I Am Damo Suzuki

Last updated
"I Am Damo Suzuki"
Song by The Fall
from the album This Nation's Saving Grace
Released23 September 1985 (1985-09-23)
RecordedJune-July 1985 [1]
Studio The Music Works, London [1]
Genre Post-punk
Length5:40
Label Beggars Banquet
Songwriter(s) Mark E. Smith, Brix Smith, Karl Burns
Producer(s) John Leckie

"I Am Damo Suzuki" is a song by the English post-punk band The Fall released on their 1985 album This Nation's Saving Grace . It was written in tribute to the Japanese expat vocalist Damo Suzuki of the Krautrock group Can, [2] whom Fall vocalist Mark E. Smith consistently described as a major influence. [3] [4]

Contents

Smith's lyrics describe and evoke Suzuki's stage presence and singing style. The music was composed by guitarist Brix Smith and drummer Karl Burns. Described as spectral, the music is heavily influenced by the 1971 Can song "Oh Yeah", but also contains elements (especially the descending chords) of other Can tracks such as "Bel Air" (1973), "Gomorrah" (1974) and "Midnight Men" (1977).

The song was described in 2022 as a "hypnotic art-rock anthem befitting of [Can's] name", [5] while in 2019 Suzuki biographer Paul Woods wrote that "MES took the 'Oh Yeah' riff and overrode it with a speed-freak surrealist tribute to Can and Damo himself while throwing in an oblique reference to Fritz Leiber, one of a number of supernatural horror authors who also obsessed him." [6]

Music and lyrics

Suzuki performing in 2008 Damo Suzuki.jpg
Suzuki performing in 2008

The lyrics were written by Fall vocalist Mark E. Smith. They describe Suzuki's personality, stage presence and at times mimic his singing style. Smith had earlier said that Suzuki's surrealistic lyrics and tendency abandon language, and even have his vocals played backwards in the final mix (as on "Oh Yeah") was a major influence on his writing and delivery style. Smith's opening lyrics: "Generous of lyric / Jehovah's Witness / Stands in Cologne Marktplatz / drums come in / When the drums come in fast / Drums to shock, into brass evil", evoke both his admiration for the older singer and the aggressive style of Can's drummer Jaki Liebezeit. [7] Other lyrics such as "who is "Mr. Herr Stockhausen / Introduce me / I'm Damo Suzuki" indicate how listening to Can had broadened Smith's musical taste, [7] while the word "What have you got in that paper bag? / Is it a dose of Vitamin C?" reference the Can song Vitamin C, while the carrying sack was later evoked in the 1988 Fall song "Carrier Bag Man" from The Frenz Experiment album.

The band recorded two separate takes during the sessions for This Nation's Saving Grace , but Smith and producer John Leckie could not agree on which one to use. The vocalist preferred the band sound on the first take, and his vocal delivery on the second. As a solution Leckie spliced parts of the vocals from the second onto first. He said "the two takes had different arrangements, like the verse and chorus came in at different times, so the whole thing gives the impression of being completely random". [8] Because Smith was standing next to Burns during the recording of the vocals, there was inevitably sound leakage when the tapes were merged. According to Leckie, "the drums [were] coming through the vocal mix and every time the drums stop on the first take you can hear these ambient drums going on from the vocal mix on the second take and I thought it was fantastic and so did everyone else, but a totally unconventional way of doing it." [8]

The rhythm-heavy music was written by guitarist Brix Smith and drummer Karl Burns. [9] [10] The descending riff is based on the end section of "Bel Air" from the Can album Future Days , while Burns' drum pattern is based on "Oh Yeah" from Can's 1971 Tago Mago album. [11] [12] Brix said in 2017 that while it is one of her favourite songs she wrote for The Fall, "when I listen to it now I can hear my then technical weaknesses as a player, but in saying that I can also hear complete freedom and a certain creativity that might not have been captured had I played it perfectly". [9]

Reaction and influence

Fall bassist Steve Hanley said that he met Suzuki years later in a club, and that the singer had approached him with the words "I am Damo Suzuki", and after they had talked Hanley believed Suzuki "seemed pleased enough" with the song. [13]

Smith and Suzuki had become friends and met a few times by 1985. Suzuki used the song title for his 2019 biography "I am Damo Suzuki". [14] [11] In a 2010 interview, Suzuki said, "I know Mark E. He is Damo Suzuki as he is still singing this. I thought there is another Damo Suzuki in this world." [12] Suzuki describes the song as the "ultimate namecheck" in his 2019 autobiography. [6]

The American hip hop group Injury Reserve sampled parts of the song, mostly the keyboards, for their track "Ground Zero" which appears on their 2021 album By the Time I Get to Phoenix . [15]

Personnel

The Fall [10]
Technical

Related Research Articles

<span class="mw-page-title-main">The Fall (band)</span> English post-punk band

The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.

<span class="mw-page-title-main">Can (band)</span> German experimental rock band

Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.

<span class="mw-page-title-main">Damo Suzuki</span> Japanese musician (1950–2024)

Kenji Suzuki, known as Damo Suzuki (ダモ鈴木), was a Japanese musician best known as the vocalist for the German Krautrock group Can between 1970 and 1973. Born in 1950 in Kobe, Japan, he moved to Europe in the late 1960s where he was spotted busking in Munich, Germany, by Can bassist Holger Czukay and drummer Jaki Liebezeit. Can had just split with their vocalist Malcolm Mooney, and asked Suzuki to sing over tracks from their 1970 compilation album Soundtracks. Afterwards, he became their full time singer, appearing on the three hugely influential albums Tago Mago (1971), Ege Bamyası (1972) and Future Days (1973).

<i>This Nations Saving Grace</i> 1985 studio album by the Fall

This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet. In contrast to the band's earlier albums, This Nation's... is noted for its pop sensibilities and guitar hooks, and John Leckie's accessible production. This Nation's... was recorded in London between June and July 1985, and is the second of the three consecutive Fall albums produced by John Leckie. The album was accompanied by the singles "Couldn't Get Ahead" and "Cruiser's Creek", and tours of Europe and America.

<i>Hex Enduction Hour</i> 1982 studio album by The Fall

Hex Enduction Hour is the fourth studio album by the English post-punk group the Fall. Released on 8 March 1982, it was built on low-fidelity production values and caustic lyrical content of their earlier recordings, and features a two-drummer lineup. Frontman Mark E. Smith established an abrasive Northern aesthetic built as part of the 20th century literary traditions of kitchen sink realism and magic realism. Smith described the album as an often-satirical but deliberate reaction to the contemporary music scene, a stand against "bland bastards like Elvis Costello and Spandau Ballet ... [and] all that shit."

<i>Tago Mago</i> 1971 studio album by Can

Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists label. It was the band's first studio album to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney. Recorded in a rented castle near Cologne, the album features long-form experimental tracks blending rock improvisation, funk rhythms, and musique concrète techniques.

<i>Perverted by Language</i> 1983 studio album by The Fall

Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.

<span class="mw-page-title-main">Brix Smith</span> American singer and guitarist (born 1962)

Brix Smith is an American singer and guitarist, best known as the lead guitarist and a major songwriter for the English post-punk band the Fall during two stints in the band.

<i>The Wonderful and Frightening World Of...</i> 1984 studio album by the Fall

The Wonderful and Frightening World Of... is the seventh studio album by English musical group the Fall, released in October 1984. It was the band's first album after signing to the Beggars Banquet label. Newcomer Brix Smith co-wrote three of the tracks, ushering in a relatively pop-oriented sound for the group. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.

<i>I Am Kurious Oranj</i> 1988 studio album by The Fall

I Am Kurious Oranj is the eleventh studio album by English post-punk band the Fall. It was released on 24 October 1988 through record label Beggars Banquet.

<i>The Light User Syndrome</i> 1996 studio album by The Fall

The Light User Syndrome is the 18th album by the Fall, released in 1996 on Jet Records. It was the group's first album to feature keyboard player and guitarist Julia Nagle and the last to feature Brix Smith, while longtime guitarist Craig Scanlon was fired in late 1995 during troubled recording sessions for "The Chiselers" single which preceded the album. A version of "The Chiselers" is included on the album as "Interlude/Chilinism".

<i>Levitate</i> (The Fall album) 1997 studio album by The Fall

Levitate is the 19th album by The Fall, released in 1997 on Artful Records. Levitate became the last album to feature two long-time Fall members, drummer Karl Burns and bass player Steve Hanley.

<i>The Twenty-Seven Points</i> 1995 live album by The Fall

The Twenty-Seven Points: Live 92–95 is a double album by the Fall, released in 1995. The album consists of live recordings made in various locations between 1991 and 1995, but also contains interludes and two previously unheard studio tracks. Credits on the album are sketchy but the front cover lists the cities in which the tracks were recorded; Prague, Tel Aviv, London, Glasgow, New York City and Manchester.

<span class="mw-page-title-main">Halleluhwah</span> 1971 single by Can

"Halleluwah" is a song by the krautrock band Can, from their 1971 album Tago Mago. The track, which originally took up a whole side of long-playing vinyl record, lasts for 18 minutes and 28 seconds and is characteristic of the band's sound around 1971 in that it features a vast array of improvised guitars and keyboards, tape editing, and the rhythm section "pounding out a monster trance/funk beat". The drum beat for which the song is famous is repeated almost continuously by Jaki Liebezeit, with only minor variations, throughout the course of the 18-minute jam. In one line of the song, Damo Suzuki's lyrics mention all the songs from side one of Tago Mago: "mushroom head, oh yeah, paper house."

<span class="mw-page-title-main">Steve Hanley (musician)</span> Irish-born English musician (born 1959)

Stephen Hanley is an Irish-born English musician who grew up in and lives in Manchester, He is best known as the bass guitarist in the Fall from 1979 to 1998. His distinctive and muscular basslines were a signature part of their sound, often carrying the songs' instrumental melodies. Hanley is second only to Mark E. Smith in longevity in the band. With Peter Hook, Andy Rourke and Gary Mounfield, he is widely considered one of the pre-eminent Manchester bassists of his generation. He has always been very private and rarely interviewed; for this reason his 2014 autobiography The Big Midweek: Life Inside The Fall was highly anticipated. On publication it was met with widespread acclaim for its frank honesty and dry, no nonsense humour.

<i>The Big Midweek: Life Inside the Fall</i> 2014 autobiographical book by Steve Hanley with Olivia Piekarski

The Big Midweek: Life Inside the Fall is the 2014 autobiography by the Irish-born, English rock bassist Steve Hanley, co-written with Olivia Piekarski and published by Route Publishing. Hanley was the long-term bass player and a core music writer in The Fall from 1979 to 1998, and is widely regarded for shaping the band's sound. With Peter Hook, Andy Rourke and Gary Mounfield, he is considered one of the most important bassists of his generation.

<span class="mw-page-title-main">Hit the North</span> 1987 single by The Fall

"Hit the North" is a 1987 song by British post-punk band the Fall. The lyrics are by vocalist Mark E. Smith accompanied with music written by Simon Rogers and Brix Smith. It was released as a single in October 1987 and reached number 57 on the UK singles chart.

<span class="mw-page-title-main">Cruiser's Creek</span> 1985 single by The Fall

"Cruiser's Creek" is a 1985 single by the English Post-punk band The Fall. The music and lyrics were written by guitarist Brix Smith and lead vocalist Mark E. Smith during sessions in the lead up to recording their 8th album This Nation's Saving Grace, and it was released as single just after the album came out. The b-side of the single was album track "L.A." while the twelve-inch single version contains the song "Vixen", written and sung by Brix.

"Paint Work" is a 1985 song by the English Post-punk band The Fall that first appeared on their album This Nation's Saving Grace. Widely considered the high-point of the album, the track was described in 2019 as "absolutely sublime" by Vulture, and as "mildly psychedelic" in 2011 by critic Mick Middles.

References

  1. 1 2 Pringle (2003), p. 160
  2. Johnson, Craig. "Damo Suzuki : HollyAris : I Am Damo Suzuki". Spiked , 1 February 2005. Retrieved 1 May 2022
  3. Ford (2002), p. 147
  4. Hanley (2014), p. 251
  5. Terich, Jeff."Beginner's Guide: The Best The Fall albums to start with". Treble Magazine, 23 March 2022. Retrieved 1 May 2022
  6. 1 2 Suzuki; Woods (2019), pp. 155–156
  7. 1 2 Norton; Stanley (2021), p. 42
  8. 1 2 Booklet from the Omnibus edition of This Nation's Saving Grace
  9. 1 2 Smith (2017)
  10. 1 2 Irvin (2017), p. 495
  11. 1 2 Middles, Mick. "The Fall: This Nation's Saving Grace Omnibus Edition – review". The Quietus, 26 January 2011. Retrieved 25 April 2022
  12. 1 2 Andrews, Kernan. "Damo Suzuki - 21st cettury nomad". Galway Advertiser, 29 July 2010.Retrieved 1 May 2022
  13. Hanley (2014)
  14. "I Am Damo Suzuki biography to be published by Omnibus Press". The Wire, 2 January 2019. Retrieved 24 April 2022
  15. "Injury Reserve: Ground Zero". WhoSampled.com. Retrieved 1 May 2022

Sources