The Ternus illusion, also commonly referred to as the Ternus Effect, is an illusion related to human visual perception involving apparent motion. In a simplified explanation of one form of the illusion, two discs, (referred to here as L for left and C for centre) are shown side by side as the first frame in a sequence of three frames. Next a blank frame is presented for a very short, variable duration. In the final frame, two similar discs (C for centre and R for right) are then shown in a shifted position. Depending on various factors including the time intervals between frames as well as spacing and layout, observers perceive either element motion, in which L appears to move to R while C remains stationary or they report experiencing group motion, in which L and C appear to move together to C and R. Both element motion and group motion can be observed in animated examples to the right in Figures 1 and 2.
In 1926 and then again in 1938, the Gestalt psychologist Joseph Ternus observed and defined the "problem of phenomenal identity". [1] Ternus' research was based around earlier undertakings in the domain by Pikler in 1917. [2] This problem of phenomenal identity that Ternus had discovered occurs due to the human visual system's natural ability to establish and then preserve the entities of objects even when the defining attributes of those objects have undergone drastic changes and no longer resemble what they once did. [3] The effect that Ternus had observed was in fact a bistable percept or perception of apparent motion which he found using a display consisting of three frames presented sequentially. [4]
When observers are presented with two immobile stimuli, that are presented in a sequential fashion at two differing locations, the stimuli will often be perceived as a solitary object that is simply moving from a starting location to another position. This apparent motion or apparent movement is of great interest to researchers because the perceived movement does not derive strictly from the physical aspect of vision such as the stimulation caused by impingement on the retina. Instead, apparent motion appears to arise from the visual system's processing of the physical properties of the percept. It is for this reason that apparent motion is a key area of research in the domain of vision research. [5] The Ternus illusion is perhaps one of the best examples of such an effect.
In order to observe the Ternus illusion/effect, observers view an apparent motion display known as a Ternus display. [6] The Ternus display features a series of frames that are separated by what is known as a blank interstimulus interval (ISI). A standard Ternus display consists of three frames, sequentially presented to the observer. As can be seen in Figure 3, Frame 1 consists of three equally spread out discs that are laid out in a horizontal fashion. Frame 2 is the blank ISI which separates Frame 1 and 3 for a variable duration. Frame 3, is simply the reverse of Frame 1 with the discs on the right hand side instead. This means that the disc on the outside of Frame 1 will now appear to be in the location that the centre disc was originally in as part of Frame 1. [4]
When these three frames are quickly presented in a sequential manner, individuals report perceiving two discrete types of motion from observing the Ternus display. These different perceptions are dependent on the duration of the ISI. Numerous studies have demonstrated that short ISIs cause the observer to perceive the central elements as immobile with one outside element jumping across those elements, known as element motion. These studies also support the finding that longer ISIs create the perception that the elements are all moving as one from left to right, known as group motion and that these percepts are not capable of occurring simultaneously. [7] Research suggests that these variations in apparent motion are achieved by grouping the visual elements in such a way that there is an intertwining of the perception of motion and the perception of the objects identity. [8]
At intermediate ISIs, perceived motion is bistable, meaning that for the observer the perceptual experience interchanges between element motion and group motion in a spontaneous manner. While the bistability is present, observers are still capable of judging which percept leaves more of a lasting impression. As aforementioned the two percepts are never experienced simultaneously. This occurs due to intermediate ISIs yielding different percentages of group movement and element movement that are each dependent upon their exact values. [7]
Element motion can be observed when ISI’s are presented for less than 50 milliseconds. Though the most common time frame used to achieve this illusion is usually around 20 milliseconds. Element motion is characterized as the outer disc in the Ternus display being seen as "jumping over" the other two discs in the display, which are then considered to be the (inner) discs; placing itself in the right hand side location. [4] This effect can be seen in motion in the example at the top of the page in Figure 1.
According to Braddick from his research in 1980, element motion can be attributed to the low-level short range motion process, signalling a null or no-movement for the two elements in the middle of the display between Frame 1 and Frame 3 when short ISIs are shown. [9] As a response to this the higher level long-range motion process passes a signal of element movement. This means that the outer element appears to jump across to the opposite side of the display and back again.
When the ISI (Frame 2) in the Ternus motion display is shown for the relatively long interval of at least 50 milliseconds, group motion can be observed. [4] The longer the inter-frame interval or ISI the more likely a group motion effect is to occur. [10]
Group motion gives the perceiver the illusion that all of the discs within the display are moving simultaneously to the right and then back again. As with element motion this effect can be seen in Figure 3 as well as demonstrated in Figure 2. Braddick in 1980 posited that the occurrence of group motion at longer ISIs can be attributed to the short-range motion process signalling motion in the central elements of the motion display, which in turn leads to the long-range process to signal that the three elements are moving in unison. [9]
Since the discovery of the Ternus illusion there has been an abundance of research into how and why it occurs. As can be deemed from research above, one of the most critical factors appears to be the length of the ISI, as it seems to be a heavy determinant in which percept becomes apparent to the observer however there are many other factors implicated. A reasonable amount of the research in this area appears to be well empirically supported, such as the idea that lower level (short range processes) and higher level (long range processes) are involved in determining which illusion is perceived.
A study by Scott-Samuel & Hess found that the perception of element motion is influenced by changes in the spatial appearance within the Ternus display which suggests that apparent motion is mediated entirely by a long-range motion process. Research undertaken by Kramer and Yantis in 1997 found that perceptual grouping of the elements also appears to have important implications. Kramer and his colleagues found an increase in observers perceiving group motion when the elements in the display seemed to form a logical group in contrast to when they were independently arranged. [4]
Yantis found that the perceived continuity of a briefly interrupted element in perception depends on early neural mechanisms in the visual system such as visible persistence as well as on a representation of a three-dimensional surface layout. [6]
As previously mentioned, studies have alluded to the idea that high level motion mechanisms determine the final decision in which percept shows through, however recent research by He & Ooi suggests that this final decision is also influenced by accounting for numerous grouping factors such as proximity, similarity and common surface amongst the elements in the scene. [5]
Though there are many ideas relating to causative factors, even current research seems to be lacking in a conclusive explanation for why the Ternus effect occurs and has not yet discovered exactly which mechanisms are responsible. Petersik and his team in 2006 suggested that intensive brain-imaging research on each percept is the way forward and is the most likely way to discover the answer. [7] On the other hand, Grossberg and Rudd (1992, Psychol. Rev., 99, 78–121) have developed a neural model of motion perception that simulates many examples of long-range apparent motion, including both the Ternus and reverse-contrast Ternus illusions. [11]
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views. Philosophers distinguish internalist accounts, which assume that perceptions of objects, and knowledge or beliefs about them, are aspects of an individual's mind, and externalist accounts, which state that they constitute real aspects of the world external to the individual. The position of naïve realism—the 'everyday' impression of physical objects constituting what is perceived—is to some extent contradicted by the occurrence of perceptual illusions and hallucinations and the relativity of perceptual experience as well as certain insights in science. Realist conceptions include phenomenalism and direct and indirect realism. Anti-realist conceptions include idealism and skepticism. Recent philosophical work have expanded on the philosophical features of perception by going beyond the single paradigm of vision.
Perception is the organization, identification, and interpretation of sensory information in order to represent and understand the presented information or environment. All perception involves signals that go through the nervous system, which in turn result from physical or chemical stimulation of the sensory system. Vision involves light striking the retina of the eye; smell is mediated by odor molecules; and hearing involves pressure waves.
An illusion is a distortion of the senses, which can reveal how the mind normally organizes and interprets sensory stimulation. Although illusions distort the human perception of reality, they are generally shared by most people.
In visual perception, an optical illusion is an illusion caused by the visual system and characterized by a visual percept that arguably appears to differ from reality. Illusions come in a wide variety; their categorization is difficult because the underlying cause is often not clear but a classification proposed by Richard Gregory is useful as an orientation. According to that, there are three main classes: physical, physiological, and cognitive illusions, and in each class there are four kinds: Ambiguities, distortions, paradoxes, and fictions. A classical example for a physical distortion would be the apparent bending of a stick half immerged in water; an example for a physiological paradox is the motion aftereffect. An example for a physiological fiction is an afterimage. Three typical cognitive distortions are the Ponzo, Poggendorff, and Müller-Lyer illusion. Physical illusions are caused by the physical environment, e.g. by the optical properties of water. Physiological illusions arise in the eye or the visual pathway, e.g. from the effects of excessive stimulation of a specific receptor type. Cognitive visual illusions are the result of unconscious inferences and are perhaps those most widely known.
Gestalt psychology, gestaltism, or configurationism is a school of psychology that emerged in the early twentieth century in Austria and Germany as a theory of perception that was a rejection of basic principles of Wilhelm Wundt's and Edward Titchener's elementalist and structuralist psychology.
The term phi phenomenon is used in a narrow sense for an apparent motion that is observed if two nearby optical stimuli are presented in alternation with a relatively high frequency. In contrast to beta movement, seen at lower frequencies, the stimuli themselves do not appear to move. Instead, a diffuse, amorphous shadowlike something seems to jump in front of the stimuli and occlude them temporarily. This shadow seems to have nearly the color of the background. Max Wertheimer first described this form of apparent movement in his habilitation thesis, published 1912, marking the birth of Gestalt psychology.
Multistable perception is a perceptual phenomenon in which an observer experiences an unpredictable sequence of spontaneous subjective changes. While usually associated with visual perception, multistable perception can also be experienced with auditory and olfactory percepts.
The term illusory motion, also known as motion illusion or "apparent motion", is an optical illusion in which a static image appears to be moving due to the cognitive effects of interacting color contrasts, object shapes, and position. The stroboscopic animation effect is the most common type of illusory motion and is perceived when images are displayed in fast succession, as occurs in movies. The concept of illusory motion was allegedly first described by Aristotle.
The wagon-wheel effect is an optical illusion in which a spoked wheel appears to rotate differently from its true rotation. The wheel can appear to rotate more slowly than the true rotation, it can appear stationary, or it can appear to rotate in the opposite direction from the true rotation.
Subjective constancy or perceptual constancy is the perception of an object or quality as constant even though our sensation of the object changes. While the physical characteristics of an object may not change, in an attempt to deal with the external world, the human perceptual system has mechanisms that adjust to the stimulus.
The kappa effect or perceptual time dilation is a temporal perceptual illusion that can arise when observers judge the elapsed time between sensory stimuli applied sequentially at different locations. In perceiving a sequence of consecutive stimuli, subjects tend to overestimate the elapsed time between two successive stimuli when the distance between the stimuli is sufficiently large, and to underestimate the elapsed time when the distance is sufficiently small.
The size–weight illusion, also known as the Charpentier illusion, is named after the French physician Augustin Charpentier because he was the first to demonstrate the illusion experimentally. It is also called De Moor's illusion, named after Belgian physician Jean Demoor (1867–1941).
A sensory cue is a statistic or signal that can be extracted from the sensory input by a perceiver, that indicates the state of some property of the world that the perceiver is interested in perceiving.
The flash lag illusion or flash-lag effect is a visual illusion wherein a flash and a moving object that appear in the same location are perceived to be displaced from one another. Several explanations for this simple illusion have been explored in the neuroscience literature.
The Chubb illusion is an optical illusion or error in visual perception in which the apparent contrast of an object varies substantially to most viewers depending on its relative contrast to the field on which it is displayed. These visual illusions are of particular interest to researchers because they may provide valuable insights in regard to the workings of human visual systems.
In visual perception, the kinetic depth effect refers to the phenomenon whereby the three-dimensional structural form of an object can be perceived when the object is moving. In the absence of other visual depth cues, this might be the only perception mechanism available to infer the object's shape. Being able to identify a structure from a motion stimulus through the human visual system was shown by Wallach and O'Connell in the 1950s through their experiments.
The cutaneous rabbit illusion is a tactile illusion evoked by tapping two or more separate regions of the skin in rapid succession. The illusion is most readily evoked on regions of the body surface that have relatively poor spatial acuity, such as the forearm. A rapid sequence of taps delivered first near the wrist and then near the elbow creates the sensation of sequential taps hopping up the arm from the wrist towards the elbow, although no physical stimulus was applied between the two actual stimulus locations. Similarly, stimuli delivered first near the elbow then near the wrist evoke the illusory perception of taps hopping from elbow towards wrist. The illusion was discovered by Frank Geldard and Carl Sherrick of Princeton University, in the early 1970s, and further characterized by Geldard (1982) and in many subsequent studies. Geldard and Sherrick likened the perception to that of a rabbit hopping along the skin, giving the phenomenon its name. While the rabbit illusion has been most extensively studied in the tactile domain, analogous sensory saltation illusions have been observed in audition and vision. The word "saltation" refers to the leaping or jumping nature of the percept.
Motion Induced Blindness (MIB), also known as Bonneh's illusion is a visual illusion in which a large, continuously moving pattern erases from perception some small, continuously presented, stationary dots when one looks steadily at the center of the display. It was discovered by Bonneh, Cooperman, and Sagi (2001), who used a swarm of blue dots moving on a virtual sphere as the larger pattern and three small yellow dots as the smaller pattern. They found that after about 10 seconds, one or more of the dots disappeared for brief, random times.
A phantom contour is a type of illusory contour. Most illusory contours are seen in still images, such as the Kanizsa triangle and the Ehrenstein illusion. A phantom contour, however, is perceived in the presence of moving or flickering images with contrast reversal. The rapid, continuous alternation between opposing, but correlated, adjacent images creates the perception of a contour that is not physically present in the still images. Quaid et al. have also authored a PhD thesis on the phantom contour illusion and its spatiotemporal limits which maps out limits and proposes mechanisms for its perception centering around magnocellularly driven visual area MT.
Interindividual differences in perception describes the effect that differences in brain structure or factors such as culture, upbringing and environment have on the perception of humans. Interindividual variability is usually regarded as a source of noise for research. However, in recent years, it has become an interesting source to study sensory mechanisms and understand human behavior. With the help of modern neuroimaging methods such as fMRI and EEG, individual differences in perception could be related to the underlying brain mechanisms. This has helped to explain differences in behavior and cognition across the population. Common methods include studying the perception of illusions, as they can effectively demonstrate how different aspects such as culture, genetics and the environment can influence human behavior.