The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
Mark Edward Smith was an English singer-songwriter. He was the lead singer, lyricist and only constant member of the post-punk group the Fall. Smith formed the band after attending the June 1976 Sex Pistols gig at the Lesser Free Trade Hall in Manchester and was its leader until his death. During their 42-year existence, the Fall's line-up included some sixty musicians, with whom Smith released 32 studio albums and numerous singles and EPs.
This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet. In contrast to the band's earlier albums, This Nation's... is noted for its pop sensibilities and guitar hooks, and John Leckie's accessible production. This Nation's... was recorded in London between June and July 1985, and is the second of the three consecutive Fall albums produced by John Leckie. The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek", and tours of Europe and America.
Room to Live, subtitled Undilutable Slang Truth!, is the fifth studio album by English post-punk band the Fall. It was released on 27 September 1982 through record label Kamera.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Brix Smith is an American singer and guitarist, best known as the lead guitarist and a major songwriter for the English post-punk band the Fall during two stints in the band.
The Wonderful and Frightening World Of... is the seventh studio album by English musical group the Fall, released in October 1984. It was the band's first album after signing to the Beggars Banquet label. Newcomer Brix Smith co-wrote three of the tracks, ushering in a relatively pop-oriented sound for the group. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.
The Frenz Experiment is the tenth studio album by English post-punk band The Fall. It was released on 29 February 1988 through record label Beggars Banquet. In October 2020, an expanded remastered edition was produced, containing singles, b-sides and other tracks recorded in the same era.
I Am Kurious Oranj is the eleventh studio album by English post-punk band the Fall. It was released on 24 October 1988 through record label Beggars Banquet.
Stephen Hanley is an Irish-born English musician who grew up in and lives in Manchester, He is best known as the bass guitarist in the Fall from 1979 to 1998. His distinctive and muscular basslines were a signature part of their sound, often carrying the songs' instrumental melodies. Hanley is second only to Mark E. Smith in longevity in the band. With Peter Hook, Andy Rourke and Gary Mounfield, he is widely considered one of the pre-eminent Manchester bassists of his generation. He has always been very private and rarely interviewed; for this reason his 2014 autobiography The Big Midweek: Life Inside The Fall was highly anticipated. On publication it was met with widespread acclaim for its frank honesty and dry, no nonsense humour.
Simon John Wolstencroft is an English rock drummer, best known for playing with The Fall from 1986 to 1997. He also played with early incarnations of The Smiths and The Stone Roses. His highly praised autobiography You Can Drum But You Can't Hide was published in 2014.
Craig Antony Scanlon is an English guitarist, best known as a member of the Fall between 1979 and 1995. During his tenure he was a stalwart member for 17 albums and co-wrote over 120 of the group's songs; singer Mark E. Smith and bass player Steve Hanley excepted, this tally is unmatched by any other musician to have passed through the group.
Martin Beddington, better known by his stage name Martin Bramah, is an English singer-songwriter and guitarist, best known as a founding member of the Fall, Blue Orchids, Thirst, and Factory Star.
Brix & the Extricated are a British post-punk band, formed in 2014 in Manchester, by ex-Fall members Brix Smith Start (vocals/guitar) and Steve Hanley.
"Hit the North" is a 1987 song by British post-punk band the Fall. The lyrics are by vocalist Mark E. Smith accompanied with music written by Simon Rogers and Brix Smith. It was released as a single in October 1987 and reached number 57 on the UK singles chart.
"Totally Wired" is a song by the Fall. Released in September 1980, the single became one of their signature tracks. The track subsequently appeared on CD reissues of their album Grotesque . The track reached no. 2 in the UK Independent Singles Chart and no. 25 in New Zealand.
"I Am Damo Suzuki" is a song by the English post-punk band The Fall released on their 1985 album This Nation's Saving Grace. It was written in tribute to the Japanese expat vocalist Damo Suzuki of the Krautrock group Can, whom Fall vocalist Mark E. Smith consistently described as a major influence.
"Cruiser's Creek" is a 1985 single by the English Post-punk band The Fall. The music and lyrics were written by guitarist Brix Smith and lead vocalist Mark E. Smith during sessions in the lead up to recording their 8th album This Nation's Saving Grace, and it was released as single just after the album came out. The b-side of the single was album track "L.A." while the twelve-inch single version contains the song "Vixen", written and sung by Brix.
"Paint Work" is a 1985 song by the English Post-punk band The Fall that first appeared on their album This Nation's Saving Grace. Widely considered the high-point of the album, the track was described in 2019 as "absolutely sublime" by Vulture, and as "mildly psychedelic" in 2011 by critic Mick Middles.
