Seminal Live | ||||
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Studio album / Live album by | ||||
Released | 26 June 1989 | |||
Recorded | 1988 in Vienna and Manchester, 1989 in Rochdale and Edinburgh | |||
Genre | Post-punk | |||
Length |
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Label | Beggars Banquet | |||
Producer | ||||
The Fall chronology | ||||
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Seminal Live is a 1989 album by English rock band The Fall, recorded partly in the studio and partly at live performances in 1988. The album was the last to be released by the group through Beggars Banquet Records, and as such is often seen as a "contractual obligation" album. It was also the last Fall album to feature Brix Smith, former wife of the lead singer Mark E. Smith, until her return for 1995's Cerebral Caustic .
The studio recordings on Seminal Live were all new songs and make up the first five tracks of the album—side one on the original vinyl release. The live recordings on side two, meanwhile, are all versions of previously-released tracks.
In a 2006 interview with The Pseud Mag fanzine, keyboardist Marcia Schofield called Seminal Live "the worst piece of shit I have ever worked on [...] Talk about exhausted and out of ideas. It was one of those-we've just come off tour and have to make a record so what shit covers can we bung on it?-album". [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Alternative Press | favourable [3] [4] |
Hi-Fi News & Record Review | A:1 [5] |
NME | 6/10 [6] |
Record Mirror | 3/5 [7] |
Critical response to the album was somewhat mixed. Andrew Collins, writing in the NME , suggests: "Seminal Live is worse than an intellectual letdown, it's a tease". [6] The songs themselves also provoked a variety of responses from journalists. Jason Pettigrew of the Alternative Press writes: "For pure weirdness value, look no further than "Mollusc in Tyrol", a musique concrete rave-up on top of a Neubauten "Yu-Gung" rhythm track that's been buried alive". [8] [4] A reviewer for the Record Mirror , by contrast, says: "'Mollusc In Tyrol' is a totally unbearable drone which should never have found its way from the vaults". [9] Jim Sullivan, for The Boston Globe , also singled out "Mollusc in Tyrol" as a "monotonous irritant", but stated that if the album "doesn't rank with the overall best of the Fall, it is a holding pattern that should neatly please and agitate". [10]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dead Beat Descendant" | Mark E. Smith, Brix Smith | 2:25 |
2. | "Pinball Machine" | Lonnie Irving | 2:53 |
3. | "H.O.W." | M. Smith | 4:18 |
4. | "Squid Law" | M. Smith, Craig Scanlon, Steve Hanley | 3:42 |
5. | "Mollusc in Tyrol" | M. Smith, Craig Leon | 5:10 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "2 × 4" | M. Smith, B. Smith | 3:55 |
2. | "Elf Prefix"/"L.A." | M. Smith, B. Smith | 5:02 |
3. | "Victoria" | Ray Davies | 2:57 |
4. | "Pay Your Rates" | M. Smith | 3:52 |
5. | "Introduction"/"Cruisers Creek" | M. Smith, B. Smith | 6:58 |
Total length: | 41:13 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dead Beat Descendant" | M. Smith, B. Smith | 2:25 |
2. | "Pinball Machine" | Irving | 2:53 |
3. | "H.O.W." | M. Smith | 4:18 |
4. | "Squid Law" | M. Smith, Scanlon, Hanley | 3:42 |
5. | "Mollusc in Tyrol" | M. Smith, Leon | 5:10 |
6. | "Kurious Oranj" (live) | M. Smith, Hanley, Simon Wolstencroft | 5:59 |
7. | "Frenz" (live) | M. Smith | 5:23 |
8. | "Hit the North" (live) | M. Smith, Simon Rogers, B. Smith | 3:12 |
9. | "2 × 4" (live) | M. Smith, B. Smith | 3:55 |
10. | "Elf Prefix"/"L.A." (live) | M. Smith, B. Smith | 5:02 |
11. | "Victoria" (live) | Davies | 2:57 |
12. | "Pay Your Rates" (live) | M. Smith | 3:52 |
13. | "Introduction"/"Cruisers Creek" (live) | M. Smith, B. Smith | 6:58 |
14. | "In These Times" (live) | M. Smith | 4:12 |
Total length: | 59:59 |
with:
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon and Brix Smith; and bassists Marc Riley, Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
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