Waterfall | |
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Artist | M. C. Escher |
Year | 1961 |
Type | Lithograph |
Dimensions | 38 cm× 30 cm(15 in× 12 in) |
Waterfall (Dutch : Waterval) is a lithograph by the Dutch artist M. C. Escher, first printed in October 1961. It shows a perpetual motion machine where water from the base of a waterfall appears to run downhill along the water path before reaching the top of the waterfall.
While most two-dimensional artists use relative proportions to create an illusion of depth, Escher here and elsewhere uses conflicting proportions to create a visual paradox. The watercourse supplying the waterfall (its aqueduct or leat) has the structure of two Penrose triangles. A Penrose triangle is an impossible object designed by Oscar Reutersvärd in 1934, and found independently by Roger Penrose in 1958. [1]
The image depicts a watermill with an elevated aqueduct and waterwheel as the main feature. The aqueduct begins at the waterwheel and flows behind it. The walls of the aqueduct step downward, suggesting that it slopes downhill. The aqueduct turns sharply three times, first to the left, then to the right, and finally to the left again. The viewer looks down at the scene diagonally, which means that from the viewer's perspective the aqueduct appears to be slanted upward. The viewer is also looking across the scene diagonally from the lower right, which means that from the viewer's perspective the two left-hand turns are directly in line with each other, while the waterwheel, the forward turn and the end of the aqueduct are all in line. The second left-hand turn is supported by pillars from the first, while the other two corners are supported by a tower of pillars that begins at the waterwheel. The water falls off the edge of the aqueduct and over the waterwheel in an impossible infinite cycle; in his notes on the picture, Escher points out that some water must be periodically added to this perpetual motion machine to compensate for evaporation. The use of the Penrose stairs is paralleled by Escher's Ascending and Descending (1960), where instead of the flow of water, two lines of monks endlessly march uphill or downhill around the four flights of stairs. [2]
The two support towers continue above the aqueduct and are topped by two compound polyhedra, revealing Escher's interest in mathematics as an artist. The one on the left is a compound of three cubes. The one on the right is a stellation of a rhombic dodecahedron (or a compound of three non-regular octahedra) and is known as Escher's solid.
Below the mill is a garden of bizarre, giant plants. This is a magnified view of a cluster of moss and lichen that Escher drew in ink as a study in 1942. [3]
The background seems to be a climbing expanse of terraced farmland.
In geometry, a dodecahedron or duodecahedron is any polyhedron with twelve flat faces. The most familiar dodecahedron is the regular dodecahedron with regular pentagons as faces, which is a Platonic solid. There are also three regular star dodecahedra, which are constructed as stellations of the convex form. All of these have icosahedral symmetry, order 120.
Maurits Cornelis Escher was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics. Despite wide popular interest, for most of his life Escher was neglected in the art world, even in his native Netherlands. He was 70 before a retrospective exhibition was held. In the late twentieth century, he became more widely appreciated, and in the twenty-first century he has been celebrated in exhibitions around the world.
In geometry, a polyhedral compound is a figure that is composed of several polyhedra sharing a common centre. They are the three-dimensional analogs of polygonal compounds such as the hexagram.
The Penrose triangle, also known as the Penrose tribar, the impossible tribar, or the impossible triangle, is a triangular impossible object, an optical illusion consisting of an object which can be depicted in a perspective drawing, but cannot exist as a solid object. It was first created by the Swedish artist Oscar Reutersvärd in 1934. Independently from Reutersvärd, the triangle was devised and popularized in the 1950s by psychiatrist Lionel Penrose and his son, prominent Nobel Prize-winning mathematician Sir Roger Penrose, who described it as "impossibility in its purest form". It is featured prominently in the works of artist M. C. Escher, whose earlier depictions of impossible objects partly inspired it.
An impossible object is a type of optical illusion that consists of a two-dimensional figure which is instantly and naturally understood as representing a projection of a three-dimensional object but cannot exist as a solid object. Impossible objects are of interest to psychologists, mathematicians and artists without falling entirely into any one discipline.
In geometry, stellation is the process of extending a polygon in two dimensions, polyhedron in three dimensions, or, in general, a polytope in n dimensions to form a new figure. Starting with an original figure, the process extends specific elements such as its edges or face planes, usually in a symmetrical way, until they meet each other again to form the closed boundary of a new figure. The new figure is a stellation of the original. The word stellation comes from the Latin stellātus, "starred", which in turn comes from Latin stella, "star". Stellation is the reciprocal or dual process to faceting.
The Penrose stairs or Penrose steps, also dubbed the impossible staircase, is an impossible object created by Oscar Reutersvärd in 1937 and later independently discovered and made popular by Lionel Penrose and his son Roger Penrose. A variation on the Penrose triangle, it is a two-dimensional depiction of a staircase in which the stairs make four 90-degree turns as they ascend or descend yet form a continuous loop, so that a person could climb them forever and never get any higher. This is clearly impossible in three-dimensional Euclidean geometry but possible in some non-Euclidean geometry like in nil geometry.
In geometry, the rhombic dodecahedron is a convex polyhedron with 12 congruent rhombic faces. It has 24 edges, and 14 vertices of 2 types. It is a Catalan solid, and the dual polyhedron of the cuboctahedron.
The rhombic triacontahedron, sometimes simply called the triacontahedron as it is the most common thirty-faced polyhedron, is a convex polyhedron with 30 rhombic faces. It has 60 edges and 32 vertices of two types. It is a Catalan solid, and the dual polyhedron of the icosidodecahedron. It is a zonohedron.
In geometry, a disdyakis dodecahedron,, is a Catalan solid with 48 faces and the dual to the Archimedean truncated cuboctahedron. As such it is face-transitive but with irregular face polygons. It resembles an augmented rhombic dodecahedron. Replacing each face of the rhombic dodecahedron with a flat pyramid creates a polyhedron that looks almost like the disdyakis dodecahedron, and is topologically equivalent to it.
Stars is a wood engraving print created by the Dutch artist M. C. Escher in 1948, depicting two chameleons in a polyhedral cage floating through space.
Ascending and Descending is a lithograph print by the Dutch artist M. C. Escher first printed in March 1960. The original print measures 14 in × 11+1⁄4 in. The lithograph depicts a large building roofed by a never-ending staircase. Two lines of identically dressed men appear on the staircase, one line ascending while the other descends. Two figures sit apart from the people on the endless staircase: one in a secluded courtyard, the other on a lower set of stairs. While most two-dimensional artists use relative proportions to create an illusion of depth, Escher here and elsewhere uses conflicting proportions to create the visual paradox.
A regular dodecahedron or pentagonal dodecahedron is a dodecahedron that is regular, which is composed of 12 regular pentagonal faces, three meeting at each vertex. It is one of the five Platonic solids. It has 12 faces, 20 vertices, 30 edges, and 160 diagonals. It is represented by the Schläfli symbol {5,3}.
The compound of five cubes is one of the five regular polyhedral compounds. It was first described by Edmund Hess in 1876.
There are two different compounds of great icosahedron and great stellated dodecahedron: one is a dual compound and a stellation of the great icosidodecahedron, the other is a stellation of the icosidodecahedron.
In geometry, faceting is the process of removing parts of a polygon, polyhedron or polytope, without creating any new vertices.
In geometry, the medial rhombic triacontahedron is a nonconvex isohedral polyhedron. It is a stellation of the rhombic triacontahedron, and can also be called small stellated triacontahedron. Its dual is the dodecadodecahedron.
In mathematics, the compound of three octahedra or octahedron 3-compound is a polyhedral compound formed from three regular octahedra, all sharing a common center but rotated with respect to each other. Although appearing earlier in the mathematical literature, it was rediscovered and popularized by M. C. Escher, who used it in the central image of his 1948 woodcut Stars.
In geometry, the first stellation of the rhombic dodecahedron is a self-intersecting polyhedron with 12 faces, each of which is a non-convex hexagon. It is a stellation of the rhombic dodecahedron and has the same outer shell and the same visual appearance as two other shapes: a solid, Escher's solid, with 48 triangular faces, and a polyhedral compound of three flattened octahedra with 24 overlapping triangular faces.
In geometry, a rhombic hexecontahedron is a stellation of the rhombic triacontahedron. It is nonconvex with 60 golden rhombic faces with icosahedral symmetry. It was described mathematically in 1940 by Helmut Unkelbach.