The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
Room to Live, subtitled Undilutable Slang Truth!, is the fifth studio album by English post-punk band the Fall. It was released on 27 September 1982 through record label Kamera.
Dragnet is the second studio album by English post-punk band the Fall, released on 26 October 1979 through Step-Forward Records. Appearing less than eight months after its predecessor, Live at the Witch Trials,Dragnet established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Bend Sinister is the ninth studio album by English post-punk band the Fall. It was released in September 1986 by record label Beggars Banquet.
Blue Orchids are an English post-punk band formed in Manchester in 1979, when Martin Bramah left the Fall, after playing on the band's debut album Live at the Witch Trials. Christened by Salford-based punk poet John Cooper Clarke the band recorded for Rough Trade and acted as backing band for the Velvet Underground's Nico before a 25-year period of intermittent activity and fluctuating line-ups.
The Marshall Suite is a 1999 album by the Fall, their 20th. The album builds on the techno-influenced beats of its predecessor Levitate (1997), while also returning to a more rockabilly-influenced sound reminiscent of earlier Fall lineups with songs such as the catchy "Touch Sensitive" and the strange, complex, thumping jungle beats of "The Crying Marshal". The album was long out of print, but a new three-disc edition was released in the summer of 2011.
Karl Burns is a British musician best known as the drummer for the Fall, featuring in many incarnations of the band between 1977 and 1998.
Extricate is the 12th album by post-punk band the Fall. It was made immediately after bandleader Mark E. Smith divorced guitarist Brix Smith. Brix's departure helped define the sound of this album: her background vocals and relatively pop-oriented guitar, which had become mainstays of The Fall, are noticeably absent in this release. In one of the more unusual events in the group's career, she was replaced by founding former member Martin Bramah, who had previously left the group in 1979 to form his own group Blue Orchids.
Shift-Work is the 13th album by English rock band the Fall, released through Phonogram Records in 1991. The Fall started working on the album in 1990 while touring in support of Extricate. Mark E. Smith sacked guitarist Martin Bramah and keyboardist Marcia Schofield immediately after the Australian leg of the tour, reducing the lineup to four for the first time in band's history. Only one song ("Rose") from the sessions with Bramah and Schofield eventually appeared on the album. Several tracks were released as the Dredger EP in August 1990, including "Life Just Bounces", which would later be re-recorded for Cerebral Caustic. The Fall's first release with a reduced lineup was the single "High Tension Line" in December 1990.
The Light User Syndrome is the 18th album by the Fall, released in 1996 on Jet Records. It was the group's first album to feature keyboard player and guitarist Julia Nagle and the last to feature Brix Smith, while longtime guitarist Craig Scanlon was fired in late 1995 during troubled recording sessions for "The Chiselers" single which preceded the album. A version of "The Chiselers" is included on the album as "Interlude/Chilinism".
The Complete Peel Sessions 1978–2004 is a compilation box set by English post-punk band the Fall. It was released in 2005 by record label Castle Music.
The Twenty-Seven Points: Live 92–95 is a double album by the Fall, released in 1995. The album consists of live recordings made in various locations between 1991 and 1995, but also contains interludes and two previously unheard studio tracks. Credits on the album are sketchy but the front cover lists the cities in which the tracks were recorded; Prague, Tel Aviv, London, Glasgow, New York City and Manchester.
Stephen Hanley is an Irish-born English musician who grew up in and lives in Manchester, He is best known as the bass guitarist in the Fall from 1979 to 1998. His distinctive and muscular basslines were a signature part of their sound, often carrying the songs' instrumental melodies. Hanley is second only to Mark E. Smith in longevity in the band. With Peter Hook, Andy Rourke and Gary Mounfield, he is widely considered one of the pre-eminent Manchester bassists of his generation. He has always been very private and rarely interviewed; for this reason his 2014 autobiography The Big Midweek: Life Inside The Fall was highly anticipated. On publication it was met with widespread acclaim for its frank honesty and dry, no nonsense humour.
Simon John Wolstencroft is an English rock drummer, best known for playing with The Fall from 1986 to 1997. He also played with early incarnations of The Smiths and The Stone Roses. His highly praised autobiography You Can Drum But You Can't Hide was published in 2014.
Martin Beddington, better known by his stage name Martin Bramah, is an English singer-songwriter and guitarist, best known as a founding member of the Fall, Blue Orchids, Thirst, and Factory Star.
The Remainderer is an EP by the Fall, released on 9 November 2013. It features five new songs by the group and a medley of two Gene Vincent covers, "Say Mama" and "Race With the Devil". The title track was previously played live. Curiously, "Race with the Devil" is not a new recording, but a live performance recorded at the John Peel 50th-anniversary concert back in 1989 with the Extricate lineup; this recording had previously appeared on The Fall Red Box Set 1976-2007. The last song, "Touchy Pad" features Tamsin Middleton of Manchester band Mr Heart on vocals. The release was explained as a bridging point by the record company. The vinyl version features earlier mixes that differ from the CD. The release was followed by a number of live-shows.
"Telephone Thing" is a song by British post-punk band the Fall, written by Mark E. Smith with Coldcut members Matt Black and Jonathan More. Produced and mixed by Coldcut, it was released as a single in January 1990 and reached number 58 on the UK singles chart. It also featured on the Fall's twelfth album, Extricate.
"Why Are People Grudgeful?" is a 1993 single by British post-punk band the Fall. It reached number 43 on the UK singles chart. The song is based on two Jamaican recordings from 1968, "People Funny Boy" by Lee Perry, and its answer record, "People Grudgeful" by Joe Gibbs, which are regarded as being among the first reggae records.
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