Cerebral Caustic | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 27 February 1995 | |||
Recorded | 1994 in London | |||
Genre | Post-punk | |||
Length | 42:15 | |||
Label | Permanent Records | |||
Producer | ||||
The Fall chronology | ||||
|
Cerebral Caustic is the seventeenth full-length studio album by English post-punk group The Fall, released in 1995 on Permanent Records. It spent one week on the UK Albums Chart at number 67, 19 places lower than its predecessor Middle Class Revolt , marking the end of one of the group's relatively more successful periods.
Guitarist and former Fall member Brix Smith returned to the lineup, having rejoined the group for live shows in 1994 after quitting in 1989. She and ex-husband Mark E. Smith had come to an agreement that she would stay in Los Angeles and fly to the UK whenever needed for live performances and recording. [1] Her impact was immediate, and she co-wrote five of this album's 12 tracks. [2] Other tracks included a Frank Zappa cover ("I'm Not Satisfied") and a re-recording of a 1990 B-side, "Life Just Bounces". Nevertheless, sales were lower than with other recent albums, and the group, always a busy touring act, performed just 16 times during the year. [3] Cerebral Caustic turned out to be the beginning of a period of considerable turbulence for the group; having not dismissed anyone since 1990, Smith sacked keyboardist Dave Bush by letter shortly after the album's completion. Guitarist Craig Scanlon, who had been with the band for 16 years and co-authored over 120 songs, would be sacked during the sessions for the epic single "The Chiselers" at the end of the year. Smith later admitted to MOJO magazine that he had developed a drink problem during this period and he accepted that this had impacted upon the group. Scanlon's dismissal is the only sacking that Smith publicly regretted. [ citation needed ]
The album's title is taken from a review in The Boston Globe by Jim Sullivan of the band's 1994 album Middle Class Revolt. [4]
There were long-standing rumours that an alternative, superior mix of this album existed, partly fuelled by Smith's statement in an interview released to the press on a promotional cassette that he and Karl Burns had re-recorded the guitars after the rest of the group had been ejected from the studio. This claim was later clarified by Smith in an interview included on the Castle Music reissue's bonus disc as referring only to opening track "The Joke". In Simon Ford's Hip Priest, Dave Bush was quoted as claiming to have been virtually erased from the album during the mixing process. The original "rough" mixes were included on the 2006 double-CD reissue by Castle Music and showed no major differences from the released version; the sound is harsher (possibly the result of being mastered from a copy of the cassette), but Bush is no more prominent.
The album again featured sleeve art by Pascal Le Gras. Brix Smith said of the artwork in her 2017 book The Rise, The Fall & the Rise:
"If that LP isn't the worst Fall album, it definitely has the worst cover art. When I see it now, the skull clown is Mark. It's prophetic. He looks like a fucking skull and he acts like a fucking clown. It's him. It's life imitating art and art imitating life". [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [5] |
The Boston Globe | neutral [4] |
NME | 4/10 [6] |
Critical reception for Cerebral Caustic was mixed. Ned Raggett, reviewing it for AllMusic, gave it three stars, stating "Generally the band sounds like they're having a great time...Smith himself sounds a touch disconnected around the edges, but makes up for it with some interesting vocal treatments and sudden interjections to leaven things up." [5] Jim Sullivan, reviewing the album for The Boston Globe, called it "another jagged pill from this long-churning engine of gleeful bile 'n' vitriol". [4] John Harris, in the NME , gave it 4/10, saying the album "can't help but flip into moments that are worryingly generic" and that "the band sound unremarkable". [6] Trouser Press viewed it as a "prime-slice Fall in all its caustic, cerebral glory. Rich with barbed hooklines and canny catch-phrases from a band that continues to refine its deliciously jagged edge, Cerebral Caustic is the best Fall album in years and a good omen for its future." [2] The New Rolling Stone Album Guide describes Cerebral Caustic as "a furious return to noisy, reckless rant form". [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Joke" | Mark E. Smith, Brix Smith | 2:49 |
2. | "Don't Call Me Darling" | M. Smith, Craig Scanlon | 3:35 |
3. | "Rainmaster" | M. Smith, B. Smith | 3:27 |
4. | "Feeling Numb" | M. Smith, B. Smith | 2:45 |
5. | "Pearl City" | M. Smith, Karl Burns, Mike Bennett | 2:46 |
6. | "Life Just Bounces" | M. Smith, Scanlon | 4:47 |
7. | "I'm Not Satisfied" | Frank Zappa | 2:56 |
8. | "The Aphid" | M. Smith, B. Smith, Scanlon, Steve Hanley, Simon Wolstencroft | 2:46 |
9. | "Bonkers in Phoenix" | M. Smith, B. Smith | 6:02 |
10. | "One Day" | M. Smith, Dave Bush | 3:31 |
11. | "North West Fashion Show" | M. Smith, Burns | 3:30 |
12. | "Pine Leaves" | M. Smith, Scanlon, Hanley, Burns | 3:40 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Middle Class Revolt!" (The Prozac Mix) | M. Smith, Scanlon, Hanley | 7:19 |
14. | "Middle Class Revolt!" (The Orange in the Mouth Mix) | M. Smith, Scanlon, Hanley | 7:51 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Glam Racket - Star" (John Peel Session, recorded 20 November 1994) | Smith, Scanlon, Hanley | 3:23 |
2. | "Jingle Bell Rock" (John Peel Session, recorded 20 November 1994) | Joe Beal, Jim Boothe | 1:10 |
3. | "Hark the Herald Angels Sing" (John Peel Session, recorded 20 November 1994) |
| 3:11 |
4. | "Numb at the Lodge" (John Peel Session, recorded 20 November 1994) | M. Smith, B. Smith | 3:07 |
5. | "One Day" (pre-release rough mix) | M. Smith, Bush | 3:36 |
6. | "Rainmaster" (pre-release rough mix) | M. Smith, B. Smith | 3:34 |
7. | "Feeling Numb" (pre-release rough mix) | M. Smith, B. Smith | 2:55 |
8. | "The Joke" (pre-release rough mix) | M. Smith, B. Smith | 2:44 |
9. | "Don't Call Me Darling" (pre-release rough mix) | M. Smith, Scanlon | 3:46 |
10. | "Pearl City" (pre-release rough mix) | M. Smith, Burns, Bennett | 3:01 |
11. | "Life Just Bounces" (pre-release rough mix) | M. Smith, Scanlon | 4:59 |
12. | "I'm Not Satisfied" (pre-release rough mix) | Zappa | 3:19 |
13. | "The Aphid" (pre-release rough mix) | M. Smith, B. Smith, Scanlon, Hanley, Wolstencroft | 2:57 |
14. | "Bonkers in Phoenix" (pre-release rough mix) | M. Smith, B. Smith | 6:15 |
15. | "One Day" (Rex Sargeant mix) | M. Smith, Bush | 3:37 |
16. | "Bonkers in Phoenix" (alternate mix) | M. Smith, B. Smith | 6:21 |
17. | "Mark E. Smith and Brix Smith promo interview" | 7:39 |
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Marc Riley, Craig Scanlon and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
This Nation's Saving Grace is the eighth studio album by English post-punk band the Fall, released in 1985 by Beggars Banquet. The lyrics and singing melodies were written by vocalist Mark E. Smith, with a portion of the music composed by his newly wed wife American Brix Smith, who joined the band just before their previous album The Wonderful and Frightening World Of... (1984).
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
Brix Smith is an American singer and guitarist, best known as the lead guitarist and a major songwriter for the English post-punk band The Fall during two stints in the band.
The Wonderful and Frightening World Of... is the seventh studio album by English musical group the Fall, released in October 1984. It was the band's first album after signing to the Beggars Banquet label. Newcomer Brix Smith co-wrote three of the tracks, ushering in a relatively pop-oriented sound for the group. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.
The Infotainment Scan is the fifteenth album by The Fall, released in 1993 on Permanent Records in the UK and by Matador Records in the USA. At the time of its release, it was considered the band's most accessible album and came when the band were experiencing unprecedented recognition in the media. It entered the UK Albums Chart at number 9, making it their highest-charting album.
Extricate is the 12th album by post-punk band the Fall. It was made immediately after bandleader Mark E. Smith divorced guitarist Brix Smith. Brix's departure helped define the sound of this album: her background vocals and relatively pop-oriented guitar, which had become mainstays of The Fall, are noticeably absent in this release. In one of the more unusual events in the group's career, she was replaced by founding former member Martin Bramah, who had previously left the group in 1979 to form his own group Blue Orchids.
Seminal Live is a 1989 album by English rock band The Fall, recorded partly in the studio and partly at live performances in 1988. The album was the last to be released by the group through Beggars Banquet Records, and as such is often seen as a "contractual obligation" album. It was also the last Fall album to feature Brix Smith, former wife of the lead singer Mark E. Smith, until her return for 1995's Cerebral Caustic.
Shift-Work is the 13th album by English rock band the Fall, released through Phonogram Records in 1991. The Fall started working on the album in 1990 while touring in support of Extricate. Mark E. Smith sacked guitarist Martin Bramah and keyboardist Marcia Schofield immediately after the Australian leg of the tour, reducing the lineup to four for the first time in band's history. Only one song ("Rose") from the sessions with Bramah and Schofield eventually appeared on the album. Several tracks were released as the Dredger EP in August 1990, including "Life Just Bounces", which would later be re-recorded for Cerebral Caustic. The Fall's first release with a reduced lineup was the single "High Tension Line" in December 1990.
Code: Selfish is a 1992 LP by British rock band The Fall. Their 14th full-length studio album, it entered the UK chart at number 21, although it spent only one week on the chart.
Middle Class Revolt is the sixteenth album by the Fall, released in 1994 in the UK on Permanent Records and in the US on Matador Records. It spent one week on the UK Albums Chart at number 48, a marked contrast to the top 10 debut of their preceding album, The Infotainment Scan. The album's full title is Middle Class Revolt A/K/A The Vapourisation Of Reality. Drummer Karl Burns features for the first time since 1985's This Nation's Saving Grace, having rejoined the band in 1993.
Levitate is the 19th album by The Fall, released in 1997 on Artful Records. Levitate became the last album to feature two long-time Fall members, drummer Karl Burns and bass player Steve Hanley.
The Twenty-Seven Points is a double album by the Fall, released in 1995. Subtitled "Live 92-95" the album consists of live recordings made in various locations between 1991 and 1995, but also contains 2 previously unheard studio tracks as well as some mildly diverting interludes. Credits on the album are sketchy but the front cover lists the cities in which the tracks were recorded; Prague, Tel Aviv, London, Glasgow, New York City and Manchester.
Craig Antony Scanlon is an English guitarist, best known as a member of the Fall between 1979 and 1995. Despite his surname being spelled 'Scanlon' he was wrongly credited as 'Craig Scanlan' on every record he featured on for the Fall up until and including the 7" single "Lie Dream of a Casino Soul" in 1981. During his tenure he was a stalwart member for 17 albums and co-wrote over 120 of the group's songs; singer Mark E. Smith excepted, this tally is unmatched by any other musician to have passed through the group.
"Rowche Rumble" is a 1979 song by British post-punk band the Fall, written by Mark E. Smith, Craig Scanlon and Marc Riley. Released as the band's third single, it was the first record by the Fall to reach a recognised national chart when it reached number 31 on the indie chart in January 1980, the first month of that chart's existence.
"Hit the North" is a 1987 song by British post-punk band the Fall. The lyrics are by vocalist Mark E. Smith accompanied with music written by Simon Rogers and Brix Smith. It was released as a single in October 1987 and reached number 57 on the UK singles chart.
"Hey! Luciani" is a song by British post-punk band the Fall, written by Mark E. Smith with his then-wife Brix Smith and longstanding band member Steve Hanley. Released in December 1986, the record reached number 59 on the UK singles chart, the band's first original song to make the top 75 of the chart. The song was written as part of Smith's play, Hey! Luciani: The Life and Codex of John Paul I, concerning conspiracy theories about the 1978 death of the Pope, which was performed for two weeks in London and starred Leigh Bowery.
"I Am Damo Suzuki" is a song by the English Post-punk band The Fall released on their 1985 album This Nation's Saving Grace. It was written in tribute to the Japanese ex-pat vocalist Damo Suzuki of the Krautrock group Can, whom Fall vocalist Mark E. Smith consistently described as a major influence. Smith's lyrics describe and evoke Suzuki's stage presence and singing style. The music was composed by guitarist Brix Smith and drummer Karl Burns. Described as spectral, the music is heavily influenced by the 1971 Can song "Oh Yeah", but also contains elements of other Can tracks such as "Bel Air" (1973), "Gomorrah" (1974) and "Midnight Men" (1977).
"Paint Work" is a 1985 song by the English Post-punk band The Fall that first appeared on their album This Nation's Saving Grace. Widely considered the high-point of the album, the track was described in 2019 as "absolutely sublime" by Vulture, and as "mildly psychedelic" in 2011 by critic Mick Middles.
A web page about the launch of Cerebral Caustic from Invisiblegirl.co.uk