| Fall in a Hole | ||||
|---|---|---|---|---|
 | ||||
| Live album by | ||||
| Released | December 1983 | |||
| Recorded | Mainstreet Cabaret, Auckland, 21 August 1982 | |||
| Genre | Post-punk | |||
| Length | 88:15 | |||
| Label | Flying Nun Records | |||
| Producer | Chris Knox | |||
| The Fall chronology | ||||
| ||||
Fall in a Hole is a live album by the Fall, recorded in Auckland in August 1982 and released in December 1983 on the Flying Nun label of New Zealand.
The album was recorded at the last show of the group's 1982 tour of Australia and New Zealand, at Mainstreet Cabaret in Auckland on 21 August 1982, after Chris Knox got the band's agreement to record it, and the first disc of the album is taken from Knox's four-track tape recording through the mixing desk. [1] Knox ran out of tape, so the later songs were taken from cassette recordings by others. [1] [2] There is a detectable difference in the sound quality between the two discs due to the differing sources.
Consisting of one 33 rpm record and one 45 rpm record, Fall in a Hole captures the group fresh from the relative commercial success of Hex Enduction Hour and debuting songs from its followup, Room to Live .
The sleeve (designed by Knox) features a clipping from the front page of Christchurch Press showing a photo of Marc Riley with a caption of "Happy Fall guitarist", although Riley had left the band by the time of the album's release. [1] [3]
The album was originally only released in New Zealand in December 1983. [1] However, a small number were exported to the UK early in 1984 and, in the sleeve notes for the 2002 UK CD edition, Chris Knox, who had recorded the show, stated that Mark E. Smith had been very unhappy at copies appearing in the UK and that exports ceased at his request. [2] The album immediately became a highly valued collector's item. Smith demanded all of the profits from the album, putting Flying Nun in a precarious financial position and delaying several of the label's other releases. [1] [2] [4]
Often referred to as simply In a Hole, the album has been reissued on CD three times, the first attempt (Cog Sinister 1997) being mastered from a scratched bootleg copy, complete with uncorrected vinyl skips. [1] A 2002 reissue (titled Fall in a Hole + and issued through Voiceprint) was remastered from a superior vinyl copy and also added additional tracks from other dates on the tour. The most recent incarnation (Castle Music, 2006) duplicated the musical content of the 2002 edition exactly but restored the original title, omitting the "+". [5]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [6] |
AllMusic's Ted Mills gave it three and a half stars, saying "the band is mostly tight, though the drumming gets a bit ropey in places, but perfection was never the Fall's reason for being". [6] The New Rolling Stone Album Guide describes it as an "excellent live album". [7] In the view of writers for Trouser Press , "recording quality, execution and song selection are superb". [8]
All writing credits are as per the 2006 edition.
The Fall were an English post-punk group, formed in 1976 in Prestwich, Greater Manchester. They underwent many line-up changes, with vocalist and founder Mark E. Smith as the only constant member. The Fall's long-term musicians included drummers Paul Hanley, Simon Wolstencroft and Karl Burns; guitarists Craig Scanlon, Marc Riley, and Brix Smith; and bassist Steve Hanley, whose melodic, circular bass lines are widely credited with shaping the band's sound from early 1980s albums such as Hex Enduction Hour to the late 1990s.
The Clean was a New Zealand indie rock band formed in Dunedin in 1978. They have been described as the most influential band to come from the Flying Nun label, which recorded many artists associated with the "Dunedin sound", and one of the first bands to be described as "indie rock".
Straitjacket Fits formed in Dunedin, New Zealand in 1986 and were a prominent band in the Flying Nun label's second wave of the Dunedin sound.
Slates is an EP by the Fall, released on 27 April 1981 by Rough Trade Records. It was one of singer Mark E. Smith's favourite Fall releases, and he claimed it was aimed at "people who didn't buy records".
Totale's Turns (It's Now or Never) is a (mostly) live album by the Fall, released on 5 May 1980.
Room to Live, subtitled Undilutable Slang Truth!, is the fifth studio album by English post-punk band the Fall. It was released on 27 September 1982 through record label Kamera.
Able Tasmans were an indie pop band from Auckland, New Zealand, initially formed as a duo in 1983. They released four albums and two EPs on Flying Nun Records before splitting up in 1996.
Dragnet is the second studio album by English post-punk band the Fall, released on 26 October 1979 through Step-Forward Records. Appearing less than eight months after its predecessor, Live at the Witch Trials,Dragnet established at an early stage two key patterns characteristic of the group's future: that of high productivity and that of a regular turnover of group members.
Perverted by Language is the sixth studio album by English post-punk group The Fall, released in December 1983 on Rough Trade Records.
The Wonderful and Frightening World Of... is the seventh studio album by English musical group the Fall, released in October 1984. It was the band's first album after signing to the Beggars Banquet label. Newcomer Brix Smith co-wrote three of the tracks, ushering in a relatively pop-oriented sound for the group. Paul Hanley left the band immediately after the accompanying UK tour, ending the group's distinctive "twin drummers" period.
Cerebral Caustic is the seventeenth full-length studio album by English post-punk group The Fall, released in 1995 on Permanent Records. It spent one week on the UK Albums Chart at number 67, 19 places lower than its predecessor Middle Class Revolt, marking the end of one of the group's relatively more successful periods.
The Light User Syndrome is the 18th album by the Fall, released in 1996 on Jet Records. It was the group's first album to feature keyboard player and guitarist Julia Nagle and the last to feature Brix Smith, while longtime guitarist Craig Scanlon was fired in late 1995 during troubled recording sessions for "The Chiselers" single which preceded the album. A version of "The Chiselers" is included on the album as "Interlude/Chilinism".
Levitate is the 19th album by The Fall, released in 1997 on Artful Records. Levitate became the last album to feature two long-time Fall members, drummer Karl Burns and bass player Steve Hanley.
The Twenty-Seven Points: Live 92–95 is a double album by the Fall, released in 1995. The album consists of live recordings made in various locations between 1991 and 1995, but also contains interludes and two previously unheard studio tracks. Credits on the album are sketchy but the front cover lists the cities in which the tracks were recorded; Prague, Tel Aviv, London, Glasgow, New York City and Manchester.
The Venus Trail is an album by the New Zealand band the 3Ds, released in 1993. The album was released by Merge Records in the United States.
A Part of America Therein, 1981 is a live album by the Fall, recorded on their 1981 U.S. tour and originally released only in the U.S. in 1982.
Bilders is a New Zealand music group of varying lineups that produced a string of self-recorded 7-inch vinyl releases between 1980 and 1982 leading to Beatin Hearts, the first studio-album from fledgling New Zealand independent record label 'Flying Nun Records'.
Beatin Hearts is the debut studio album by New Zealand band Builders. It was recorded in August 1982 and released in 1983. Characteristically for the band, the album caused typographical difficulties for critics writing about the album, as its title contains an ambiguous character. The capital "I" of the word "Beatin" contains a cross bar in the centre, so that it doubles as an "E". The title may therefore be read as both "Beatin' Hearts" and "Beaten Hearts".
"Rowche Rumble" is a 1979 song by British post-punk band the Fall, written by Mark E. Smith, Craig Scanlon and Marc Riley. Released as the band's third single, it was the first record by the Fall to reach a recognised national chart when it reached number 31 on the indie chart in January 1980, the first month of that chart's existence.
Hip Priest and Kamerads is a 1985 compilation album by British rock band The Fall, containing tracks taken from their releases on the Kamera label together with a previously unreleased live track from the same era. It was subsequently reissued with a further four live tracks added.
