Jan Dibbets (born 9 May 1941, in Weert) is an Amsterdam-based Dutch conceptual artist. His work is influenced by mathematics and works mainly with photography. [1]
In the late 1950s and early 1960s, he started as an art teacher at the Tilburg Academy and studied painting with Jan Gregoor in Eindhoven. He had his first solo exhibition in 1965 at Amsterdam's Galerie 845 and subsequently abandoned painting in 1967. At that same period, he visited London and met Richard Long and other artists working with land art. He returned to Amsterdam, incorporated land-art based theories into his work and began to use photography as a "dialogue between nature and cool geometrical design by rotating the camera on its axis" with his "perspective corrections". [2] His work in the Dutch pavilion at the Venice Biennale in 1972 gave him an international reputation.
In 1994, he was commissioned by the Arago Association to create a memorial to the French astronomer François Arago, known as Hommage à Arago. Dibbets set 135 bronze medallions into the ground along the Paris Meridian between the north and south limits of Paris.
Dibbets's works are included in museums around the world, including the Stedelijk Museum, Amsterdam, Solomon R. Guggenheim Museum, New York, De Pont Museum of Contemporary Art in Tilburg, and the Van Abbemuseum in Eindhoven.
Land art, variously known as Earth art, environmental art, and Earthworks, is an art movement that emerged in the 1960s and 1970s, largely associated with Great Britain and the United States but that also includes examples from many countries. As a trend, "land art" expanded boundaries of art by the materials used and the siting of the works. The materials used were often the materials of the Earth, including the soil, rocks, vegetation, and water found on-site, and the sites of the works were often distant from population centers. Though sometimes fairly inaccessible, photo documentation was commonly brought back to the urban art gallery.
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