesome is a studio album by the English rock band the Rolling Stones, released on 2 December 2016. Consisting entirely of blues music, it is the band's first album to feature only cover songs. The album is also their first studio release since 2005's A Bigger Bang, with its eleven-year gap being the longest between two albums from the band. Despite the short running of approximately 43 minutes, the album was released as a double LP. "Just Your Fool", a Buddy Johnson cover was released as the first single from the album on 6 October. The name of the album is from a song which Little Walter wrote, "Blue and Lonesome".
Kamau Kenyatta is a Grammy Award-winning record producer. He is a musician, arranger, film composer, and educator. He is a Teaching Professor at the University of California, San Diego (UCSD).
Keyon Karim Harrold is an American jazz trumpeter, vocalist, songwriter, and producer.
American singer-songwriter Gregory Porter has released seven studio albums, one collaborative album, two compilation albums, two live albums, one EP, and 18 singles.
Be Good is the second studio album by American jazz musician Gregory Porter. It was released through Motéma Music on 15 February 2012. The album charted in Belgium, France and the Netherlands.
Nat King Cole & Me is the fifth studio album by American jazz musician and singer Gregory Porter. He sings songs that were either recorded by or inspired by Nat King Cole, whom Porter has cited as an important part of his childhood and an influence on his career. The tracks were arranged by Vince Mendoza for a 70 piece orchestra and recorded at AIR Studios in London, England. It is the first time Porter recorded with a full orchestra. The album was released by Blue Note Records and Decca Records on October 27, 2017.
Lil Boat 2 is the second studio album by American rapper Lil Yachty. It was released on March 9, 2018, by Capitol Records, Motown and Quality Control Music. The album features guest appearances from Quality Control labelmates Quavo and Offset of Migos and Lil Baby, alongside 2 Chainz, Trippie Redd, Lil Pump, YoungBoy Never Broke Again and Tee Grizzley, among others.
Both Directions at Once: The Lost Album is a studio album recorded by saxophonist John Coltrane for Impulse! Records that was first released in 2018. The recordings were made in 1963 during Coltrane's Classic Quartet period and lost for decades.
All Rise is the sixth studio album by American jazz musician and singer Gregory Porter, released on August 28, 2020, through Blue Note and Decca Records. It was produced by Troy Miller and Kamau Kenyatta and charted across Europe and the UK.
Love for Sale is the second collaborative album by American singers Tony Bennett and Lady Gaga, released on September 30, 2021, by Columbia and Interscope Records. It is the sixty-first and final studio album of Bennett's career, and Gaga's seventh. Following Cheek to Cheek (2014), the duo's first collaborative album, Love for Sale was recorded between 2018 and early 2020, consisting of their renditions of various jazz standards by American composer Cole Porter, to whom the record is a tribute.