Ars Mathematica (Latin for "[the] Mathematical Art") is a Paris, France-based, international and non-profit organization founded in 1992 by Christian Lavigne and Alexandre Vitkine to promote the interconnection between art, science, and technology, with a particular focus on digital sculpture.
Since 1993, the association has organized a biennial exhibition of digital sculpture. "Intersculpt '95", the second show, was jointly sponsored by U.S.-based Computer and Sculpture Forum. During the expo, a transatlantic videoconference between Philadelphia and Paris resulted in the creation of a shared sculpture, "the Temple Hands", based on a concept by David Morris, and the first transatlantic telesculpture, sent by Stewart DICKSON via the Internet and materialized in Paris.
Since 1996, many digital sculptures showed during the Intersculpt events are displayed on Active Worlds, in the DAAP zone founded, curated and managed by the Pr. Derrick WOODHAM (professor Emeritus at the University of Cincinnati).
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A world's fair, also known as a universal exhibition or an expo, is a large global exhibition designed to showcase the achievements of nations. These exhibitions vary in character and are held in different parts of the world at a specific site for a period of time, typically between three and six months.
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Mihael Milunović is a Serbian and French painter. His work encompasses a wide range of artistic disciplines, from painting, drawing and photography through large-scale sculptures, installations, to sound, video and objects. His main interests focus on social and political issues. By decontextualizing everyday objects, symbols or situations, Milunović provokes unease in the observer, a blend of alienation and curiosity.
Nicolas Bourriaud is a French curator and art critic, who has curated a great number of exhibitions and biennials all over the world.
Johan Wilhelm Klüver was an American electrical engineer at Bell Telephone Laboratories who founded Experiments in Art and Technology. Klüver lectured extensively on art and technology and social issues to be addressed by the technical community. He published numerous articles on these subjects. Klüver curated for fourteen major museum exhibitions in the United States and Europe. He received the prestigious Ordre des Arts et des Lettres award from the French government.
Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.
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Fatimah Tuggar is an interdisciplinary artist born in Nigeria and based in the United States. Tuggar uses collage and digital technology to create works that investigates dominant and linear narratives of gender, race, and technology. She is currently an associate professor of AI in the Arts: Art & Global Equity at the University of Florida in the United States.
VitaliV is a contemporary British artist, sharing his time between the UK and Italy studios. He creates abstract art inspired by patterns in microchips. He initially referred to his artistic style based on microchips computer design as "digital art" but the term seemed too generic, and the artist soon decided in favour of "schematism" – the term he invented himself to represent his signature style. Some of his works have been laser-cut in relief and then hand-painted as 3D objects.
Polytope de Montréal was a media installation in the French Pavilion, which now houses the Montreal Casino. The installation included a sculpture, light show, and musical composition designed and composed by Iannis Xenakis for Expo 67, the 1967 International and Universal Exposition. The piece was the first of many such installations by Xenakis.
Pierre Clerk is a contemporary artist who works primarily in painting and sculpture.
Piero Gilardi was a visual artist. Born in Italy from a Swiss family, he studied at the Liceo Artistico in Turin. In an interview with LeGrace G. Benson, Gilardi stated that his personal encounter with artist Michelangelo Pistoletto and others helped him in the development of his own artwork. While trying to comprehend the cybernetic idea of feedback and the scientific rationale behind man's mental synthesis, his perspective on reality changed; he then focused on the fluxus and relationship of things around him.
Federico Díaz is an artist of Czech-Argentine descent who lives and works in Prague. He has exhibited at the Mori Art Museum Tokyo, CAFA Museum Beijing, Institute of Contemporary Arts London, Center for Art and Media Karlsruhe, Ars Electronica Linz, Massachusetts Museum of Contemporary Art, Art Basel in Miami Beach, the Florence Biennale, at the 54thVenice Biennale, the Brno House of Arts, Royal Institute of British Architects and had a project with the University of Cambridge. In 2010, he represented Czech art at the World Expo 2010 in Shanghai. In 2007, he received the Premio Internazionale Lorenzo il Magnifico for digital media at the Florence Biennale.
Ulf Langheinrich is a visual artist and composer.
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Ars Electronica Linz GmbH is an Austrian cultural, educational and scientific institute active in the field of new media art, founded in Linz in 1979. It is based at the Ars Electronica Center (AEC), which houses the Museum of the Future, in the city of Linz. Ars Electronica's activities focus on the interlinkages between art, technology and society. It runs an annual festival, and manages a multidisciplinary media arts R&D facility known as the Futurelab. It also confers the Prix Ars Electronica awards.
Barbara Vanderlinden is a Belgian art historian, curator, and director.
Kumi Sugai was a Japanese painter and printmaker. Driven by an interest in avant-garde painting, Sugai moved to Paris in 1952 where he quickly attracted critical attention, participating in numerous exhibitions in Paris and abroad. First working in a style resembling informalism or lyrical abstraction, he became affiliated with the Nouvelle École de Paris. During the early 1960s, his artworks radically transformed when he developed a hard-edge abstract style influenced by his interest in automobiles and contemporary urban living. While he did not officially associate himself with any single artistic movement or group, he collaborated on multiple projects with his poet friends, Jean-Clarence Lambert and Makota Ōoka.
Adrián Villar Rojas is an Argentinian sculptor known for his elaborate fantastical works which explore notions of the Anthropocene and the end of the world. In his dream like installations he uses aspects of drawing, sculpture, video and music to create immersive situations in which the spectator is confronted with ideas and images of their imminent extinction.
