"Fiery Jack" | ||||
---|---|---|---|---|
Single by The Fall | ||||
B-side |
| |||
Released | January 1980 | |||
Recorded | October 1979 | |||
Studio | Foel Studios, Llanfair Caereinion, Wales | |||
Genre | ||||
Label | Step-Forward | |||
Songwriter(s) | Mark E. Smith, Craig Scanlon, Marc Riley, The Fall | |||
Producer(s) | The Fall, Geoff Travis, Mayo Thompson | |||
The Fall singles chronology | ||||
|
"Fiery Jack" is a song by the Fall released in 1980 as their fourth single.
Singer Mark E. Smith said the song was written about "the ageism thing, where people are supposed to be screwed after they're 29", directed towards middle-aged men who are "hard livers with hard livers; faces like unmade beds", and that the song was intended to represent "the people in the pubs where I go are 48 or 50, but they've got more guts than all these other preeners. In every generation, you get this core of spirit, and they never lose it.". [1] The track is grounded by a rockabilly-beat, described by journalist David Wilkinson as chosen due to its being a rhythm that would "likely have been to the taste of a middle-aged working class Mancunian in 1979". [2] Simon Reynolds saw it as "a coruscating portrait of one of Manchester's finest sons, the hard-bitten product of five generations of industrial life...a forty-five-year-old pub stalwart who's spent three decades on the piss, ignoring the pain from his long-suffering kidneys", also speculating that Jack may be an amphetamine user. [3]
Smith stated in a Sounds interview at the time of the single's release that Jack was "the sort of guy I can see myself as in twenty years". [3]
The single was recorded at Foel Studios in Llanfair Caereinion, Powys, Wales in October 1979, and produced with Geoff Travis and Mayo Thompson, who had accepted Smith's invitation to work on the sessions. [4] Smith recorded the vocals for "Fiery Jack" in the studios' courtyard as he liked the echo that it created. [4] It was released in January 1980 by Step-Forward, the band's last release on the label before moving to Rough Trade Records. As well as "Fiery Jack", the band recorded the B-side tracks "2nd Dark Age" and "Psykick Dancehall #2" (a song originally released on their Dragnet album), and "That Man", which wasn't included, but was later released on the Totale's Turns album.
The sleeve's artwork was designed by Smith's sister Suzanne, with text by Mark E. Smith which mentioned Roman Totale XVII (one of several references to this character in the band's early releases), and claiming the contents of the single were found next to Totale's remains, "the results of experiments which took place in the remote Welsh hills one autumn" and urging the reader to "never unleash it on humanity". [5]
A live version was included on the 1980 album Totale's Turns , and the studio version has since been included on several compilations of the band's work.
"Fiery Jack" was chosen as 'Single of the Week' by Sounds . According to Mick Middles the song saw the band "perfecting pomposity, the Fall jump into the rough and raw world of rockabilly with confidence in excess. 'Fiery Jack' sees the band at their painful best, a number that glides on and on and on." [6]
The single entered the UK Independent Chart on 23 February 1980, peaking at number 4, and spent twenty weeks on the chart. [7] "Fiery Jack" was voted by listeners to John Peel's BBC Radio 1 show at number 38 in the 1980 Festive Fifty. [8]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Fiery Jack" | Mark E. Smith, The Fall | 4:46 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "2nd Dark Age" | The Fall | 2:00 |
2. | "Psykick Dancehall #2" | Craig Scanlon, Marc Riley, Mark E. Smith | 3:36 |
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon and Brix Smith; and bassists Marc Riley, Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
The Birthday Party were an Australian post-punk band, active from 1977 to 1983. The group's "bleak and noisy soundscapes," which drew irreverently on blues, free jazz, and rockabilly, provided the setting for vocalist Nick Cave's disturbing tales of violence and perversion. Their 1981 single "Release the Bats" was particularly influential on the emerging gothic scene. Despite limited commercial success, The Birthday Party's influence has been far-reaching, and they have been called "one of the darkest and most challenging post-punk groups to emerge in the early '80s."
Mark Edward Smith was an English singer, who was the lead singer, lyricist and only constant member of the post-punk group the Fall. Smith formed the band after attending the June 1976 Sex Pistols gig at the Lesser Free Trade Hall in Manchester and was its leader until his death. During their 42-year existence, the Fall's line-up included some sixty musicians, with whom Smith released 32 studio albums and numerous singles and EPs.
Slates is an EP by the Fall, released on 27 April 1981 by Rough Trade Records. It was one of singer Mark E. Smith's favourite Fall releases, and he claimed it was aimed at "people who didn't buy records".
Totale's Turns (It's Now or Never) is a (mostly) live album by the Fall, released on 5 May 1980.
This Nation's Saving Grace is the eighth studio album by the English post-punk band the Fall, released in 1985 by Beggars Banquet.
"White Riot" is a song by English punk rock band the Clash, released as the band's first single in March 1977 and also included on their self-titled debut album.
Room to Live, subtitled Undilutable Slang Truth!, is the fifth studio album by English post-punk band the Fall. It was released on 27 September 1982 through record label Kamera.
Dragnet is the second studio album by English post-punk band the Fall, released on 26 October 1979 through Step-Forward Records. Appearing less than eight months after its predecessor, Live at the Witch Trials,Dragnet established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Blue Orchids are an English post-punk band formed in Manchester in 1979, when Martin Bramah left the Fall, after playing on the band's debut album Live at the Witch Trials. Christened by Salford-based punk poet John Cooper Clarke the band recorded for Rough Trade and acted as backing band for the Velvet Underground's Nico before a 25-year period of intermittent activity and fluctuating line-ups.
The Marshall Suite is a 1999 album by the Fall, their 20th. The album builds on the techno-influenced beats of its predecessor Levitate (1997), while also returning to a more rockabilly-influenced sound reminiscent of earlier Fall lineups with songs such as the catchy "Touch Sensitive" and the strange, complex, thumping jungle beats of "The Crying Marshal". The album was long out of print, but a new three-disc edition was released in the summer of 2011.
"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful Of Hollow in 1984.
"Complete Control" is a song by The Clash, released as a 7" single and featured on the U.S. release of their debut album.
Extricate is the 12th album by post-punk band the Fall. It was made immediately after bandleader Mark E. Smith divorced guitarist Brix Smith. Brix's departure helped define the sound of this album: her background vocals and relatively pop-oriented guitar, which had become mainstays of The Fall, are noticeably absent in this release. In one of the more unusual events in the group's career, she was replaced by founding former member Martin Bramah, who had previously left the group in 1979 to form his own group Blue Orchids.
"Hang On to Yourself" is a song written by English singer-songwriter David Bowie in 1971 and released as a single with his band Arnold Corns. A re-recorded version, recorded in November 1971 at Trident Studios in London, was released on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. The main riff is representative of glam rock's influence as a bridge between 1950s rock and roll, specifically rockabilly, and the punk to come; it draws on rockabilly influences such as Eddie Cochran, in a way that would influence punk records such as "Teenage Lobotomy" by Ramones.
Cerebral Caustic is the seventeenth full-length studio album by English post-punk group The Fall, released in 1995 on Permanent Records. It spent one week on the UK Albums Chart at number 67, 19 places lower than its predecessor Middle Class Revolt, marking the end of one of the group's relatively more successful periods.
"Rowche Rumble" is a 1979 song by British post-punk band the Fall, written by Mark E. Smith, Craig Scanlon and Marc Riley. Released as the band's third single, it was the first record by the Fall to reach a recognised national chart when it reached number 31 on the indie chart in January 1980, the first month of that chart's existence.
"Theme from Sparta F.C." is a song by British post-punk band the Fall, written by Mark E. Smith with band members Ben Pritchard and Jim Watts.
"Suspect Device" is the debut single by Northern Irish punk band Stiff Little Fingers, released on 17 March 1978.